SOS Productions

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SOS Productions We are a small film studio with a passion for anime and a drive to create fan-made content that honors the works of Kyoto Animation. Twitter:

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, th...
29/08/2021

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, thank you for watching. It is privilege to share our work with all of you.

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Takemoto. Among many great works such as Lucky Star, Hyouka, and Kobayashi's Dragon Maid, Takemoto directed, alongside Tatsuya Ishihara, The Melancholy of Haruhi Suzumiya and the Disappearance of Haruhi Suzumiya. He also wrote the script for six of the eight infamous Endless 8 episodes, particularly the ones that repeat with only minor variations.

We could think of no better way to commemorate Takemoto than to juxtapose his most successful work as a director, The Disappearance of Haruhi Suzumiya, with his most controversial work as a screenplay writer and lead director, The Melancholy of Haruhi Suzumiya's Endless 8 arc. In doing so, we aim not to diminish the latter beside the former, but to show the importance in Endless 8. It is through Endless 8 that we are made to understand what drives Nagato's feelings into making her take the actions she takes later on in Disappearance. Without this context, The Disappearance of Haruhi Suzumiya, arguably one of the greatest masterpieces in anime film history, would lose some of its emotional value. It is in watching Nagato's descent into loneliness and sorrow that we come to empathize with her behavior in Disappearance. This arc is what solidifies Nagato's human transformation -- her metamorphosis from emotionless alien android to someone with all the worries and pangs of a human girl.

Furthermore, we aim to highlight the artistic beauty of Endless 8. Although to a passive viewing audience, seeing the same story told eight times can be reasonably frustrating, Endless 8 is itself a case study in the importance of details in film. It shows that every painstakingly chosen aspect of a film is important. Mise en scene, color palette, shooting angle, framing, voice line delivery, diegetic and nondiegetic music, and a myriad of other factors all contribute to setting the tone of a film. And in doing so, the same story can be told in countless different ways despite having a single script. This highlights the beauty and limitless potential of film as an artform.
Were it not for our educational-system's western-centric bias, our film schools might regularly study Endless 8 as part of their curriculum. And while it did not fare well in popular reception, Endless 8 is perfectly in line with what we would expect from Kyoto Animation -- a studio known for putting their passion for the artform above superficial things like sales and rushed mass-production (something which plagues many other larger top-tier studios). Every detail in Endless 8 was chosen to create a unique experience in each episode and today we recognize the effort and love and craftsmanship that went into making this exceptional work of art.

Today we remember Yasuhiro Takemoto and all the great people who put forth their effort to make this masterpiece. Today, we say, "Endless 8 matters, and this is why it matters; the work you did matters and is worth remembering." To quote the great words of Nagaru Tanigawa:

"I won’t forget you. I won’t forget what you did.

"If you agree with these statements, read the subject as plural. Feel free to rewrite them as you please.

"My memories are tiny things. Other people have far more memories than I do. Those memories belong to them.

"I intend to treasure the modest memories that remain with me.

"Thank you so much."

Please enjoy our film, Remnants of an Endless Summer: Part VII

https://www.youtube.com/watch?v=WJWgGmj78_Q

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Tak...

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, th...
27/08/2021

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, thank you for watching. It is privilege to share our work with all of you.

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Takemoto. Among many great works such as Lucky Star, Hyouka, and Kobayashi's Dragon Maid, Takemoto directed, alongside Tatsuya Ishihara, The Melancholy of Haruhi Suzumiya and the Disappearance of Haruhi Suzumiya. He also wrote the script for six of the eight infamous Endless 8 episodes, particularly the ones that repeat with only minor variations.

We could think of no better way to commemorate Takemoto than to juxtapose his most successful work as a director, The Disappearance of Haruhi Suzumiya, with his most controversial work as a screenplay writer and lead director, The Melancholy of Haruhi Suzumiya's Endless 8 arc. In doing so, we aim not to diminish the latter beside the former, but to show the importance in Endless 8. It is through Endless 8 that we are made to understand what drives Nagato's feelings into making her take the actions she takes later on in Disappearance. Without this context, The Disappearance of Haruhi Suzumiya, arguably one of the greatest masterpieces in anime film history, would lose some of its emotional value. It is in watching Nagato's descent into loneliness and sorrow that we come to empathize with her behavior in Disappearance. This arc is what solidifies Nagato's human transformation -- her metamorphosis from emotionless alien android to someone with all the worries and pangs of a human girl.

Furthermore, we aim to highlight the artistic beauty of Endless 8. Although to a passive viewing audience, seeing the same story told eight times can be reasonably frustrating, Endless 8 is itself a case study in the importance of details in film. It shows that every painstakingly chosen aspect of a film is important. Mise en scene, color palette, shooting angle, framing, voice line delivery, diegetic and nondiegetic music, and a myriad of other factors all contribute to setting the tone of a film. And in doing so, the same story can be told in countless different ways despite having a single script. This highlights the beauty and limitless potential of film as an artform.
Were it not for our educational-system's western-centric bias, our film schools might regularly study Endless 8 as part of their curriculum. And while it did not fare well in popular reception, Endless 8 is perfectly in line with what we would expect from Kyoto Animation -- a studio known for putting their passion for the artform above superficial things like sales and rushed mass-production (something which plagues many other larger top-tier studios). Every detail in Endless 8 was chosen to create a unique experience in each episode and today we recognize the effort and love and craftsmanship that went into making this exceptional work of art.

Today we remember Yasuhiro Takemoto and all the great people who put forth their effort to make this masterpiece. Today, we say, "Endless 8 matters, and this is why it matters; the work you did matters and is worth remembering." To quote the great words of Nagaru Tanigawa:

"I won’t forget you. I won’t forget what you did.

"If you agree with these statements, read the subject as plural. Feel free to rewrite them as you please.

"My memories are tiny things. Other people have far more memories than I do. Those memories belong to them.

"I intend to treasure the modest memories that remain with me.

"Thank you so much."

Please enjoy our film, Remnants of an Endless Summer: Part VI

https://www.youtube.com/watch?v=wZJNz1yuBqE

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Tak...

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, th...
25/08/2021

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, thank you for watching. It is privilege to share our work with all of you.

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Takemoto. Among many great works such as Lucky Star, Hyouka, and Kobayashi's Dragon Maid, Takemoto directed, alongside Tatsuya Ishihara, The Melancholy of Haruhi Suzumiya and the Disappearance of Haruhi Suzumiya. He also wrote the script for six of the eight infamous Endless 8 episodes, particularly the ones that repeat with only minor variations.

We could think of no better way to commemorate Takemoto than to juxtapose his most successful work as a director, The Disappearance of Haruhi Suzumiya, with his most controversial work as a screenplay writer and lead director, The Melancholy of Haruhi Suzumiya's Endless 8 arc. In doing so, we aim not to diminish the latter beside the former, but to show the importance in Endless 8. It is through Endless 8 that we are made to understand what drives Nagato's feelings into making her take the actions she takes later on in Disappearance. Without this context, The Disappearance of Haruhi Suzumiya, arguably one of the greatest masterpieces in anime film history, would lose some of its emotional value. It is in watching Nagato's descent into loneliness and sorrow that we come to empathize with her behavior in Disappearance. This arc is what solidifies Nagato's human transformation -- her metamorphosis from emotionless alien android to someone with all the worries and pangs of a human girl.

Furthermore, we aim to highlight the artistic beauty of Endless 8. Although to a passive viewing audience, seeing the same story told eight times can be reasonably frustrating, Endless 8 is itself a case study in the importance of details in film. It shows that every painstakingly chosen aspect of a film is important. Mise en scene, color palette, shooting angle, framing, voice line delivery, diegetic and nondiegetic music, and a myriad of other factors all contribute to setting the tone of a film. And in doing so, the same story can be told in countless different ways despite having a single script. This highlights the beauty and limitless potential of film as an artform.
Were it not for our educational-system's western-centric bias, our film schools might regularly study Endless 8 as part of their curriculum. And while it did not fare well in popular reception, Endless 8 is perfectly in line with what we would expect from Kyoto Animation -- a studio known for putting their passion for the artform above superficial things like sales and rushed mass-production (something which plagues many other larger top-tier studios). Every detail in Endless 8 was chosen to create a unique experience in each episode and today we recognize the effort and love and craftsmanship that went into making this exceptional work of art.

Today we remember Yasuhiro Takemoto and all the great people who put forth their effort to make this masterpiece. Today, we say, "Endless 8 matters, and this is why it matters; the work you did matters and is worth remembering." To quote the great words of Nagaru Tanigawa:

"I won’t forget you. I won’t forget what you did.

"If you agree with these statements, read the subject as plural. Feel free to rewrite them as you please.

"My memories are tiny things. Other people have far more memories than I do. Those memories belong to them.

"I intend to treasure the modest memories that remain with me.

"Thank you so much."

Please enjoy our film, Remnants of an Endless Summer: Part V - Endless 8

https://www.youtube.com/watch?v=gq4ffh-pn8A

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Tak...

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, th...
23/08/2021

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, thank you for watching. It is privilege to share our work with all of you.

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Takemoto. Among many great works such as Lucky Star, Hyouka, and Kobayashi's Dragon Maid, Takemoto directed, alongside Tatsuya Ishihara, The Melancholy of Haruhi Suzumiya and the Disappearance of Haruhi Suzumiya. He also wrote the script for six of the eight infamous Endless 8 episodes, particularly the ones that repeat with only minor variations.

We could think of no better way to commemorate Takemoto than to juxtapose his most successful work as a director, The Disappearance of Haruhi Suzumiya, with his most controversial work as a screenplay writer and lead director, The Melancholy of Haruhi Suzumiya's Endless 8 arc. In doing so, we aim not to diminish the latter beside the former, but to show the importance in Endless 8. It is through Endless 8 that we are made to understand what drives Nagato's feelings into making her take the actions she takes later on in Disappearance. Without this context, The Disappearance of Haruhi Suzumiya, arguably one of the greatest masterpieces in anime film history, would lose some of its emotional value. It is in watching Nagato's descent into loneliness and sorrow that we come to empathize with her behavior in Disappearance. This arc is what solidifies Nagato's human transformation -- her metamorphosis from emotionless alien android to someone with all the worries and pangs of a human girl.

Furthermore, we aim to highlight the artistic beauty of Endless 8. Although to a passive viewing audience, seeing the same story told eight times can be reasonably frustrating, Endless 8 is itself a case study in the importance of details in film. It shows that every painstakingly chosen aspect of a film is important. Mise en scene, color palette, shooting angle, framing, voice line delivery, diegetic and nondiegetic music, and a myriad of other factors all contribute to setting the tone of a film. And in doing so, the same story can be told in countless different ways despite having a single script. This highlights the beauty and limitless potential of film as an artform.
Were it not for our educational-system's western-centric bias, our film schools might regularly study Endless 8 as part of their curriculum. And while it did not fare well in popular reception, Endless 8 is perfectly in line with what we would expect from Kyoto Animation -- a studio known for putting their passion for the artform above superficial things like sales and rushed mass-production (something which plagues many other larger top-tier studios). Every detail in Endless 8 was chosen to create a unique experience in each episode and today we recognize the effort and love and craftsmanship that went into making this exceptional work of art.

Today we remember Yasuhiro Takemoto and all the great people who put forth their effort to make this masterpiece. Today, we say, "Endless 8 matters, and this is why it matters; the work you did matters and is worth remembering." To quote the great words of Nagaru Tanigawa:

"I won’t forget you. I won’t forget what you did.

"If you agree with these statements, read the subject as plural. Feel free to rewrite them as you please.

"My memories are tiny things. Other people have far more memories than I do. Those memories belong to them.

"I intend to treasure the modest memories that remain with me.

"Thank you so much."

Please enjoy our film, Remnants of an Endless Summer: Part IV - Remnants of a Midsummer Dream

https://www.youtube.com/watch?v=fltSrHLf0HY

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Tak...

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, th...
22/08/2021

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, thank you for watching. It is privilege to share our work with all of you.
Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Takemoto. Among many great works such as Lucky Star, Hyouka, and Kobayashi's Dragon Maid, Takemoto directed, alongside Tatsuya Ishihara, The Melancholy of Haruhi Suzumiya and the Disappearance of Haruhi Suzumiya. He also wrote the script for six of the eight infamous Endless 8 episodes, particularly the ones that repeat with only minor variations.

We could think of no better way to commemorate Takemoto than to juxtapose his most successful work as a director, The Disappearance of Haruhi Suzumiya, with his most controversial work as a screenplay writer and lead director, The Melancholy of Haruhi Suzumiya's Endless 8 arc. In doing so, we aim not to diminish the latter beside the former, but to show the importance in Endless 8. It is through Endless 8 that we are made to understand what drives Nagato's feelings into making her take the actions she takes later on in Disappearance. Without this context, The Disappearance of Haruhi Suzumiya, arguably one of the greatest masterpieces in anime film history, would lose some of its emotional value. It is in watching Nagato's descent into loneliness and sorrow that we come to empathize with her behavior in Disappearance. This arc is what solidifies Nagato's human transformation -- her metamorphosis from emotionless alien android to someone with all the worries and pangs of a human girl.

Furthermore, we aim to highlight the artistic beauty of Endless 8. Although to a passive viewing audience, seeing the same story told eight times can be reasonably frustrating, Endless 8 is itself a case study in the importance of details in film. It shows that every painstakingly chosen aspect of a film is important. Mise en scene, color palette, shooting angle, framing, voice line delivery, diegetic and nondiegetic music, and a myriad of other factors all contribute to setting the tone of a film. And in doing so, the same story can be told in countless different ways despite having a single script. This highlights the beauty and limitless potential of film as an artform.

Were it not for our educational-system's western-centric bias, our film schools might regularly study Endless 8 as part of their curriculum. And while it did not fare well in popular reception, Endless 8 is perfectly in line with what we would expect from Kyoto Animation -- a studio known for putting their passion for the artform above superficial things like sales and rushed mass-production (something which plagues many other larger top-tier studios). Every detail in Endless 8 was chosen to create a unique experience in each episode and today we recognize the effort and love and craftsmanship that went into making this exceptional work of art.

Today we remember Yasuhiro Takemoto and all the great people who put forth their effort to make this masterpiece. Today, we say, "Endless 8 matters, and this is why it matters; the work you did matters and is worth remembering." To quote the great words of Nagaru Tanigawa:

"I won’t forget you. I won’t forget what you did.
"If you agree with these statements, read the subject as plural. Feel free to rewrite them as you please.
"My memories are tiny things. Other people have far more memories than I do. Those memories belong to them.
"I intend to treasure the modest memories that remain with me.
"Thank you so much."

Please enjoy our film, Remnants of an Endless Summer: Part III
https://www.youtube.com/watch?v=gE2v7tv2YRM

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Tak...

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, th...
19/08/2021

We will be releasing multiple episodes of this series between August 17th and August 31st. Stay tuned and, as always, thank you for watching. It is privilege to share our work with all of you.

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Takemoto. Among many great works such as Lucky Star, Hyouka, and Kobayashi's Dragon Maid, Takemoto directed, alongside Tatsuya Ishihara, The Melancholy of Haruhi Suzumiya and the Disappearance of Haruhi Suzumiya. He also wrote the script for six of the eight infamous Endless 8 episodes, particularly the ones that repeat with only minor variations.

We could think of no better way to commemorate Takemoto than to juxtapose his most successful work as a director, The Disappearance of Haruhi Suzumiya, with his most controversial work as a screenplay writer and lead director, The Melancholy of Haruhi Suzumiya's Endless 8 arc. In doing so, we aim not to diminish the latter beside the former, but to show the importance in Endless 8. It is through Endless 8 that we are made to understand what drives Nagato's feelings into making her take the actions she takes later on in Disappearance. Without this context, The Disappearance of Haruhi Suzumiya, arguably one of the greatest masterpieces in anime film history, would lose some of its emotional value. It is in watching Nagato's descent into loneliness and sorrow that we come to empathize with her behavior in Disappearance. This arc is what solidifies Nagato's human transformation -- her metamorphosis from emotionless alien android to someone with all the worries and pangs of a human girl.

Furthermore, we aim to highlight the artistic beauty of Endless 8. Although to a passive viewing audience, seeing the same story told eight times can be reasonably frustrating, Endless 8 is itself a case study in the importance of details in film. It shows that every painstakingly chosen aspect of a film is important. Mise en scene, color palette, shooting angle, framing, voice line delivery, diegetic and nondiegetic music, and a myriad of other factors all contribute to setting the tone of a film. And in doing so, the same story can be told in countless different ways despite having a single script. This highlights the beauty and limitless potential of film as an artform. Were it not for our educational-system's western-centric bias, our film schools might regularly study Endless 8 as part of their curriculum. And while it did not fare well in popular reception, Endless 8 is perfectly in line with what we would expect from Kyoto Animation -- a studio known for putting their passion for the artform above superficial things like sales and rushed mass-production (something which plagues many other larger top-tier studios). Every detail in Endless 8 was chosen to create a unique experience in each episode and today we recognize the effort and love and craftsmanship that went into making this exceptional work of art.

Today we remember Yasuhiro Takemoto and all the great people who put forth their effort to make this masterpiece. Today, we say, "Endless 8 matters, and this is why it matters; the work you did matters and is worth remembering." To quote the great words of Nagaru Tanigawa:

"I won’t forget you. I won’t forget what you did.

"If you agree with these statements, read the subject as plural. Feel free to rewrite them as you please.

"My memories are tiny things. Other people have far more memories than I do. Those memories belong to them.

"I intend to treasure the modest memories that remain with me.

"Thank you so much."

Please enjoy our film, Remnants of an Endless Summer: Part II.

https://www.youtube.com/watch?v=Ai12h1i3sCk

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Tak...

Greetings everyone! Please watch our newest tribute by clicking the link below! Our director(and quite a few members of ...
15/08/2021

Greetings everyone! Please watch our newest tribute by clicking the link below! Our director(and quite a few members of our team) have been working hard to provide something very special for Kyoani fans this summer!! We hope you all can recognize not only his hard work but also take the time to remember the wonderful Yasuhiro Takemoto and what impacts his work directing in Endless 8 and Disappearance brought to the anime community and to our lives. 💜

Two years after the tragedy at Kyoto Animation Studio 1, we wanted to commemorate one of our favorite directors and screenplay writers, the late Yasuhiro Tak...

A powerful and passionate piece of music written about the tragedy at Kyoto Animation Studio 1 two years ago. "Gifts" -T...
21/07/2021

A powerful and passionate piece of music written about the tragedy at Kyoto Animation Studio 1 two years ago.

"Gifts" -The Skies Are Shifting
https://www.youtube.com/watch?v=NK6QP1fTtBE

"Gifts" from The Skies Are Shifting's EP "Don't Be Afraid To Drown".Lyrics:Your hands meant to give lifeThey’ve withered awayThey’ve withered awayCan’t even ...

Two years ago today, on July 18th, 2019, Kyoto Animation suffered a great loss at the hands of a deranged arsonist who t...
18/07/2021

Two years ago today, on July 18th, 2019, Kyoto Animation suffered a great loss at the hands of a deranged arsonist who took the lives of 36 people working at Studio 1. It was one of the greatest mass murders in postwar Japanese history, and it pained me as well as millions of fans across the globe due to our love for the studio and the loss of dozens of incredibly talented and wonderful people. Kyoto Animation is a studio known not only for its breathtaking works of art but for its positive work culture in an industry sadly plagued with poor working conditions -- a studio with a history of caring for its community and having a genuine passion for their work. It was a horrific tragedy for the people whose lives were lost and for their loved ones, but it was also a tragedy for the world, which has now been robbed of some of its most talented and beloved artists. It pains me to consider how many mesmerizing works of art we’ll never know after having so many incredible people taken from us so early.

And I know that it may perhaps seem unreasonable to mourn the loss of total strangers like this. After all, these people were not our family, our friends, or our co-workers. We did not know them and they certainly did not know us. But art is an inherently intimate thing; it is an expression of the self. When an artist creates something, they put a piece of themselves into their work -- a glimpse into their personal emotions -- a bit of insight, whether intentional or unintentional, into who they are. And so, the loss of a stranger can feel personal because the emotions that they made us feel through their art were personal to us and genuine to them.

In January of last year , myself and my team of 17 artists, animators, video editors, translators, and anime fans began working on a film to pay tribute to the studio. We called ourselves, “The SOS Brigade,” and dubbed our studio “SOS Productions.” We put seven months and hundreds of hours of effort into this project. We wanted to do something special to commemorate the lives of people who changed ours. If we could make one Kyoto Animation fan out of a single stranger on the internet, that alone would be worth our efforts. If we could reach even a single person at the studio and touch them with our work with even a fraction of the emotion with which their art moved us, we would be truly fulfilled as artists.Through their work, these artists have brought us joy as well as grief; they have filled us with wonder and uncertainty, brought us to tears and overwhelmed us with laughter. To some of us, their work has been uplifting through dark times. Without question, these people made an impact on our world.

Personally, this studio has had a profound influence on my life. It was The Melancholy of Haruhi Suzumiya that first introduced me to Japanese culture in anime. Before this, I had watched your typical Shonen anime that are popular in the west, but I had no insight into Japanese customs and had never watched subtitled anime. Because of this series, I was introduced to traditions like Tanabata and to Japan’s cheerful festivals, and their beautiful language. With this work began my love of Japan and my desire to learn its language and become immersed in its culture. And along this pursuit, I made some lifelong friends, both Japanese and otherwise, whose friendships I consider invaluable.

My life would be drastically different were it not for the work of this studio and I can’t even begin to express my gratitude for it. This year marks 40 years since the studio’s inception in 1981. I hope to live to see another 40 years of Kyoto Animation works.
Thank you for taking a moment to watch this and thank you for celebrating, today, the exceptional work of Kyoto Animation.

Please enjoy our film,

The Lover’s Cry and The Poet’s Dream: A Kyoto Animation Tribute恋人の叫びと詩人の夢:京都アニメーショントリビュート

https://www.youtube.com/watch?v=OruXAayTn_U

"We don't know if trying our best will help, but we do know that, if we don't try our best, it won't help for sure!" - Eru Chitanda, Hyouka

We do not own any of the rights to these anime films and series nor to the music. We are just a small group of fans with a desire to celebrate an extraordina...

Hey everyone! How have you been lately?? Our team is hard at work for our next project (Especially our fearless leader!!...
16/07/2021

Hey everyone! How have you been lately?? Our team is hard at work for our next project (Especially our fearless leader!!) and we can't wait to show you guys!!~

16/08/2020

What's your favorite KyoAni anime? And Why!?

29/07/2020

Hi and welcome to all our newcomers!

Thank you to all who worked on this project to commemorate the works of Kyoto Animation. You were all indispensable to t...
19/07/2020

Thank you to all who worked on this project to commemorate the works of Kyoto Animation. You were all indispensable to the film. The Lover's Cry and The Poet's Dream is what it is because of the countless hours of effort, love, and passion that you poured into making it.

May your passion reach the hearts of those at Kyoto Animation.

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