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Fiction Southeast An Online Literary Journal Dedicated to Short Fiction Fiction Southeast is an online literary journal dedicated to flash fiction.

The mission of Fiction Southeast is to showcase fiction from today’s most promising writers, and to create an online literary journal that allows readers to quickly and easily access quality writing from their laptops, iPads, and cell phones. Since electronic reading devices (and to some extent laptops for that matter) make reading long pieces of writing less enjoyable, we have chosen to dedicate the journal to flash fiction.

New post added at Fiction Southeast - All Summer Long
29/04/2022

New post added at Fiction Southeast - All Summer Long

All Summer Long Hear what I’m saying. No one could check me. The local defenders wore out their chances in May. I glided past, over, around and one time through Bulldog Pickett. High Rise and the Manning Bros quit showing up on Court A. Imports arrived in June from as far away

Fiction Southeast - All Summer LongAll Summer Long     Hear what I’m saying. No one could check me. The local defenders ...
29/04/2022

Fiction Southeast - All Summer LongAll Summer Long











Hear what I’m saying. No one could check me.



The local defenders wore out their chances in May. I glided past, over, around and one time through Bulldog Pickett. High Rise and the Manning Bros quit showing up on Court A. Imports arrived in June from as far awayAll Summer Long











Hear what I’m saying. No one could check me.



The local defenders wore out their chances in May. I glided past, over, around and one time through Bulldog Pickett. High Rise and the Manning Bros quit showing up on Court A. Imports arrived in June from as far away as Boston and just north of DC but no one kept my teams from hitting 21 first. Load up with defenders or three point shooters or post up killers. It didn’t matter. Nothing tired me and no one could keep the ball out of my hands or the ball out of the nets. If you had a plan I’d spot its flaws before we shot for firsts. If you left everything to chance I would shoot only with my left hand until game point then find someone on my squad who never scored for a game winner that looked like a lay-up line.



July’s hottest days wore down all of us; no denying that, but pick and rolls decreased the pace. And while new teams emerged and new strategies evolved--count only made buckets, no threes; must win by two--I snapped nets from thirty, juked the activator out of jheri curls, then dunked on dudes as tall as seven feet and sent them back to practice or Providence with crooked fros and chipped teeth.



The Sherriff. Billy Bogart. Treetop. Lockdown. The better your nickname the more it incited me to show you up without making it look like I was trying. Even under heatwave weather, my squad was reaching 21 without much sweat or grit wearing down the red low cut Doctors my brother gave me before he passed. A Philly bunch with a three two split of black and white and none under six five pressed hard. Getting as close as 19 on several nights running, they found if you matched me with a quick and shadowed a big I might not shake free as easily on the baseline, but then I’d bring the ball upcourt and show off my running hook.



I had some regular teammates but that seemed too much in my favor and by September those who knew my secrets were matched against me: Ferro, who forced me baseline for help, Spidey, who steered me to the middle for double teams. Rosen had rough hands and knew I wasn’t going to call foul—all summer long I hardly spoke—and I’ll give him this: he could bruise and batter and keep me in one place, but that was the mistake Rosen always made. Slim as I was I could slip away even when he leaned on me. Plus all that labor on one end wore him down on the other. How often does he think about that game point jumper he rattled in and out and the board I snatched and the pass I snapped to Rosen’s cousin, Eli, and the layup that let him call game?



So what stopped me, you say. Obviously, in my Postal Service grays, I barely resemble the fellow who no pro or amateur, freak of nature or disciplined defender, no single dude who stepped on Court A could check. But that didn’t keep my squad, changed and rearranged more often than Shalimar, from losing. And of the rumors I can number, none get close. No drug spiked my water bottle--I didn’t even drink caffeine! No rival sent some sweet thing to rock me the night before and rob my legs of their spring. If there was a gambler from Reynoldsburg Ohio who placed his long odds against me, I never saw my 51 percent. Many find the reason for the loss lay within--that as good as I was I lacked what Magic and MJ, Doc and Dream possessed: that ability to elevate your teammates to your will to win. And that is why I never even tried out for the high school team, let alone went on to play college or beyond. But those fools don’t know.



You wake one day questioning whether there are an infinite number and variety of shots that will fall, passes that will not only be caught but in a position where the teammate only has to catch and shoot, patterns that emerge all the time but few see, but eventually, your chance to answer these questions finds you deadlocked against three dudes from the Philly squad with Eli and Spidey swapped in, on their third try, and watching a tip in find the wrong basket, courtesy of some six-seven stranger whose name you never learned.

All Summer Long Hear what I’m saying. No one could check me. The local defenders wore out their chances in May. I glided past, over, around and one time through Bulldog Pickett. High Rise and the Manning Bros quit showing up on Court A. Imports arrived in June from as far away

New post added at Fiction Southeast - "When You're The Girl in The Basement"
22/04/2022

New post added at Fiction Southeast - "When You're The Girl in The Basement"

When you’re the girl in the basement, your room is six feet by eight feet. The floor is carpeted with packed dirt and old newspapers and expired advertisements. Your only access to the outside window is a single, scratched window, the size of two adult hands resting side by side.

Fiction Southeast - "When You're The Girl in The Basement"When you’re the girl in the basement, your room is six feet by...
22/04/2022

Fiction Southeast - "When You're The Girl in The Basement"When you’re the girl in the basement, your room is six feet by eight feet. The floor is carpeted with packed dirt and old newspapers and expired advertisements. Your only access to the outside window is a single, scratched window, the size of two adult hands resting side by side.When you’re the girl in the basement, your room is six feet by eight feet. The floor is carpeted with packed dirt and old newspapers and expired advertisements. Your only access to the outside window is a single, scratched window, the size of two adult hands resting side by side. Your only companions are sixteen porcelain dolls. Every day, they stare at you with flat, glass eyes and you stare back. You used to imagine cracking their heads against the floor, marring their porcelain skin and cupid bow mouths, then plucking out their eyelashes one by one.

The first day, you turned their faces to the wall, unable to fall asleep, knowing thirty-two eyes were watching you. Now you pity them. There are so many things you can do that they can’t, like yawn and laugh and crack your toes or bang your head against the wall. One doll has a green cloak and curly red hair. The other has blonde hair and is dressed in blue and white. Another wears a white dress and a fur cape. Sometimes, half-asleep, you imagine they’re talking to each other, saying, I’m hungry or I’m cold or I’m tired, and then you wake up and realize the voices you’re hearing aren’t coming from the dolls, it’s you.

Before being taken, you were a girl who collected facts about bats, like how bats are the only mammals that are capable of flight. Your real father was a scientist, and you learned everything from him, like how some bats can live for more than thirty years. You know the bumblebee bat is the smallest mammal in the world, so small it could nestle in the palm of your hand. The window is at eye level, and sometimes at dusk and sometimes at dawn, you look through the window and see a cloud of bats zigzag in the sky, then disappear. All you’ve done is wish, but somehow, the transformation is already beginning. Your skin is slowly covering itself in a thin layer of peach fuzz. You don’t have a mirror, but in daylight in the window’s reflection, your teeth looked sharper, more jagged, but maybe that’s because you grind your teeth in your sleep.

You sleep on a mattress on the floor, but what you like to do is kick yourself into a handstand and pretend that your feet hang from the branches of a tree. The leaves rustle, and you tuck your wings close against your body. From the window, you watch the bats flying, making skittering patterns at dusk. You shrink your body until you are as small as you can be. If you look hard enough, the window doesn’t exist. You’re not in a basement and you’re not a girl. You’re a bat, trapped in a strange cave and as dusk pinks the sky, you’ll stretch your wings and fly far away.

When you’re the girl in the basement, your room is six feet by eight feet. The floor is carpeted with packed dirt and old newspapers and expired advertisements. Your only access to the outside window is a single, scratched window, the size of two adult hands resting side by side.

New post added at Fiction Southeast - Complete Fragments: A Review of Robert McBrearty’s When I Can’t Sleep
14/04/2022

New post added at Fiction Southeast - Complete Fragments: A Review of Robert McBrearty’s When I Can’t Sleep

As a reader, I am drawn to themes in story collections. Some overarching thematic flow that connects the stories in some way. So when I received a copy of Robert Garner McBrearty’s flash collection When I Can’t Sleep (Matter Press, 2019), I dove into the stories with that mindset. However,

Fiction Southeast - Complete Fragments: A Review of Robert McBrearty’s When I Can’t SleepAs a reader, I am drawn to them...
14/04/2022

Fiction Southeast - Complete Fragments: A Review of Robert McBrearty’s When I Can’t SleepAs a reader, I am drawn to themes in story collections. Some overarching thematic flow that connects the stories in some way. So when I received a copy of Robert Garner McBrearty’s flash collection When I Can’t Sleep (Matter Press, 2019), I dove into the stories with that mindset. However,As a reader, I am drawn to themes in story collections. Some overarching thematic flow that connects the stories in some way. So when I received a copy of Robert Garner McBrearty’s flash collection When I Can’t Sleep (Matter Press, 2019), I dove into the stories with that mindset. However, as I read stories of feelings of confinement in a pool hall, a woman who shoots her husband out of love, Donald Trump teaching a writing course and the ruminations of a man accidentally buried alive, I realized this collection was not congruent to a theme, but to something else.



McBrearty’s When I Can’t Sleep captures the eclecticism of how our minds operate in those moments where sleep evades us and fragments of stories fill our dark bedrooms. In his introduction, McBrearty even comments on this idea stating that these flash pieces came to him “in that space that exists between sleeping and waking.” And, as you drift through these ‘complete fragments’ of worlds and characters and the dilemmas they face, you find yourself in the very space of their conception. Almost as if the ideas slowly settled into your REM cycle but somehow tugged on the consciousness to bring them into the world. This is where McBrearty captures the real and the fabulous in such an effective, humorous and gifted way.



Looking at some of the story titles, the liminal environment seems evident. Titles such as “The Old Red Dog”, “Into the Basement”, “The Way to Handle Bullies” and “The Story of Your Life” reflect flashes of ideas and McBrearty has taken those flashes and, not only developed them into complete moments that echo styles of Raymond Carver (“The Armchair”) and sometimes Marc Maron (“On the Internet”), but stories that make the ordinary profound. In “The Imitation” (published in Fiction Southeast), a man’s imitation of his wife’s love making illuminates a disconnect in the relationship. The aforementioned “The Old, Red Dog” takes the death of a pet to show a brotherly connection in direct, simple prose yet filled with emotional depth all in the space of roughly 500 words.



Even with the eclecticism of the collection, McBrearty gives an ode to the bittersweet life of a writer and encapsulates these flashes with brevity in his stories. “Send Now” mirrors the dilemma of many writers sending out their work to publishers with grandiose perceptions while crippled with insecurity at the same time. “What Are My Chances” sounds like an echo chamber for any writer and McBrearty even takes a jab at the fleeting crazes of popular fiction in “After Zombies.” As a former professor, he also creates an antihero all writing instructors want to emulate in “Professor Sullivan Discovers the Force.” No shortage of ideas, directions and inventiveness exist within this collection.



My initial reading has me pining for a theme, almost demanding it. It wasn’t until I sat down to write this review that I had the epiphany that McBrearty has given the reader a theme in his collection though it was not the theme most would expect. When I Can’t Sleep is the theme. The space between sleeping and waking is the connective tissue of each story within the collection. Where dreams and reality coalesce into complete fragments of stories. Perhaps, McBrearty’s collection should sit on your nightstand for when you can’t sleep.

As a reader, I am drawn to themes in story collections. Some overarching thematic flow that connects the stories in some way. So when I received a copy of Robert Garner McBrearty’s flash collection When I Can’t Sleep (Matter Press, 2019), I dove into the stories with that mindset. However,

New post added at Fiction Southeast - "Tupelo"
28/03/2022

New post added at Fiction Southeast - "Tupelo"

“When I was your age,” my mother tells my daughter, “they made us learn and sing the German national anthem in 4H.” I would think she’s joking—farm kids were singing the Deutschlandlied in central Illinois in 1961?—but she knows all the words. “Hurry up!” my daughter yells at the b...

Fiction Southeast - "Tupelo"“When I was your age,” my mother tells my daughter, “they made us learn and sing the German ...
28/03/2022

Fiction Southeast - "Tupelo"

“When I was your age,” my mother tells my daughter, “they made us learn and sing the German national anthem in 4H.” I would think she’s joking—farm kids were singing the Deutschlandlied in central Illinois in 1961?—but she knows all the words.

“Hurry up!” my daughter yells at the bathroom door

“When I was your age,” my mother tells my daughter, “they made us learn and sing the German national anthem in 4H.” I would think she’s joking—farm kids were singing the Deutschlandlied in central Illinois in 1961?—but she knows all the words.

“Hurry up!” my daughter yells at the bathroom door behind which her brother is taking a shower. “I have to piss!”

Her grandmother stops singing to say, “Skeeter, language.” It’s a nickname for my child I’ve never heard before.

My son opens the door wearing only a towel. “I hate that you’re my sister.”

“Ditto,” his twin agrees, pushing past into the steamy hotel room lavatory.

“Take it easy, Jim Rockford,” my mother tells him.

He stares blankly at her.

“What’s with the nicknames, Mom?” I ask.

“Making up for your lapses in parenting.”

*

“They think more,” my son worries to me when we’re alone in the elevator. “Women,” he clarifies. He’s fourteen. His hair is still wet from the shower. “Who’s Jim Rockford?”

In the gift shop we buy granola bars and little bottles of orange juice, a book of crossword puzzles for him, and an issue of Vogue for his sister. I have no idea if my mother would prefer sudoku or the New Yorker. I pick up both.

“Skeeter told me to get tampons,” he says, then snorts. “Skeeter.” He studies the rack of sewing kits and packages that hold two aspirin tablets. “What do tampons look like?”

*

“Oh, I like that, Skeeter,” my mother tells my daughter when I open the door. “‘A gown of pitch and a greatcoat of fire.’”

“Don’t threaten grandma,” I scold mildly.

“We were talking about folktales,” my mother explains. “And before that, we were reliving the moment when you drove into the ditch. Before that, I was telling her how I ended up in Alabama after a happy childhood in Illinois.”

*

“Sorry about grandpa,” my son tells my mother while we eat our granola bars and drink our juice. “And sorry we missed his funeral because of the snow.”

“Thanks, Jim Rockford, but don’t worry too much. Funerals are dull. Your grandfather was an asshole.”

“Language, Mary Tyler Moore,” my daughter says, and grins when her grandmother laughs.

*

Our view is of an empty, snow-covered parking lot across the street from the Hampton Inn in which someone is spinning donuts in a jacked-up F-150. A huge Confederate battle flag flies from a pole in the pickup’s bed.

“I’m abashed,” my son says.

“You’re not using that word correctly,” my daughter tells the window, then adds, “We’re going to die here.”

“Oh, maybe,” my mother says from the room’s one bed. She sounds bored.

“So, what’s living in Tuscaloosa like?” my son asks, trying to make conversation.

“My hope was that when your father grew up, he would leave and never come back. He did and he didn’t. Hope accomplished.”

“So, do you like your job?” is his follow-up.

*

My daughter spots a distant Starbucks from the window. We leave my mother in the room and go to fetch lattes.

“Why didn’t grandma want us to go into her house to p*e when we picked her up?” my son wonders in the parking lot.

“Mary Tyler Moore is a freak is why.” I can tell my daughter’s proud of the nickname.

The snow is deep and even. Dusk is falling slowly upon the strip mall.

“So, how old were you when your parents got divorced?”

“So many questions, Jim Rockford,” his sister says.

Without thinking, I answer, “About your age,” and he flinches.

“My age?”

“Tighten up, Jimmy,” his sister tells him.

The door at Starbucks is locked and the employees wave us away when we rattle it, but the drive-through is open.

“Well sh*t,” my daughter says, and I tell her, “Language, Skeeter.”

My son is staring at the line of SUVs. “Come on,” he says, and we follow him and join the queue on foot. Right after we do, the huge pickup we’d watched from the hotel pulls up behind us, rumbling and farting black exhaust. My boy turns and grins, gives the confused guy behind the wheel two thumbs-up, yells, “I’m Jim Goddamn Rockford!” The guy laughs and waves, and my daughter says, “We really are going to die.”

At the window, the barista taps a hand-lettered sign that reads NO WALK UP’S.

“I refuse to believe that’s corporate policy,” my daughter tells her. “I mean, come on, the apostrophe for one thing.”

My son yells, “I’m a car! Beep beep! Vroom vroom!” He kicks the snow. Behind us the guy in the pickup revs his engine.

“Four venti lattes, please,” my daughter says. “Because he’s a car.”

The barista shakes her head and tells me how much I owe.

On the way back to the hotel Skeeter stops and makes a snowball. Jim Rockford quickly makes his own. Hers hits him in the chest. He laughs and yells, “Asshole!” then hits her in the back with his snowball as she runs away. “You’re the asshole!” she yells over her shoulder.

*

“What’s the thing called they toss the ball into?” my son asks my daughter. “And do they get ten points or twenty when it goes through?”

They’re watching the Pistons and the Pacers on ESPN.

“Are all the guys in yellow shirts on the same team?” she asks him. “Or can they switch sides with the guys in blue shirts?”

My mother is outraged. “How do you not know the rules of basketball?”

“It’s a joke,” I explain.

“Oh, thank god.”

*

In the empty lobby, a woman wearing what appears to be a wig is breathlessly telling lies on Fox News. The remote is sitting beside the flatscreen and there’s no one to complain when I turn off the TV.

I call my wife, safe in Atlanta, and give her an update.

“I know all that, I’ve been getting texts from the kids all day, but they’re saying weird things about Mary Tyler Moore and the Rockford Files. And who’s Skeeter?”

“Nicknames my mom and the kids made up,” I tell her—then realize my mother didn’t give me one. “You feel left out?”

“I wish I were embarrassed to say no,” she says. “It feels almost dirty to be alone. How’s your mom?”

“She told Skeeter my dad was an asshole.”

“True,” she says, “albeit a little harsh, since he’s dead.” I hear what sounds like the noise of a bag of chips being opened. “When will the car be fixed?”

“Tomorrow, hopefully.” I listen to her eat. “Jim Rockford’s worried we’re going to get divorced.”

“Jim Rockford our son or Jim Rockford the TV character?” she asks.

“Not the guy who drove a Firebird and lived in a trailer on the beach.”

“That was a good show. Tell Jim Rockford not to worry.”

*

When I come back to the room, a West Coast NBA game illuminates Mary Tyler Moore, Skeeter, and Jim Rockford. They’re asleep and huddled together under the comforter, in the last king available in Tupelo.

“When I was your age,” my mother tells my daughter, “they made us learn and sing the German national anthem in 4H.” I would think she’s joking—farm kids were singing the Deutschlandlied in central Illinois in 1961?—but she knows all the words. “Hurry up!” my daughter yells at the b...

New post added at Fiction Southeast - "Bone on Bone"
28/02/2022

New post added at Fiction Southeast - "Bone on Bone"

My late-brother’s car had brakes like bone on bone, but the turbo still growled. I gassed hard toward the mountains, red-orange running through their wrinkles, a sunset like something spilled. Paul left me everything: an apartment I sold, the gunmetal BMW I drove, his half of the family vacation h...

Fiction Southeast - "Bone on Bone"My late-brother’s car had brakes like bone on bone, but the turbo still growled. I gas...
28/02/2022

Fiction Southeast - "Bone on Bone"My late-brother’s car had brakes like bone on bone, but the turbo still growled. I gassed hard toward the mountains, red-orange running through their wrinkles, a sunset like something spilled.
Paul left me everything: an apartment I sold, the gunmetal BMW I drove, his half of the family vacation house inMy late-brother’s car had brakes like bone on bone, but the turbo still growled. I gassed hard toward the mountains, red-orange running through their wrinkles, a sunset like something spilled.
Paul left me everything: an apartment I sold, the gunmetal BMW I drove, his half of the family vacation house in the runny mountains toward which I sped, and a dog, a big blind one named Rez, lying regally in the backseat.
My wife Penelope’s death, less recent than Paul’s, left me with nothing but a hole unfillable by man, woman, god or devil.
Her absence is a wound that rejects stitches.
I yanked the car off 31 and up the unnamed road. None of us had been to the house since long before Rez—and yet as the car rose, so did he, sniffing at something familiar. In the fading glow, his eyes were thousand-year-old marbles, glassy with fire.

One of the neighbors called me in New York. He’d walked his dog near the old house, and she just went ap***it, so he’d leashed her to a tree then did a perimeter check. Found a hole in the siding, enough so raccoons’ll get through. He offered to fix it—people are like that, there—but in a fit of filial piety, I told him I’d fix it myself.
It merits mentioning: I have no experience fixing anything beyond punctuation.
I’d been a copy editor at a music magazine—not the one you’re thinking of—until my parents died; then I quit and wasn’t much of anything. I didn’t need to be. Paul and Penelope were still around, but neither of them needed me to be anyone.
I’m only writing this story, now, because it’s true.

Rez sniffed at the hole without fervor, then loped away through the pachysandra, into the backyard. The wet forest smelled of shoes worn without socks.
The tool for this job is about the size and heft of a bottle opener. At the top there’s a thin slice of steel bent like an elbow. You jam it under the siding, then leverage the whole piece off. My knees sank into the loam as I worked, new impressions with each movement so that by the time I’d removed the damaged pieces, I’d left an unsettling pattern of knee and toeprints, like someone had been marched through the dirt in the ex*****on pose.
I reached for the replacement siding, and when I turned back, neon yellow eyes raged in the dark hole, yellower teeth bared. Spittle thick as toothpaste. I crawled desperately—why I didn’t run, I can’t explain—and the rabid teeth followed. They clacked and foamed and the instant I accepted fangs in my flesh, Rez flashed across the dirt. He slammed a paw onto the raccoon’s neck, then crunched through it—too easily—and plopped its head on the ground. A rejected snack.
Some of Paul had survived in Rez. Both were infuriatingly independent until the moment you really needed them, when they’d fly in from off-screen and take the bullet.
Blood matted into Rez’s snout. He licked a red streak on my throat, then bounded back into the pachysandra. Puffs of raccoon fur flew off him like dandelion fuzz.

Once on a podcast, I heard a horror-film director say the thing he’s always up against is, why don’t they just leave? Why don’t the characters leave the haunted house, the bewitched forest, the cursed hometown?

Generations of dead flies pile atop the windowsills, golden bowls of rust form beneath stagnant toilet water. Windows warp, hardwood warps, time warps. Forgotten houses are time capsules.
As kids, Paul and I knew it was haunted. We heard footsteps on the moonlit roof. Ghosts wafted across turned-off televisions. From one side of the house we’d hear something fall on the other; after checking it out, things in the room we’d left were just different enough. Remotes turned over, craters in untouched pillows.
But this was different. Rez saw them first.
We walked in rural dark. Rez’s nails clicked on the asphalt until we crossed into the soft grass of the ski slope. I liked the offseason more. Metal goosenecks of damaged lift chairs lain in sawhorses like guillotines, the woods lush and discrete.
Rez liked it less; in fact, he, too, “went ap***it” when we looped back to the house. I swiped on my flashlight, revealing my mother, maybe three feet away. Rez stopped barking, and pulled on the leash toward her.
What do you say to a ghost?
She opened her mouth to tell me about my birth. Wind lifted the leaves and washed her words away.
The next night, my father came. I tried to shake his hand, firmly like his father would’ve, but as our hands met, he vanished.
The next night, Paul was there. He got down on a knee and scratched under Rez’s ears. When I tried to tell him about being the last one left, he couldn’t hear me.
Nobody showed for nine nights. I stayed, pleading for Penelope.

We met at Fordham’s library. I used to sneak in pretending to be a student. I always carried poetry by a woman of color so that no one questioned my presence. The irony of my eventual wife being an African-American literature professor was explained to me—by her—as not ironic at all, but simple cause and effect.

On the tenth night, rain pelted the leaves. Rez’s bark revealed nothing, until I trained the flashlight into his eyes. He stared blindly back at the beam, and a slip of Penelope’s hair passed across his pupils like a hand behind a velvet curtain. Rez raced toward her, light strobing across the trees as I sprinted with him.
The old BMW handled like loose guitar strings, the road glistening with fresh danger.

I never fixed the hole. I assume the house is wild with raccoons. I wonder if they shiver when they scurry past the spot where Rez tore one asunder.

My late-brother’s car had brakes like bone on bone, but the turbo still growled. I gassed hard toward the mountains, red-orange running through their wrinkles, a sunset like something spilled. Paul left me everything: an apartment I sold, the gunmetal BMW I drove, his half of the family vacation h...

New post added at Fiction Southeast - "Deck a Bitch"
22/02/2022

New post added at Fiction Southeast - "Deck a Bitch"

I’m a delight, you see. I pride myself on Swiss cheese omelets and perfectly cooked bacon, and rubbing my husband’s shoulders after a long day of work. It may not surprise anyone to say I’ve never been in a fight. Sure, a few small verbal ones made up for with

Fiction Southeast - "Deck a Bitch"I’m a delight, you see. I pride myself on Swiss cheese omelets and perfectly cooked ba...
22/02/2022

Fiction Southeast - "Deck a Bitch"I’m a delight, you see. I pride myself on Swiss cheese omelets and perfectly cooked bacon, and rubbing my husband’s shoulders after a long day of work. It may not surprise anyone to say I’ve never been in a fight. Sure, a few small verbal ones made up for withI’m a delight, you see. I pride myself on Swiss cheese omelets and perfectly cooked bacon, and rubbing my husband’s shoulders after a long day of work. It may not surprise anyone to say I’ve never been in a fight. Sure, a few small verbal ones made up for with hugs, but I’ve never gotten to just deck a bitch. I would, however, fistfight that prissy Dr. Fu****ce and all of her bu****it PHDs in a heartbeat. How someone who has been trapped in school that long can still be so dull as to force a grown man into overtime on the weekends, or deny him sick leave, is beyond me. It’s her fault we had to miss my nephew’s high school play, and I heard he sucked so that was probably a once-in-a-lifetime chance! My darling also had to go into work with the flu, and it certainly wasn’t his boss that drove his codeine-delirious ass. I was ready to tolerate it all for a short while. I figured there would be an adjustment period as she took over for the last boss, and she’d cool off in time. I even brought a crockpot full of slow-cooked meats to the company potluck, and planned on charming her into kindness. I thought we would relate as women and have a laugh, and I would nod my head as she told me how hard it is to be in a position of power. She’d listen thoughtfully as I told her how I missed weekend dates and nightly dinners with my husband. I was wrong. If she were to smile, I’m sure her face would split in half. I couldn’t comprehend anything she said after she looked down her nose at my darling man. Doesn’t she know how hard he works at this bu****it job? Doesn’t she know that he comes home exhausted and still can’t find it in his sweet, soft heart to give me her home address? Doesn’t she know I would fu***ng kill her if she sneered one more time? I wouldn’t do anything that could jeopardize my pumpkin’s job, of course. We need to pay rent and put food on the table, but a girl can dream. Maybe one day when we’re both too fed up, I’ll knock some teeth out on his behalf. Please ask me to punch that bitch, honey. For us.

I’m a delight, you see. I pride myself on Swiss cheese omelets and perfectly cooked bacon, and rubbing my husband’s shoulders after a long day of work. It may not surprise anyone to say I’ve never been in a fight. Sure, a few small verbal ones made up for with

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