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Art_gasm

All about Cinema and Art ��

06/02/2023

All queit on Western front🎬

DIR | Edward Berger

DP | James friend

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13/10/2022

12/10/2022

NOPE 🎬

DIR | Jordan Peele

Written by | Jordan Peele

DP | Hoyte van Hoytema

Editor | Nicholas Monsour

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28/09/2022

Spiderman 2

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05/07/2022

EXTRACTION 2

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30/06/2022

MORBIUS 🎬

DIR | Daniel Espinosa

DP | Oliver Wood

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07/01/2022

2012 🎬

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01/10/2021

Directed by | Francis Lawrence
Cinematography by | Jo Willems

Edited by | Alan Edward Bell
Written by | Simon Beaufoy, Michael Arndt, Suzanne Collins

ACQUISITION
Celluloid

CAMERAS
ARRIFLEX 435 Camera
Imax MSM 9802 Camera
Panavision Panaflex Millennium XL2 Camera

LENSES
Panavision ALZ11 48-550 mm T4.5 Lens
Panavision ATZ 70-200 mm T3.5 Lens
Panavision AWZ2 40-80 mm T2.8 Lens
Panavision C Series Anamorphic Lenses
Panavision E Series Anamorphic Lenses
Panavision Primo Anamorphic Lenses
Panavision Primo Primes Spherical Lenses

LENS MANUFACTURER
Hasselblad
Panavision

CAMERA APERTURE
Anamorphic Camera Aperture
Imax Camera Aperture
Panavision Camera Aperture
Super 35 Camera Aperture

CAMERA MOVES
Chapman / Leonard Dollies

SOUND SYSTEMS
Datasat Digital Sound
Dolby Atmos
Dolby Digital 5.1
Dolby Surround 7.1

DISTRIBUTION RESOLUTION
4K Distribution Resolution
Film Print 35mm Distribution
Film Print 70mm Distribution

FINISHING METHOD
Digital Intermediate Finishing Process

ADDITIONAL POST PROCESSES
Enlargement - UpRes - Blow-up
IMAX DMR (Digital Media Remastering)

FILM NEGATIVE STOCK
Kodak Vision3 200T 5213/7213 Neg. Film
Kodak Vision3 250D 5207/7207 Neg. Film
Kodak Vision3 500T 5219/7219 Neg. Film

FILM NEGATIVE WIDTH
35mm Film Negative Width
65mm Film Negative Width

FILM NEGATIVE PULLDOWN
15-Perf Pulldown
4-Perf Pulldown

FILM PRINT STOCK
Kodak Vision Color 2383/3383

FILM PRINT ORIENTATION
Horizontal Film Print Orientation
Vertical Film Print Orientation

PROJECTION FORMAT
Anamorphic Projection Format
Spherical Projection Format

DISTRIBUTED ASPECT RATIO
1.44:1
2.39:1

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The Hunger Games

16/09/2021

Directed by | Christopher Nolan
Cinematography by | Wally Pfister

Edited by | Lee Smith
Written by | Christopher Nolan

ACQUISITION
Celluloid
Digital Cinema

CAMERAS
ARRIFLEX 235 Camera
ARRIFLEX 435 ES Camera
Beaumont Vista Vision Camera
Panavision Panaflex Millennium XL Camera
Panavision System 65 Camera
Phantom HD Gold Camera
Photo-Sonics 35mm-4B/4C Camera
Photo-Sonics 35mm-4ER Camera
Super Panavision-70 Camera

LENSES
Panavision 65mm Prime Lenses
Panavision Anamorphic Super High Speed Lenses
Panavision C Series Anamorphic Lenses
Panavision E Series Anamorphic Lenses
Panavision G Series Anamorphic Lenses
Panavision Primo Anamorphic Lenses

LENS MANUFACTURER
Panavision

CAMERA APERTURE
VistaVision Camera Aperture

VFX TOOLS
Autodesk VFX

SOUND SYSTEMS
Dolby Digital
DTS
Sony Dynamic Digital Sound (SDDS)

DISTRIBUTION RESOLUTION
Film Print 35mm Distribution
Film Print 70mm Distribution

EDITING SYSTEM
Avid Editing System

FINISHING METHOD
Digital Intermediate Finishing Process

ADDITIONAL POST PROCESSES
IMAX DMR (Digital Media Remastering)

FILM MANUFACTURER
Eastman Kodak Film Mfg

FILM NEGATIVE STOCK
Kodak Vision3 250D 5207/7207 Neg. Film
Kodak Vision3 500T 5219/7219 Neg. Film

FILM NEGATIVE WIDTH
35mm Film Negative Width
65mm Film Negative Width

CAMERA NEGATIVE ORIENTATION
Vertical Camera Film Orientation

FILM PRINT STOCK
Kodak Vision Color 2383/3383

FILM PRINT ORIENTATION
Vertical Film Print Orientation

PROJECTION FORMAT
Anamorphic Projection Format

DISTRIBUTED ASPECT RATIO
2.39:1

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INCEPTION

12/09/2021

Directed by | Damien Chazelle
Cinematography by | Linus Sandgren

Edited by | Tom Cross
Written by | Damien Chazelle

ACQUISITION
Celluloid
Digital Cinema

CAMERAS
Aaton A-Minima Camera
Panavision Panaflex Millennium XL2 Camera

LENSES
Panavision C Series Anamorphic Lenses
Panavision C35 35 mm T2.3 Lens
Panavision C50 50 mm T2.3 Lens
Panavision E Series Anamorphic Lenses
Panavision E35 35 mm T2.0 Lens
Panavision E50 50 mm T2.0 Lens

LENS MANUFACTURER
Panavision

SOUND SYSTEMS
Dolby Digital, DTS, Dolby Atmos

FINISHING METHOD
Digital Intermediate Finishing Process

FILM MANUFACTURER
Eastman Kodak Film Mfg

FILM NEGATIVE STOCK
Eastman Kodak Neg. Films
Kodak Vision 3 Film Neg. Film
Kodak Vision3 250D 5207/7207 Neg. Film
Kodak Vision3 500T 5219/7219 Neg. Film

FILM NEGATIVE WIDTH
16mm Film Negative Width
35mm Film Negative Width

DISTRIBUTED FRAME RATE
23.976 fps Distribution

DISTRIBUTED ASPECT RATIO
2.55:1

La La Land

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05/09/2021

TENET 🎬 BTS

Dir : Christopher Nolan

Dop : Hoyote van Hoytema

Camera : IMAX

Lens : imax 35mm,75mm

Aspect ratio : 1.43:1

Bts / Making

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11/08/2021

Before and after VFX of "STRANGER THINGS 3 " Series...

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29/07/2021

Which is the best ?

You choose...

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14/07/2021

Director | Ryan Coogler
DP | Rachel Morrison

Edited by | Debbie Berman, Michael P. Shawver
Written by | Ryan Coogler, Joe Robert Cole, Stan Lee, Jack Kirby

ACQUISITION
Digital Cinema

CAMERAS
ARRI ALEXA Mini Camera
ARRI ALEXA SXT Plus
Canon EOS-C300 Mark II Camera (Action Cam / VFX)
Red Weapon Dragon Camera (Action Cam / VFX)

LENSES
Panavision Primo Classic Spherical Lenses
Panavision Primo Primes Spherical Lenses
Panavision SL27-M 27 mm T1.9 Lens
Panavision SL30-MS 30 mm T1.9 Lens
Panavision SL35-M 35 mm T1.9 Lens
Panavision SL40 40 mm T1.9 Lens

LENS MANUFACTURER
Panavision

ANIMATION METHOD
3D Animation
Computer Animation

CAPTURE - RESOLUTION
1024x540 - (1.90:1) Capture Resolution
4448 x 1856 - (2.39:1) Capture Resolution

VFX TOOLS
Industrial Light & Magic

SOUND SYSTEMS
12-Track Digital Sound (IMAX 12 track)
Auro 11.1
Dolby Atmos
Dolby Surround 7.1
DTS (DTS: X)

DISTRIBUTION MEDIUM
Blu-ray
DVD

COLOR MANAGEMENT ARCHITECTURE
Academy Color Encoding System (ACES)

CAPTURE - CODECS & FORMATS
ARRI Raw
Red Raw

CAPTURE - DIGITAL RECORDERS
Codex Digital

DISTRIBUTED ASPECT RATIO
1.90:1
2.39:1

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27/06/2021

Directed by | Wes Anderson

Cinematography by | Robert D. Yeoman

Edited by | Barney Pilling

Written by | Stefan Zweig, Wes Anderson, Wes Anderson, Hugo Guinness

ACQUISITION

Celluloid

CAMERAS

ARRICAM Studio (ST) Camera

LENSES

Cooke S4 Lenses
Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

CAMERA APERTURE

Anamorphic Camera Aperture

CAMERA MOVES

Chapman / Leonard

FINISHING SYSTEM

DaVinci Resolve Finishing System

FILM NEGATIVE WIDTH

35mm Film Negative Width

CAMERA NEGATIVE ORIENTATION

Vertical Camera Film Orientation

DISTRIBUTED ASPECT RATIO

1.37:1
1.85:1
2.39:1

The Grand Budapest Hotel

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15/06/2021

Directed by | Gore Verbinski
Cinematography by | Dariusz Wolski

Edited by | Stephen E. Rivkin, Craig Wood
Written by | Ted Elliott, Terry Rossio, Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert

ACQUISITION
Celluloid

CAMERAS
ARRIFLEX 235 Camera
ARRIFLEX 435 Camera
Panavision Panaflex Lightweight Camera
Panavision Panaflex Platinum Camera
Photo-Sonics 35mm-4ER Camera

LENSES
Panavision SL14.5 14.5 mm T1.9 Lens
Panavision SL14.5-CF 14.5 mm T1.9 Lens
Panavision SL17.5 17.5 mm T1.9 Lens
Panavision SL17.5-CF 17.5 mm T1.9 Lens
Panavision SL21 21 mm T1.9 Lens
Panavision SL21-CF 21 mm T1.9 Lens
Panavision SL24-CF 24 mm T1.8 Lens
Panavision SL27 27 mm T1.9 Lens
Panavision SL27-CF 27 mm T1.9 Lens
Panavision SL30-CF 30 mm T1.8 Lens
Panavision SL40 40 mm T1.9 Lens
Panavision SL50 50 mm T1.9 Lens
Panavision SL65 65 mm T1.8 Lens
Panavision SLZ 17.5-75 mm T2.3 Lens
Panavision SLZ11 24-275 mm T2.8 Lens

LENS MANUFACTURER
Panavision

CAMERA APERTURE
Super 35 Camera Aperture

VFX TOOLS
Autodesk 3ds Max VFX
Autodesk Inferno VFX
Autodesk Maya VFX
The Foundry Nuke

SOUND SYSTEMS
Cinesound
Dolby Digital
DTS
Sony Dynamic Digital Sound (SDDS)

DISTRIBUTION RESOLUTION
Film Print 35mm Distribution

DISTRIBUTION MEDIUM
Blu-ray
D-Cinema (DCP - Digital Cinema)
DVD
Film Print Anamorphic

FINISHING METHOD
Digital Intermediate Finishing Proces

FILM MANUFACTURER
Eastman Kodak Film Mfg

FILM NEGATIVE STOCK
Eastman EXR 50D 5245/7245 Neg. Film
Kodak Vision2 200T 5217/7217 Neg. Film
Kodak Vision2 500T 5218/7218 Neg. Film
Kodak Vision2 50D 5201/7201 Neg. Film

FILM NEGATIVE WIDTH
35mm Film Negative Width

CAMERA NEGATIVE ORIENTATION
Vertical Camera Film Orientation

FILM PRINT STOCK
Kodak Vision Color 2383/3383

DISTRIBUTED ASPECT RATIO
2.39:1

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10/06/2021

Directed by | Andrés Baiz, Josef Kubota Wladyka, Fernando Coimbra, Gerardo Naranjo, Guillermo Navarro, José Padilha, Gabriel Ripstein

Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans
Edited by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez

ACQUISITION
Digital Cinema

CAMERAS
Panasonic Lumix DMC-GH4 Camera
Red Epic Dragon Camera

LENSES
Cooke S4/i Lenses
Hawk V-Lite Lenses
Zeiss Ultra Prime Lenses

LENS MANUFACTURER
Cooke Optics Limited
Hawk
Zeiss

CAMERA RENTAL COMPANIES
VER

SOUND SYSTEMS
Dolby Digital

DISTRIBUTORS
Netflix

DISTRIBUTION MEDIUM
Blu-ray

Broadcast Standard Definition (SD)
DVD

CAPTURE - CODECS & FORMATS
Red Raw

DISTRIBUTED ASPECT RATIO
1.78:1 (16x9)

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30/05/2021

DIR | Zack Snyder
DP | Larry Fong

Edited by | William Hoy
Written by | Zack Snyder, Kurt Johnstad, Michael B. Gordon, Frank Miller, Lynn Varley

CAMERAS
ARRIFLEX 235 Camera
ARRIFLEX 435 ES Camera
Panavision Panaflex Gold II Camera
Panavision Panaflex Platinum Camera
Photo-Sonics 35mm-4ER Camera

LENS MANUFACTURER
Panavision

CAMERA APERTURE
Super 35 Camera Aperture

SOUND SYSTEMS
Dolby Digital

DTS
Sonics-DDP
Sony Dynamic Digital Sound (SDDS)

EDITING SYSTEM
Final Cut Pro Editing System

FINISHING METHOD
Digital Intermediate Finishing Process

ADDITIONAL POST PROCESSES
IMAX DMR (Digital Media Remastering)

FILM NEGATIVE STOCK
Kodak Vision2 100T 5212/7212 Neg. Film
Kodak Vision2 500T 5229/7229 Neg. Film

FILM NEGATIVE WIDTH
35mm Film Negative Width
70mm Film Negative Width

FILM PRINT STOCK
Kodak Vision Premier Color 2393

DISTRIBUTED ASPECT RATIO
2.35:1

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21/05/2021

DIR | Ang Lee
DP | Claudio Miranda

Edited by | Tim Squyres
Written by | Yann Martel, David Magee

ACQUISITION
Digital Cinema

CAMERAS
ARRI ALEXA Camera

LENSES
Angenieux Optimo Zoom Lenses
Zeiss Master Prime Lenses

LENS MANUFACTURER
Angenieux
Zeiss

SOUND SYSTEMS
Dolby Atmos
Dolby Digital

DTS
STEREOSCOPIC 3D RIGS
Cameron Pace Fusion 3D

EDITING SYSTEM
Avid Editing System

CAPTURE - DIGITAL RECORDERS
Codex Digital

DISTRIBUTED ASPECT RATIO
1.85:1

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Life of Pi Movie

18/05/2021

Terminal (2004)

DIR | Steven Speilberg

DP | Janusz Kaminski

Behind the Scenes

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16/05/2021

DIR | Quentin Tarantino
DP | Andrzej Sekula

Edited by | Sally Menke
Written by | Quentin Tarantino, Roger Avary, Quentin Tarantino

ACQUISITION
Celluloid

CAMERAS
Panavision Cameras
Panavision Panaflex Platinum Camera

LENSES
Panavision C Series Anamorphic Lenses
Panavision E Series Anamorphic Lenses
Panavision Lenses

LENS MANUFACTURER
Panavision

CAMERA APERTURE
Anamorphic Camera Aperture
Panavision Camera Aperture

CAMERA MOVES
Chapman / Leonard Mobile Cranes

CAMERA RENTAL COMPANIES
Panavision Woodland Hills

SOUND SYSTEMS
Dolby Digital

AUDIO FINISHING
Avid Pro Tools Finishing

AUDIO DISTRIBUTION
35 mm Optical Film Print

DISTRIBUTION RESOLUTION
Film Print 16mm Distribution Resolution
Film Print 35mm Distribution

DISTRIBUTION MEDIUM
DVD
Film Print Anamorphic
Country | USA
Language | English, Spanish, French
Genres | Crime, Drama

EDITING SYSTEM
Lightworks Editing System

EDITING METHOD
Non Linear Editing

FINISHING METHOD
Photochemical Color Timing Process

ADDITIONAL POST PROCESSES
Dailies

FILM MANUFACTURER
Eastman Kodak Film Mfg

FILM NEGATIVE STOCK
Eastman EXR 50D 5245/7245 Neg. Film

FILM NEGATIVE WIDTH
35mm Film Negative Width

CAMERA NEGATIVE ORIENTATION
Vertical Camera Film Orientation

PROJECT FRAME RATE
24 fps Project Frame Rate

FILM PRINT ORIENTATION
Vertical Film Print Orientation

PROJECTION FORMAT
Anamorphic Projection Format

DISTRIBUTED FRAME RATE
24 fps Distribution

DISTRIBUTED ASPECT RATIO
2.39:1

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10/05/2021

Full metal jacket (1987)

Dir | Stanley Kubrick

DP | Douglas Milsome

ACQUISITION

Celluloid

CAMERAS

ARRIFLEX 35 BL CAMERA

CAMERA APERTURE

Spherical camera aperture

SOUND SYSTEMS

Mono

DISTRIBUTION RESOLUTION

Film print

Country | UK, USA
Language | English, Vietnamese
Genres | Drama, War

DISTRIBUTED ASPECT RATIO

1.37:1
1.66:1
1.85:1

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Via

06/05/2021

Storyboard / final shot

Lacasadepapel
Netflix

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29/04/2021

Amazing of the great movies...🎬🎥

- Men in black 3 (2012)
-Spectre (2015)
-Matrix Reloaded (2003)

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23/04/2021

Tricks and effects in old movies ....
🎬🎥

What blowed your mind..?

Comment the movie names if you know...

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Art_gasm

16/04/2021

Which is your favourite?

-Mad Max Fury Road
-Matrix
-Amazing Spiderman
-Sweeney Todd -The Demon Barber of the Fleet Street
-Django Unchained
-1917
-The Grand Budapest Hotel
-The Sweeney Todd - The Demon Barber Of The Fleet Street

Mad Max
1917
Amazingspiderman 2
Django Unchained
The Grand Budapest Hotel

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🎬

13/04/2021

DIR | Martin Scorsese
DP | Rodrigo Prieto

Edited by | Thelma Schoonmaker

Written by | Terence Winter, Jordan Belfort

ACQUISITION
Celluloid
Digital Cinema
Video

CAMERAS
ARRI ALEXA Plus Camera
ARRI ALEXA Studio Camera
ARRICAM Lite (LT) Camera
Canon EOS-C500 Camera
LENSES

Angenieux Optimo 24-290mm T2.8 Lens
Hawk V-Lite 110 mm T3.0 Lens
Hawk V-Lite 140 mm T3.5 Lens
Hawk V-Lite 28 mm T2.2 Lens
Hawk V-Lite 35 mm T2.2 Lens
Hawk V-Lite 45 mm T2.2 Lens
Hawk V-Lite 55 mm T2.2 Lens
Hawk V-Lite 65 mm T2.2 Lens
Hawk V-Lite 80 mm T2.2 Lens
Hawk V-Plus 135 mm T3.0 Lens
Hawk V-Plus 45-90 mm T2.8 Lens
Hawk V-Plus 80-180 mm T2.8 Lens
Hawk V-Series 180 mm T3.0 Lens
Zeiss Master Prime Lenses

LENS MANUFACTURER
Angenieux
Hawk
Zeiss

CAMERA APERTURE
Anamorphic Camera Aperture
HawkScope Camera Aperture
Super 35 Camera Aperture

SOUND SYSTEMS
Datasat, Dolby Digital, Dolby Surround 7.1

DISTRIBUTION RESOLUTION
4096x1716 Distribution Resolution
Film Print 35mm Distribution

Country | USA
Language | English, French
Genres | Biography, Crime, Drama

EDITING SYSTEM
Lightworks Editing System

CAPTURE - CHROMA SUBSAMPLING
4:4:4 Chroma Subsampling

CAPTURE - CODECS & FORMATS
ARRI Raw
Canon Cinema RAW
CAPTURE - DIGITAL RECORDERS
Codex Digital
Convergent Design Gemini 4:4:4

FILM MANUFACTURER
Eastman Kodak Film Mfg

FILM NEGATIVE STOCK
Kodak Vision3 250D 5207/7207 Neg. Film
Kodak Vision3 500T 5219/7219 Neg. Film

FILM NEGATIVE WIDTH
35mm Film Negative Width

FILM NEGATIVE PULLDOWN
4-Perf Pulldown

CAMERA NEGATIVE ORIENTATION
Vertical Camera Film Orientation

SCANNED FILM RESOLUTION
6K Scan Resolution

PROJECT FRAME RATE
24 fps Project Frame Rate

FILM PRINT ORIENTATION
Vertical Film Print Orientation

PROJECTION FORMAT
Anamorphic Projection Format

DISTRIBUTED FRAME RATE
24 fps Distribution

DISTRIBUTED ASPECT RATIO
2.39:1

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30/03/2021

Dir | Christopher Nolan
DP | Wally Pfister

Edited by | Dody Dorn
Written by | Christopher Nolan, Jonathan Nolan

ACQUISITION
Celluloid
CAMERAS

Panavision Panaflex Gold II Camera
LENSES
Panavision E Series Anamorphic Lenses

LENS MANUFACTURER
Panavision

CAMERA APERTURE
Anamorphic Camera Aperture
Panavision Camera Aperture

CAMERA MOVES
Chapman / Leonard Dollies
Chapman / Leonard Mobile Cranes

SOUND SYSTEMS
Dolby Digital

DISTRIBUTION RESOLUTION
Film Print 35mm Distribution

DISTRIBUTION MEDIUM
Blu-ray
Broadcast
DVD
Film Print
Video Cassette (VHS)
Country | USA
Language | English
Genres | Mystery, Thriller

EDITING SYSTEM
Add an Editing System

EDITING METHOD
Negative Editing

FILM MANUFACTURER
Eastman Kodak Film Mfg

FILM NEGATIVE STOCK
Eastman Double-X 5222/7222 Neg. Film
Eastman EXR 200T 5293/7293 Neg. Film
Kodak Vision 250D 5246/7246 Neg. Film
Kodak Vision 500T 5279 Neg. Film

FILM NEGATIVE WIDTH
35mm Film Negative Width

DISTRIBUTED ASPECT RATIO
2.39:1

Memento

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All queit on Western front🎬 DIR | Edward Berger DP | James friend Follow and share for more Art_gasm #cinemas_frames #cinematography #filmmaking #filmmaker #filmlighting #grips #rigs #netflix #allqueitonthewesternfront #gripsandrigs #gaffer #steadicam #gimbal #gafferlife #cinema #film #filmstock #arri #arrialexa #reddigitalcinema #imax #sony #panavision #varricam #phantom #boltaction #behindthescenes #productionsets #setlife #vfx #art_gasm #artgasm

ATHENA 🎬 DIR | Romain Gavras Screenplay | Romain Gavras, Ladj Ly,Elias Belkeddar DP | Matias Boucar Editor | Cherifi Akram Mohamed Yasser Aspect Ratio | 2.2 : 1 Camera | ARRI Alexa 65 and Leitz THALI lenses Angenieux Optimo Zoom Arri Alexa Mini LF (Angenieux EZ Series) Tribe 7 Blackwing Binaries Bespoke Follow and share for more Art_gasm Athena #cinemas_frames #cinematography #filmmaking #filmmaker #filmlighting #grips #rigs #gripsandrigs #gaffer #gafferlife #cinema #film #filmstock #arri #arrialexa #reddigitalcinema #imax #sony #panavision #varricam #phantom #athena2022 #athéna #boltaction #behindthescenes #productionsets #setlife #vfx #art_gasm #artgasm

The Conjuring 2 DIR | James wan DP | Don Burgess Camera | Arri Alexa XT, Leitz SUMMILUX-C Lenses Negative Format | Codex Cinematographic Process | ARRIRAW (2.8K) (source format) Digital Intermediate (master format) Follow and share for more Art_gasm #cinemas_frames #cinematography #filmmaking #filmmaker #filmlighting #grips #rigs #gripsandrigs #gaffer #gafferlife #cinema #film #filmstock #arri #arrialexa #reddigitalcinema #imax #sony #panavision #varricam #phantom #boltaction #behindthescenes #conjuring2 #productionsets #setlife #vfx #art_gasm #artgasm

NOPE 🎬 DIR | Jordan Peele Written by | Jordan Peele DP | Hoyte van Hoytema Editor | Nicholas Monsour Follow and share for more Art_gasm #cinemas_frames #cinematography #filmmaking #filmmaker #filmlighting #grips #rigs #gripsandrigs #gaffer #gafferlife #cinema #film #filmstock #vaccumbaserig #arri #arrialexa #nope #jordanpeele #reddigitalcinema #imax #panavision #varricam #phantom #boltaction #behindthescenes #productionsets #setlife #vfx #art_gasm #artgasm

Spiderman 2 Follow and share for more Art_gasm #cinemas_frames #cinematography #filmmaking #filmmaker #filmlighting #grips #rigs #gripsandrigs #gaffer #gafferlife #cinema #film #filmstock #vaccumbaserig #arri #arrialexa #reddigitalcinema #imax #panavision #spiderman #tobeymaguire #behindthescenes #productionsets #setlife #vfx #art_gasm #artgasm

Directed by | Wes Anderson Cinematography by | Robert D. Yeoman @robertyeomanasc Edited by | Barney Pilling Written by | Stefan Zweig, Wes Anderson, Wes Anderson, Hugo Guinness ACQUISITION Celluloid CAMERAS ARRICAM Studio (ST) Camera LENSES Cooke S4 Lenses Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens CAMERA APERTURE Anamorphic Camera Aperture CAMERA MOVES Chapman / Leonard FINISHING SYSTEM DaVinci Resolve Finishing System FILM NEGATIVE WIDTH 35mm Film Negative Width CAMERA NEGATIVE ORIENTATION Vertical Camera Film Orientation DISTRIBUTED ASPECT RATIO 1.37:1 1.85:1 2.39:1 The Grand Budapest Hotel Follow and share for more Art_gasm #cinemas_frames #cinematography #filmmaking #filmmaker #filmlighting #grips #rigs #gripsandrigs #dolly #gaffer #gafferlife #cinema #film #filmstock #vaccumbaserig #arri #arrialexa #reddigitalcinema #imax #panavision #sony #boltaction #behindthescenes #grandbudapesthotel #lightsetup #productionsets #setlife #vfx #art_gasm #artgasm

Directed by | Gore Verbinski Cinematography by | Dariusz Wolski Edited by | Stephen E. Rivkin, Craig Wood Written by | Ted Elliott, Terry Rossio, Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert ACQUISITION Celluloid CAMERAS ARRIFLEX 235 Camera ARRIFLEX 435 Camera Panavision Panaflex Lightweight Camera Panavision Panaflex Platinum Camera Photo-Sonics 35mm-4ER Camera LENSES Panavision SL14.5 14.5 mm T1.9 Lens Panavision SL14.5-CF 14.5 mm T1.9 Lens Panavision SL17.5 17.5 mm T1.9 Lens Panavision SL17.5-CF 17.5 mm T1.9 Lens Panavision SL21 21 mm T1.9 Lens Panavision SL21-CF 21 mm T1.9 Lens Panavision SL24-CF 24 mm T1.8 Lens Panavision SL27 27 mm T1.9 Lens Panavision SL27-CF 27 mm T1.9 Lens Panavision SL30-CF 30 mm T1.8 Lens Panavision SL40 40 mm T1.9 Lens Panavision SL50 50 mm T1.9 Lens Panavision SL65 65 mm T1.8 Lens Panavision SLZ 17.5-75 mm T2.3 Lens Panavision SLZ11 24-275 mm T2.8 Lens LENS MANUFACTURER Panavision CAMERA APERTURE Super 35 Camera Aperture VFX TOOLS Autodesk 3ds Max VFX Autodesk Inferno VFX Autodesk Maya VFX The Foundry Nuke SOUND SYSTEMS Cinesound Dolby Digital DTS Sony Dynamic Digital Sound (SDDS) DISTRIBUTION RESOLUTION Film Print 35mm Distribution DISTRIBUTION MEDIUM Blu-ray D-Cinema (DCP - Digital Cinema) DVD Film Print Anamorphic FINISHING METHOD Digital Intermediate Finishing Proces FILM MANUFACTURER Eastman Kodak Film Mfg FILM NEGATIVE STOCK Eastman EXR 50D 5245/7245 Neg. Film Kodak Vision2 200T 5217/7217 Neg. Film Kodak Vision2 500T 5218/7218 Neg. Film Kodak Vision2 50D 5201/7201 Neg. Film FILM NEGATIVE WIDTH 35mm Film Negative Width CAMERA NEGATIVE ORIENTATION Vertical Camera Film Orientation FILM PRINT STOCK Kodak Vision Color 2383/3383 DISTRIBUTED ASPECT RATIO 2.39:1 Follow and share for more Art_gasm #cinemas_frames #cinematography #filmmaking #filmmaker #filmlighting #grips #rigs #gripsandrigs #dolly #gaffer #gafferlife #cinema #film #filmstock #vaccumbaserig #arri #arrialexa #reddigitalcinema #imax #panavision

Directed by | Andrés Baiz, Josef Kubota Wladyka, Fernando Coimbra, Gerardo Naranjo, Guillermo Navarro, José Padilha, Gabriel Ripstein Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans Edited by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez ACQUISITION Digital Cinema CAMERAS Panasonic Lumix DMC-GH4 Camera Red Epic Dragon Camera LENSES Cooke S4/i Lenses Hawk V-Lite Lenses Zeiss Ultra Prime Lenses LENS MANUFACTURER Cooke Optics Limited Hawk Zeiss CAMERA RENTAL COMPANIES VER SOUND SYSTEMS Dolby Digital DISTRIBUTORS Netflix DISTRIBUTION MEDIUM Blu-ray Broadcast Standard Definition (SD) DVD CAPTURE - CODECS & FORMATS Red Raw DISTRIBUTED ASPECT RATIO 1.78:1 (16x9) Follow and share for more Art_gasm #cinemas_frames #cinematography #filmmaking #filmmaker #filmlighting #grips #rigs #gripsandrigs #dolly #gaffer #gafferlife #cinema #filmstock #vaccumbaserig #arri #arrialexa #reddigitalcinema #panavision #sony #varricam #phantom #boltaction #lacasedepapel #behindthescenes #moneyheist #productionsets #setlife #vfx #art_gasm #artgasm