Weekly Download #78: How To Work With Big Brands
Are you a creator that wants to get paid to make videos for a big brand?
That was me when I was a film student. The dream of creating commercials for huge brands so you can have bragging rights to your friends and family that your work is on network TV.
Although, that pathway toward producing commercials wasn't easy or taught in schools. Directing a commercial for Nike wasn't a simple, cut-and-dry career path but was actually guarded by gatekeepers who wanted to only work with creators with extensive credits or friends that they wanted to give a chance.
Over the years, I've learned different ways to work with big brands like Amazon, Ring, Colgate, and Spotify, and it's only made my portfolio better to close bigger deals.
In this video, I'm going to teach you how I find and pitch to brands, close the deal, and work with them so they want to hire me again.
Weekly Download #77: How to impress your clients or boss in video production
If you want to keep your clients or your job, you have to stop taking things personally.
From notes to suggestions for your work, you have to play the political game to keep your client so they pay you more in the future. This also applies to y'all who work in-house or on a production that needs to know how to act around your boss so you get promoted or a raise.
I've worked with various contractors recently and the ones I kept on hiring were punctual and friendly, while the ones I let go were arrogant and late.
It's important for you to know how to conduct yourself in front of clients and bosses so you can advance in your career. You can be the most talented creative in the world, but if no one likes working with you, they'll just hire someone just as good as you but who has the social skills to keep their job.
In this video, I'm going to run through some tips and advice on how to act in front of your clients or bosses so you impress them and you keep on working.
Weekly Download #76: Social Business Skills Tips for Shy Creative Introverts
Some creatives don't like talking to people, let alone going to business meetings to land a sale.
Most creative folks I know are shy introverts with a small group of close friends that prefer to create alone at home. Some of them can hold up a conversation at a dinner party but freak out when they're pitching a project in a business meeting or looking for new contacts at a networking event.
I'm one of those people and get incredibly nervous when I have to speak in front of a large group of people, schmooz at an after Sundance after party, or pitch my business in front of a room filled with executives.
How do I get over the jitters and make myself seem socially gifted?
The greatest book on this subject is "How To Win Friends And Influence People" by Dale Carnegie, which helped me enhance my business networking, pitching prowess, and social skills.
It's important for creatives to learn social skills and be good at it because unless you have unlimited amounts of cash to create the projects you want or a flexible job that pays well so you can finance your passion with your paycheck, most creatives have to pitch their projects to people with money to get them made.
In this video, I'm going to go through some very simple tricks to help you deal with social interactions and business conversations so you can not only look like you're the most likable person in the world but that you actually care about what the other person has to say.
Weekly Download #75: Get more work with a better online presence
You're missing out on your dream job because you have a horrible online presence.
Get more work by optimizing your branding so people see your work, understand your experience, and can contact you directly.
I've recently been looking to hire people for various roles for my production company and I'm surprised to see so many talented folks getting cut from the short list because they didn't take the time to update their LinkedIn profiles or even both to have a website.
How does an employer like myself learn about your skillset and reach out to you for work if I can't even watch your reel or access your email online?
This is crucial for a lot of creatives out there who are looking for gigs, jobs, and work. Optimize your online presence by doing the simple steps in this video and you'll get employers putting you on their shortlists because you took the time to look professional online.
Weekly Download #74: Tips on pitching and managing budgets
Budgeting a project properly will make or break your production. If you don't have enough money to pay your crew, you have to go out of pocket, ask for more money, or stop production.
You also don't want to budget too high and price yourself out of a deal. So what's the proper way of pitching and managing a budget?
In this video, I'm going to give you some tips I've learned from managing hundreds of productions and hundreds of thousands of dollars in budgets over the past 15 years.
From what you should be pitching to a client, how much you should be keeping as a company, to adding contingencies to make sure you have some money left over for emergencies.
I've learned this from managing budgets for brands like Zapier, Amazon, Stella Rosa, and more so my goal is to give you some guidance as to how to budget videos so you get the best quality, pay your crew and talent, and your client is happy with the product while keeping some profit for your company.
Weekly Download #73: Best Platforms to Screen Share for Remote Editors
Are you editing remotely and need to share your screen so your team or client can give you notes live?
A lot of video and film editing has gone remotely since the pandemic and has made it easier for teams across the world to collaborate.
Although, it's tough to go back and forth on notes on a video for minor changes when an in-person meeting would usually clear up any questions. But what's the best way to have a meeting without having it be in-person?
The solution is screen-sharing platforms so that video editors can share their screen, have their video project and editing program open, and let the team or client watch the screen and talk via video chat.
There are several ways to do this but you need to be able to stream high-quality video that doesn't crash your system, glitch from bad wifi, or look different from what you're seeing on your editing program.
In this video, I'm going to talk about 4 platforms that the film industry uses, as well as a cheaper option for freelancers.
Weekly Download #72: Top 3 Platforms to Hire Video Crews for Free 2022
Do you need to hire a crew for your next video shoot but don't want to pay posting fees? Are you a freelancer that's looking for the best platforms to find work?
I've produced a lot of video shoots and finding the right talent is an art form in itself. It's a balance between finding the most talented and the most cooperative so you end up with a set that runs smoothly without drama.
Most job posting platforms require you to pay a fee to post. Others don't have the best talent and are filled with scammers. After years of hiring videographers, hair and make-up artists, and sound recordists, here are the top 3 platforms that have been my go-to for finding talented video crew members for free.
Weekly Download #71: The Color Correction and Grading Process
Do you need to color your video using Da Vinci or an outside vendor?
You can also color with Lumetri within Premiere but you won't have the power and range that you get in DaVinci Resolve. Sometimes it's best to work with a professional colorist so you can have a 3rd party opinion on your color and extra hands to help the project move forward on schedule.
Prepping your files for color can be confusing but there are 3 simple ways of going from Premiere to DaVinci for the whole color workflow. As for people who edit on Final Cut or Avid, this will also be a similar process using EDL's, XML's, and uncompressed files.
In this video, I'll walk through the 3 ways to color your video in DaVinci Resolve and prep your files so your colorist has what they need to execute.
Weekly Download #70: The Industry Standard Post-Production Workflow
Are you curious about the post-production process? Do you need to upgrade your workflow or see how the professionals do it?
As videographers, we're used to doing everything on our own. From shooting to editing to color correction to versioning. Although, as you get bigger budgets and projects, you are able to hire other departments to execute the vision and take the weight off your shoulders.
Whether you are a director or video editor, knowing the proper post-production process will help you complete projects faster, work with bigger clients and agencies, and also streamline your workflow so you can take on more projects.
I learned this recently working with a broadcast commercial production company and one of their clients, which is the everything store (hint hint). I thought I knew everything about how to finish a video after you've shot it but I'm learning a lot about offline and online editing, versioning, finishing, and how to prepare files for colorists, VFX artists, and sound mixers.
In this video, I'm going to give you a quick overview of the post-production process the commercial industry uses and tips on how to avoid mistakes.
Weekly Download #69: Top 3 Video Collaboration Tools
You need to invest in a video collaboration tool if you want a better experience working with clients.
These websites and platforms allow your clients or creative team to add notes to your videos so you know exactly where to make edits without being confused about what to change.
From annotating on the screen to syncing with Adobe Premiere, these tools will give you the ability to determine which parts of your video cuts your viewer wants to modify, consolidate notes, and give your clients a professional experience.
These are the top 3 tools out there right now and I'm going to break down why they are great and why you should invest.
Weekly Download #67: How to manage projects effectively
If you're producing a video, you need to know how to manage projects to make sure you deliver on time.
There are many methods and techniques that you can apply, but at the end of the day, it's all about knowing the key things you need to keep track of and keeping everything organized so nothing falls through the cracks.
But face it, no one is perfect and productions can sometimes divert from original plans.
You can download apps, use a daily planner, or even hire an assistant but you can't escape the inevitability of managing people and their diverse personalities to get them to do what they need to do to execute the project on schedule, within the budget, while keeping the original vision intact.
In this video, I'm going to discuss the different ways that I prep myself and my crew to make sure that I manage a project effectively while still keeping everyone excited about working.
Weekly Download #65: Best Livestreaming Tools
Livestreaming is an essential part of a video strategy and a lot of companies are investing in the medium.
So what are the best tools and equipment to use for a professional live stream?
Streaming has become ubiquitous these days with Twitch, Facebook, Instagram, Youtube, Twitter, and other social media platforms that make livestreaming a native feature.
Since the pandemic, a lot of people are familiar with using Zoom to hold meetings as well as live virtual summits and webinars.
There's also OBS Live and Restream, 2 apps that I use to stream high quality video to multiple platforms.
So in other words, it can get confusing and overwhelming when trying to figure out what are the essential tools to have to stream professionally for yourself or a client.
In this video, I'm going to give you some tips, tricks, and an overview of what I use to stream for myself and for clients.
Weekly Download #64: Building A Solid Post-Production Team
Having the right team in post makes it easier for you to deliver your video on time without doing everything by yourself.
Most videographers started their careers as the camera operator, director, producer, and editor which is ok for small projects but can be a headache when you're dealing with lots of footage and quick deadlines.
Filmmaking and video production is a team sport, so finding and developing the right team can make everything not only easier but also more fun because you get to actually be creative rather than stress out about taking on multiple roles.
In this video, I'm going to talk about the steps I take to find and manage talent in post.
Weekly Download #63: How To Coordinate A Video Shoot Effectively
Do you know how to produce a video without things falling through the cracks? Have you ever produced a video perfectly beforehand only to have accidents happen on set?
Coordinating and managing a video shoot is much more difficult than it seems. But after years of experience, I've learned a thing or two about how to produce an efficient video shoot.
It really comes down to communication, organization, and problem-solving. The main components to organize are the crew, talent, equipment, and locations.
You have to get everything approved and confirmed before the shoot and make sure everyone knows their role and expectations. As a director, you have to tell the talent the vision of the video so they can perform accordingly. You also have to establish the roles of crew members so no one is too overwhelmed or you have extra PA's sitting around doing nothing.
In this video, I'll talk about what I've learned over the years that have helped me ensure that my shoots are organized, efficient, and fun places to work at.
Weekly Download #62: Writing Scripts for Branded Content
A video is nothing without a script.
The script is the crux of all filmmaking and is an essential part of the production process. Though, if you're not a writer, how do you write a script for a brand that both markets its product and keeps people watching?
It's a careful balance because if you sell too much, people will be turned off by the video but if you don't sell at all, then the brand won't get any positive ROI or the results they want - unless it's just a fun piece they want to be involved in.
Videos, films, and content should consist of a beginning, middle, and end - or 3 acts. For marketing, there's also Call To Actions, the pain points and solution the product solves, and the value propositions that the company offers that make them unique
All of these factors play into writing an effective script for branded content and marketing videos so I'll break down all of these points with more secrets in this video.