Theory Redux

15/02/2024

Oxana Timofeeva on e-flux.

04/02/2024

Oxana Timofeeva at the Volksbühne.

29/01/2024

Oxana Timofeeva at FSI*OSI.

27/01/2024

Grafton Tanner's Foreverism reviewed in the Wall Street Journal.

From ‘Bonnie and Clyde’ to ‘Happy Days,’ movies and TV shows love to resurrect prior eras. But what they create doesn’t turn back the clock.

24/01/2024

Oxana Timofeeva in Pulp Magazine (in Italian).

Nel 1795 Kant pubblicò il saggio “Per la pace perpetua”. Era scritto in uno stile ironico, atipico per Kant e, in generale, per i trattati filosofici seri della sua epoca. Inquadrato come un documento giuridico, imitava un accordo internazionale tra tutti gli Stati – un trattato di pace, in a...

14/01/2024

A review for Grafton Tanner's Foreverism.

08/01/2024

Check this out. Link in first comment.

05/01/2024

Grafton Tanner on Digital Void.

29/12/2023

Grafton Tanner on RTVe.

Territori clandestí a RTVE Play. Gaudeix de la cultura alternativa i dels programes, sèries, pel·lícules, podcast i informatius gratuïts a la plataforma de RTVE

10/12/2023

Theory Redux in 2023.

18/11/2023

Out now.

13/11/2023

Grafton Tanner in Jacobin.

Memes that trade on a longing for bygone eras are retrobait, racking up likes and shares in the name of cozy nostalgia. But behind the warm, fuzzy feeling is a digital corporation extracting your data and making bank off your longing.

29/10/2023

Oxana Timofeeva in Copenhagen.

This workshop is facilitated by Troy Vettese and Niklas Olsen.

24/10/2023

Soon in German.

23/10/2023

A new piece by Boris Groys.

Boris Groys on natural and artificial identity.

20/10/2023

Almost there.

20/09/2023

Oxana Timofeeva back in Berlin.

The sun has been a continuous element of utopian imagination — as a cultural form, an ideological power, and a spiritual force. The energy of the sun keeps the planet functional, regulates the metabolic rhythms of plants and animals, and is part of a contemporary global capital of technological an...

06/09/2023

Oh yes, more.

05/09/2023

Oh yes, again.

04/09/2023

Oh yes, too.

31/08/2023

Oh yes.

29/08/2023

Franco Berardi speaks about Srecko Horvat's crazy new project.

Franco “Bifo” Berardi September 8th 2023: What will happen on the island of VIS? (80 years after) For many people in Italy September 8th (1943) is the name of national shame. As I don’t believe in nations this expression means nothing to me.  However September 8th 1943 means something also t...

14/08/2023

A new Boris Groys piece.

Boris Groys examines the difference between writing and prompting in the realm of AI.

01/08/2023

A new piece by Lorenzo Marsili.

Imagine a planetary universalism not as a singular all-encompassing worldview, but as a collection of laws, institutions and public goods that bind humanity and apply to all.

14/07/2023

Oxana Timofeeva in Munich.

Our second annual meeting “Forms of Ecological Knowledge” will take place between July 14 and 16 at LMU Munich. The conference program on July 14th and 15th is open to the public and ca…

05/07/2023

The new school project of Srecko Horvat.

ISSA, a place for imagining and cultivating forms of knowledge production and sharing, as well as thinking and enacting modes of living, not just surviving.

28/06/2023

Boris Groys' Becoming an Artwork on RTVE, in Spain.

Emisión del programa Territori clandestí titulado Ser en la mirada de l'altre. Todos los contenidos de RNE los tienes aquí, en RTVE Play

26/06/2023

Alfie Bown in Berlin.

During this conference speaker and philosopher Robert Pfaller among others will aim to provide answers to questions like whether hype is just a cultural phenomenon or whether it implies structural repercussions in the way our brains and bodies work as well as whether it is possible to imagine a post...

25/06/2023

More than 104k views already for Grafton Tanner's tweet announcing his forthcoming "Foreverism".

22/06/2023

A new review for Boris Groys' Becoming an Artwork, in Spanish.

Todo el mundo tiene hoy la obligación de practicar el autodiseño en redes, pero, sostiene Boris Groys en su nuevo libro, no es posible controlar esa imagen que permanecerá tras nuestra muerte.