DOPE FOLKS RECORDS

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DOPE FOLKS RECORDS Contact us at [email protected] to be added to our mailing list
http://dopefolksrecords.com/

Record label specializing in rare and unreleased Hip Hop
[email protected]" rel="ugc" target="_blank">[email protected]
contact us at [email protected] to be added to our mailing list

Still in Stock at dopefolksrecords.com
17/04/2024

Still in Stock at dopefolksrecords.com

Perfect day for this underground classic
08/04/2024

Perfect day for this underground classic

TONIGHT AT THE COOPERAGE IN MILWAUKEE!TWAN MACK OPENING!!! 8pm!
09/02/2024

TONIGHT AT THE COOPERAGE IN MILWAUKEE!
TWAN MACK OPENING!!! 8pm!

๐Ÿ’Ž_๐™ˆ๐™ฎ ๐™๐™–๐™ซ๐™ค๐™ง๐™ž๐™ฉ๐™š ๐™‡๐™‹'๐™จ ๐™๐™ค๐™ง 2023_๐ŸŽต๐Ÿ”น๐——๐—ฒ ๐—Ÿ๐—ฎ ๐—ฆ๐—ผ๐˜‚๐—น โ€“ ๐—ฆ๐˜๐—ฎ๐—ธ๐—ฒ๐˜€ ๐—œ๐˜€ ๐—›๐—ถ๐—ด๐—ต๐—–๐—ต๐—ฟ๐˜†๐˜€๐—ฎ๐—น๐—ถ๐˜€ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿฒ_๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)๐Ÿ”น๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—ฅ๐—ฒ๐—ป๐—ผ๐˜„๐—ป โ€“ ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—ฅ๐—ฒ๐—ป๐—ผ๐˜„๐—ป๐—ฆ๐—บ๐—ผ๐—ธ๐—ฒ ๐—ข๐—ป ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ...
30/12/2023

๐Ÿ’Ž_๐™ˆ๐™ฎ ๐™๐™–๐™ซ๐™ค๐™ง๐™ž๐™ฉ๐™š ๐™‡๐™‹'๐™จ ๐™๐™ค๐™ง 2023_๐ŸŽต

๐Ÿ”น๐——๐—ฒ ๐—Ÿ๐—ฎ ๐—ฆ๐—ผ๐˜‚๐—น โ€“ ๐—ฆ๐˜๐—ฎ๐—ธ๐—ฒ๐˜€ ๐—œ๐˜€ ๐—›๐—ถ๐—ด๐—ต
๐—–๐—ต๐—ฟ๐˜†๐˜€๐—ฎ๐—น๐—ถ๐˜€ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿฒ_๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—ฅ๐—ฒ๐—ป๐—ผ๐˜„๐—ป โ€“ ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—ฅ๐—ฒ๐—ป๐—ผ๐˜„๐—ป
๐—ฆ๐—บ๐—ผ๐—ธ๐—ฒ ๐—ข๐—ป ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿฐ_๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฎ)
๐Ÿ”น๐—ง๐—ต๐—ฒ ๐—•๐—ฒ๐˜€๐˜ ๐—ข๐—ณ ๐——๐—ผ๐—ฝ๐—ฒ ๐—™๐—ผ๐—น๐—ธ๐˜€ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€
๐——๐—ผ๐—ฝ๐—ฒ ๐—™๐—ผ๐—น๐—ธ๐˜€ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿญ-๐Ÿญ๐Ÿต๐Ÿต๐Ÿต _ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐— ๐—ฎ๐—ถ๐—ป ๐—ฆ๐—ผ๐˜‚๐—ฟ๐—ฐ๐—ฒ โ€“ ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฐ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ
๐—ฃ-๐—ฉ๐—ถ๐—ป๐—ฒ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐—๐—ฒ๐—บ๐—ถ๐—ป๐—ถ ๐—ง๐—ต๐—ฒ ๐—š๐—ถ๐—ณ๐˜๐—ฒ๐—ฑ ๐—ข๐—ป๐—ฒ โ€“ ๐—ฆ๐—ฐ๐—ฎ๐—ฟ๐˜€ ๐—”๐—ป๐—ฑ ๐—ฃ๐—ฎ๐—ถ๐—ป
๐Ÿต๐Ÿฌ'๐˜€ ๐—ง๐—ฎ๐—ฝ๐—ฒ๐˜€ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿฑ_๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐—Ÿ๐—ฒ๐˜„๐—ถ๐˜€ ๐—ฃ๐—ฎ๐—ฟ๐—ธ๐—ฒ๐—ฟ โ€“ ๐—™๐—ฟ๐—ฒ๐—พ๐˜‚๐—ฒ๐—ป๐—ฐ๐˜† ๐—ข๐—ณ ๐—ฃ๐—ฒ๐—ฟ๐—ฐ๐—ฒ๐—ฝ๐˜๐—ถ๐—ผ๐—ป
๐—ž๐—ถ๐—ป๐—ด๐—จ๐—ป๐—ฑ๐—ฒ๐—ฟ๐—ด๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฎ)
๐Ÿ”น๐—›๐—ถ-๐—ง๐—ฒ๐—ธ - ๐—•๐—ฒ๐—ฎ๐˜๐—ฏ๐—ผ๐˜… ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ผ๐˜€ [๐Ÿญ๐Ÿต๐Ÿต๐Ÿฑ ๐— ๐—ฝ๐—ฐ๐Ÿฒ๐Ÿฌ ๐—œ๐—œ]
๐—›๐—ถ-๐—ง๐—ฒ๐—ธ ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—œ๐—ป๐—ฐ _ ๐—™๐—ฎ๐˜๐—ฏ๐—ฒ๐—ฎ๐˜๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐——๐—ท ๐—ฃ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ
๐—•๐—ฒ๐—ฎ๐˜๐˜€ ๐—ง๐—ต๐—ฎ๐˜ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ฒ๐—ฑ ๐——๐˜‚๐˜€๐˜ ๐—ฉ๐—ผ๐—น๐˜‚๐—บ๐—ฒ ๐Ÿฏ
๐—ง๐—ง๐—ง ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐—ง๐—ผ ๐—ง๐—ต๐—ฒ ๐—ง๐—ผ๐—ฝ)
(๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐—”๐—ฝ๐—ผ๐—น๐—น๐—ผ ๐—•๐—ฟ๐—ผ๐˜„๐—ปย โ€“ย ๐—ง๐—ต๐—ถ๐˜€ ๐— ๐˜‚๐˜€๐˜ ๐—•๐—ฒ ๐—ง๐—ต๐—ฒ ๐—ฃ๐—น๐—ฎ๐—ฐ๐—ฒ
๐— ๐—ฒ๐—น๐—น๐—ผ ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฎ)
๐Ÿ”น๐—•๐—ฒ๐—ป๐—ฒ๐—ณ๐—ถ๐—ฐ๐—ฒ๐—ป๐—ฐ๐—ฒย &ย ๐—๐—ฎ๐˜‡๐˜‡ ๐—ฆ๐—ฝ๐—ฎ๐˜€๐˜๐—ถ๐—ธ๐˜€ย โ€“ย ๐—ฆ๐˜‚๐—บ๐—บ๐—ฒ๐—ฟ ๐—ก๐—ถ๐—ด๐—ต๐˜ ๐—ฆ๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป๐˜€
๐—œ๐—น๐—น ๐—”๐—ฑ๐—ฟ๐—ฒ๐—ป๐—ฎ๐—น๐—ถ๐—ป๐—ฒ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐—ฆ๐—ต๐—ฒ๐—ฟ๐—น๐—ผ๐—ฐ๐—ธ โ€“ ๐— ๐—ฎ๐—ฑ๐—ฒ ๐—ง๐—ผ ๐— ๐—ฒ๐—ฎ๐˜€๐˜‚๐—ฟ๐—ฒ
๐—ฅ๐—ผ๐—ผ๐—ณ๐˜๐—ผ๐—ฝ & ๐—ฆ๐—ป๐—ถ๐—ฐ๐—ธ๐—ฎ๐—ฟ๐˜€ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿณ_๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐—ง๐—ฟ๐˜‚ ๐—–๐—ผ๐—บ๐—ฒ๐—ฟ๐˜€ โ€“ ๐—”๐˜ƒ๐—ฎ๐—ป๐˜๐—ด๐—ฎ๐—ฟ๐—ฑ๐—ฒ
๐—–๐—ผ๐—บ๐—ถ๐—ป ๐—ง๐—ฟ๐˜‚ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐— ๐—ผ๐—ฎ๐—ฟ โ€“ ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฃ๐Ÿญ๐Ÿฎ๐Ÿฌ๐Ÿฌ ๐—ฉ๐—ฎ๐˜‚๐—น๐˜
๐—ง๐—ฟ๐—ฎ๐—ฑ ๐—ฉ๐—ถ๐—ฏ๐—ฒ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐— ๐—ฎ๐—ธ๐—ฒ๐—ฏ๐—ฎ & ๐—ฆ๐—ธ๐—ฟ๐—ฎ๐˜๐—ฐ๐—ต โ€“ ๐— ๐—ฒ๐—ป๐˜๐—ฎ๐—น ๐—™๐—ถ๐˜๐—ป๐—ฒ๐˜€๐˜€
๐——๐—ผ๐—ฝ๐—ฒ ๐—™๐—ผ๐—น๐—ธ๐˜€ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿญ_๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿต)
๐Ÿ”น๐—ฌ๐—ผ! ๐—•๐—ผ๐—ผ๐—บ๐—ฏ๐—ผ๐˜… (๐—˜๐—ฎ๐—ฟ๐—น๐˜† ๐—œ๐—ป๐—ฑ๐—ฒ๐—ฝ๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ป๐˜ ๐—›๐—ถ๐—ฝ ๐—›๐—ผ๐—ฝ, ๐—˜๐—น๐—ฒ๐—ฐ๐˜๐—ฟ๐—ผ ๐—”๐—ป๐—ฑ ๐——๐—ถ๐˜€๐—ฐ๐—ผ ๐—ฅ๐—ฎ๐—ฝ ๐Ÿญ๐Ÿต๐Ÿณ๐Ÿต-๐Ÿด๐Ÿฏ)
๐—ฆ๐—ผ๐˜‚๐—น ๐—๐—ฎ๐˜‡๐˜‡ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)
๐Ÿ”น๐——๐—ผ๐—น๐—น๐—ฎ๐—ฟ ๐—•๐—ถ๐—น๐—น ๐—ฌ'๐—”๐—น๐—น (๐—ฆ๐—ฝ๐—ฟ๐—ถ๐—ป๐—ด ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ ๐—”๐—ป๐—ฑ ๐—ง๐—ต๐—ฒ ๐—™๐—ถ๐—ฟ๐˜€๐˜ ๐——๐—ฒ๐—ฐ๐—ฎ๐—ฑ๐—ฒ ๐—ข๐—ณ ๐—›๐—ถ๐—ฝ ๐—›๐—ผ๐—ฝ)
๐—•๐—š๐—ฃ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ)

AVAILABLE DOPE FOLKS STOCK! Limited edition vinyl! Tons of titles with very limited quantities. Get them while you can! ...
27/12/2023

AVAILABLE DOPE FOLKS STOCK!
Limited edition vinyl! Tons of titles with very limited quantities. Get them while you can!
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dopefolksrecords.com
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IN STOCK AND SHIPPING!!! Order your copy of The Best of Dope Folks Records! Rare and unreleased tracks from the U.S. Hip...
01/12/2023

IN STOCK AND SHIPPING!!! Order your copy of The Best of Dope Folks Records! Rare and unreleased tracks from the U.S. Hip Hop Underground 1991-1999. (100 colored copies / 400 standard black) Order your copy now!!!
Link to buy in our bio!
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Album artwork by
Mastered by
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R.I.P. MARK THE 45 KING
19/10/2023

R.I.P. MARK THE 45 KING

Attention Los Angeles friends. Weโ€™re doing a Happy Hour record Spin next WED at  to celebrate the new Dope Folks Compila...
11/10/2023

Attention Los Angeles friends. Weโ€™re doing a Happy Hour record Spin next WED at to celebrate the new Dope Folks Compilation. Stop by for some free Records!!

21/08/2023

View hiphopbeatsandthangsโ€™s Linktree. Listen to their music on YouTube, Spotify here.

PRE-ORDERS are live! Order your copy of The Best of Dope Folks Records! Rare and unreleased tracks from the U.S. Hip Hop...
27/04/2023

PRE-ORDERS are live! Order your copy of The Best of Dope Folks Records! Rare and unreleased tracks from the U.S. Hip Hop Underground 1991-1999. (100 colored copies / 400 standard black) Order your copy now!!!

The Best of Dope Folks Records: Rare and Unreleased Tracks from the U.S. Hip Hop Underground 1991-1999. 10 tracks taken from our catalog of rare...

Pre-orders are Coming Soon. Write to dopefolks@gmail.com to get on our mailing list. Also, we've created a playlist to h...
26/04/2023

Pre-orders are Coming Soon. Write to [email protected] to get on our mailing list. Also, we've created a playlist to hold you over!

http://dopefolksrecords.com/ Record label specializing in rare and unreleased Golden Era and Indie Hip Hop On limited edition (300) VINYL 12" Contact us at [email protected]

Happy Birthday to Mykill Miers!
31/10/2022

Happy Birthday to Mykill Miers!

From the limited edition vinyl EP "OLD TO THE NEW" onDope Folks Records. Limited to 300 copies. Get your copy athttp://dopefolksrecords.com/

Rest in Peace Meta Mo from Rubberoom. I remember hearing them for the first time on The Late Night Hype show back in the...
29/10/2022

Rest in Peace Meta Mo from Rubberoom. I remember hearing them for the first time on The Late Night Hype show back in the day.

Provided to YouTube by TuneCoreSmoke ยท RubberoomArchitechnologyโ„— 1999 IndusReleased on: 1999-03-26Auto-generated by YouTube.

Last night I played 3 hours of rare late 80s and early 90s hip hop on WMSE 91.7FM. The last hour is all Dope Folks track...
26/10/2022

Last night I played 3 hours of rare late 80s and early 90s hip hop on WMSE 91.7FM. The last hour is all Dope Folks tracks! Check it out!
-Chris

Filling in on Fresh & Direct Radio playing ultra rare Golden Era Hip Hop! Tracklist: The Skinny Boys: Jock Box Fat Boys: Stick 'Em NRG: Let's Put it In Effect TDS Mob: Dope For The Folks Glamorous:

Dope Folks Records turns 12 years old!!!To celebrate, we are offering our entire catalog on sale! Spend $40 or more in t...
27/07/2022

Dope Folks Records turns 12 years old!!!
To celebrate, we are offering our entire catalog on sale! Spend $40 or more in the shop and take 30% off of your entire order! Just enter code: DOPEFOLKS12 at checkout.

dopefolksrecords.com

Thanks for supporting Dope Folks for 12 years!!!

I just made a Playlist 3 different Milwaukee Day Mixes plus songs from various friends/artists from the Brewtown. When I...
14/04/2022

I just made a Playlist 3 different Milwaukee Day Mixes plus songs from various friends/artists from the Brewtown. When I have time I will add more!

http://dopefolksrecords.com/ Record label specializing in rare and unreleased Golden Era and Indie Hip Hop On limited edition (300) VINYL 12" Contact us at [email protected]

22/01/2022

The group also revealed a new documentary, Insane in The Brain: Cypress Hill, is set to arrive this spring. Cypress Hill is preparing to release their first album in nearly four years. The LA rap legends announced, Back In Black, a project entirely produced by Detroit beatmaker Black Milk, will

29/10/2021

Scot cherishing ever day after terminal diagnosis and releasing tracks on his label Soulcondor Slices with help from his friends

Make Sure to Add a Copy of Kaotic Style to Your Bizzie Boyz Pre-order!
09/09/2021

Make Sure to Add a Copy of Kaotic Style to Your Bizzie Boyz Pre-order!

Our 102nd release comes out of East New York! Back by popular demand we are proud to present our second release from Big Grand & Scram, KAOTIC STYLE! KAOTIC STYLE'S "INFINTY" LP is 10 tracks that span

09/09/2021

LP - 2021 - Dope Folks Records Dope Folks Records are back with a reissue of the BIZZIE BOYZ's debut album originally released on YO! Re...

NEW RELEASE COMING SOON!
08/07/2021

NEW RELEASE COMING SOON!

DF0103 - The Bizzie Boyz - Droppin' It LP Reissue Coming Soon! FULL PICTURE COVER Side A 1. For Those Who Slept - 3:33 2. Too Deep For The Mortal Mind - 3:48 3. Droppinโ€™ It - 4:27 4. Hold Tha L

26/06/2021

From Chief Xcel:

"My Brother

It is with much sadness and a heavy heart I announce the passing of my friend and brother of 34 years, Timothy Jerome Parker aka The Gift of Gab. He returned peacefully to the essence on June 18, 2021.

I met Tim Parker aka The Gift Of Gab in September of 1987 at John F. Kennedy High in Sacramento. He was a junior and I was a sophomore. I had moved to Sac earlier that summer from Union City. Gab had moved there two years prior from Pacoima. We had a home economics class together, Mr. Hightower, third period. He sat in the row directly behind me. Tim being from So Cal and me being from the Bay, we would argue all class period about who was doper, Ice T or Too Short. A friend of mine, Armstead Jackson, played a mixtape for me he had from New York and on it was โ€œTop Billinโ€ by Audio Two. It blew my mind. Armstead let me borrow the tape. I played it for Tim that same day in class. It blew his mind and we knew we actually had the same love for Hip Hop.

At the time his rap name was Tiny T. I knew he rhymed because of a mutual friend, Justin aka Homicide. Homicide approached me one day and said, โ€œWe should form a group. You be the DJ and me and Tiny be the MCโ€™s. Tinyโ€™s Dope.โ€ I said, โ€œCoolโ€ and we set out to be Sacโ€™s version of Run DMC. Plans were put to an immediate halt when Homicide dropped out of school. We never heard from him again. About six months passed and out of the blue, Tim who had now changed his rap name to Gabby T, calls me and says ,โ€œYo X, I need a DJโ€. So Iโ€™m thinking heโ€™s asking me to DJ for him for a talent show or school dance so I say, โ€œFor when?โ€. Tim then replies โ€œForeverโ€ and I say โ€œCoolโ€. That day marked the beginning of our journey. 34 years of brotherhood, deep friendship, artistic inspiration, and musical exploration.

We decided our name would be GTI. Short for Gabby T and ICESKI. We connected with another friend, Keith Watson aka Maestro K. Keith played keys and knew how to program drum machines. He was originally the producer, Tim was the MC, and I did all the cuts and scratches. One day Keith called us and told us his mom didnโ€™t want him doing secular music anymore so he had to stop working with us. This was around the same time Tim was graduating from high school. After graduation Tim left Sac and moved back to the San Fernando Valley. We stayed in touch and our friendship would continue to develop around the music we loved. He would always talk about all the MCโ€™s that were inspiring him at the time and also about how dope the LA underground was especially The Good Life.

After I graduated from high school, I moved to Davis, CA to attend the University.
I bought my first set of recording gear and started making beats. I would play them over the phone for Tim. He would memorize the beats and write to what he remembered. Heโ€™d then call me back and spit what he wrote over the phone. We did a lot of songs ideas like this but soon learned that it would be impossible to ever get anywhere working like this. So my sophomore year we decided to take a leap of faith. I scraped up enough money to buy him a bus ticket and he moved to Davis so we could record. During this period we would put together a basic set of ideas that would later become our first EP. By this time Tim had undergone several rap name changes and finally settled on The Gift of Gab. Since the name GTI no longer applied we tried several different names and finally came up with Blackalicious, meaning good black music.

While at UC Davis I met Tom Shimura aka Lyrics Born (then Asia Born), Jeff Chang aka DJ Zen, Josh Davis aka DJ Shadow, Joseph Patel aka Jazzbo, Benjamin Davis aka Mack B Dog, and a year later Lateef Daumont aka Lateef the Truthspeaker. A crew of MCโ€™s, DJโ€™s, Producers, and Writers we would form SoleSides, a record label at KDVS the University radio station. At the time we were all working on projects separately when Jeff Chang inspired us to pool our talent (which we had a lot of) and resources (which we had very little of) and take our destiny in our own hands.

This was a period of intense growth for Tim. He, Lyrics Born, and Lateef would be either be at KDVS or at one of our respective apartments rapping for hours upon hours almost daily. He was discovering artists from other genres like Lambert, Hendricks, and Ross. Heโ€™d study their styles, cadences, and phrasing to figure out how he could apply similar concepts and principles to his own craft. Heโ€™d start studying principles of metaphysics, searching for a deeper meaning of life and begin to express that through his art. He began diving deep into a book called โ€œThe Artist Wayโ€ and his creative output kicked into another gear. He learned to tap into what he called the essence. A creative reservoir, a spiritual force that he drew from. He believed that music was from us it was channeled through us. He believed that when we step out of the way we can express art at its highest form. He was a traveler, an explorer, and a scientist all rolled into one being.

In 1995 we did our first tour of the UK and Europe. This marked the start of our touring career giving us the opportunity to tour internationally. This would also mark the beginning of a 25 year touring career of many countries and continents. Through touring we learned the power of connecting with audiences. It taught us the universal power music has of connecting with people and connecting people to each other. It showed us first hand the purpose of our craft. To make a positive contribution to this world through our art. To give people inspiration through our work. He wanted to help people through expressing what heโ€™s learned on his journey. He knew both his triumphs and challenges were universal and that his listeners might be able to find them applicable to their own lives. He was a compassionate man that cared deeply about people. He was my brother.

We often said that each project we recorded (3 Lpโ€™s and 2 Epโ€™s) were snap shots of our lives. Gab always strove to do it with as much honesty and integrity as possible. In 2014 when his kidneys failed he began to work with even more fervor. He would do dialysis 4 days a week for eight hours a day and still tour, write, and record. He felt that after 3 decades of working together we were just hitting our stride. I wanted to capture as much of his greatness as possible while he was still here for the world to hear. I know heโ€™ll live forever through his art but I miss my brother. Until we meet again.

Much Love Always,
Chief Xcel"

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