11/10/2023
Jesus in the house of Mary and Martha
Merson
Salon de musique
Jesus in the house of Mary and Martha
Merson
Jesus in the house of Mary and Martha
Dalsgaard
Jesus in the house of Mary and Martha
Siemiradszki
Weekend Special:
https://youtu.be/XwD_DE6CNcA?feature=shared
Tadeusz Faliszewski - śpiew, Orkiestra "Syrena Rekord" - Przytul, uściśnij, pocałuj (Hug Me, Squeeze Me, Kiss Me)(Tango z teatru "Wielka Rewja") (W.Krupiński...
The Black Gypsy
Vico Torriani - Du Schwarzer Zigeuner (1953) presentation byR 3 T Я 8 T 8 Rfor the promotion and conservationof the arts and the general preservationof popcu...
Gypsy love song
Provided to YouTube by The Orchard EnterprisesZigeuner · Carmen McRae · Ray BryantCarmen McRae & Ray Bryant Complete Recordings℗ 2008 Gambit RecordsReleased ...
Click for full picture
1 minute 20 seconds
"Secrets of the Beehive" - 1997The sun shines high aboveThe sounds of laughterThe birds swoop down uponThe crosses of old grey churchesWe say that we're in l...
Based on the stories of M. Gorky. A beautiful legend about the love of two young gypsies - Loiko and Rada. Their suddenly flashed feeling is mutual, but the ...
https://youtu.be/odJvRPCrKVQ?feature=shared
Russian language gypsy film 1972
I lautari (ro. Lăutarii) è un film drammatico sovietico del 1972, diretto dal grande regista moldavo Emil Loteanu.Film capolavoro, da guardare e riguardare p...
*DISCLAIMER* NO COPYRIGHT INFRINGEMENT INTENDED. I DO NOT OWN THE RIGHTS TO MUSIC IN THIS VIDEO. I DO NOT MONETIZE THIS VIDEO. If you own copyright to this ...
ૐ Music for Meditation ૐYou can download this Meditative Space freely and safely from our Google drive:https://drive.google.com/open?id=1mt8GNnElMLfRdICMgHT9...
The Hungarian Su***de Song. I think this song is beautiful :)
*DISCLAIMER* NO COPYRIGHT INFRINGEMENT INTENDED. I DO NOT OWN THE RIGHTS TO MUSIC IN THIS VIDEO. I DO NOT MONETIZE THIS VIDEO. If you own copyright to this ...
*DISCLAIMER* NO COPYRIGHT INFRINGEMENT INTENDED. I DO NOT OWN THE RIGHTS TO MUSIC IN THIS VIDEO. I DO NOT MONETIZE MY VIDEOS. If you own copyright to this m...
*DISCLAIMER* NO COPYRIGHT INFRINGEMENT INTENDED. I DO NOT OWN THE RIGHTS TO MUSIC IN THIS VIDEO. I DO NOT MONETIZE MY VIDEOS. If you own copyright to this m...
Charles Edward Chambers
Fire Dancer, 1920
British painter Arthur Hacker
1858-1919
Support us on Patreon and get more content: https://www.patreon.com/classicalvault --- Maurice RavelTziganeDavid Oistrakh, violinFrida Bauer, piano
Andrés Segovia Torres, 1st Marquis of Salobreña (Spanish: [anˈdɾes seˈɣoβja ˈtores]) (21 February 1893 – 2 June 1987),[1] known as Andrés Segovia, was a virt...
من تاليف أحمد رامي وتلحين رياض السنباطي ، وغنتها أم كلثوم عام 1961
sung by Karsten TroykeForgotten Yiddish SongsLyrics sent to me by:HeizlerIch bin a Bucher jîng în frailech, ich fil sech gît,es bengt sech mir nuch Libe,es b...
•• The Fundamental Components of Hindustani Classical Music ••
There are three main components to the Indian Classical Music - Drone, Raag, and Taal.
• The Drone :
Unlike western music's, Indian music is not based on harmony. The harmonic principle of contrast between simultaneous sounds is foreign to the Indian conception of music. The concept of modulating (or changing) keys is also absent. Instead, the music is based on a drone, a continual pitch that sounds throughout the concert. This acts as a point of reference for everything that follows, a home base that the musician returns to after a flight of improvisation.
• Raag - Organization of Melody :
"Raag" is one of those troublesome words which has no equivalent in English, and is thus difficult to define. Terms like "generalized melody" or "melodic framework" are perhaps the best English descriptions, although they are only somewhat helpful.
A Raag can describe as being about halfway between a scale and a tune. A scale is just a set of notes, which can be used in any way you want. A tune leaves no room for spontaneous creation of melody. A Raag lacks the total freedom of a scale, but has much more freedom than a tune. A Raag may be characterized in a number of ways. It is built out of a specific selection of tones from the octave (at least five), like a scale. But in a scale all notes are equal. A Raag will have notes of greater and lesser significance. A Raag will also have characteristic phrases that are used in its performance, and specific ways in which the notes cannot be used. Each Raag is also associated to a particular mood, and to a particular time of day or season of the year.
The result is a melodic structure that is easily recognizable, yet infinitely variable. No two performances of the same Raag, even two performances by the same musician, will be identical. Indeed the same Raag may be played by the same musician one night for half an hour, the next night for an hour and a half. Yet the character of the Raag, the mood it creates, will still be the same.
• Taal - Organization of Rhythm :
In the same way that Raags are melodic structures, Taals are rhythmic structures. A Taal can be thought of as a cycle, divided into equal beats which are collected into subgroups. So, for example, Rupak Taal consists of seven beats, a group of three beats followed by two groups of two beats (sometimes represented 3+2+2).
The Taal is usually represented by a series of strokes (called "bols") on the tabla, reflecting the sub-groupings within the Taal. The tabla player will vary the strokes that he plays, but will do so in a manner consistent with the basic rhythm of the Taal. In particular, he will be careful to differentiate between the Taali (on-beats) and Khali (off-beats), which are defined for each Taal. The most important beat of the Taal is the first one, called "Sam". In performance, the soloist may go off on a long improvised phrase that may last for many cycles of the Taal, but will always return to the composition on the Sam.
Documentary film about Gipsies in south France , which take us into their philosophy. Boy is talking about God as he see him. Pisla about gipsies soul and pr...
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