The Post Flow

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The Post Flow

Gear guides, workflows, and all things post-production and production

21/01/2023

Finding a server or NAS on a budget is a challenge. In this article, we compare options from QNAP and Synology to figure out the best one for your video editing needs.
https://thepostflow.com/post-production/building-a-video-editing-server-on-a-budget

18/01/2023

Learn about the tools and techniques necessary for VFX supervisors to accurately capture camera telemetry, reference photos, lighting references, and measurements to ensure the VFX team in post-production has the smoothest and fastest ride possible.
https://thepostflow.com/production/build-a-vfx-supervisors-tool-kit

16/11/2022

Revolutionize your workflow with a DaVinci Resolve folder structure.
https://thepostflow.com/post-production/a-project-folder-structure-designed-for-davinci-resolve

12/11/2022

Aspect ratios for video editors, post-production, and productions alike. Figure out what dimension to shoot or edit in with this cheat sheet.
https://thepostflow.com/post-production/the-post-flow-aspect-ratio-cheat-sheet-v3

24/09/2022

Craving more speed and performance when it comes to video editing? Check out our list of the top 5 best solid state drives for the job!
https://thepostflow.com/post-production/5-solid-state-drives-to-up-your-video-editing-speed

23/09/2022

Podcasting is a great way to share your ideas and connect with like-minded people. But before you can start sharing your voice with the world, you need to make sure you have the right equipment.
https://thepostflow.com/production/so-you-want-to-start-a-podcast

21/09/2022

Large video editing campaigns are a beast. Let's figure out how to reduce errors in your exports and improve large project efficiency.
https://thepostflow.com/post-production/export-an-ad-campaign-with-100s-of-deliverables

20/09/2022

Amazon Web Services is revolutionizing cloud-based post and VFX production.
https://thepostflow.com/post-production/how-i-created-a-post-production-studio-in-the-cloud

31/05/2022

Revised for 2022! Be organized and consistent. When working on multiple projects simultaneously with hundreds of deliverables per project, keeping your assets in one massive folder is just not the way to do things. I walk you through my folder structure and the file templates I created to stay organized.
Read More at: https://buff.ly/3kln1gv

29/05/2022

Make sure you know what the best camera is for an in-house video team, the proper shotgun mics for interviews, and the lights to make your footage shine.
Read More at: https://buff.ly/36Vi2Qt

26/05/2022

Build a powerful, portable, DIT/Data Wrangler Kit for under 6K. From the perfect DIT case to card readers, laptops, software, and everything in between. This guide will get you started on the right path to be a great and reliable DIT.
Read More at: https://buff.ly/3KoDfA5

24/05/2022

What gear do you need to create a successful, efficient, in-house video production studio? The best computer for your studio, shared storage, and monitors.
Read More at: https://buff.ly/3ETIGWq

22/05/2022

As a video editor, looking for a cost-effective sever can be a daunting task. With this guide, we will cover budget-friendly QNAP servers and SSD cache drives.
Read More at: https://buff.ly/3EV0dO0

19/05/2022

The best headphones and amps for video editing and audio mixing. A bad mix will destroy your film while a good mix will bring it to the next level. Investing in a quality pair of headphones will help you notice those details you’ve been missing and introduce a whole new level of quality to your productions.
Read More at: https://buff.ly/3kgYMjD

17/05/2022

Everything from the best NAS-server enclosures, high-capacity server hard drives, SSD cache, and the 10G Networking adapters to bring your team into 2021
Read More at: https://buff.ly/3LonmuL

15/05/2022

What is the difference between RAID 1 & 0. How about RAID 5 & 6? And what is with 10? Let's go over the best RAID setup for your server/NAS.
Read More at: https://buff.ly/39gHQqZ

12/05/2022

Maintain accurate color throughout post-production. Rec. 709, DCI-P3, sRGB, and Rec. 2020 what are these, what do they mean, and how do you make exports look the same on both monitors and iPhones. I also go over the best displays and color accessories to help make videos stellar.
Read More at: https://buff.ly/37TsSXD

10/05/2022

Choosing the best laptop for VFX work is a complicated task. However, with RTX and the rise of “content-creation” laptops, we'll dive deep into finding the best laptop for editing or VFX.
Read More at: https://buff.ly/36TKsu7

08/05/2022

Lessen the impact from Adobe Premiere Pro crashing mid-export. By using a reel or DPX workflow, you can avoid having to re-render your 90 minutes long video when it fails at 90%. In this article, we look at the best workflow for exporting your feature film for color grading and what file formats to render your final deliverables from.
Read More at: https://buff.ly/3vm4N4S

05/05/2022

Ensure your PC components are made for editing in Premiere Pro. We will look at the best GPU for Premiere, RAM needed for 4k video, and a fast SSD for video footage.
Read More at: https://buff.ly/3xVXpyD

03/05/2022

Be organized and be consistent. When working on multiple projects simultaneously with hundreds of deliverables per project, keeping your assets in one massive folder is just not the way to do things. I walk you through my folder structure and the file templates I created to stay organized.
Read More at: https://buff.ly/3OFXUTv

01/05/2022

Large video editing campaigns are a beast. Let's figure out how to reduce errors in your exports and improve large project efficiency.
Read More at: https://buff.ly/3vmqOjQ

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Who is Alex?

With over a billion views and counting, Alex Bartz has post-produced commercials and music videos for the world’s largest brands including, The Walt Disney Company, DiGiorno Pizza, Amazon, Ring, Travis Scott, Nicki Minaj, and Meghan Thee Stallion. Before moving into producing and post-management, Alex worked his way up the ranks as a video editor. Currently, Alex is Head Of Post-Production at Riotmaker, a Los Angeles based commercial production company. I have a strong drive to be the best person I can be, do hard things, and create quality content. "It's kind of fun to do the impossible" - Walt Disney