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Whitelies Magazine A cultural dialog between Europe and the Asia Pacific

Issue #010 – PATIENCE

– Available at stores worldwide and online from December 15 2021 –

Contents:
Hermès, Mirai Moriyama, Cho Gi Seok, Osamu Yokonami, Nicole Maria Winkler, Shintaro Sakamoto, Andrea Rosso, William Forsythe, Diana Campbell, Charlotte Lapalus, Olivier Polge, Brendan George Ko, Vasantha Yogananthan, Hanayo

Price: 15 €
Language: English
Pages: 208
Size: 22 x 29 cm
Printed Germany

Act XII - ‘The Filial Daughter’ by Berlin-based photographer Mengyu Zhou offers a glimpse into her personal series “The ...
30/12/2023

Act XII - ‘The Filial Daughter’ by

Berlin-based photographer Mengyu Zhou offers a glimpse into her personal series “The Filial Daughter”, captured earlier this year in her hometown Wenzhou, China, featuring her cousin Orange. Despite having shared formative moments of their childhood together, their life paths diverged as they grew into adulthood. This story is one of grief, dreams without fulfilment, and the challenge of reconciling with societal expectations. This ongoing photographic series ruminates upon the intricate struggle between a yearning for liberation from norms and the notion of self-sacrifice in service of family.

Issue #12 is on sale now via the link in bio and in selected retailers across the globe.

Act VI - ‘Sanzu-no-Kawa’ by Beyond the frenetic heart of Tokyo, Jun Yasui has created a story inspired by the concept of...
05/12/2023

Act VI - ‘Sanzu-no-Kawa’ by

Beyond the frenetic heart of Tokyo, Jun Yasui has created a story inspired by the concept of the Sanzu-no-Kawa, which translates as River of Three Crossings, or Sanzu River. In Japanese Buddhist tradition, this mythical river bears resemblance to the Greek concept of the Styx, the main underworld river that the ferryman Charon would take the souls of the dead across into Hades.

Issue #12 is on sale now via the link in bio and in selected retailers across the globe.

Photography: Jun Yasui
Styling: Shotaro Yamaguchi
Art Direction: Kevin Pfaff
Model: Marina .1126 .jp
Make-Up: Dash .0627
Hair Stylist: Kazuhiro Naka

Act II - ‘Botanica’ by Tom BarilTom Baril, renowned for his role as the printmaker for artist Robert Mapplethorpe and a ...
20/11/2023

Act II - ‘Botanica’ by Tom Baril

Tom Baril, renowned for his role as the printmaker for artist Robert Mapplethorpe and a genuine photographic hero of ours, graces this issue with his series “Botanic”. In these images, he celebrates the transient and ephemeral qualities shared by both life and nature. Baril’s lens captures those fleeting moments of beauty that often slip from our hurried gaze. Baril’s photographs transcend mere representations of objects to become meditations on the fragility of existence.

Frittalaria (492) - 1996
Toned vintage gelatin silver print

Special Thanks to the Robert Koch Gallery

Issue #12 is on sale now via the link in bio and in selected retailers across the globe.

In our latest release Lena C. Emery presents us with a story drawn from an excerpt of her forthcoming book “I Undressed ...
09/11/2023

In our latest release Lena C. Emery presents us with a story drawn from an excerpt of her forthcoming book “I Undressed to Climb a Tree” (2024). Olivier Kervern immortalizes moments that have passed. Stanislas Motz-Neidhart captures Sahteene Sednaoui in a story rich in symbolism. Stephane Sednaoui—on the other hand—has contributed a personal and tragic series titled “Sombre” (2023). In our ongoing collaboration with Chanel, we focus on the Fall-Winter 2023/24 Haute Couture collection—a presentation that unfolded with Chanel Artistic Director Virginie Viard’s portrayal of leisurely, Parisian life along the Seine in the height of summer.

Osamu Yokonami engages with the solitude, anonymity and restlessness that characterizes sprawling mega-metropolises. Beyond the frenetic heart of Tokyo, Jun Yasui has created a story inspired by the concept of the Sanzu-no-Kawa.

Robert Mapplethorpe’s printer Tom Baril graces this issue with his series “Botanic”. In these images, he celebrates the transient and ephemeral qualities shared by both life and nature. Photographer Mengyu Zhou offers a glimpse into her personal series “The Filial Daughter”, captured earlier this year in her hometown Wenzhou, China. Belgian artist Katrien de Blauwer appears in Whitelies once again with a suite of her distinctive collages, selected from her larger body of work “Why I Fear Red, Love Blue (and) Hate Yellow” (2022).

Issue #12 is on pre sale now on the link in the Bio.
Cover 4/4 by

Photography & Art Direction: Stefan Dotter
Styling: Mizuki Hirano
Model: Marina .1126 .jp
Casting: Shimana
Make-Up: Rie Shiraishi
Hair: Yu Nagatomo
Production: Home Agency

How to let go? This twelfth issue, aptly titled 'Closure,' marks the end of our journey in magazine format. Instead of p...
07/11/2023

How to let go? This twelfth issue, aptly titled 'Closure,' marks the end of our journey in magazine format. Instead of presenting a conventional 'best of' compilation or promising 'new beginnings,' we have chosen to delve into the theme of 'Closure' with all its nuances. This issue is not merely a farewell to Whitelies in magazine form; it's an opportunity for us to uphold our commitments and values to the highest standard. It goes beyond being just a goodbye; it is a visual expression of the beauty in 'Closure,' a celebration of parting, and an embrace of states of mourning.

Issue 12 is on pre sale now on the link in the Bio.

Cover 3/4 by wearing

Model: Sahteene Sednaoui @ Viva Models
Photography: Stanislas Motz-Neidhart
Styling: Joseph Ecorchard
Art Direction: Kevin Pfaff
Hair & Make Up: Eny Whitehead
Set Design: Marine Armandin
Casting: Aymeric

How to let go? This twelfth issue, aptly titled 'Closure,' marks the end of our journey in magazine format. Instead of p...
03/11/2023

How to let go? This twelfth issue, aptly titled 'Closure,' marks the end of our journey in magazine format. Instead of presenting a conventional 'best of' compilation or promising 'new beginnings,' we have chosen to delve into the theme of 'Closure' with all its nuances. This issue is not merely a farewell to Whitelies in magazine form; it's an opportunity for us to uphold our commitments and values to the highest standard. It goes beyond being just a goodbye; it is a visual expression of the beauty in 'Closure,' a celebration of parting, and an embrace of states of mourning.

Issue 12 is no on pre sale on the link in the bio.

Cover 2 / 4
Model: Esin Bicak ..wearing Haute Couture AW2023
Art Director: Kevin Pfaff
Photographer: Stefan Dotter
Stylist: Dimitri Riviere
Casting: Benedikt Hetz .htz
Make-Up: Hicham Ababsa
Hair: Massanori Yahiro @ Openspace Paris
Production: Home Agency

Whitelies Voices: chef for the Identity issue of Whitelies Magazine.Link in Bio.
07/12/2022

Whitelies Voices: chef for the Identity issue of Whitelies Magazine.

Link in Bio.

Whitelies Voices - Satoshi Kondo, art director and head designer of Issey Miyake for the Identity issue of . Link in bi...
05/12/2022

Whitelies Voices - Satoshi Kondo, art director and head designer of Issey Miyake for the Identity issue of .



Link in bio.

Mistranslate, an essay by Elaine Tam in the Identity issue of - link in Bio."Here I am again, because 嫲嫲 is “really g...
17/11/2022

Mistranslate, an essay by Elaine Tam in the Identity issue of - link in Bio.

"Here I am again, because 嫲嫲 is “really get- ting old now”, which is what has been said for as long as I have been able to make memories. Hong Kong is five in-flight meals away, and over 24 hours of travel door-to-door from where I reside in London."

An etymological investigation of the Japanese word “komorebi” reveals three key elements that lends insight to its defin...
17/11/2022

An etymological investigation of the Japanese word “komorebi” reveals three key elements that lends insight to its definition: 木 (ko), 漏れ (more), and 日 (bi). The first kanji 木 represents “tree”; 漏れ is the stem of the verb “moreru”, which means to leak out or come through; and 日 is day or sunlight. Correctly interpreted, komorebi means “the sunlight shining through the trees”. But komorebi is about the feeling, not just the image or sight. For speakers of Japanese, the word evokes a beautiful, warm and silent mental image of a natural setting, with sparkling rays of sunlight dispelling the shadows cast by trees.
de

photographed by for the Identity issue of

16/11/2022

Kiko Mizuhara - the Identity issue of

Director: Stefan Dotter
Cinematography: Azuki Ito
Talent: Kiko Mizuhara
Art Direction: Kevin Pfaff
Styling: Shotaro Yamaguchi
Production: Taka Arakawa
Coordinator: Azusa Nozaki
Production: Babylon
Post Production: Sheriff Projects Paris .projects
Music: Adult Living
Hair: Kazuhiro Naka
Make-up: Kanako Yoshida

Sandy Yu on Araya Rasdjarmrearnsook's body of work "Two Planets" in the Identity issue of - link in bio.
15/11/2022

Sandy Yu on Araya Rasdjarmrearnsook's body of work "Two Planets" in the Identity issue of - link in bio.

“I asked Araki to make me his apprentice, and he took me to a bar that same day. We were having drinks, and beside me he...
14/11/2022

“I asked Araki to make me his apprentice, and he took me to a bar that same day. We were having drinks, and beside me he took pictures the whole time. Then he explained, “You carefully change the film like this, thinking at the same time: may it come out well”. Over twenty years she became Araki’s only assistant. For Nomura, like Araki, “pictures became everything”.

Sakiko Nomura for the Identity issue of

WHITELIES Magazine 011 - The Identity Issue 身元Out now !www.whiteliesmagazine.com/shopWhy do we build Identities? In whic...
30/09/2022

WHITELIES Magazine 011 - The Identity Issue 身元
Out now !
www.whiteliesmagazine.com/shop

Why do we build Identities? In which instances are they expressions of passion and belonging, in which instances are they a spawn of fear? We are grateful to have had the chance to explore the theme of Identity from a great number of different voices and positions within the pages of this issue.

Contents
Kiko Mizuhara, Yoon Ahn, Terry Riley, Zhong Lin, Satoshi Kondo, Issey Miyake, Takashi Homma, Chan Wai Kwong, Sakiko Nomura, Araya Rasdjarmrearnsook, Chan Rim, Amanda Lee Koe, Juliette Abitbol, Edouard Sanville, Bennie Gay & Lary

Cover
Kiko Mizuhara
photographed by Stefan Dotter

Characteristics
Envelope: Hand-crafted Swiss paper
Language: English
Pages: 208
Size: 22 cm x 29 cm
Printed and crafted in Germany
ISSN: 2363-8745

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Kiko Mizuhara - the Identity issue of #whiteliesmagazine Director: Stefan Dotter @stefandotter Cinematography: Azuki Ito @hazukic_c Talent: Kiko Mizuhara @i_am_kiko Art Direction: Kevin Pfaff @studiokevinpfaff Styling: Shotaro Yamaguchi @sh0tar0y Production: Taka Arakawa @takaresaka Coordinator: Azusa Nozaki @yayanozak Production: Babylon @babylon Post Production: Sheriff Projects Paris @sheriff.projects Music: Adult Living @maxdorsogna Hair: Kazuhiro Naka @kazhironaka Make-up: Kanako Yoshida @kanakoyoshidamakeup

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