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The Movie Never Ends The world's best film review podcast from Nick and Emily, the Siskel and Ebert of the post-apocalypse

22/10/2021

Wanna fight about it?
We just saw "The Last Duel" in the theater, and wow, what a good movie! Based on real life events, this movie depicts the various perspectives behind a r**e case tried in court and ultimately settled by duel (the last duel, duh) in 1386. Leads Adam Driver and Matt Damon show you, with near blow for blow accuracy, the dramatic conclusion to this story of feudal politics and economics, medieval conceptions of s*x, and the legal procedure. And if you're not won over simply by the content of the story, there is fantastic hair, makeup, costumes, and scenery to look at.
Surprisingly, this movie hasn't received good reviews and is not performing well in the box office. Why? Maybe the medieval movie craze of the 80s and 90s (Braveheart, Robin Hood: Prince of Thieves, Princess Bride, Excalibur, Highlander, etc.) is a preference that doesn't exist now. Maybe Matt Damon's medieval mullet is just that offensive. Maybe it's too French.
Whatever the reason is, I hope you will check it out. And definitely look up the info on the real story, it's fascinating.

20/03/2021

We did it- we watched all four hours of "Zack Snyder's Justice League." It is not receiving a recommendation from us, though if you watched the original theatrical release of this film, it's kind of interesting to see this variation. There are plenty of differences in the story- some little details, some big plot points- which could provide a unique lesson in filmmaking. I don't know of another example of the same film being released in two complete versions by different directors. Reports claim Joss Whedon reshot 3/4 of the film for his version!

If you're a fan of Zack Snyder (Dawn of the Dead [2004], Watchmen, Sucker Punch), you might expect to see his signature director's vision- namely his use of moody and gritty lighting, and the way he creates operatic scale compositions for the big screen combining a sense of depth and slow motion like no one else. But it really seems like his hands were tied on this project. What comes through as fairly obvious is the fact that the production studio and NOT the directors had a large amount of control over the aesthetic aspects of this film in both versions. How disappointing is that? If you're remotely into cinema as art and not just entertainment, you expect to see the director's personal aesthetics and film craft present, but this film in both versions is victim to the commonality among superhero films wherein artistic choices are made by non artists.
Specifically, the even wash of light on everything, creating the impression of seeing scenes created by and for the computer screen, is not what you expect to see in a Zack Snyder film. Even in his previous film, "Batman v Superman," you see him use darkness and shadows to cloak Batman in brooding mystery.

I could go on for ages about other downfalls of this film- how boring and not scary the villain, Steppenwolf, is, or how they failed to create a dazzling visual for The Flash's running sequences, or how you never get to see Batman really BEING Batman. But, these are pretty much the same types of failures common to almost all superhero films these days.

If you watched this movie, please feel free to comment!

19/01/2021

The new Warner Bros/HBO release, "Locked Down," starring Anne Hathaway and Chiwetel Ejiofor, makes use of the early days of the Covid pandemic shut down in London to tell a story of reluctant jewel thievery, but is the plot really worth wading through the comfortable middle class self-centered neuroses of its main characters?

It takes more than half the movie to get to the meat of the plot, where the unusual circumstances of removing a highly prized gem from Harrod's becomes temptation in full view to Linda (played by Hathaway), who spends far too long making herself completely unsympathetic by whining about how hard it is to be a more than gainfully employed CEO of a marketing firm which just keeps promoting her and doesn't require anything more difficult than firing one small team of employees, holding meetings via zoom while half clad in pajamas and day drinking, and going to Harrod's in person to pack up a small display of goods.
Her recently estranged partner, Paxton (played by Ejiofor), is also going through a personal crisis, but for admittedly more understandable reasons. Forced to shelter in place with Linda who broke up with him right as the shut down began, the ex-con is out of work, and exhibits his distress by loudly reading poetry to his neighborhood in the street at night and taking his beloved motorcycle, which he has to imminently sell, for one last ride, recklessly blowing through stop lights on eerily empty streets and outrunning a police tail.

The characters begin the movie bemoaning how hard it is to be in lock down with each other, but also state that this is only two weeks into the lock down! How can we, as an audience nearing the full year mark of a world wide crisis which has shuttered businesses, driven families into poverty, killed millions and sickened millions more, has forced most of us to avoid any social contact or seeing those dearest to us, and imposed countless restrictions on our lives and freedoms to the point where we finally feel like we can't live another minute this way-- how can we possibly do anything but laugh in derision at these totally comfortable characters who have almost nothing to lose, and dwell in self-indulgent whining about how hard their lives are and how they can't stand it? Maybe one day this will be a fun story told through the lens of this strange time and set of circumstances that we're living through, but I personally feel like this makes a mockery of the awful reality most of us are living in today.

Did you see the new Bee Gees doc on HBO? "The Bee Gees: How Can You Mend A Broken Heart" was kind of a snooze fest (okay...
19/12/2020

Did you see the new Bee Gees doc on HBO? "The Bee Gees: How Can You Mend A Broken Heart" was kind of a snooze fest (okay, yes, I actually fell asleep for part of it), except for the moment a thirty-something Barry Gibb discovered he could do the iconic falsetto voice that dominated the 70s. It was one of those "I was today years old" moments in which he seems to have astonished everyone in the recording studio, including himself. I probably assumed he'd been singing in that falsetto since he was a kid, so count me among the surprised.
We may do a follow up to this with a re-watching of "Saturday Night Fever" and a first viewing of "Staying Alive," which we don't expect to like. Stay tuned!

https://www.hbo.com/documentaries/the-bee-gees-how-can-you-mend-a-broken-heart

Learn more about the HBO documentary The Bee Gees: How Can You Mend A Broken Heart.

15/08/2019
Aaaaaaand we're back! I know you missed us, probably as much as you missed a good Tarantino film. I'd like to think we h...
15/08/2019

Aaaaaaand we're back! I know you missed us, probably as much as you missed a good Tarantino film. I'd like to think we haven't lost our touch, though maybe QT has! Give it a listen!

EPISODE 13: Once Upon a Time in Hollywood August 12, 2019Podcastthe-movie-never-ends And we’re back after some months hiatus. Back for Quentin Tarantino’s penultimate picture! Listen to find out what we thought. Podcast: Play in new window | DownloadSubscribe: Android | RSS

30/07/2019

Coming soon: new episodes about "Once Upon a Time in Hollywood" and "The Art of Self Defense!" You'll be surprised to know which one we agree is so far the best movie of the year!

Renewed subscription to the Criterion channel results in some excellent movie viewing
10/05/2019

Renewed subscription to the Criterion channel results in some excellent movie viewing

We're back! And we brought a friend! Hear the newest episode of the show, where we talk about the most recent (and most ...
11/10/2018

We're back! And we brought a friend! Hear the newest episode of the show, where we talk about the most recent (and most perfect?) version of a timeless classic- "A Star is Born." We are joined by professional actor and director, Eric Wunsch. The three of us don't often agree this much about movies, which might be proof this is probably the best made movie of the year. If you didn't like this movie, we would LOVE to hear your criticism.

EPISODE 12: A Star Is Born (Surprisingly good! Gaga acts! Cooper directs! Wunsch guests! Who knew?) October 11, 2018PodcastBradley Cooper, drama, Lady Gaga, musical, Oscar bait, remakes, romancethe-movie-never-ends We discuss the new new new new version of A Star Is Born with special guest Eric Wuns...

Anyone see “The Meg?” We saw it, and will hopefully podcast about it soon. But, in the meantime, get the overly educated...
17/08/2018

Anyone see “The Meg?” We saw it, and will hopefully podcast about it soon. But, in the meantime, get the overly educated opinion of an actual shark expert on megalodon sharks. 🦈

A paleobiologist helps Science News separate shark fact from fiction in the new Jason Statham film The Meg.

NEW EPISODE: Hear us talk about the best film of the year so far, and a movie that is not at all the best film of the ye...
14/07/2018

NEW EPISODE: Hear us talk about the best film of the year so far, and a movie that is not at all the best film of the year so far. As always, this is also available on that podcast app on iphone.

EPISODE 11: Hereditary (movie of the year!) and Jurassic World: Fallen Kingdom (not!) July 14, 2018Uncategorizedthe-movie-never-ends In which we discuss dinosaurs and decapitation, and why Toni Collette should win the Oscar but probably won’t. Podcast: Play in new window | Download

NEW EPISODE: We watched "Ocean's 8" awhile ago, and recorded this episode right afterward, but then we both got sick (bo...
28/06/2018

NEW EPISODE: We watched "Ocean's 8" awhile ago, and recorded this episode right afterward, but then we both got sick (boo!). But here it is now (yay!). The movie wasn't very good (boo!). But Emily is funny (yay!) Listen to it via the itunes podcast thingy, or at the link below.

EPISODE 10: Ocean’s 8 (It totally feels like the 8th Ocean’s film, but it’s really 4th or 5th) June 28, 2018Podcastthe-movie-never-ends Listen to us talk about how Ocean’s 8 isn’t great. The ladies got let down by a sloppy script and bad direction. I expected more from the man who brought ...

Do you love that goat from "The Witch?" You're not alone. I've been obsessed with Black Phillip since rewatching that mo...
21/06/2018

Do you love that goat from "The Witch?" You're not alone. I've been obsessed with Black Phillip since rewatching that movie a few weeks ago, and found this great article about how much of a pain in the ass (or ribs) he was to work with on set. Poor Ralph Ineson had it the worst, but what else would you expect from a goat?
"He was horrible. Really, really horrible. From the moment we set eyes on each other it was just kind of hate at first sight. He had two modes: chilling out and doing nothing, or attacking me."

https://www.hollywoodreporter.com/news/black-phillip-real-story-behind-871974

Forget CG: The horned star of the horror release is an extremely real, 210-pound billy named Charlie who put his co-star in the hospital and still gives his director nightmares.

We finally have a new episode for you! Listen to find out why we had such a long gap between podcast episodes, what a yo...
12/06/2018

We finally have a new episode for you! Listen to find out why we had such a long gap between podcast episodes, what a younger Nick thought about the social relevance of hair styles in Star Wars, and our new version of 6 degrees of Kevin Bacon. Plus, hear this episode's song played on melodic 12 string guitar.

EPISODE 9: Solo (A Star Wars Story (which is really like episode 10 or so in SW counting, or maybe just 3.5)) June 10, 2018Uncategorizedthe-movie-never-ends In karmic revenge for that time on ice planet Hoth where Han made a tent out of a living creature, the new Star Wars spinoff hit a wall on take...

Has anyone seen this? Or is planning on seeing it? This review makes me think the pitch was: what if John Waters and Bre...
30/05/2018

Has anyone seen this? Or is planning on seeing it? This review makes me think the pitch was: what if John Waters and Bret Easton Ellis collaborated on a remake of Earth Girls Are Easy?
“The book's film adaptation, however, has plenty of alien fights and galactic space treaties and more than one (!!) fi***ng scene. There are also alien s*x swings, modern dance battles, creepy fingers, and jaws that get unhinged so far they can eat a human-sized alien body. It's wild, but what's the fu***ng point?”

Distressed tees have never been so stunning.

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