09/06/2024
“The Shark’s not working” is more often a blessing than a curse. My change of fortune with “Tennessee Waltz” forced a lot of reevaluation. If “Tennessee Waltz” was out, that meant “Long Black Veil” wouldn’t really fit for the epilogue and closing credits anymore, either. I immediately began poring over my library of friends’ music, and when I heard Steve Lyons’ “Velvet Sky,” I knew immediately it was perfect. It checked all the same boxes as “Long Black Veil” in terms of tempo and emotion, and it fit right in with the story of DULL SPACE musically and lyrically.
This also gave an opportunity to reexamine the prologue and opening credits. I had read a couple of years ago that indy films should not have long opening credits because the larger audience doesn’t know the actors or crew, and just want to get to the story. I experimented with an animatic of a shorter prologue with no credits, with one of Steve’s instrumentals underneath, and it works so much better.
The lesson: One thing going wrong forced me into making something better.
Thank you so much Stephen Lyons for your contribution, and John Jezior for being my objective observer!