14/09/2022
When this album came out, WGVL had the band visit the station and we held a hatchet throwing contest on the front lawn.
SEPTEMBER 1979 (43 YEARS AGO
Molly Hatchet: Flirtin' with Disaster is released.
# ALL THINGS MUSIC PLUS+ 4/5
# Allmusic 4/5 stars
Flirtin' with Disaster is the second studio album by Molly Hatchet, released in October 1979. It peaked at #19 on the Billboard 200 Top LP's chart. The single of the titles track hit #42 on the Billboard Hot 100 chart. The cover is a painting by Frank Frazetta entitled "Dark Kingdom."
With Tom Werman once again handling the production, the big boys from Molly Hatchet rolled out their second studio LP, Flirtin' With Disaster, in 1979. Aptly opening with "Whiskey Man", vocalist Danny Joe Brown and company pick-up where they left off on their rebel rockin' self-titled debut album. Proudly wavin' the rebel stars and bars, Hatchet, like their Southern rock brethren, were far removed from the new wave movement of the late seventies. There were no skinny ties sold in gator country. Molly Hatchet kicked-out brawny rollers for the workin' man. Axe slingers Dave Hlubek, Steve Holland and Duane Roland pushed Molly Hatchet throughout the thirty-eight minute Flirtin' With Disaster, which features the hard charged title track, plus the lengthy "Boogie No More", "Gunsmoke", "Long Time", and the party-on closer "Let the Good Times Roll".
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While the rest of the world was glorifying The Beatles and surviving the soul explosion, there were numerous hopeful young musicians hanging out and jamming at the Forest Inn on the west side, Greenfield Stables, or downtown at the now defunct Comic Book Club.
While most lay people tend to categorize Southern musicians with the Macon, Muscle Shoals, or Miami empires, the spawning ground for at least five top Southern bands was actually Jacksonville. It’s a well-known fact the very first Allman Brothers Band jam took place there in the park in 1969 and, of course, the rest is history. Such locals as King James Version, Magi, 1%, and Sweet Rooster contributed their formidable array of local talent to form such bands as Lynyrd Skynyrd, Grinderswitch, and .38 Special. These bands went on to carve their niche in the world of rock ‘n roll.
Meanwhile back in Jacksonville, an obscure band called Molly Hatchet was dipping in that talent pool once more, coming up with what some would call the best of the rest, but this unprejudiced observer calls THE BEST. These six guys sat back, observed what their fellow bands were doing and what they weren’t, then hit the road for the obligatory Southern roadhouse/club/bar circuit.
Okay, Molly Hatchet does sound like a strange name for six street-tough, extremely macho Southern boys. The explanation for the name comes from 17th Century Salem where one legendary lady (if one could call her that) named Molly Hatchet would behead her lovers with that hand tool Lizzy Borden made famous. Now the mystery still is what that has to do with these six guys but once you listen to the opening bars of “Bounty Hunter” or such cuts as “Gator Country,” “Big Apple,” etc. you won’t even worry about it anymore.
To get on with our story, the guys paid their dues and were referred to manager Pat Armstrong by .38 Special, whose career, along with Lynyrd Skynyrd, he had helped guide in their formative stages. Armstrong drilled Molly Hatchet until they were ready for the national recording scene. At the end of ‘77, Epic Records quickly snatched up this group, knowing a great band when they hear one.
Molly Hatchet, a band who lives fast, works hard and plays tough…well put it on and decide for yourself!
~ Gail Giddens
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REVIEW
Rob Theakston, allmusic
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By the time Flirtin' with Disaster reached stores, the Hatchet were already bona fide forces to be reckoned with on the Southern rock circuit, with a fan base nearly on par with contemporaries like Skynyrd and the Allmans (who they covered on their eponymous debut LP). With a Frank Frazetta album cover that clearly sent a message that the band means business -- the business of hard partying and equally as hard rocking -- Flirtin' with Disaster is a 40-minute tour de force spearheaded by a triple guitar attack and the raspy thrillbilly growl of Danny Joe Brown. The album slowly builds from "Whiskey Man" into the classic soul rocker "It's All over All Now" and peaks with the brilliant title track -- largely considered by many to be Hatchet's finest moment committed to analog tape. It's a hard driving rock record, plain and simple with no frills or lofty concepts. Just ten songs designed to keep rocking until the sun comes up over the Florida swamplands. And it does the job better than most of its contemporaries.
TRACKS:
Side one
"Whiskey Man" (Danny Joe Brown, Crump, Hlubek, Holland) – 3:38
"It's All Over Now" (Bobby Womack, Shirley Jean Womack) – 3:40
"One Man's Pleasure" (D. J. Brown, Hlubek, Duane Roland) – 3:24
"Jukin' City" (D. J. Brown, D. Hlubek, S. Holland) – 3:46
"Boogie No More" – 6:08
Side two
"Flirtin' with Disaster" (D. J. Brown, D. Hlubek, B. Thomas) – 5:00
"Good Rockin'" – 3:17
"Gunsmoke" (B. Crump, D. Roland) – 3:11
"Long Time" (D. J. Brown, D. Hlubek, S. Holland) – 3:19
"Let the Good Times Roll" (Brown, D. Hlubek, S. Holland) – 2:56