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29/10/2024

A/W ‘24 Looks
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28/10/2024

A/W ‘24 -After the SS23 collection, it was announced that a new designer would lead the brand. Unfortunately, during the summer of this year, it was announced that Kaito passed away due to a brain tumor.
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RIP
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25/10/2024

Launching his brand in 2015, designer SYU set out to create a “double-edged” menswear brand that could cater to a youthful identity and another for the slightly more mature sensibility wearer.
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The imagery for A/W ’24 reflects a bold and experimental fashion aesthetic, with streetwear elements, deconstruction, and avant-garde influences. The designs emphasize oversized and unconventional silhouettes, with elongated coats, wide-leg pants, and layered looks that combine fitted and loose elements. There’s a strong focus on asymmetry and unique tailoring techniques, often playing with proportions.
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07/09/2024

Hirokazu Fujiwara and his label roundabout showcase another utilitarian yet contemporary collection for A/W ’24. This set (slide 3), features a rich burgundy corduroy material sporting a soft and textured appearance, complementing a relaxed fit with a drawstring waist cord, zip front, flat collar, and slightly dropped shoulders, creating a casual yet structured look.
•official A/W ‘24
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30/08/2024

Originating from a circular knitting company established in 1964—Kanemasa Knitting Co. in Wakayama Prefecture, Japan’s largest producer of knitted fabrics. KANEMASA, established in 2021, manufactures its goods using the company’s traditional high-gauge knitting machines or Jacquard machines, showcasing a dedication to preserving and evolving the process and craftsmanship while overseeing the entire production process.

A/W ’24 presents fitted and voluminous silhouettes that offer a contemporary, versatile aesthetic. Their new jumpsuit uses a high-density typewriter knit structure made on a 36-gauge circular knitting machine with ultra-fine, non-mulesing wool. The fabric undergoes a shrinking process to create a soft, high-guage melton texture, remaining stretchy and smooth. It retains wool’s natural properties and is washable at home, ultimately emphasizing both comfort and sustainable, humane wool sourcing.
•official A/W ‘24
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28/08/2024

CCU and designer Tsubasa Kaneko present their leather-clad creations for A/W ’24. With a blend of minimalist and oversized silhouettes, the styling focuses on muted tones, emphasizing texture and proportion, creating a modern and subtle luxury look. Minute details like pleats, cinch tabs, color fading, and relaxed shoulders allow the leather material to be the star of each piece, offering a polished yet understated aesthetic.
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27/08/2024

Designer Taiga Takahashi launched his namesake label in NYC in 2017. Before that, Takahashi attended the London International School of Art and Design, eventually graduating from Central Saint Martins while working as a design assistant for fashion houses in Antwerp and London.
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Takahashi began collecting true vintage clothing from 70-100 years ago, during his teen years, through overseas antiques and art dealers. Through his collection, he formed the ethos of the label “unearthing archaeological remains of the future by reviving relics of the past.”
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In 2021, Takahashi moved all operations to JP. Unfortunately, in the spring of 2022, he suddenly passed away due to a fatal cardiac arrhythmia. The brand continues to thrive, with his team producing collections domestically in JP and expanding upon Takahashi’s ethos by creating art and photography installations from his collections.
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For A/W ’24, the collection features wide-legged trousers paired with jackets and sweaters, creating a relaxed yet structured look. The loose, comfortable fit is a key characteristic, evoking a sense of vintage workwear or early 20th-century styles. The color palette is a dominant mix of black, grey, and perhaps dark browns, largely enhancing the label’s timeless and understated feel.
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16/08/2024

New items available now on the Shop page.
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15/08/2024

A/W ‘24 - Designed by Ryona Tani, INNAT launched in 2021, gaining experience in planning departments and then as a freelance designer in 2020. With an emphasis on natural dyes and domestic production, the brand delivers what’s expected of such.
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“In an effort to combat overproduction and reduce our environmental impact, we choose to garment-dye our pieces using vegetable dyes.  These hues, sourced from nature’s abundance, can softly refract light, resulting in colours with remarkable depth.

In Collection 05, we’ve employed shades extracted from onion (pink), coffee (beige), mulberry leaf or green leaves (green), and charcoal (black).  We’ve also expanded our technique to include hand-dyeing with Bengala mud dyes. We invite you to appreciate the inherent beauty of hand-dyeing, which often leads to intriguing colour irregularities and a unique depth in appearance.”
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16/05/2024

S/S 24
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14/05/2024

A/W ‘24 -Shohei Kimura launched RICE NINE TEN in 2017. Before that, he gained initial fashion experience working as an assistant for the now defunct—but one of the early contributors to urbane/androgynous style—label Pleasure Principle. Looking to continue that motif, in 2010, Shohei-san moved to JP and created his first independent unisex brand, Pourton De Moi. Fast-forward to today and RNT is again a progenitor in the knitted shirt/sweater sector. Albeit he has moved some production over to CN—while others have strictly used JP factories—Shohei continues to prove his au fait in this crazy-ass fashion world, mane.
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03/05/2024

S/S ‘24 -Online Now
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30/04/2024

S/S ‘24
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stylist: kyoichi akaba
photography
h/mu
model
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24/04/2024

A/W ‘24 - Hideaki Shikama gained initial fashion recognition while designing a few one-off pieces for BEAMS in Tokyo. He and his then-atelier partner Naoto Yoshida ( made reconstructed and patchwork denim and jackets from vintage and deadstock fabrics. This was the beginning of their BEAMS partnership, but the duo had been producing these unique pieces since 2011. The wider IG audience of BEAMS catapulted the label into the mainstream and turned them into a ripened outfit, now able to expand on their influences and design ethos.
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Today, the brand has been featured in almost every major publication, online & print, has trusted wholesale partners across the globe, and has collabed with artists and brands to impel further their ethos of “updated & upcycled.” Featured below is the latest of these collabs, this season with heritage rugby label Umbro. Lately, Umbro has produced a series of collabs to resubmit the brand to the cool kids club, they’ve done well so far.
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18/04/2024

x “Super Dad Fit”
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16/04/2024

A/W ‘24 -After graduating from Bunka Fashion College and then gaining working knowledge as a pattern-maker at Comme des Garçons for three years, designer Mahito-san incorporated his own label in the S/S season of ’23. The design ethos is straightforward yet complex, with the goal of creating “clothing that crosses cultures,” fusing culture, thought, and tradition into his idea of modern ethnic clothing.
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photographer .yatagai
h/mu
model
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10/04/2024

A/W ‘24 - Designed by Shunta Sakai, who, before recently incorporating paratrait, studied at Bunka Fashion College and then moved to the UK to complete a master’s degree at Istituto Marangoni, London. He then worked as a womenswear designer for Alexander McQueen and Burberry, subsequently returning to Japan to establish a design office and begin providing designs for domestic and international brands, currently contracted to design for DAIWA.
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26/03/2024

S/S ‘24
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photographer
stylist
h/mu
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