In the latest episode, Shu and Sherm tell you how important it is to be open to opportunities as a new writer.
In TDH 046, Shu offers up one of his screenwriting commandments: Write always, always write.
Shu explains how you can use A, B, and C stories to structure your pilot script.
Shu says to become a better writer you have to get used to writing sh*tty.
Shu explains how to use concentric circles to define your character’s wants.
How to Know if an Idea is Worth Pursuing
Shukree shares how he decides which of his ideas to pursue.
High Concept vs. Low Concept
What’s the difference between a high concept idea vs. a low concept idea?
There is No One Path
Shu and Sherm tell you that there’s no one path for writers entering the industry.
What No One Tells You About a Writing Career
Shu and Sherm talk about pitching and other things no one tells you about a career as a writer.
Black Movies Make Money
In TDH 029, Shu and Sherm talk about the profitability of Black movies.
The Role of Showrunner
In TDH 037, Shu and Sherm discuss the role of Showrunner.
How to Balance TV Writing and Other Projects
Can you write a feature film while working as a staff writer? Shu and Sherm discuss managing your time in a writers’ room.
“Your scene should not be an info-dump.”
Sherm says your scenes should focus on character and emotion, not information.
How to Behave in a Writers’ Room
Shu gives some tips on how you should behave in a writers’ room.
Do you need to go the assistant route?
Do you need to go the assistant route to be a television writer? Shu and Sherm weigh in.