HitQuarters

HitQuarters Online music industry publication, artist promo site and home to one of the largest contact director

03/04/2015
Tracey Thorn: Your songs are like your children – you have to wave them off into the world

Copyright law encourages artists to feel they're in control of what they've made. But, according to successful songwriter Tracey Thorn, the reality is that a song is a different thing once it leaves its creator.

"Your songs are like your children – you have to wave them off into the world "

Copyright law encourages artists to feel they're in control of what they've made. But in reality, a song is a different thing once it leaves its creator.

01/03/2015
2014: when songwriters burned the chorus and built the bridge

Really interesting article on how the chorus is not the be all and end all of a pop song anymore. More and more top modern writers are either removing vocals from the chorus, or getting rid of it altogether. The emphasis is now on the bridge and on ravey instrumental breakdowns ...

Pop’s rules are being rewritten as producers including Avicii and Zedd downplay the once sacrosanct chorus, while Katy Perry even dared to do without one at all, writes Ben Beaumont-Thomas

01/03/2015
Review of Song Tipsheet SongQuarters - Music Placements

SongQuarters, our songwriter tip sheet sister site has been reviewed by Pro Music Magazine. It's nice to get some pretty positive coverage, which I think is well deserved.

Review of Song Tipsheet SongQuarters, covering price, features, functions and pros/cons of the service for songwriters and music publishers.

28/02/2015
South by Southwest: worth a punt for aspiring stars?

Is it still worth small bands drumming up thousands of pounds to perform at South by Southwest now that it's become a mecca for technology, film and mega stars as much as unknown indies? This article was written in the run up to last year's event but is still as relevant and interesting.

28/01/2015
Ask the... studio producer/engineer/mixer.

The latest in one of the most useful and insightful series for young artists out there, the "Ask the..." articles from the Sentric Music blog. This time industry insider advises artists on studio recording. Well worthwhile checking out the previous posts in the series if it's new to you.

04/12/2014
Spotify: Friend or Foe?

Revenue Streams - Is Spotify the music industry’s friend or its foe?

Daniel Ek set out to save the music industry. Could his streaming service wreck it instead? John Seabrook reports.

04/12/2014
Maureen Kenny Joins Atlantic Records As SVP/A&R

Maureen Kenny has joined Atlantic Records as Senior Vice President of A&R, based at the company’s Burbank office. Kenny comes to Atlantic from Republic Records, where she was most recently Vice President of A&R, working closely with artists such as Of Monsters And Men and Weezer.

FMQB: Your daily source for radio industry news, music industry updates, nielsen ratings, music news, artist information, radio programming tips, show prep and more.

03/12/2014
Case Study: How Believe Recordings UK helped launch Bastille

In our interview with Believe Recordings UK founder Stephen King, the CIO explained the reasons why he thinks his small label is much better at breaking young acts than the majors. In Case Study we detail the campaign mechanics of one the label’s first breakthroughs – and signings: Bastille.

Largest online directory of record company A&Rs, managers, producers & publishers, incl. credits & contact. Music industry interviews, free artist pages, A&R Panel demo submission.

03/12/2014
Interview with STEPHEN KING, CIO Believe Digital & founder of Believe Recordings UK (Bastille)

Really interesting answer from recent HQ interviewee Stephen King about the changing role of the artist manager:

What do you see as some of the main differences between managing an artist now and 20 years ago?

"20 years ago, managers pretty much existed in the development phase, taking advances from major record companies and major publishing companies. The advance that they took for their artist paid the manager’s own overheads for a 12 to 18 month period and that allowed him to work very closely with the artist and develop them until the artist achieved commercial success.

Now it’s rare to get the level of advances that we could have got 20 years ago. So managers now have to invest their own money more than they’ve ever had to. They now have to take a longer term view in terms of when they can expect to start earning money.

Also I think more and more managers are the record company rather than just being a manager, they’re involved in that whole process, and it’s definitely a higher level of risk. But hopefully, they’re in a stronger position to get higher level of return, because they’re doing that development as well."

Largest online directory of record company A&Rs, managers, producers & publishers, incl. credits & contact. Music industry interviews, free artist pages, A&R Panel demo submission.

17/11/2014
How to profile your Superfan - #1 extract from Musicpreneur – The Creative Approach to Making Money'

A lack of critical knowledge prevents most talented musicians from making music their career, according to highly recommended new book 'MUSICPRENEUR – The Creative Approach to Making Money in Music'. For the first in an exclusive four part extract series in-demand creative consultant Aaron Bethune highlights the importance of fan profiling, and offers advice on working out who your fans are and how best to market your music to them.

HitQuarters - Largest online directory of record company A&Rs, managers, producers & publishers, incl. credits & contact. Music industry interviews, free artist pages, A&R Panel demo submission.

12/11/2014
Bandcamp to help musicians launch their own subscription services

Bandcamp is to help musicians launch their own subscriptions services, allowing them to set their own price, release exclusive songs and send messages to their keenest fans.

“It’s kinda like what U2 and Apple did, except that it’s music that you actually want!”

07/11/2014
Adele's manager: 'Streaming's the future, whether people like it or not'

Wise words from Adele manager (and HQ interviewee) Jonathan Dickens:

"[Major labels nowadays] live under a culture of fear... people live with these two-three year deals, they’ve got kids at school, and they have to produce hits. And if they have a hit - which are few and far between – there’s the opportunity to kill: to rinse every last bit of blood out of a record. And I think it’s dangerous.”

06/11/2014
Christmas! John Lewis's annual gift to the music industry!

"This is a boom time for record companies and music publishers: Christmas ads need songs and the resulting sync deals are substantial earners for the music industry, for labels and artists alike.

The fairy on top of the cash tree being the John Lewis (UK) commercial. Get your wistful cover version into the John Lewis ad, and you’re pretty much guaranteed a No 1."

26/10/2014
British songwriters rule the world: we should celebrate them much more

British musical talent is successfully writing for acts at home and abroad, yet they’re still the unsung heroes of the industry, according to Swedish songwriter Helienne Lindvall.

"Many of [the songwriters] picking up awards could walk down the street without ever getting recognised, yet they’ve crafted the soundtrack to the past 20 years ...

Would you be able to recognise Steve Mac, Camille Purcell, Paul Epworth or Eg White? No? Yet you’d probably recognise the music they’ve created, including the Wanted’s US hit Glad You Came, Ella Henderson’s recent hit Glow, Adele’s Rolling in the Deep and Chasing Pavements, to name just a few of their accumulated hits."

13/10/2014
Interview with STUART EPPS, producer & engineer for Led Zeppelin, Elton John, Oasis, Robbie Williams

New HQ interview with Stuart Epps, producer for Led Zeppelin, Elton John, Oasis and Robbie Williams.

It’s difficult for new artists to make that first decisive mark in the music industry. The talent is there but the music just needs the golden touch of a top producer in order for it to attract the attention of industry string pullers. This is where interviewee, the respected producer, engineer and A&R professional Stuart Epps, comes in.

With a successful career spanning four decades, Epps has the experience, expertise and contact book to help new artists launch their careers, and with Epps Music Productions that’s exactly what he’s doing.

23/09/2014
Sarah Stennett in Music Week! | Turn First Artists

Turn First Artists CEO Sarah Stennett has become one of the most influential female figures in the music industry following successes with the likes of Rita Ora, Conor Maynard, Iggy Azalea and Ellie Goulding. We interviewed her last year and as she's such an enlightening joy to listen to we now present a more recent interview she did with MusicWeek ...

"I'm not sure kids being bombarded with reasons why adults should be involved in their career is conducive to good decisions. You might have ten record companies trying to sign you, but that doesn't make you special: there's still a lot of work to be done."

21/09/2014
How NOT to write about your music

Good little article this on how musicians often have difficulty describing their own music and how they can be doing more harm than good with their wayward and misleading summaries.

21/09/2014
Video game music 'now rivalling blockbuster movie soundtracks'

"Music is a critical component of the billion-dollar business that is modern gaming. It hasn’t always been that way ... Game developers, music supervisors, composers, new artists, forward-thinking record labels and open-minded gamers worldwide made this happen. It’s literally been a game-changing shift in the consciousness of entertainment."

18/09/2014
2014 SongQuarters Songwriting Contest

Calling all songwriters, submit your entries to the first SongQuarters Songwriting Contest!

"2014 SongQuarters Songwriting Contest is about creating the opportunity for both amateur and established songwriters to have their songs not only heard by music professionals, but actually recorded by a world-­famous producer – Andrew Lane. We guarantee that the winning compositions will be recorded by the artists we provide! You get the writing credit and big worldwide recognition."

SongQuarters presents songwriting leads updated daily and provided directly from the sources for: The world's Top 500 most successful artists Newly signed and developing artists from the hottest A&...

14/09/2014
Republic Records Hires Rick Krim as EVP Artist Development

What with everyone saying that major labels don't bother with artist development anymore, they just sign up readymade artists, it is interesting to learn of the creation of a new position at Republic Records, that of EVP Artist Development. Appointee Rick Krim's remit will be to uncover "diverse and untrodden avenues" to break the label's emerging artists, the company said.

07/09/2014
Independent Sensation: The Story Behind Macklemore's "The Heist" - Ditto Music

"Macklemore are one of the greatest success stories of the independent hustle. Being noted as “The independent sensation that’s ruling the Hip Hop nation”. Here is the post that Macklemore wrote himself reflecting on he and Ryan Lewis‘ journey from the beginning, middle, the fame game and now."

Well worth a read ...

01/09/2014
How would indie labels spend £1k to break a new artist digitally?

Here's some really interesting insight from various indie labels on how to break new artists digitally... One aspect relates to our recent Lorde coverage, that of being popular but still enigmatic:

"The music has to be absolutely incredible – that’s the only real solution for an artist who doesn’t want to engage with fans in other ways."

Marketing budgets aren’t what they were across the music industry, but indie labels have often thrived on squeezing the most out of th

01/09/2014
Transgressive // 10 Years of Madness

Transgressive Records (Foals, At The Drive In, Mystery Jets ...) are an exemplary artist-friendly indie label and they are celebrating their 10 year anniversary this year. To help mark the event founder and partner Tim Dellow picks 5 great tracks and stories in 10 years of madness.

London gig guide: London in Stereo offers the best in live music listings for London. Recommended gigs, full listings, reviews, photos, magazine

30/08/2014
A Chat With Jack Conte, Musician And Entrepreneur | TechCrunch

Some great advice from that master of DIY music Pomplamoose's Jack Conte:

"Concentrate on making beautiful things. Everything else will follow ... Think long term. If you sign with a record label, they’ll do everything for you – which is awesome now. But when you’re 28, you won’t know how to make your own music and run your own business. If the label drops you, you’re toast! Learn every component, every aspect about being a professional creator."

Jack Conte is a busy guy. He and his partner, Nataly Dawn, are on tour with Pomplamoose, a band that rivals only OK Go in their dedication to weird and wacky..

29/08/2014
Streaming music: what next for Apple, YouTube, Spotify… and musicians?

“There’s a generation of artists who are essentially having to behave like mini-labels themselves in their early career. They’re going to be much better equipped to forge sustainable careers out of music, particularly compared to artists from the 1990s.”

‘It’s going to be a painful year or two for the average musician’ but do-it-yourself experience may help. By Stuart Dredge

29/08/2014
Ed Sheeran: Why did he top Radio 1Xtra's power list?

"How did middle-class, white boy Ed Sheeran get named the most important act in black and urban music?"

Few were pleased when Radio 1Xtra, a station dedicated to black music, named Ed Sheeran number one on their "Power List" this week. Grime artist Wiley called it "the saddest list in music history". Newsnight even covered the story, with Emily Maitlis asking: "How did middle-class, white boy Ed Sheer…

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