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Out of Nowhere The Cutting Edge of Black Theory

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This is a blog started for the further circulation and growth of work being done in the flesh of afropessimist theory. While such a name -- afropessimism -- cannot encapsulate a theory of the beings who ontologically have no name, afropessimism is a unique placeholder created by Frank Wilderson to describe an ensemble of theory that has exploded out of nowhere. This blog will feature original piec

es of poetry, articles, fiction and any other creative forms by an assortment of intellectuals doing work on existence, politics, and popular culture in the shadow of the singularity of blackness. If you are interested in having a piece published please leave a message or email Nicholas Brady at nicholas[dot]brady89[at]gmail[dot]com.

John Murillo III writes a prose poem about Kanye West, catalyzed by West's recent "Birthday Party" rally but a long time...
21/07/2020

John Murillo III writes a prose poem about Kanye West, catalyzed by West's recent "Birthday Party" rally but a long time coming. Part of a larger, in-process collection entitled /Lost and Found/, a collection of prose poetry about the countless Black folk, living and dead, lost and discovered in the afterlife of slavery.

"You are left weak shambles because you give everything in asking. No answers but the flashing lights because there are none. You only cut as you cry louder; sharp shambles shards are what you speak. Pain twinkles from shattered stained-glass window panes, shambles flaying Black hands outstretched across years and cities and digital spacetimes, reaching to shake you shambles, to wake you and say, “Goodmorning” ooowee eeoo ooo oo ooo-oo-oooooh, to tell you shambles, “You’ve done good mourning, now come back to us, prodigal mourning son, come back shambles and let us hold and behold you the way you don’t know or cannot say you need.”"

You cry out inside can’t you see shambles Mama, what I’ve become? Ndodna Nda don da can’t they see the blood on my leaves, Mama? Mama, why can’t they ndon da da don d’n da see shambles the light of…

Tonight, John Murillo III offers a two-track story about the pleasure the police take in antiblack terror, and about the...
21/06/2020

Tonight, John Murillo III offers a two-track story about the pleasure the police take in antiblack terror, and about the tenderness Black folk show one another as we fight, wherever and whenever we are, for something more than liberation.

The piece channels and mimics the writing, singing, and rhyming of Run the Jewels in track 1, "Jeweled Jouissance," and Stevie Wonder and Noname in track 2, "Stevie and the Woman With No Name."

Read and bop your head and feel this as much as you can. Fall into the rhythm.

"Amaurotic nightingales
Look around, and you’ll see
Their ruinous human history
We hope the darkness keeps us well
We vital strangers
Please, keep our heads up,
And when we get knocked down, don’t forget to stand up.

Look around, and you’ll see
Look around, and you’ll find
Darkness keeps us well
Only we keep us well."

Jeweled Jouissance He smiled. They laughed. He smiled with no teeth and they laughed, loud and long. He smiled with no teeth and I could spy the excitement glinting from his irises even as his eyes…

While we celebrate today, Nicholas Brady meditates on the complexities of Black freedom against those who think the Fede...
20/06/2020

While we celebrate today, Nicholas Brady meditates on the complexities of Black freedom against those who think the Federal Government should recognize Juneteenth as a national holiday.

"For these reasons, the celebration of Juneteenth is complicated to me. I imagine without knowing that when our ancestors celebrated they asked or felt many questions about the change in their status. Juneteenth celebrations are not the grotesque propaganda of July 4th. They are not the lies a nation tells itself to enjoy its ill-gotten spoils of conquest, r**e, and genocide. What Black people found in jubilation was much more complicated and much more radical. Black people ate, drank, danced, loved, meditated, and prayed together the questions and the joy, the struggle and the longing. In the place of answers, we celebrated the marvels of a life made anew."

By Nicholas Brady On June 19 many Black people celebrate an interesting holiday named Juneteenth. While we classically think of Juneteenth as a celebration of the emancipation of Black people, ther…

With the lives of those murdered on our minds, in particular Breonna Taylor and George Floyd, Nicholas Brady wrote a pie...
05/06/2020

With the lives of those murdered on our minds, in particular Breonna Taylor and George Floyd, Nicholas Brady wrote a piece on the power of Black rage to move worlds.

"In the undeclared war on blackness, birthdays become days of mourning and rage. Blackness connects us all together where life and death share no boundary, they exist together at degree zero.

In this way, rage is not an affliction — rage is an inheritance."

By Nicholas Brady Today Breonna Taylor would have been 27. If she were not murdered, perhaps today would have been a happy day, filled with love and celebration. Instead her killers still receive a…

Keeping up with the namesake of this space, a new piece from Nicholas Brady on the aftermath of Botham Jean's murder and...
05/10/2019

Keeping up with the namesake of this space, a new piece from Nicholas Brady on the aftermath of Botham Jean's murder and the power of our memory in the face of state-sanctioned violence

"While I agree with the many articles that have spoken in criticism of Black forgiveness as an acceptable response to racism, I will contend something a little different. I do not think they desire our forgiveness — they desire us to forget."

https://outofnowhereblog.wordpress.com/2019/10/05/black-sacred-memory-some-thoughts-on-the-murder-of-botham-jean/

By Nicholas Brady We may forgive, but we must never forget. In the trial of the ex-cop murderer of Botham Jean (a name I refuse to write), we saw many gestures that seem to be anomalies from a Blac…

03/07/2017
FEEL.: A Westbrookian Myth

Before Westbrook was declared MVP, John Murillo III wrote the myth into existence.

"I am split/spilt between the daily victories and losses, and “the FEEL.” is the precariousness between the extremes. Some days, I lace them up because I am trying to win to keep from losing. Some days, I put pen to paper, fingers to keys, because I am trying to FEEL. what it FEEL. like to win to keep from losing.

And still other days, on the days the work of wearing Black armor or wielding Black ink are too much or not enuf, I put on that oversized either vermilion or pantone orange official alternate Westbrook jersey because I want, or really need to FEEL. like, win or lose, my value as abundant as 0 persists."

0 Intransitive Verb 1 : to crash, thunderously; “0,” they proclaimed, “0 like the coming of a decades-long storm, like the cataclysm that will unwrite this story and usher in the next.” 2 : to deto…

25/02/2017
A Mote and A Minute: Deranged Facets of We and the Making

John Murillo III returns (finally--it's been like 5000 years) for with a talk he delivered at San Jose State University on Wednesday entitled, "A Mote and A Minute: Deranged Facets of We and the Making." The piece draws from several pieces he's written, and adds some new work as well, and considers the relationship between Black folk, time, space, "we," and creation. Peep the flow of the last section, too. It might be pretty cool.

A quote:

"So “together,” then, wholly devoted and broken, down the Black rabbit (w)hole we go. To do the wake work, to work in the wake, to make space, to boldly go, then, speak with, think through, imagine in the presence of, and be with death. Nothing less, nowhere else, with no time to spare."

Facet 1 Untimeliness “The problem to be considered here is one of time” —Frantz Fanon, Black Skin, White Mask Another one left smoldering and empty, and only time will tell. Michael’s body la…

16/01/2017
No Country

Nicholas Brady returns for with an essay thinking through a small moment in Lauryn Hill's Unplugged performance of "I Get Out"

"This moment in the song reveals Unplugged as an album of fragments — of precious, intense moments in between expanses of lectures, poems, and songs. The gems are woven throughout. Moments of improvised creativity and lucid analysis that elide simple bifurcations between the fragment and the w/hole. Nourbese asks us to consider “when does the fragment cease being a part of the w/hole? To become its own w/hole?”

What would it mean for us to take Ms. Hill’s fragmentary hook seriously? Just get out. Towards a politics of blackness that refuses the social bonds of capitalism, nationalism, internationalism. Get out."

By Nicholas Brady Lauryn Hill’s Unplugged album is criminally slept on, an example of how far a first impression can carry on. The album cannot escape how badly it was received when it was released…

09/01/2017

Out of Nowhere with the one-two punch.

First Nicholas Brady with the stunning, "The Death Within," and now, John Murillo III with, "Nixtamalli," both for their first of 52 essays this year (shoutout to Vanessa Mártir, 100%).

From the piece: "At the crossing of veins: ocean and earth, black water and red land, raised and lightly pulsing tidal tectonic rhythms on the backs of two too-big hands with fingers that can bend backward to wrists, right curled into half a fist to grip the pen touched to and tap-tap-rapping against the parted slit between lips whispering bloodied and salty cross-thoughts incanted below eyes closed, burgundy ink and inky sight in search of they and them and those and me I never knew, those I knew I loved, and those we lost; the narrow split of parted lips conjures the vexed hieroglyphic spellings about to spill onto dirty, splattered pages, while my consciousness teeters on the precipice between ages and spaces, between here and the dream where and when the dead, dying, and doomed might have moments and room to be, speak, and breathe—somewhere, somewhen, in the binding of the notebook, the uneven bluffs of unfinished maps, the margin’s sewn seams."

Also, peep the bio:
Dr. John Murillo III is a conjurer. Often, that he practices Black magic with words, rife with nerdy references and citations—to/of Mass Effect, Doctor Who, Yasiin Bey, Umbrella Academy, Pokémon, Hortense Spillers, Steven Universe, Theoretical Physics and Afropessimism—infuriates misguided, uninformed, and petty nonbelievers of all kinds. He channels their dismissive and baseless hateration into inky spells, deathly cast into wordy, cinematic, weird, loving, enraged, and sorrowful sentences on comic book, essay, poetry, and novel pages. Unlike them, he believes in the “promise” and the practice “of the infinite,” tries his best like “Umi Says,” and imagines the unimaginable through, for, and with Black life and death everywhere. His curls have been described as “a portal into the boundless absurdity and wonder of the cosmos.”[1] His favorite dish is mole negro.

---

[1] By himself and literally no one else.

https://outofnowhereblog.wordpress.com/2017/01/09/nixtamalli/

08/01/2017
The Death Within

Nicholas Brady wrote a little piece on the sociality of death for

"Antiblackness is the organized theft of the death within black flesh. What the master was buying at the coffle was not simply or necessarily our life, but a deed giving him right over the death within us. The ledgers and accounting books calculated the amount of lifeforce that could be squeezed from the slave up to its demise, speculating on the value produced from the breathing dead. The documentation is paper thin, but the relation to death is concrete and felt. Mastery is a parasitic relation to the death within our flesh. The blossoming of death within us is the slave relation coming to fruition, the harvest of his position in the world. The capacity to kill black flesh is the bedrock of mastery. The liberal individual endowed with rights and recognition is nothing more than a fantasy made from the blossoms of the death within us."

https://outofnowhereblog.wordpress.com/2017/01/08/the-death-within/

By Nicholas Brady The death is always in me. Within me is the fact of death that cannot be transcended. The death within is not the property of the flesh, but the knowledge of the flesh’s necessary…

21/09/2016
Impossible Lives Shatter (Another for Korryn)

Nicholas Brady reflects on the impossibility of living black in a world structured on our slaughter and consumption

"Impossible is the only
Black way to be"

By Nicholas Brady Impossible is The distance between I have not done that before And everything beyond the horizon of I cannot do that yet Ali told us Impossibility is a dare Creativity is for thos…

18/08/2016
Remember.

Kala Anthony-Lacy brought us back with this powerful piece on the spiritual necessity to remember our kindred

"To start this piece I tried to make a list of the names that we are mourning, but I didn’t know when to stop. What is considered “recent” and what hurt are we supposed to have healed from by now? How does time function within death? I’ve decided that it doesn’t. So, in throwing away time, I refuse to make a list if I don’t have the capacity to name us all; we all deserve our name. There is not one who I will not recognize for the sake of easy consumption. For all of my family that no longer inhabits their bodies, regardless of bloodline, era, and circumstance, I write this for you."

“Death is seen as a stage of life. The living dead are still members of the tribe, and personal immortality is assured as long as one’s memory is continuously passed down to each generation by the …

04/08/2016
Murder of Blacks (For Korryn)

"Coal feathered wings
Stretch forth, sharp toed sneakers kick off
Catch a current. finally look up
Look down, See it all, screech explodes from lips
Out for your murder, no words
Scream murder anyway

Why they keep screaming
Murder, voice sounds bloody
Find others, crying, make new form
Find more, screech interminably
When will it end?
I ask to no one, but he heard
Jerome waz nice
Enough to teach my foolish ass
I asked the question before I knew I was asking
He answered before I ever spoke
Like a pride or a band
Crows come together as murders
Then, what are we?

“I’ll live forever,
My n***a
Forever.”
We share this path like
Students share hallways
You were something greater than a Knight though
Or you showed us how to be greater
Black feathers blow on us
As your wings spread, no vampire can touch you
Higher than a castle on the highest point in the city
Look down, we look around
Look up, we try to see the world as you do
Listen to how you answered
What are we?"

https://outofnowhereblog.wordpress.com/2016/08/04/murder-of-blacks-for-korryn/

By Nicholas Brady Coal feathered wings Stretch forth, sharp toed sneakers kick off Catch a current. finally look up Look down, See it all, screech explodes from lips Out for your murder, no words S…

10/07/2016
Mines

Mines

By Nicholas Brady Say Violence In any instance Is wrong, Type that On a computer made Of bones and crushed Minerals and lives lost In mines, made mine Life is diamond Precious enough to Glow, we mu…

25/09/2015
Death's Air

What does it mean to bloom into radical blackness? Check out this poem by Nicholas Brady

By Nicholas Brady If you listen to the ocean on the right day You will hear of the blooms that With the inhaling of breath alone Can erase all life from the only world it ever knew Nobody ever said...

05/09/2015
Black Achievement in the Face of Diversity

"So, I find it necessary to start this speech at its end, in a sense: as a “Commencement” speech focusing not on the beginning of your next chapter, graduates; but rather, on precisely where you already are: Black, high-achieving and always-already under the press of whatever banner the present moment is waving. You should be quite proud of this achievement, as we assembled here tonight are of you – but you must also be awake and alert to the “moment” into which you are commencing. And the banner for this present moment is “Diversity,” while its backdrop continues to be the acute, spectacularized violence against Black bodies. It is a moment that – this week -- forbids Black teenagers to simply attend a pool party; that does not render as distinct, a Black teenage girl’s head from a cement sidewalk, or presume Black teenage boys the right to defend her from the peril of that violent fusion, without having to face down the barrel of the perpetrating police officer’s gun. It is one in the litany of dishonors that have served as backdrop to our pursuit of higher learning here at UCI, where the banner of “diversity” is displayed so proudly. It is, in large part, what Audre Lorde was suggesting with her poem, “A Litany for Survival”.

And so, I have titled this speech, “Black Achievement in the Face of Diversity,” because of its harmonics – what we hear above, below and in-between the phrase; namely, “Black Face,” “In the Face of Adversity,” “Face Down” and “Facing down,” among other resonances. Let me break this down... "

It is our honor and pleasure to present a speech delivered by Professor Jaye Austin Williams to the Black Baacalaureate Commencement Ceremony at University of California, Irvine earlier this year. ...

08/08/2015
A Few Notes to the Intramural on Afropessimism

"Afropessimism does not posit a death sentence to what blackness could be, but recognizes the world’s death sentence as a structuring condition for black life. This theory embraces the umembraceable aspect of blackness as a mode of theorizing: the question of suffering and how to name the violence that causes it. This is not a reduction of black people to suffering, but a desire to speak to the unimaginable aspects of our suffering — to see black suffering as a profound site of interrogation."

By Nicholas Brady I once was told in a conversation, “I just don’t buy that black people are socially dead.” In another situation, a friend of mine was asked a similar question centered about belie...

28/03/2015
Wake Work - Self Care for the Black Community

Check out the first piece by Kala Lacy. This is a piece to return back to, over and over:

"Wake work, and all of the water it carries, has haunted me since this conference. I understand it as the healing and care of Black bodies in the wake of the ship, in the survival (if we can call it that) of the Middle Passage. Sharpe called the room to defend the Dead; the Living Dead and the Dead who walk without a material body. As I begin my own practice as a healer, I have stopped to meditate on this defense- if there is a possibility of restoration after the slave ship, and if so, what does it look like? How many bones can it mend and how many miles of flesh can it suture? How does it extract the blood from the water and restart the heart, or reverse the atrophy of organs? Can those who have been permanently marked by the Middle Passage, those suffering under the condition of Blackness, ever breath again?"

https://outofnowhereblog.wordpress.com/2015/02/18/wake-work-self-care-for-the-black-community/

By Mackala Lacy Last month, my alma mater, the University of California, Irvine, hosted the African Black Coalition Conference, a large scale event dedicated to the education and community building...

18/01/2015
Monstrous Abundance, A Small Note of Gratitude

Christina Sharpe did something special at the Afrikan Black Coalition conference at UC-Irvine. It was so unflinchingly powerful, it inspired me to write a note of gratitude to her and her work.

https://outofnowhereblog.wordpress.com/2015/01/18/monstrous-abundance-a-small-note-of-gratitude/

It's a joy to be seen, in our wholeness. I think thats why discourses focusing on pride run flat after awhile. At first, it feels good to have your confidence boasted. When the world tells you that...

04/01/2015

Out of Nowhere's cover photo

08/05/2014
Never Meant to Survive the Debate: Sapphire Reclaims Her Performance

One half of the Champion of the Cross Examination Debate Association Championship responds to the racial-sexual violence that has been enacted against her since her historic win just a few months ago

"Anytime there is an epistemological shift away from hegemonic knowledge production and subjugated knowledges refuse to be hidden, there is always backlash.

However, the responses are worse than backlash. They reflect the intentional and unintentional targeting and killing of two Black women in an educational activity (but to be honest I don’t expect much of this academic machine). Audre Lorde said it perfectly, “the machine will try to grind you into dust anyway, whether or not we speak.”

So FINALLY, I am deciding to speak, despite my fear. After all, everyone else has been so busy giving their two cents on our performance during the round and the “his-stor(y)-ic” win with their terrible articles, uneducated comments, and endless tirades.

Even then I kept quiet. Watching while simultaneously feeling the whip of their spiteful words across my flesh. As Alexis Gumbs says, “The body is not spoken. It is also written…The danger of the words studied here is that they are bodily, they live, produce and disrupt.” You see, unlike some, my flesh does not have the pleasure or the privilege of merely being an untouched spectator watching scenes of violence at my leisure but rather I experience the gratuitous materiality of this unethical world."

http://outofnowhereblog.wordpress.com/2014/05/08/never-meant-to-survive-the-debate-sapphire-reclaims-her-performance/

By Korey Johnson “And when we speak we speak we are afraid our words will not be heard nor welcomed but when we are silent we are still afraid so it is better speak remembering we were never meant ...

30/12/2013
Three Notes on Solidarity; or, In Want of an Requiem

"Coalition and solidarity and ally should not be words in our vocabulary at present. They are currently, as they have been, as they likely will be, weaponized against black folks demanding an illuminating–not remotely obfuscating–centralization of blackness in, or rather before and then in, the discourse; they move with, rather than against antiblackness.

It is not a particularly difficult in-and-of-itself demand to meet–to centralize blackness as base before building whatever it is that’s trying to be built; but it’s also one that is impossibly difficult to take seriously, on its own terms, without concession, without mutilating translation, and so on, to the point that ‘meeting’ the demand, in the courtyard, on the campus, at the conference, or, better, in the hold of the ship, can’t even be thought.

Essentially, this is a demand, in one way, to meet us where we are–in the hold of the ship–and to resist trying to pretend that we should or could or would meet anywhere else.

But we’re not speaking the same language, so I speak/write in an echo chamber with so few compatriots, hoping some words seep out."

http://outofnowhereblog.wordpress.com/2013/12/30/three-notes-on-solidarity-or-in-want-of-an-requiem/

John Murillo IIILacrimosaFirst: I want to link here, to a post on my tumblr about my () involvement with the blackening of the hashtag that appeared and trend...

30/12/2013
The Void Speaks Back: Black Suffering as the Unthought of the American Studies Association's...

"The question being raised from the void of blackness is not one of either saying “yes” or “no” to solidarity, but instead explodes the bounds through which choices issue from. It is not a question for how to be with or against Israel, but instead demands we rethink how we can form solidarity in an infinitely more complex and violent situation. And no, it is not an adequate answer to say Frantz Fanon or Malcolm X or any other figure believed in a natural solidarity between Arabs and Blacks. They had their ways of answering this question, and yet the question still remains to be posed because of the perpetuation of the African slave trade in the region, the anti-black solidarity between Israel and the Arab nations, the black flesh that is beaten, burned, murdered. No, there is no easy answer to this question — it is a question that demands to be handled as the singularity it is."

http://outofnowhereblog.wordpress.com/2013/12/23/the-void-speaks-back-black-suffering-as-the-unthought-of-the-american-studies-associations-academic-boycott-of-israel/

By Nicholas Brady The black is off the map, and it is from this void that I encounter the discourse around the recent passing of a resolution by the American Studies Association in support of the i...

07/03/2013
Looking for Azealia’s Harlem Shake, Or How We Mistake the Politics of Obliteration for Appropriation

"All this is to say that the concept of appropriation mystifies what is actually happening when white people “steal” black culture. Stealing implies a crime or a sense of wrongdoing or doing something improper. Yet the very concept of the proper – as well as property – depends on the black to be radically open to violation. So it is not improper to violate the black, it is in fact the definition of the proper itself. That Harlemites are demanding “props” is indicative of this mystification, for the fact is that nothing was stolen. They never owned their own culture, in any sense. They owned nothing, so nothing was stolen. But I am not really saying anything new here, and I doubt I am saying anything they did not already know. Instead, I am laying the groundwork to think through another way of understanding the suffering they are testifying to. It is not that something was stolen from them, but it is that their bodies were evacuated in the process of making Baauer’s “Harlem Shake.”"

http://outofnowhereblog.wordpress.com/2013/03/07/looking-for-azealias-harlem-shake-or-how-we-mistake-the-politics-of-obliteration-for-appropriation/

Nicholas Brady “Undisciplined and vulnerable, firmly rooted in our time, might we nevertheless feel, even without recognition, the rhythms of the poetry from a future in which M — might be? Might w...

23/02/2013
Smile Undun, Django Unchained

John Murillo III has released a remarkable piece on Django just in time for the Academy Awards!

"And so, in encountering this film, the discourse about it, the unwavering support of it, the call to only recognize its art, or the other call to recognize the brilliance of the narrative and acting, or the other call to enjoy the black man killing white men…In encountering all of this in a context in which blacks remain unfree, this unfreedom remains unthought, Trayvon’s body remains facedown on the ground, lifeless in the yard of my memory, next to the jailhouse floor where Anna Brown’s body stops moaning and dies over and over again, where the burned and headless co**se of Christopher Dorner keeps burning, and countless other co**ses, named and unnamed, keep piling up, toward infinity—all this happening on every single broken psychic plane of my mind, toward infinity—and…In encountering all of this, outside and inside, out in the world and within the mind, I, we, break. Over and over again, we shatter at blackness’ juggernaut force—and this is only psychically, not even to mention politically or ontologically—we break because blacks’ blackness breaks; in a different sense, or maybe in precisely right sense, than Moten might mean, we are forever, ‘in the break."

Allow me to preface this, briefly, by acknowledging the nature of the essay to be winding in its set up and its stylistics. I concede to the complexity of it. I attempt to mitigate that with overt markers of clarification and simplification—e.g.…

23/02/2013

"And so, in encountering this film, the discourse about it, the unwavering support of it, the call to only recognize its art, or the other call to recognize the brilliance of the narrative and acting, or the other call to enjoy the black man killing white men…In encountering all of this in a context in which blacks remain unfree, this unfreedom remains unthought, Trayvon’s body remains facedown on the ground, lifeless in the yard of my memory, next to the jailhouse floor where Anna Brown’s body stops moaning and dies over and over again, where the burned and headless co**se of Christopher Dorner keeps burning, and countless other co**ses, named and unnamed, keep piling up, toward infinity—all this happening on every single broken psychic plane of my mind, toward infinity—and…In encountering all of this, outside and inside, out in the world and within the mind, I, we, break. Over and over again, we shatter at blackness’ juggernaut force—and this is only psychically, not even to mention politically or ontologically—we break because blacks’ blackness breaks; in a different sense, or maybe in precisely right sense, than Moten might mean, we are forever, ‘in the break."

http://outofnowhereblog.wordpress.com/2013/02/23/smile-undun-django-unchained/

29/01/2013
Nuttin Honey (Last Words to My Grannypop)

"With each loss
I keep thinking of where he was from,
Where I am from,
But where there’s nothing to be found.
A farm where our roots grow from,
And up sprouts a trunk of bonds
With loops and rings of affection underneath
Its outer brown skin,
Worn and tough from ageless age.
Each generation branches out,
Each leaf can’t touch its roots,
Yet, in this non-contact,
I feel the presence of nothing.
Whatcha got there baby?
Nuttin honey."

http://outofnowhereblog.wordpress.com/2013/01/29/nuttin-honey-last-words-to-my-grannypop/

By Nicholas Brady My Grannypop used to tell this story, His eyes, small but fiery Would stare at you with joy, and he’d say, “There used to be dis old commercial, On the tube, There use...

07/01/2013
The End is Here: Thoughts towards a Blackened World

"Destruction is an act of love for a community made impossible by machinations of violence that use us a means for an end. It is irreconcilable to love the world and love those destroyed for its very existence. For too long black politics has been sitting in that zone of indecision and confusion, trying to love Amerikkka and ourselves at the same time. We have been trying for too long to heal a nation through the brute strength of our own bodies, willing to be murdered to protect a nation inflicting the unspeakable and unspoken pain. These sacrifices are to be revered, but not repeated. I respect past generations and those of us currently who use this methodology, but I will accept it for myself no more. Slavery is not a scar on the foundation of a nation, it is the scar that is the foundation — the point of no return that gave birth to its terrible existence. Slavery is not something to get past or beyond. The beginning was the end and we can never go home again."

Read the rest at: http://outofnowhereblog.wordpress.com/2012/12/21/the-end-is-here-thoughts-towards-a-blackened-world/

By Nicholas Brady The end is near. The end is here. Yet this begs the question, what can one call the end? How can we define the end? Does it mean that there will be no life on the earth? Do...

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