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28/04/2022

Check out the latest issue of the HBCU Speakers Bureau and Research Magazine at hbcuspbresearch.org. Contributions are welcome.

I Love PoemsBy Rebecca S. WhiteI Love Poems is a delightful book that can be adapted to any level for babies, toddlers, ...
25/03/2022

I Love Poems

By Rebecca S. White

I Love Poems is a delightful book that can be adapted to any level for babies, toddlers, preschoolers, and school-aged children. Studies have shown that poetry reading is an excellent way to build confidence in children. Reading enjoyable poems repetitively and with expression develops fluency, accuracy, and increased vocabulary skills

This book also strengthens auditory, visual, memory and comprehension skills. This book of rhymes can be used with thematic units, integrating reading, writing, music and other subjects.

Rebecca Scotton White is a graduate of North Carolina Central University, where she earned her Bachelor of Arts degree in Early Childhood and Elementary Education. She has taught in the Guilford, Chatham, and Randolph County school systems. For many years, she taught at Randolph Community College. She has written several songs, gospel and contemporary. Her first poem titled, Dear Heavenly Father, was published in 2008. A short story, Special Me, and her book Miracle, The Christmas Kitten, were published in 2020. A retired elementary school teacher, she resides in Ramseur , NC with her daughter, Kimberly, also a teacher, and grandson, Ariel.

She was inspired by her father, Reverend H. Franklin Scotton, and mother, Lina Bernice Scotton, who was also a poet and writer. Several family members encouraged her as well.

Her niece, Zahra Williams, who illustrated the book, graduated from Oral Roberts University, with a Bachelor of Arts degree in Studio Art.

Historically Black Colleges and Universities Speakers Bureau and Research Magazine   FOUNDER AND PRESIDENT Gwendolyn S. Bethea, Ph.D. BOARD OF DIRECTORS: Gail S. Baylor, Esq; Richard F. Scotton, Esq. The HBCU Speakers Bureau and Research Magazine (HBCU SBRM) addresses the broad and discipline-speci...

Surviving Cancer: Poetry and Prose reflects the author’s recent experiences as a cancer survivor and how cancer changed ...
06/02/2022

Surviving Cancer: Poetry and Prose reflects the author’s recent experiences as a cancer survivor and how cancer changed his worldview as an aging elder. Dr. Harper’s poetry and prose address his cancer treatment experience and his even greater disposition of humility from and appreciation of blessings during his lifetime—a life of serving and creating for the good of others. Featured poems and prose in this book include “Cancer: A Sweet-and-Sour Experience,” “A Tribute to Ruth Bader Ginsburg” (who died from cancer), “Announcement of My Cancer to Friends and Family on Facebook,” “God Had My Back,” “A Hospital Visitor,” “Life with Healthcare,” “Trail of Tears: Forced Removal of Native Americans,” “A Child’s Nightly Prayer,” and “We Are All God’s Children.” The author’s purpose in all of his creative writings over the years has been to educate, therapize, enlighten, and inspire his readers.
To purchase:
Surviving Cancer, Amazon, Website
https://www.amazon.com/s?k=Surviving+Cancer+Frederick+Douglas+Harper&crid=14O9G913ORLOQ&sprefix=surviving+cancer+frederick+douglas+harper%2Caps%2C79&ref=nb_sb_noss

Black Elder Speaks (link to review my book)
https://www.amazon.com/Black-Speaks-Frederick-Douglas-Harper/dp/166418113X/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

THE STORIES
https://www.amazon.com/Stories-Frederick-Douglas-Harper/dp/1796089427

Dr. Anita Nahal’s book of prose poems, What’s Wrong With Us Kali Women? are soliloquies, treatises, and of other literar...
21/01/2022

Dr. Anita Nahal’s book of prose poems, What’s Wrong With Us Kali Women? are soliloquies, treatises, and of other literary forms that focus on life and human interactions. The poems are eclectic, thought provoking, formidable, haunting, and soul reflective. They are inspired by the strength of Hinduism’s many female goddesses, especially Kali, and by the author’s journeys across the world. The poems portray the perceptions of a diaspora of Indian woman on immigration, domestic abuse, r**e, aging, Covid19, single motherhood, love and sensuality, death, racism, sexism, environment, alien life, environment, poverty, and much more. The poems are personal, with implications on a global scale, especially in the pandemic.
Anita says that she generally lives at intersections thereby not limiting herself to one space or manner. As such, her poems reflect variously, impressionist, realist, romantic, confessional, and surrealist styles. Looking at life from the prism of tenacity, sensitivity, and survival, Nahal’s poems display imagery that is starkly varied, vivid and robust. Phyllis Wheatley, Sylvia Plath, Emily Dickinson, and Maya Angelou are some of the writers with whom Anita’s poems are compared. Anita Nahal takes everyday emotions, actions, and reactions, and creates an immensely poignant, unforgettable poetic tapestry.

What’s wrong with us Kali women? has been included as compulsory reading in an Elective course on Multicultural Society in the Department of Interdisciplinary Social Sciences at Utrecht University, The Netherlands. The department previously included two of her earlier books as additional readings. These included Nahal’s second poetry book, Hey, Spilt milk is spilt, nothing else (Authorspress, 2018) and a collection of flash fictions, Life on the go- Flash fictions from New Delhi to America (Authorspress, 2018)

Quotations of scholars on the front and back jacket of the book include the following:

"East meets West in Anita Nahal’s work. Poetry dances with prose. She is a new woman for the new world coming. A literary goddess!" E. Ethelbert Miller, Writer, Literary Activist, and author of several collections of poetry and two memoirs.

"Writing that is so meditative and suffused with bliss! All women, especially Indian women in the Diaspora, will cling to Anita Nahal’s words like lifelines.”
Joy Lalita Ford Austin, President and CEO, Joy Ford Austin Arts and Humanities Advocacy, Washington DC

"Anita Nahal’s third volume of poetry is her best till date, a monument to her astounding ability to create an infinity lemniscate, a myriad of overlapping worlds, dazzling us in and out of micro and macro universes of our most personal intimacies to burning societal issues of our time. Nahal’s work resonates C. Wright Mills Adagio that no understanding of personal challenges is possible without bringing them into the wider circle of society. No bedside table, no college or university shelf that aims at opening minds to the interlinkage of important personal and societal issues should be left without a copy of Nahal’s enlightening prose poetry." Dr. Gerrit Dielissen, Professor of Sociology, Utrecht University, The Netherlands

"Anita Nahal is a distinguished poetic voice. She is here to stay--to immortalize poetry and to commemorate herself. I cannot agree more with her, that there is nothing wrong with us Kali women! In solidarity and sisterhood." Professor Nandini Sahu, poet, folklorist, Director of School of Foreign Languages, IGNOU, New Delhi, India

"This collection of richly dramatic and evocative prose poems is a jewel in feminist, transnational poetics. Anita Nahal defies comfortable characterization in her writings and is irreplaceable." Phillip Hall, author of Sweetened in Coals; Fume; Cactus; & publisher of Burrow, Australia: https://oldwaterratpublishing.com

"Anita Nahal’s poems are reminiscent of youth poet laureate Amanda Gorman's message of resilience and, like Langston Hughes and Maya Angelou, Anita has persisted. Her book is a timeless work for the ages. a gift from the Hindu Goddesses whose powers she invokes in her passionate, pensive prose poetry through the eyes of an Indian American renaissance woman, deftly weaving words from two languages to paint this linguistic masterpiece." Everett Vann Eberhardt, J.D., (Retired) Attorney, Professor, Director of Equity, Diversity & Legal Affairs, NOVA C.C., Fairfax, US

You may wish to purchase a copy of the book at $19.00 for your own enrichment, as well as to use in your course readings on women/immigration, race, socio/politics, and ethnicity, to encourage students to learn more about women of the Indian diaspora whose experiences mirror those of women worldwide and to use in discussions about the societal conditions that are endemic to populations globally.

For more information, please contact [email protected]. You may purchase the book at:

Amazon: https://www.amazon.com/dp/195435388X/ref=cm_sw_em_r_mt_dp_TP7HG99T8CHQX6DHGXJ8

Kelsay website: https://kelsaybooks.com/products/what-s-wrong-with-us-kali-women?_pos=1&_sid=1dfa24944&_ss=r

Sincerely,

Other reviews of the book may be found in such global publications as the following:

The Statesman

By Malashri Lal, academic, editor, and writer, retired as professor, Department of English, University of Delhi, & member, English Advisory Board, Sahitya Akademi
https://www.thestatesman.com/books-education/book-review-call-justice-anita-nahals-words-images-like-magnet-1503020096.html

The Pioneer

By Dr. Swati Pal, professor and principal, Janaki Devi College, Delhi, India in the national daily newspaper in India, The Pioneer:
https://www.dailypioneer.com/2021/sunday-edition/exquisite-prose-poetry.html


East/India Story

By Basudhara Roy, poet and assistant professor of English, Karim City College, Jamshedpur, India
https://eastindiastory.com/reviewing-the-kali-women/


Fem Asia

By Sutanuka Gosh Roy, writer and assistant professor of English, Tarakeswar Degree College, The University of Burdwan, WB, India
https://femasiamagazine.com/whats-wrong-with-us-kali-women-a-review/


Journal of Expressive Writing

By Angella Lee, director of Social Media, Journal of Expressive Writing: https://www.facebook.com/Journal-of-Expressive-Writing-100782998824081/


Different Truths

By Megha Sood, poet, editor, and blogger:
https://www.differenttruths.com/literature/poems/poems-on-feminism-immigration-discrimination-violence-against-women/


Setu, Pittsburg

By Prithvijeet Sinha in Setu, https://www.setumag.com/2021/08/book-review-whats-wrong-with-us-kali.html

__________________________________________________________________

About Anita Nahal, Ph.D., CDP
Anita Nahal is a poet, flash fictionist, children's writer, professor, higher education administrator, D&I consultant, and chair yoga instructor. She has authored eleven books and two more are due for release soon. Her third poetry book, What's wrong with us Kali women? was nominated by Cyril Dabydeen, celebrated Guyanese Indian Canadian poet and novelist as his choice for the best poetry book for 2021 for the British, Ars Notoria's yearly selection. Three of her books are prescribed readings at the University of Utrecht's Department of Interdisciplinary Sciences, Faculty of Social Science in the course, Multicultural Society.
Besides writing full time, Nahal continues to teach, and is currently Adjunct Professor at the University of the District of Columbia, Washington DC. Her past appointments include; Adjunct Professor, Chicago School of Professional Psychology, Washington DC; Mellon Fellowship Program Administrator, Smithsonian National Museum of African American History and Culture, Washington DC; Assistant Provost for International Programs, Howard University, Washington DC; Acting Director of International and Women's Studies programs, Howard University, Washington, DC; Adjunct Professor at George Mason University, Fairfax, Virginia; Adjunct Professor at Rider University, NJ; Visiting Associate Professor at SUNY, Binghamton, New York; Associate Professor, Sri Venkateswara College, University of Delhi, India; and Assistant Professor at Kamala Nehru College, University of Delhi, India.
Nahal's Ph.D. was on U.S. foreign policy, and her post-doc was on African American Women's History. She has taught courses on US History, African American Women's History, South Asian Women's History, International Relations, Modern India, Diversity, Inclusion, Social Marketing, Civic Engagement, and senior Capstone courses. She has been a Fulbright Scholar-in-Residence, SUNY, Binghamton, NY; a Visiting Scholar of Gender, University of California, Berkeley; and a National Endowment for the Humanities summer teacher seminar awardee. Besides books, Nahal has over 30 articles in journals & blogs. She writes periodically on LinkedIn. She has researched on special projects of interest, first being a data-based study on Ethnic and Cultural Diversity at HBCUs which was published as a chapter in a book in 2015 (Exploring Issues of Diversity within HBCUs). And the second being, Women in the Indian Armed Forces which was published in the USI Journal, New Delhi, 2001. Besides her various degrees, Nahal also holds three certifications in diversity, inclusion, and unconscious bias training.
Anita Nahal’s first collection of poems, Initiations was published in 1988 by Pitamber, New Delhi. Her second collection of poems, Hey...Spilt milk is spilt, nothing else, and her first collection of flash fictions, Life on the go-Flash fictions from New Delhi to America, both were released by AuthorsPress, New Delhi in 2018. Her third book of poetry, entirely composed of prose poetry, What's wrong with us Kali women? was released by Kelsay Books in August 2021. And a fourth book of poetry entirely composed of ekphrastic prose poems, Kisses at the espresso bar is due for publication in 2022, also by Kelsay Books.
Nahal also has four published children’s books. I love Mummy and other new nursery rhymes, When I Grow Up and The Greedy Green Parrot and Other Stories were published by Madhuban-Vikas, New Delhi between 1993-1995. A fourth book for children, Cashew, Vashew and other Nursery Rhymes was published simultaneously in India (Authorspress, 2020) and in the US by Politics & Prose, Washington DC (2020).
Anita is the co-editor of two poetry anthologies, In All The Spaces-Diverse voices in Global Women's Poetry, (Co-editor, Roopali Sircar Gaur, Authorspress, 2020) and Earth, Fire, Water, Wind (Co-editor, Roopali Sircar Gaur, Authorspress, 2021). A third poetry anthology edited by Nahal, Pixie Dust and All Things Magical is set for release in Spring 2022. Anita is also co-editor of fa ourth anthology, Nursery Rhymes From Around The World You May Not Have Heard (Co-editor, Meenakshi Mohan, Authorspress, 2021). She was the guest editor of a special edition in Setu journal in September 2020 on "Hyphenated Identities in the US". And, she is guest contributing editor and columnist for the New York based, aaduna journal.
Nahal is widely published in journals in the US, UK, Australia, and Asia. More than 100 poems and flash fictions can be found in the US in Aberration Labyrinth, Better Than Starbucks, aaduna, River Poets Journal, Colere, Setu, Visual-Verse, Spectrum, Organizational Aesthetics Journal, The Dillydoun Review, The Ekphrastic Review, Journal of Expressive Writing, and in a number of Medium publications (The Creative Cafe, Imperfect Words, A Club, The POM, An Idea and House of Haiku), in the UK in Confluence, and FemAsia, in Asia in Lapis Lazuli, International Journal of Multicultural Literature, Mirror of Time, Writers-Editors-Critics Journal, and Borderless, and in Australia in Poetryspective, Alreadyfeminine, and The Burrow. One of her poems, Hold on baby, we'll soon be home was included as part of a video produced by Doordarshan TV, Kolkota, India. Nahal's poems are also housed at Stanford University’s Digital Humanities initiative, “Life in Quarantine: Witnessing Global Pandemic.”
Anita's third poetry book, What's wrong with us Kali women? was nominated by Cyril Dabydeen, celebrated Guyanese Indian Canadian poet and novelist as his choice for the best poetry book for 2021 for the British, Ars Notoria's yearly selection. One of her poems, "Not really like Mona Lisa," (previous title, Sumair) was a finalist in the Women Artists contest held by The Ekphrastic Review in July 2021, and she received an honorable mention in the Concrete Wolf Chapbook contest in 2016.
Nahal's poetry books, What's wrong with us Kali women? (2021), Hey, Spilt Milk Is Spilt, Nothing Else (2018) as well as her book of flash fictions, Life On The Go, Flash Fictions From New Delhi to America (2018) are prescribed readings at the University of Utrecht's Department of Interdisciplinary Sciences, Faculty of Social Science in the course, Multicultural Society.
Nahal has just completed her first novel that shares the intriguing journey of a single, immigrant mom with her young son as they travel the world and experience a plethora of diverse people and experiences. The novel, like her other writings, covers an array of themes from race, ethnicity, immigration, gender, class, unemployment, sexual harassment, and domestic abuse among other themes.
Nahal has traveled to 19 countries and speaks four languages. She is involved in community service on issues of animal abuse, refugee crisis, Medicare, and women's issues. She has also taught Chair Yoga at assisted living homes. In her free time, she loves to be with her son, family, and friends, and to write, write, and write... and to dance.
Nahal is the daughter of Sahitya Akademi, award-winning Indian novelist and professor, the late Dr. Chaman Nahal; her mother, the late Dr. Sudarshna Nahal, was also an educationist and principal of a K-12 school. Originally from New Delhi, India, Anita Nahal resides in the US. Her family includes her son Vikrant, daughter-in-law Sumona and a furry family member--their Golden Doodle, Cashew.
Website: https://anitanahal.wixsite.com/anitanahal
LinkedIn: https://www.linkedin.com/in/anita-nahal-phd-cdp-86279a19/
Blog: https://diversitydiscover.blogspot.com/

Local Entrepreneur/Howard Graduate Creates Black Wall Street Candle  Candle Presented at 100th Anniversary  The Maroon A...
29/11/2021

Local Entrepreneur/Howard Graduate Creates Black Wall Street Candle
Candle Presented at 100th Anniversary



The Maroon Artisans organization formally presented the Greenwood Black Wall Street Candle at the 100th anniversary of the Tulsa, Oklahoma massacre. The massacre occurred on May 31, 1921. On this date, the Greenwood District of Tulsa was burned to the ground and more than 300 black citizens were massacred by a white mob. One thousand houses were destroyed, and an untold number of black-owned businesses were tragically burned.

The candle was created by Frankie L. Bethea, a native of Washington, DC and a graduate of the Howard University College of Fine Arts. It was especially designed to pay homage to the survivors. A candlelight vigil was a featured aspect of the anniversary activities.

Although Black Wall Street would rebuild, the collective memory of that fateful day lives on in the hearts and minds of survivors and descendants. The aroma of the candle recreates the memories of the richness of the African American heritage and spirit embodied in the extraordinary entrepreneurship of a community only decades from enslavement.

“We chose to commemorate the lives of Greenwood Black Wall Street survivors by creating a candle which is symbolic of their spirit and fortitude despite their tragic history. It is the only one of its kind and will be a part of a historical candle series,” stated Bethea. Her business partner in the candle venture, Ryan Waddy, a local graphics designer, accompanied Bethea to the commemorative event.

The Maroon Artisan was established as an Artist Collective Community engaged in social exchange initiatives impacting communities through art, culture, and business entrepreneurships.

For more information, and to purchase,
Email: [email protected],
Phone:1-800-988-3796.

They Used to Call Me Brotherby Henry "Hank" WallReviewed by Gwendolyn S. BetheaHenry “Hank” Wall’s life story begins wit...
28/10/2021

They Used to Call Me Brother

by Henry "Hank" Wall

Reviewed by Gwendolyn S. Bethea

Henry “Hank” Wall’s life story begins with his birth to a single mother in High Point, NC on April 11, 1950. Raised by her sister, his aunt, and her husband, Hank fondly recalls his childhood of racing on unpaved streets, young romance, school band trips, home cooked meals shared by neighborhood friends, YMCA meeting places, and teachers who also served for many as surrogate parents. He becomes a star football and basketball player at William Penn High School, a premiere high school for blacks in that era.


He later joins the U.S. Army where he makes lifelong friends and after returning home marries his sweetheart. He begins a more than 45-year journey as mentor/father figure and co-creator of BOTSO (Brothers Organized to Serve Others). BOTSO is a widely recognized, mostly African American male mentoring organization based in High Point. Many former members still attribute their success as adults to Hank and the program.


He recalls that one of his proudest moments was when he was named the first national mentor of the year by the National CARES Mentoring program, created and presented to him personally by former Essence magazine editor Susan Taylor.


As a well-respected community leader and staunch advocate for youth and other citizens in High Point and surrounding areas, he attributes much of his accomplishments to a closely knit family, a nurturing educational and faith-filled environment, and the unfailing loyalty of friends and mentors.


The richness of small-town family warmth and school/community pride form a perfect backdrop to a heart-warming story.


You may purchase this book by contacting: Hank Wall,110 Scott Avenue, Suite #3, High Point, NC. 27262

SAGE Enters Three-Year Partnership with Universal Write Publications to Publish African- and Black-Centered Titles UWP C...
27/10/2021

SAGE Enters Three-Year Partnership with Universal Write Publications to Publish African- and Black-Centered Titles

UWP Currently Seeking Proposals for New Titles

LOS ANGELES, CA (July 14, 2021) SAGE Publishing and Universal Write Publications LLC (UWP) signed an agreement for SAGE to sponsor nine titles to support the growth of UWP, a Black-owned social science publishing company. Through the publication and promotion of academic books and articles, UWP represents voices of the Academic Diaspora to broaden worldviews through research that uses interdisciplinary theories with an emphasis on African and Black-centered scholarship.

While SAGE will not take any stake in the company, SAGE will hold a position on UWP’s Board of Directors, offering publishing advice and support.

Dr. Ayo Sekai, a political scientist (Howard University, 2020) and linguist, founded UWP in 2004 to publish her own fiction and children’s books. From there she shifted the one-woman company’s focus onto academic, peer-reviewed work that demonstrates a commitment to African agency and African narratives. With $600 she relaunched UWP. The company has since published important titles such as Molefi Kete Asante’s The Precarious Center, Nah Dove’s The Afrocentric School, and We Will Tell Our Own Story by Adebayo C. Akomolafe.

The three-year agreement with SAGE will allow UWP to expand its recruitment of new authors and books. UWP is currently seeking proposals for nine new titles. Instructions for submissions to the UWP publishing program can be found at www.UWPBooks.com.

Historically Black Colleges and Universities Speakers Bureau and Research Magazine   FOUNDER AND PRESIDENT Gwendolyn S. Bethea, Ph.D. BOARD OF DIRECTORS: Gail S. Baylor, Esq; Richard F. Scotton, Esq. The HBCU Speakers Bureau and Research Magazine (HBCU SBRM) addresses the broad and discipline-speci...

THE BLACK OIL LEGACY OF TAL JONES OF BLACK WALL STREET  Screenwriter/Director/Producer Pamela J. Richardson and Author/P...
24/10/2021

THE BLACK OIL LEGACY OF TAL JONES OF BLACK WALL STREET

Screenwriter/Director/Producer Pamela J. Richardson and Author/Political Strategist /Executive Producer, Bernard Moore Ph.D. have collaborated to bring to light a compelling screenplay for a limited TV mini-series based on a true story of the history and legacy of a black family from Oklahoma’s oil rich land. The story moves the reader from a boy born in slavery to the emotional torment of being treated as chattel, to inheriting land that would ultimately lead to a multi-million-dollar fortune for his descendants. Tal struck oil just before the historic Tulsa, Oklahoma Massacre, which was a direct consequence of black prosperity in oil. The series brings to life interesting characters and distant relatives who scheme to take oil-rich land from Tal’s children and their offspring. It is filled with unexpected twists, including significant events in history.

“TAL JONES: A Black Oil Legacy” is based on a real family and its ultimate triumphs.

http://www.taljoneslegacy.com

For additional information contact: [email protected]

Photo(s):
https://www.prlog.org/12872319

Press release distributed by PRLog



SOURCE Tal Jones Legacy

Back row left to right: Attorney Gail S. Baylor, Dr. Gwendolyn S. Bethea, Attorney Richard F. Scotton, Business Entrepre...
18/05/2021

Back row left to right: Attorney Gail S. Baylor, Dr. Gwendolyn S. Bethea, Attorney Richard F. Scotton, Business Entrepreneur Ted L Scotton, Dr. Jacquelyn S. Joyner, Teacher/author Charles E. Scotton, Armed Service veteran Harry C. Scotton, Teacher/author Rebecca S. White, and

Dr. Teresa S. Williams

Front row: Reverend Harry F. Scotton and wife, Lina B. Scotton

A LEGACY OF STRENGTH

-By Gwendolyn S. Bethea


The following is an excerpt from the soon-to-be- published book, Memories: The True Story of an African American Family, written by the author. I remember that in the 1950s, 60s, and 70s, my father was a brick contractor, working from early morning until evening. After working a full grueling week, he would drive 30 to 100 miles one way to minister to faithful church congregations that he pastored in the eastern U.S. on Sunday mornings, for mid-week services, and week-long revivals. Even as a child, I found the services to be soul cleansing and inspirational, and the members to be heartwarming and welcoming. But the drive to church and back home could be wearisome for us sleeping children in the back seat. There were nine of us, but only five at a time at home for the most part since the others had gone off to college or the armed service. Mom would often remark that we were her “second set of children.”

I can still remember slipping into a deep sleep to the tune of upbeat gospel songs that played on the car radio. I also vividly recall the cars and trucks whizzing by on the busy interstate and the frightening, all-too frequent lights of car accidents that interrupted the otherwise routine late-night drives back home. To break the monotony on our Sunday morning rides, and probably to help him stay alert while driving, Dad would often break into our dreams with the words, “tune up” children. He wanted us to practice one or more gospel songs that he had taught us as part of our family singing group, which he had named “The Songbirds.” Dad and our faithful Mom often held hands during the nights driving back from church services. Without fail, she had stood by his side for more than 40 years of his ministry and during the many challenging seasonal changes of life as a brick mason’s wife. Many nights after arriving home and warming by the fireplace, we stayed up to do homework as Mom and Dad caught up on the news of the day. Walter Cronkite and Douglas Edwards of CBS were their favorite newscasters. The next morning, Dad and Mom would first awaken, then arouse us for school, and the week’s routine would begin again.

Segregated living conditions – the consequence of economic, political, and social discrimination, had prevailed throughout this period. It was not until the early 50s, with the passage of Brown vs Board of Education and the Civil Rights Act of 1964, that things would begin to change for our family and the African American community generally.

No more walking across town, passing whites-only schools, crossing busy streets (my sister was hit by a car on one of them, which angered my mom to the point of angrily demanding of the “city” that they place a stop light at that busy crossway).

No more segregated dining facilities. My big brother, Ted, as a high school student, had “sat in” at the local ice cream parlor. My oldest brother, Charles’s friend, had been one of the original Greensboro, NC four A & T students who led the sit ins that began at that memorialized lunch counter.

No more “for coloreds only” or “for whites only” signs above bathroom entrances and water fountains. No more second-hand school books with scribbled unrecognizable signatures and worn pages. Still, while largely aware of the legislated victories across the nation, the African American community would in later years lament the loss of warmth and familiarity of our segregated communities. They would bemoan the emphasis on excellence, and the frequent personal mentoring opportunities. But that is another story.

Dad and Mom were married 70 years before Dad passed at the age of 91 in 2006, after retiring from the ministry and brick contracting several years before. The churches are still flourishing today and his brick work sturdily remains as a testament to his craft in downtown High Point, NC. Mom passed three months later at the age of 88. She was not “ready to go;” in fact, she said, before she was hospitalized and after Dad had passed, “I believe I will now just stay in the home, reflecting on my life.” This was the second house that Dad had built for her, he reminded her, and “so that my children and grandchildren would have a place to come back to.” Mom had found refuge in the books that her girls had brought home from the school library and in her natural gift to write poetry. She had learned early as an adult to tap into this gift, especially when she felt the urge to chronicle her own life, that of her children, and the historic times in which they lived. She and Dad had reveled proudly in the accomplishments of their children.

Seven of the nine had graduated high school, colleges, and universities for their undergraduate and advanced degrees. Schools included both historically Black colleges and universities — North Carolina Central University, Howard University, and Winston Salem State University; and predominantly White schools — the University of Iowa, University of Wisconsin, Virginia Commonwealth University, and American University. Two were valedictorians, three had earned doctorates; the two youngest became lawyers, three became teachers at the elementary, college, and university levels, one was a businessman and navy veteran, and one had served in both the navy and army. All of them undoubtedly had appreciated the sacrifice of Mom and Dad through the years. However, it was now time for Dad and Mom to rest. The siblings, several with children and grandchildren of their own, had learned the lessons of strength, perseverance, and fortitude that had prepared them for the successes and challenges of their lives. Mom’s encouraging words would linger as she had declared, “things will always be better tomorrow, no matter how dark they seem today “.

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