SoundStruck Studios is an award winning audio production, post-production, & mastering facility situated in Dubai, United Arab Emirates. The facility was designed by world famous studio designer Wes Lachot. SoundStruck Studios provides all aspects of audio production such as producing, composing, engineering, mixing, mastering, audio post-production for film & documentaries, sound design, radio sp
ots, TVC’s, music composition. Our facility is based on two independent studios attached to multi-tracking rooms in order to provide appropriate, efficient and creative production environment. Audio Production
- Complete Production and Pre-Production
• To include but not limited to working with an artist every step of the production process from song arrangements, lyrics, instrument choices, band rehearsals, to complete finished, radio ready material.
- Mixing
• We are capable of providing mixing services for material submitted to us online. Please email us for details reference mixing process, submission technical details, etc…
- Tracking (recording)
- Editing
- Song Writing
Post-Production
- 5.1 mixing
- Original Music for Radio, TV and Film.
- Sound Design & Foley.
- Voiceovers, Dubbing, ADR, IVR.
- Complete Audio Solutions for Digital Media (Apps, Games, Websites...) Mastering
- Stereo and 5.1 (online submission or attended sessions)
- Restoration
• Mastering expanded – we provide high quality audio mastering services. We will insure your material is treated carefully, effectively and time efficiently. In order to reach an optimum audio quality of your material we use both high quality analogue and digital outboard gear in addition to mastering suitable softwares and plug-ins.
• Our mastering session can be attended but we also accept on-line submission/delivery. Note that we will gladly accept to work with both stereo files and/or stems as needed.
• Prior to mastering it’s worth noting steps necessary to take in order to prepare your material for a successful mastering:
• Insure your mix sounds as best as possible
• Send a stereo file (or stems)
• Brick wall limiting (for example L2, L3, L2007, etc) on the master buss should be removed. This is to avoid any unnecessary processing such as dithering or limiting.
• Mixdown headroom – highly recommended to allow anywhere between -3dB and -6dB of headroom. This means that your maximum peak levels of the mixdown signal do not exceed these levels.
• Send a high resolution data files such as WAV or AIFF in resolution of your mixing session. For example, if your mixing session format is 24bit/44.1kHz, your mixdown file for mastering should be the same.
• Do not send data compressed files such as mp3, wma, as these are lossy audio formats and are inferior in sound quality.
• Provide a sample (reference) track to give us an idea of the sound you desire. This track/s can be submitted as inferior audio format such as mp3 or wma. You can also follow us on twitter & Instagram
