The magazine explores the disciplines of art, photography, fashion and poetry. Changing the perception that print is disposable, jane. is a slow art movement that has been created with consideration and creative freedom to provide an authentic, progressive, and timeless vision and voice. Slowing down the creation and consumption of art, jane. is devoted to the art of storytelling, offering real an
d authentic ideas that are guided only by creativity.
“We wanted to create a visual world that we were proud to be apart of. Something that represented an idealistic view of the industry we wanted to contribute to. It was a conscious effort to connect the notions of time, art and fashion and to change the way we as a society consume and create art. We wanted to slow things down and make something that people would to keep. Our aim was to create a publication that brought life and appreciation back into slower processes. To reintroduce readers to tangible elements of art, art they could lose themselves in and consume slowly and indulgently.”
Dean Bell and Annika Hein
Founders, Creative Directors and Editors in Chief. issue two ---
jane. issue two: The Strongest of the Strange. Produced and developed independently across 16 cities worldwide, issue two of jane. features 330 pages of analogue photographic work, art, editorial and poems. The title’s second issue includes works, interviews and features from Lola Kirke, Kym Ellery, Stanislava Pinchuk, Charles Bukowski, Vanessa Friedman, Alice Cavanagh, Atticus, Nikita Gill, Divya Bala, Fleur Bult, Kitty Callaghan and Christiane Spangsberg, as well as reviews and retrospectives of Patti Smith: Live in Spandau, Christian Dior: Couturier du Rêve, Martin Margiela: The Hermès Years and Rei Kawakubo/Comme des Garçons: Art of the In-Between. Shot entirely on film, issue two of jane. is a dedication to bare souls and naked hearts. To the makers who believe without compromise in the power of art. To the ones who keep creating, who refuse to give in or give up. To the ones who wait patiently for 4 a.m., unrelenting in their dedication, all consumed by intuition. To the odd ones, may you be many. To the strongest of the strange.
