11/11/2025
“Fame assumes the character of a new religion: notoriety as resurrection, legacy as salvation.”
Presented by LAS Art Foundation, Christelle Oyiri’s audio-visual installation ‘Dead God Flow’ engaged with the figure of the rapper as both martyr and gladiator. Oscillating between elegy and critique, in Oyiri’s words, the show understood that “death is not an ending but a loop, a broken god’s beat still pulsing.”
As the first article published as part of our feature topic Ghosts, Eve Rogers writes on ‘Dead God Flow,’ discussing inheritance, welcome hauntings, and how music can become the site of a viable and resonant afterlife.
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Eve Rogers reviews Christelle Oyiri’s exhibition ‘Dead God Flow,’ presented by LAS Art Foundation, as part of our featured topic, Ghosts