04/04/2023
(if you missed it on our instagram...)
Theme reveal for Issue 002 - Emergence.
It’s time to stir the creative cauldron - What ideas do you have?
Vertex
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new cambridge-based zine nestled in the space between art and science.
04/04/2023
MOODBOARD 2: emergence
emergence of pattern
emergence of nature
emergence of technologies
emergence of fear
emergence of relations
emergence of idea
emergence of problem
emergence of emergence
04/04/2023
SUBMISSIONS FOR ISSUE 002 ARE NOW OPEN 💽
We are welcoming new and original creative/intersectional work in the field of ART, DESIGN, TECH and SCIENCE in *any* media form, broadly following the theme of EMERGENCE.
For now our closing date is flexible, but we will release a further update.
Send your work to [email protected], or DM us if you need another electronic medium (e.g GitHub).
We are super excited to see another round of submissions pushing the boundaries of the future.
•
31/03/2023
MOODBOARD 1: Emergence
some visual stimulation…
21/03/2023
didn’t get a chance to buy a physical copy of issue 001? you’re in luck — digital access to issue 001 is now live @ the link in our bio ☄️
& stay tuned for info about issue 002 coming later this week…
15/01/2023
VERTEX is pleased to announce that pre-orders for issue 001: cycles and repetitions is OPEN.
find the pre-order link here: https://linktr.ee/vertexzine
we’ve all put a lot of love into designing something special and we can’t wait to get our hands on it 🪐
image source: givenchy by alexander mcqueen F/W 1999
21/11/2022
DEADLINE EXTENSION- 15TH DECEMBER ‼️
We have had some absolutely incredible submissions so far and are getting ready to present some fascinating visual and written work - so if you’ve already submitted something, thank you!
However, we want to give people more time to explore and respond to our themes, so we’re extending the deadline into the holidays - remember they can take ANY multimedia format, just email to [email protected] (and if they can’t be contained in an email, DM us).
We want and welcome your art, photos, poetry, prose, hypotheses, dreams, programs, simulations, generations, sketches, designs, and everything else under the sun 🌞
17/11/2022
*FEATURED ARTIST REVEAL*
We are very grateful to have Ben Fry onboard the zine to feature and interview.
Ben is an American designer and data visualiser, the principal of Fathom, a design and software consultancy located in Boston. He developed the programming language Processing alongside Casey Reas, which is used for electronic art, new media art and visual design. Ben received his doctoral degree from the Aesthetics + Computation Group at the MIT Media Laboratory, where his research focused on combining fields such as computer science, statistics, graphic design, and data visualization as a means for understanding information.
17/11/2022
We’re excited to reveal one of our first artists to be featured in the zine: MIT Media Lab experimental artist and technologist Ani Liu who specialises in augmented body and biological art. In Issue 001 we will be featuring her feminist political piece in which women can control the directional movement of s***m with their minds using an EEG.
17/11/2022
In case you missed it…
SUBMISSIONS ARE OPEN 💽
We welcome work in *any* media form relating to one of or both of the themes of our first issue: cycles and replication.
Send your work into [email protected] by the 18th November. We can’t wait to see it!
25/10/2022
🔬To get things going, the Vertex team share with you some thematic projects to inspire and intrigue:
More from Tomas Saraceno. In Saraceno's 'The Cosmic Dust Spider Web Orchestra' natural forms are explored and re-presented to us through sound waves.
His most recent exhibition Areocene explores and replicates Buckminster Fuller's domes to portray a world where we adopt a circular way of co-existing with the world and its finite natural resources. https://walkerart.org/magazine/counter-currents-tomas-saraceno-on-buckminster-fuller
25/10/2022
🔬To get things going, the Vertex team share with you some thematic projects to inspire and intrigue:
More from Nusi Quero.
25/10/2022
🔬To get things going, the Vertex team share with you some thematic projects to inspire and intrigue:
Tomas Saraceno. Hugely inspired by the works of Buckminster Fuller, Saraceno's artwork is influenced by repetitions of the same hexagon structure to create circular domes, the tessellation sometime interactive, sometimes huge.
25/10/2022
🔬To get things going, the Vertex team share with you some thematic projects to inspire and intrigue:
“Digital Dualism And The Glitch Feminism Manifesto” - an exploration of glitch feminism - navigation of the identity and the female body in a digitised age. Selfhood, visuality, and the glitches therein. https://thesocietypages.org/cyborgology/2012/12/10/digital-dualism-and-the-glitch-feminism-manifesto/
25/10/2022
🔬To get things going, the Vertex team share with you some thematic projects to inspire and intrigue.
Artist Nusi Quero https://www.instagram.com/nusi_quero/ (of Beyonce Homecoming album cover fame) creates subversive conceptual artwork/fashion generated by the natural curves of the body. Futuristic lingerie is digitally modelled and rendered, 3D-printed and then hand finished.
25/10/2022
ISSUE 1 THEME ANNOUNCEMENT
We are excited to announce TWO themes for our first issue; Cycles and Replication. We welcome and encourage submissions that speak to either or both of these themes.
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