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What's on my mind today, is the demise of California culture!  The once golden state, the mecca of everything cool, and ...
21/06/2024

What's on my mind today, is the demise of California culture! The once golden state, the mecca of everything cool, and cutting-edge culture, has stalled.

What's the problem? Lack of diversity and diverse thought!

California has fallen victim, to the social dilemma, of not living free, over regulations, and not letting people just live their lives and do the things they like to do.

Be it government mandates for electric cars. To the trend of holier than thou, and restricting Hot Rods and the car culture. People are fed up! Even Dirt Bikes have been restricted, regulated, and outlawed in California.

No wonder homelessness is out of control here, there is NO Joy in California anymore! Fewer options for a zeal for life, and a reason for living and dreaming.

Sure we can express our gender, freely in the state now, but almost anything else has been outlawed in California and that's weird and unacceptable. What made California great? Was Its once great culture, now lost, and it is time to just let California, be California again.

Please!

04/06/2024

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Jeannie Epper and Fred Waugh...

25/05/2024
04/05/2024
Good morning FB, thank you for asking what is on my mind, so here goes from my heart.  Why the sudden rush of the Stunt ...
03/05/2024

Good morning FB, thank you for asking what is on my mind, so here goes from my heart. Why the sudden rush of the Stunt Industry into the spotlight, yes it's refreshing and long overdue, but why is this? Here is my take on what is happening!

It's fairly obvious to me, which is why I write about the topics I do, I often see everything from a different camera angle than most. I saw that we "the stunt community" needed to have an image overhaul and rebranding of the Stunt community for a long time. And it took a Universal Blockbuster movie and a forward-thinking member of our community turned creative writer/director, David Leitch to do it.

David successfully climbed his way to the top of the Hollywood food chain, which is the director's chair in major motion pictures. No small feat! Then he capitalized on an established successful brand when he had the clout to pitch his own product, "The Fall Guy TV series" which stars Lee Majors as Stuntman C**t Seavers.

This 1980s popular TV series is about a Hollywood Stuntman, who moonlighted as a bounty hunter because there was NOT enough money in stunts to live off of just doing movies and TV. This TV show is very near to my heart because it was the show where I performed my very first Stunt, " wheeling a motorcycle down the railing of a bridge, and my mentor Judo Gene LeBell recommended me for this job.

Many people say we risk our lives every day on set as Movie Stuntmen, but honestly, that is NOT exactly true, however, we do hang it all out on the line often enough to be very sober to survive. If you are doing serious stuntwork. things do go wrong, really wrong, more times than anybody wants to admit.

For example, "Just look at the horrible truck and car crash accident we just had in Georgia? So this is NOT a profession for the weak, it takes a unique human being to survive, let alone thrive as a Hollywood Stuntman. And those who have survived and thrived, possess unique and incredible survival skills and knowledge, which needs to be passed on to future generations of Stuntmen and women. Otherwise, we are doomed to repeat the same horrible mistakes that have happened in the past.

Back to the Branding! The key theme of The Fall Guy movie is the New Image of what a Stuntman is or should be. One that the general movie-going public and the industry can understand and relate to.

Within the movie industry, the image stunt performer has become someone who is easily manipulated, pushed around, used/abused then disposed of when no longer needed. Much like when the C**t Seavers character portrays when he is parking cars for a living to survive in the new Fall Guy movie.

In that scene, a fellow crew member from a recent movie sees C**t parking cars for a meager living and offers him a 5-dollar tip if he does a good job bringing his car to him, it's either pity or contempt. This image of the car parking C**t Seavers represents the "Image" the Stunt Community NOW has of the rest of the movie and TV industry, we are lowlifes! They honestly see stunt people as depressed, downtrodden, and desperate for anything from anyone, the lowest of the low in the industry who will do anything for almost nothing! Then have us simply go away when we are NO longer needed.

This is actually the theme of the New Movie The Fall Guy, C**t is called in to solve a problem but is manipulated, lied to, and doublecrossed, meaning they plan to use, abuse, and trash him when they are finished and don't need him anymore, they need a fall guy. I won't go deeper into this theme otherwise I give away the plot of the movie, and I don't want to spoil it for you.

What The FALL GUY movie does do and very successfully is rebrand the Stuntman himself, showing the value of the top tier of our profession. Which is the A-List Stunt Performers, and injects a new Term "Action Designer" which is the person behind the creative force of the action and characters.

What exactly does the "Action Designer" do? It's the one individual who is responsible for bringing the adrenaline to the lead character's scenes. They don't really perform the stunts, and they do not really coordinate the stunts which is an administrative position, instead that person the "Action Designer" "Designs" the action scene, to bring it to life on screen.

The Action Designer brings a certain flow, grace, timing, rhythm, and chemistry to the scene, which draws the audience into the scene and characters, seamlessly blending the story, visuals, and lead actors, into the action sequence. Without this, the action goes FLAT, makes no sense, and does NOT add to the story.

Does the Action Designer deserve an Oscar? Yes!

This is why the rest of the community of filmmakers and Oscar people has been so resistant to giving an Oscar to the stunt department. They see most of the stunt community as the C**t Seavers who was parking cars, while they are having dinner at an expensive restaurant. Which is reality is true most of the time for the vast majority of the Stunt Community. They are extremely desperate and will do anything for a job.

When in reality, to win an Oscar an individual MUST establish credibility within an industry and solve problems for that industry. As the Action Designer does, this individual brings a certain chemistry, flow, and passion to the performance of the Actors. Something a singular stuntman or stunt coordinator can not.

Is this a watershed moment for Motion Picture Action? I would say Yes, Yes, Yes. And the Action Oscar is just around the corner.

https://www.youtube.com/watch?v=kCDXRx-Rk5M&ab_channel=PeacockStunt People have not gotten this much exposure since the ...
29/04/2024

https://www.youtube.com/watch?v=kCDXRx-Rk5M&ab_channel=Peacock

Stunt People have not gotten this much exposure since the good old days of the Great Hal Needham, or the TV series Fall Guy, about a Hollywood Stuntman who moonlighted as a bounty hunter.

Believe me, it's a tough, tough profession, which is extremely hard on the body, emotions, and the mind, simply because a person has to deal with extremes of both body, mind, and emotions, in this industry. And not many people have what it takes to succeed in the Hollywood Stunt industry. How come?

Everything and I mean everything is unpredictable, yet we have to be able to predict what is about to happen with precision. Why? Simply because Stunts is a dance with the camera, and the performing of the Stunt, is only part of the complex puzzle.

Catching it on camera, and then being able to repeat it again, and again is very important for the production as well. If you have to ask why, then you really don't understand the nature of this beast called being a Hollywood Stuntman or woman.

To put things in perspective, there are fewer people in America, making a living as a Hollywood Stuntman or Woman, than there are football players in the NFL, playing professional football. So the chances of making it into the NFL are actually better than making it as a Hollywood Stuntman.

Hopefully that statistic puts this profession into perspective?

Action is streaming April 26 on Peacock: https://pck.tv/3QenfGo Synopsis: ACTION is an adrenaline-fueled docu series following the 87North stunt team as they...

05/04/2024
What's on my mind today, this memory came up today.  So I spent two weeks working on the face of Hoover Dam once on a mo...
01/04/2024

What's on my mind today, this memory came up today.

So I spent two weeks working on the face of Hoover Dam once on a movie for my buddy Sprio, quite an experience. I suspect it was one of the biggest stunt rigs of all time to ever be in a movie. It was quite a memorable experience, working in and around this massive structure.

The amount of special equipment I had designed to create this action sequence, was impressive, and it represented over a decade of research and development work on my part. The total height of the dam is 575 feet, meaning we needed special order ropes to reach the bottom. The park ranger who worked at the Dam said there have been fewer people on the face of Hoover Dam than there have been walking on the moon.

The men who created this structure did a really impressive job, that's for sure. And it's a monument to what can actually be done, when men are allowed to work, and are given a task to complete.

Our task was to create a fight sequence on the side of this massive structure. Which we did, and no the movie was not a blockbuster classic, it ended up being a so-so B movie, but that did not distract from the majesty of what we got to achieve. Which is often the way it is with creative and technical breakthroughs.

The sequence was featured on the TV show, World's Greatest Stunts, and it does show just how much effort and innovation we put into this project. We did our job, and well! And yes of course doing innovative and record-breaking things, is always a team effort.

This is one reason I dig FB so much, this came up today, and someone from France shared this photo of me for what looks ...
24/03/2024

This is one reason I dig FB so much, this came up today, and someone from France shared this photo of me for what looks like 1977 in full combat mode, and a US National Championship round. I had never seen this photo before. This was back before smart phones, so we didn't have access to pictures and videos like we do today. So when a new picture comes to the surface, its really fun.

Good Morning FB what's on my mind?  Well, what is on my mind is simple, of course, live in confusing times, but so what?...
21/03/2024

Good Morning FB what's on my mind? Well, what is on my mind is simple, of course, live in confusing times, but so what? The future looks bright for a lot of reasons. What reasons?

Well, we are in a transition time in history, and that causes uncertain times, and uneasy feelings because we are uncertain. When we are uncertain, we struggle with what we should do next, and which direction we should go. Why? Well simply we see no examples of what has worked before, so we are forced to either do nothing, or pioneer new paths forward.

Why is this so unnerving to so many people? Well, they must decide to stop moving forward, or blaze a new trail into what seems like the unknown? Simply meaning there are NO guides available, no maps or GPS routing to follow.

The bottom line, it requires leaders, and scouts to Trailblaze a path forward, so others can follow to make a road, and then others much later to create an interstate highway. Then lastly others who maintain and fill the potholes in the Interstate Highways, which is of course a metaphor for the larger picture of a culture and economy.

Yes, culture and the economy are adrift, So what? It's people who create Culture, and its the people who make and do things that create the economy. And we are the people, BUT we have to be bold, and Be the Trailblazers, so others can follow. If we can't muster that courage, then yes, those who are waiters, will be required to sit and wait, while the trailblazers set the culture, then make and create what the economy and culture needs and wants.

So how is that done? Well, the Trailblazers simply "Find a Need, and fill it." For the trailblazers, life is an adventure, not a task. For the Trailblazers, the best is always yet to come, right around the corner.

Remember, the future looks bright! How? Well simply by looking for opportunities, and not focusing on the uncertainties. The uncertainties are for the waiters, you can choose to be a Trailblazer or a waiter.

12/02/2024

Laurel and Hardy’s film producer, Hal Roach was nothing like how he was portrayed in the “Stan and Ollie” (2018) biopic. All of his actors and crew were extremely well paid.

In 1934, Roach paid himself $2,000 a week, Ollie also received $2,000 a week and Stan was on $3,500 a week. Therefore Roach was paying Stan Laurel more money than he was even paying himself. This was reflective of the many extra hours Stan spent working with the writers before and during the production and then working with editor Bert Jordan after photography was completed.

If certain scenes didn’t play too well in the previews, Roach never objected to spending more time and money to make it a better comedy film.

According to Laurel and Hardy film historian, Randy Skretvedt: “Roach actually lost money by making the three and four-reel films because the agreement was for a set number of two-reelers. ‘We made the three and four-reelers because the stories went that far,’ said Roach.”

On making the four-reel Laurel and Hardy film “Beau Hunks” Roach told Skretvedt: “It was already sold as a two-reeler; we couldn’t get any more dough out of all the circuits because they’d already bought it. But it was just one of those things; it was intended to be a two-reel comedy, but it kept getting funnier.”

Roach kept Laurel and Hardy on separate contracts that expired six months apart. This was to encourage them to stay at his studio. While some would say that this was a manipulative arrangement, it is understandable that Hal Roach wanted to keep the biggest comedy stars of the day at his studio. Especially considering the fact that his first major star, Harold Lloyd left his studio in 1923 to produce his own films.

In the Laurel and Hardy Encyclopedia, Glenn Mitchell writes: “Though necessarily ruthless, Roach permitted his employees a mostly free hand with an agreeable environment; most agree that there was no finer boss.”

“𝐓𝐡𝐞𝐫𝐞’𝐬 𝐛𝐞𝐞𝐧 𝐧𝐨 𝐨𝐭𝐡𝐞𝐫 𝐬𝐭𝐮𝐝𝐢𝐨 𝐭𝐨 𝐝𝐚𝐭𝐞 𝐥𝐢𝐤𝐞 𝐢𝐭. 𝐌𝐆𝐌, 𝐅𝐨𝐱, 𝐔𝐧𝐢𝐯𝐞𝐫𝐬𝐚𝐥 - 𝐭𝐡𝐞𝐲 𝐰𝐞𝐫𝐞 𝐧𝐨𝐭𝐡𝐢𝐧𝐠 𝐛𝐮𝐭 𝐦𝐚𝐜𝐡𝐢𝐧𝐞𝐬. 𝐓𝐡𝐞 𝐑𝐨𝐚𝐜𝐡 𝐥𝐨𝐭 𝐰𝐚𝐬 𝐯𝐞𝐫𝐲 𝐢𝐧𝐝𝐢𝐯𝐢𝐝𝐮𝐚𝐥. 𝐀𝐧𝐝 𝐭𝐡𝐞 𝐩𝐞𝐨𝐩𝐥𝐞 𝐭𝐡𝐞𝐫𝐞 𝐡𝐚𝐝 𝐭𝐚𝐥𝐞𝐧𝐭 𝐰𝐢𝐭𝐡 𝐚 𝐰𝐨𝐧𝐝𝐞𝐫𝐟𝐮𝐥 𝐬𝐞𝐧𝐬𝐞 𝐨𝐟 𝐡𝐮𝐦𝐨𝐫. 𝐓𝐡𝐞 𝐑𝐨𝐚𝐜𝐡 𝐬𝐭𝐮𝐝𝐢𝐨 𝐰𝐚𝐬 𝐧𝐢𝐜𝐤𝐧𝐚𝐦𝐞𝐝 ‘𝐓𝐡𝐞 𝐋𝐨𝐭 𝐨𝐟 𝐅𝐮𝐧’ 𝐛𝐞𝐜𝐚𝐮𝐬𝐞 𝐢𝐭 𝐰𝐚𝐬 𝐚 𝐜𝐨𝐦𝐞𝐝𝐲 𝐬𝐭𝐮𝐝𝐢𝐨 - 𝐚𝐧𝐝 𝐢𝐭 𝐰𝐚𝐬 𝐚 𝐥𝐨𝐭 𝐨𝐟 𝐟𝐮𝐧”. - Roy Seawright, optical effects department. Quote from “Laurel and Hardy, The Magic Behind The Movies”, Skretvedt.

Film historian and author, Richard W. Bann quotes Patsy Kelly who said: “Hal Roach was the best boss I ever had in the industry. I was practically ashamed to take the money."

23/01/2024

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