20/10/2022
The new album 'Sunset Over Stillwater' is officially released on 11th November. I will have some advance copies to sell at up and coming gigs or you can order via Bandcamp (or PM me if you are in the Northampton area - I can get a copy to you). https://paulmcox.bandcamp.com/album/sunset-over-stillwater
Current live dates are:
Saturday 22nd October 2022
The Charles Bradlaugh (Northampton) with Venus Fly Trap and Blackmail Tapes
Friday 11th November 2022 (CD Release)
The Black Prince (Northampton) with Rosalie Cunningham and Khartoum
Review: Pulse Alternative Magazine
PAUL M COX-Sunset Over Stillwater CD
(WHITE ELEPHANT RECORDS)
Those familiar with Northampton’s fertile music scene will recognise the name PAUL M COX as lead vocalist with several blues-based, hard rock bands such as Earthmovers, Heartbreakers and Osiris. This latest project finds Paul taking a far more measured route to deliver 10 acoustic tracks that weave themselves into the album Sunset Over Stillwater.
It seems that we are currently living in a golden age of acoustic singer/songwriters so it takes something special to rise above the melee, and Paul’s unique fusion of folk, blues and Americana does exactly that. With notes shining like stars in a crystalline sky, Sunset Over Stillwater gets off to the best possible start with ‘Silver And Gold’. It’s a confident opener that’s delivered by an artist who has reached a pinnacle, and is taking time to survey all around him. Encased in shades of autumn, ‘Silver And Gold’ (and indeed the whole album) is painted from a palette of rustic reds, burnt yellows and conker browns, and it’s these hues which gives the album its unique texture. Sunset Over Stillwater is an intricately woven tapestry with the songs interconnected to create a fluctuating, fluid, picture.
It’s a strange anomaly, but some of the best Americana is currently being produced right here in the UK, and there’s definitely a West Coast influence on the title track, and it’s the same kind of influence that held sway over many a Led Zeppelin song. However, there’s also a quintessentially English feel to Paul’s song writing, and the following ‘Classical Jazz’ saunters with an eccentricity only found in UK progressive rock acts such as Stackridge; it’s slightly off kilter, but charming nonetheless. There’s also a contemplative melancholy to many of these tunes (which could only come from one who has grown up under slate grey English skies) and ‘Molly’ has all the dark delights found in the Nick Drake songbook, and it’s testament to Paul’s skill that it nestles next to the jaunty ‘Blackbird’ so effortlessly.
Paul’s vocals are very versatile, and (to my ears, at least) occasionally sounds like John Lennon, and sometimes Robert Plant, as he tailors his timbre to suit each song. As with the music his words have an autumnal vibe; it’s as if his vocal cords have been soaked in whiskey, and within an oak cask, and this gives an authoritative air to cuts such as ‘Too Close To The Sun’ and ‘Utopia’. With Beatle-esque harmonies ‘Caroline’s Dreams’ makes for a haunting closer, and it manages to occupy that magical space between wake and sleep, and the sudden stop that curtails ‘Caroline’s Dream’ is the alarm that breaks the spell.
I’m picking up strong “Wicker Man” vibes from the sleeve which houses Sunset Over Stillwater, and any of these 10 tracks would sit happily on that soundtrack. But this album has a magic of its own, and I suggest you submit to its mystical charms.
10 track album