14/11/2023
Review: “Behind the Veil” by Jason Ricci and The Bad Kind
Written by Poppa Nite and published by Radio IDL @2023
There’s something mythic and magical about the blues harmonica. Like the legends of the Delta, you can pull that tin sandwich out of your hip pocket and conjure up a mournful tune when you’re down at the crossroads and down on your luck. Conversely, you can whip out your magic harp and lay down a foot-stomping rhythm so irresistible it’d start a party in an empty house.
On his latest album, the third with his new band, the Bad Kind, harmonica wunderkind Jason Ricci gives us a heaping helping of both on “Behind the Veil”, referencing the mythic heroes of the genre while creating harmonica magic that’s original to him.
Ricci has been around the block with several bands, including his previous spell as frontman with New Blood, and he has sideman credits with such luminaries as Johnny Winter, Walter Trout, and Ana Popovic, so he’s accustomed to working with top-shelf musicians. This latest edition of the Bad Kind continues that trend. Brent Johnson replaces John Lisi on guitar for “Behind the Veil” while Jack Joshua plays bass and sings and John Perkins mans the drums. Boston singer Kaitlin Dibble wrote a couple of the songs and provides backing vocals throughout while taking the lead on some numbers. Joe Krown guests on piano and Hammond B3 organ, Lauren Mitchell provides backup vocals, and there’s a special treat for blues guitar aficionados as Joanna Connor steps in for Dibble’s “No Way”.
“Behind the Veil” leads off with “Casco Bay”, a Jason Ricci original. Ricci provides an emotive vocal while taking the blues harp into Kurt Weill/Lotte Lenya's territory. There’s a “Dark Cabaret” flavor to the Bad Kind’s work that’s reminiscent of Tom Waits or Marianne Faithful’s later recordings, as the burlesque atmosphere of this track highlights.
The lead single from the album, “5-10-15”, was recorded by Ruth Brown back in the early ‘50s and made it to number 1 on the R&B charts. (Brown’s version was called “5-10-15 Hours”, but who’s counting?) Kaitlin Dibble does a fine job of channeling the formidable Ms. Brown, and guitarist Johnson also shines on this track. Adding Joe Krown’s keyboard to the mix was an inspired move: the piano fills provide a counterpoint to the vocal and allow Ricci to lay back until his harp solo takes center stage.
Jason Ricci co-wrote the instrumental “Baked Potato” with long-time song-writing partner Shawn Stachurski. It’s an opportunity for Ricci to show off his incredible chops and trade licks with Johnson, who’s no slouch himself. Ricci and Johnson penned “Why Don’t We Sleep On It”, a witty duet between Ricci and Dibble, who play the squabbling couple over a funked-up bass line from Jack Joshua. “Cirque du Soleil”, written by bassist Joshua, takes us back to the “Dark Cabaret” atmosphere of the opening cut.
With the release of his new album, Jason Ricci has cemented a place on the list of harmonica greats. “Behind the Veil” isn’t just a showcase for the harpist’s virtuosity, however: Ricci has surrounded himself with musicians who contribute to the production with their own flavor, influences, and creative ideas. Roots Music Report Blues Matters Magazine Blues Blast Magazine