Aid+Abet

Aid+Abet Film distribution curated for the digital marketplace. Specializing in horror and genre films.

12/11/2019

There were grumblings about Distribber from conception, but those could have come from legacy distributors who are resistance to change.

Here's hoping the filmmakers involved get everything resolved.

ATTENTION filmmakers at AFM, why are giving your film to a company that just spent $50,000 on a suite at the Loews? Wher...
12/11/2019

ATTENTION filmmakers at AFM, why are giving your film to a company that just spent $50,000 on a suite at the Loews? Where do you think your profits are going?

We offer shorter terms and lower marketing caps.

www.aidabet.media

07/09/2019
While it seems everyone has a "hot take" on this, keep in mind it was only released in 52 theaters. This film never sto...
07/09/2019

While it seems everyone has a "hot take" on this, keep in mind it was only released in 52 theaters. This film never stood a chance as a traditional theatrical release. The money spent placing this on screens, could have been spent on advertising models that would have made 10x what "The Fanatic" made over the weekend.

https://www.hollywoodreporter.com/news/box-office-fanatic-bombs-career-low-john-travolta-1235930

Critics have ravaged the stalker thriller, which marks the fourth dud in a row for the actor.

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Film Distribution for the Digital Age

At Aid + Abet we believe the current model sales agents and distributors use is an antiquated and to an extent, change resistant way of doing business.

The “traditional” method is for sales agents to set up shop at the four or five biggest markets all around the world, spending thousands of dollars on travel, hotels, and of course the schmoozing. Spending additional thousands for a booth, office, cubicle, or for only $4,500 for your own janitors closet!

Your film then gets lost in MARKETING CAP HELL, never seeming to turn a profit and seemingly languishing in the red, while the distributor wines and dines in the South of France on some guy named Pierre’s yacht. We’d rather attend marketing conferences and become better sellers of your film.

In all seriousness, technology has changed everything. Your phone or tablet is in your hand throughout the day more times than you can count. You’re not looking at ads on bus stops or banner ads on websites. You’re scrolling through Instagram or watching videos on YouTube. We utilize that to our benefit, creating media and content advertising that best suits your film. We spend real dollars on advertising.