16/06/2022
On Love, First Impressions, and Singing Utensils 💘
“I’d order love because there’s nothing else on earth that tastes so good”.
That line sums up what I felt when watching Ateneo Blue Repertory’s production of “First Date.” The 30th season production is a dazzling, and well-executed blend of live and online theater. Headed by director Topper Fabregas (Company, Rabbit Hole, This Is Our Youth, Ang Huling El Bimbo), First Date is a musical that takes us through the awkwardness, doubts, and exhilaration of well - a first date. It follows blind date newbie Aaron & serial dater Casey’s interactions on the night of their date. Throughout, we are treated to musical numbers from the other restaurant goers, and pivotal people from their past.
Fair note that this is a musical that does not hold back in portraying the cringe moments that everyone experiences when trying to impress your date. But you won’t even notice it because you’ll be blown away by the massive talent of the leads and ensemble, the stunning visuals, catchy song numbers, and dancing utensils (yes, you read that right).
First Date was originally staged in 2012, and written by Austin Winsberg and featuring music and lyrics by Alan Zachary and Michael Weiner. According to the production team, they did not change much from the script; choosing instead to focus on adjusting it to better suit the hybrid production and filming process. Director Topper Fabregas says “It’s the script from 2012, but it’s not the 2012 that you’re imagining in your head.”
At first, I had a difficult time visualizing how they could execute the musical numbers given the online set-up, but I was not disappointed by Production Designer Tata Tuviera’s talents. He utilized the use of green screens to make sure there was uniformity in the production. The team also had to work around the limits of online theater, and learn how to bend and play around it. Director of Photography Nate Bosano states that they had to think outside the box and learn along the way on how to best achieve the vision of the entire team. When this production team says out of the box, they mean it. The most bizarre ideas that if I discuss it on paper wouldn’t make sense, but when seen on screen it enhances the story, and delivers a performance that is enjoyable. Kudos to the team for the brilliant ex*****on of the song “The Awkward Pause”, and aspiring theater artists- take note!
blueREP has always delivered great performances from its team of talented college actors. The leads of First Date carry the show well, with powerful singing voices and budding acting skills that have the potential to be great. Carlos de Guzman accurately and naturally captures the awkwardness and nervousness of anyone going on a first date; and his voice can make anyone swoon particularly in the song “In Love with You”. Meanwhile audiences can truly feel Julia Santiago’s portrayal of Casey’s doubts and genuineness. She also manages to capture Casey’s yearning and hopefulness in “Safer”. Both of them also deliver a strong opening rendition of “First Impressions”, and closes the musical with the powerful ballad “Something That Will Last”.
But for me, the real stars of the show are the ensemble that take on multiple roles. We see JV Fulgencio, Vicka Valdez, and Nikki Bengzon change costumes so much throughout the show, and playing characters that differ in age and even gender. Meanwhile, Giulia Martinez delivers a poised and sophisticated Allison. But my real favorite has to be Paul Atienza’s Reggie who steals the screen every single time. Those three renditions of “Bailout” are enough to make me see this show a second time, and wish I could make this my ringtone! We all could wish a friend as cool, as hilarious, and as demandingly caring as Reggie.
The only downside in this production is that it is challenging to have a fully harmonized delivery when the ensemble sings together, which showed in the opening song. Musical Director, Rony Fortich, did express that it was challenging directing the actors on how to sing online, and I have to agree it shows (but not too obviously) in some numbers. But, collaborating with movement designer , Franco Ramos, helped a lot especially for the online parts of the musical. We see actors still moving in sync while on their own screens. The teamwork of the entire production is evident in the almost seamless transitions of each actor.
As for the editing and graphics, I was hit with a ton of nostalgia because the color scheme screams Y2K. Graphic Designer, Bea Jose, did not hold back when she said the graphics was a marriage between Y2K and KPop. The bright, pinkish, neon color scheme stands out without blinding the audience. And making Reggie perform “Bailout” in a karaoke style was absolutely perfect!
90 minutes passes by so quickly for this hilariously enjoyable, kilig musical. We all could use some laughs, and a reminder that love is out there, and it can be found if we open ourselves to it. For those going on their first dates, the production team gave timeless advice. “Keep it real, keep it honest” (Franco Ramos). “Don’t take it too seriously, just have fun” (Tata Tuviera). “Don’t overdo your makeup, or your clothes. Be yourself” (Bea Jose). “Relax, don’t collect red flags / be too judgy” (Rony Fortich). “Don’t be a “pick-me” / “not like other people” person” (Nate Bosano). “Everything is worth a second glance” (Topper Fabregas).
Give yourself a treat and watch First Date. Laugh, get the songs stuck in your head for a while, and believe in love alongside the cast and production team of Ateneo blueREP’s 30th Season. And if you didn’t get enamored on your first watch, just remember that first impressions are worth a second chance!
Words by Cheska Rufo
Graphics by Jane Uda
In Collaboration with Ateneo Blue Repertory