05/09/2019
Having a Coke With You
is even more fun than going to San Sebastian, Irún,
Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in
Barcelona
partly because in your orange shirt you look like a better
happier St. Sebastian
partly because of my love for you, partly because of your
love for yoghurt
As Sean says, "we did curse poems in the last episode, so we're doing love poems next to get the bitter taste out of our mouths." In this episode, we talk about how love poems are always starting with the threat of sentimentality, always have an implied narrativity, and are always in defiance of Rilke's directive to his young poet addressee, "Don't write love poetry."
In this episode, with attention to the fact that we all hate-to-love and love-to-hate love poems, and extra attention to some canonical love poems that are talking about LGBT relationships before the poets could openly talk about them, Anastasia Nikolis, Sean Hughes, and Isaac Wheeler talk about Walt Whitman's lesser-known "From Pent-Up Aching Rivers"; Elizabeth Barrett Browning's famous Sonnet 44 about married love; and Frank O'Hara's sweet and frantic "Having a Coke with You."
Want to read along? Check out the Whitman poem here (https://whitmanarchive.org/published/LG/1891/poems/30) the Browning poem here (https://www.poetryfoundation.org/poems/50538/sonnets-from-the-portuguese-44-beloved-thou-has-brought-me-many-flowers) and O'Hara's here (https://poets.org/poem/having-coke-you)
As Sean said, we did curse poems in the last episode, so we're doing love poems next to get the bitter taste out of our mouths." In this episode, we talk about how love poems are always starting with