TEMPO - Federation of Film Editors Associations

10/11/2024

And then there was a Master Class the following day, thank you AMC - Associazione Montaggio Cinematografico e Televisivo ✨🙌🏻

Q&A almost done with our magnificent Masterclass!!!

10/11/2024

04/11/2024

TEMPO would like to welcome our latest member organization:

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At the 65th Thessaloniki International Film Festival, Blink GFE (Greek Film Editors) will officially introduce itself to the film community. The idea for Blink GFE emerged in November 2021 during the festival’s special focus on film editing, and the union formally launched in early 2024 with 54 editors and colorists from cinema, advertising, and television. The event will take place on Friday, November 8, at 18:00, in the Green Room of Olympion starting with a press presentation and Q&A and will continue with a meet-and-greet with film students from Thessaloniki's University who are keen to meet our community, learn more about editing as a career path and find out how they can benefit by joining Blink GFE as student members.

Blink GFE aims to strengthen the artistic and professional value of editing and color grading in Greece while connecting it with global trends and best practices. In addition, the “GFE” designation now appears next to members’ names in this year’s featured Greek films, highlighting their professional standing and contribution to the field.

The presentation will be led by editors Smaro Papaevangelou GFE and Giannis Chalkiadakis GFE, with a guest appearance by Giorgos Mavropsaridis ACE, BFE, GFE.

contact the organization: [email protected]

03/11/2024

On Sunday, November 10, from 9:15 to 12:30, an unmissable masterclass awaits you, organized by in collaboration with .it.editors

Cristiano Travaglioli will be with us, who will reveal the backstage of his work with Paolo Sorrentino on “Il Divo”, Camilla Toniolo, who will tell us his experience with Tom DiCillo on “Living in Oblivion”, and the great Roberto Perpignani, who will share his work with Bernardo Bertolucci in “Prima della revolution”.
The event will be in English and is free, but seats are limited.

is our sponsor for this event.
as always will record everything for a great podcast.

For more info, write to [email protected]

Cari soci,
Domenica 10 novembre, dalle 9:15 alle 12:30, vi aspetta una masterclass imperdibile, organizzata da in collaborazione con .it.editors

Saranno con noi Cristiano Travaglioli, che ci svelerà i retroscena del suo lavoro con Paolo Sorrentino su “Il Divo”, Camilla Toniolo, che ci racconterà la sua esperienza con Tom DiCillo su “Living in Oblivion”, e il grande Roberto Perpignani, che condividerà il suo lavoro con Bernardo Bertolucci in “Prima della rivoluzione”.

L’evento sarà in inglese ed è gratuito ma i posti sono limitati.

è nostro sponsor per questo evento.
come sempre registrerà tutto per un fantastico podcast.

L’iscrizione all’evento è riservata ai soci AMC, e dunque dovreste aver ricevuto una mail con QR code per iscrivervi.
In caso la vostra iscrizione sia scaduta non avrete ricevuto e volete partecipare vi invitiamo a rinnovarla nel link ion bio.
Per info scrivete a [email protected]

24/10/2024

🥳🤩🙌👏

05/10/2024

Edimotion, one week to go !

25/09/2024

INTERNATIONAL FILM EDITORS FORUM (IFEF)

🗓 Saturday, 12 October 2024
⏰ 12:00 – 17:00
📍 Alte Feuerwache, Melchiorstraße 3, 50670 Cologne

➡️ Unlike the pandemic years 2020 and 2021, where only online versions of the IFEF were possible, in 2024 the participating film editors will meet again on location in Cologne for an intensive five-hour exchange in large and small groups. After all, nothing beats the personal encounter in the analog space – which can then be continued in the virtual world 🤩

In recent years, the IFEF has attracted editors from over 30 different countries to Cologne, including far-flung travelers from countries such as Argentina, Australia, Brazil, Canada, Cuba, Gambia, India, Iran, Kenya, Mexico, South Africa, Thailand and the USA.

👉 The main topic this year is:
The role and value of the film editor in the production process

After last year's IFEF focused on artificial intelligence and its impact on the profession, the theme of 2024 builds on this in a sense, with a focus on the new realities in the context of budgeting and pay. Is the actual value of the work of film editors reflected in their salaries and production planing? Does their role need to be redefined for the future in order to preserve the profession in the long term? 🤔

The IFEF is aimed at film editors who are actively involved in advancing their profession and its working conditions in their respective countries. Participants are given the opportunity to exchange their experiences, and together develop solutions that address the various challenges facing the profession all over the world. Elements of the workshop format „world café“ are used. The facilitator this year is Margret Albers.

❗️Participation is only possible with prior registration and limited to a maximum of three people per country.

🔗 Please register by 7 Oct. using the online registration form: https://www.edimotion.de/en/information-in-english/ifef-application/
We request a participation fee of 15 Euros to cover the lunch and tea time catering ❤️☕️: https://t.rausgegangen.de/tickets/international-film-editors-forum-1

📧 If you have any questions, please write to curator Dietmar Kraus at the email address: [email protected]

→The IFEF is supported by TEMPO - Federation of Film Editors Associations.

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(Deutsche Version)

INTERNATIONAL FILM EDITORS FORUM (IFEF)

🗓 Sa., 12 October 2024
⏰ 12:00 – 17:00
📍 Alte Feuerwache, Melchiorstraße 3, 50670 Köln

➡️ Das IFEF ist ein intensiver fünfstündige Austausch über berufliche Themen und hat in den vergangenen Jahren Editor*innen aus über 30 verschiedenen Ländern nach Köln gelockt, darunter auch weit gereiste, z.B. aus Argentinien, Australien, Brasilien, Gambia, Indien, Iran, Kenia, Kanada, Kuba, Mexiko, Südafrika, Thailand und den USA.

👉 Das Hauptthema für 2024 ist:
The role and value of the film editor in the production process

Nachdem letztes Jahr die Künstliche Intelligenz und ihre Auswirkungen auf den Beruf im Mittelpunkt des IFEFs standen, baut das Thema von 2024 im gewissen Sinne darauf auf, mit einem Fokus auf die neuen Arbeitsrealitäten im Kontext von Budgetierung und Bezahlung. Spiegelt sich der tatsächliche Wert der Arbeit von Filmeditor*innen in ihren Gagen und den Produktionsplanungen wieder? Muss ihre Rolle für die Zukunft neu definiert werden, um das Berufsbild langfristig zu erhalten? 🤔

Das IFEF richtet sich an Editor*innen, die sich in ihren Herkunftsländern für die Weiterentwicklung ihres Berufs und dessen Arbeitsbedingungen engagieren. Den Teilnehmenden bietet das Forum die Gelegenheit zum gegenseitigem Erfahrungsaustausch und der Entwicklung gemeinsamer Lösungsansätze für die Herausforderungen, mit denen der Berufsstand weltweit konfrontiert wird.

Beim IFEF findet der Austausch in kleinen und größeren Gruppen statt; es kommen u.a. Elemente des Workshop-Formats „World-Café“ zum Einsatz.

❗️ Die Teilnahme ist nur mit vorheriger Anmeldung möglich und auf maximal drei Personen pro Land begrenzt.

🔗 Anmeldungen bitte bis zum 7. Okt. via Online-Anmeldeformular: https://edimotion.de/en/information-in-english/ifef-application/
Teilnehmer*innen zahlen einen Verpflegungs-Beitrag in Höhe von 15 €, der das gemeinsame Mittagessen und Getränke am Nachmittag abdeckt ❤️☕️: https://t.rausgegangen.de/tickets/international-film-editors-forum-1

📧 Kontakt für Fragen: Dietmar Kraus / [email protected]

→ Das IFEF wird unterstützt von TEMPO - Federation of Film Editors Associations.

24/09/2024

Edimotion is around the corner!

International Programme EDIMOTION 2024

This year we welcome Australia as our guest country! 🇦🇺❤️🎥

👉 As part of our International Program, this year several guests from Australia will give us insights into their editing art and their working conditions. Here are the key points of our international program:

➡️ Australian film editor Simon Njoo, known for his work on “The Nightingale”, will be the main guest. “The Nightingale”, which won an award at the 2018 Venice Film Festival and six Australian film awards, will be screened on October 12 as part of the Guest Country Evening.

⏰ 7:30pm | 📍 Filmforum at Museum Ludwig

Simon Njoo is also a lecturer at this year's International Masterclass: “The Pleasure in Fear - Editing Thrillers” enables editors to explore the field of psychological suspense management in theory and practice using case studies and raw material (registration and more information here: https://www.edimotion.de/en/information-in-english/guest-country/ ).
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➡️ In the International Panel “Crossing Borders”, four editors will talk about their experiences in different countries and cultures. Guests on the panel are Aurora Franco Vögeli (Brazil/Switzerland), Sarah McTeigue (Ireland/Italy), Hamed Mohammadi (Iran/Germany) and Fiona Strain (Australia).

🗓 Sat, October 12 | ⏰ from 6:15pm | 📍 Filmforum at Museum Ludwig
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➡️ Also, the International Film Editors Forum (IFEF) will take place for the seventh time. This networking event has in previous years brought together editors from over 30 countries and offers an intensive exchange on professional topics. The main topic in 2024 is: “The role and value of the film editor in the production process”. Discussions will focus on whether the work of editors is adequately recognized in budgeting and remuneration and what measures are needed to strengthen the profession in the long term.

🗓 Sat, October 12 | ⏰ from 12:00 | 📍 Alte Feuerwache
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→ The Guest Country Evening is presented in cooperation with Australian Screen Editors (ASE), and with the support of Screen Australia and Spectrum Films.
→ The International Panel is supported by SWISS FILMS and the European Film Awards 2024 in Lucerne.
→The IFEF is supported by TEMPO - Federation of Film Editors Associations.

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Deutsche Version:

Dieses Jahr heißen wir Australien als unser Gastland willkommen! 🇦🇺❤️🎥

👉 Im Rahmen unseres Internationalen Programms geben uns mehrere Gäste aus Australien einen Einblick in ihre Montagekunst sowie die dortigen Arbeitsbedingungen. Hier sind die wichtigsten Eckpunkte unseres Internationalen Programms:

➡️ Der australische Filmeditor Simon Njoo, bekannt für seine Arbeit an „The Nightingale“, wird als Hauptgast vertreten sein. „The Nightingale“, beim Filmfestival in Venedig 2018 ausgezeichnet und mit sechs australischen Filmpreisen prämiert, wird am 12.10., im Rahmen des Gastlandabends, gezeigt.

⏰ 19:30h | 📍 Filmforum im Museum Ludwig

Simon Njoo ist außerdem Dozent der diesjährigen International Masterclass bei Edimotion: “The Pleasure in Fear - Editing Thrillers” ermöglicht Editor*innen mittels Case Studies und Rohmaterial, in Theorie und Praxis das Feld psychologischer Spannungsführung auszuloten (Anmeldung und Infos hier: https://edimotion.de/festival/sektionen/international-day/ ).
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➡️ Im internationalen Panel „Crossing Borders“ berichten vier Editor*innen von ihren Erfahrungen in verschiedenen Ländern und Kulturen. Gäste des Panels sind Aurora Franco Vögeli (Brasilien/Schweiz), Sarah McTeigue (Irland/ Italien), Hamed Mohammadi (Iran/Deutschland) und Fiona Strain (Australien).

🗓 Sa, 12.10.| ⏰ ab 18:15h | 📍 Filmforum im Museum Ludwig
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➡️ Das „International Film Editors Forum“ (IFEF) wird zum siebten Mal stattfinden. Diese Netzwerk-Veranstaltung brachte in vergangenen Jahren Editor*innen aus über 30 Ländern zusammen und bietet einen intensiven Austausch über berufliche Themen. Das Schwerpunktthema 2024 lautet: „The role and value of the film editor in the production process“. Diskutiert wird, ob die Arbeit von Editor*innen bei der Budgetierung und Bezahlung angemessen gewürdigt wird und welche Maßnahmen nötig sind, um das Berufsbild langfristig zu stärken.

🗓 Sa, 12.10. | ⏰ ab 12:Uhr | 📍 Alte Feuerwache
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→ Edimotion präsentiert den Gastlandabend in Zusammenarbeit mit dem australischen Verband Australian Screen Editors (ASE), und mit Unterstützung durch Screen Australia und Spectrum Films.
→ Das internationale Panel wird unterstützt von SWISS FILMS und dem Europäischen Filmpreis 2024 in Luzern.
→ Das IFEF wird unterstützt von TEMPO - Federation of Film Editors Associations.

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07/09/2024

📣 ACE will be at on Saturday, September 14!

✨ Celebrated editor Job ter Burg, ACE, NCE, joins Variety/Variety VIP+ Senior Entertainment Technology & Crafts Editor Carolyn Giardina in an engaging conversation about his work and career path. Job will discuss his latest film, The Watchers, (dir. Ishana Night Shyamalan) as well as his Nederlands Film Festival Golden Calf award-winning and award-nominated work. He will share insights into his process and his approach to work and to crafting rhythm and pacing through editing. Whether you are a seasoned post-production professional or just entering the world of editing, don’t miss this opportunity to view clips from his work and to hear Job discuss his path to the editing chair and his advice for those who would like to learn more about how the craft of editing further elevates performances, resulting in award-winning, moving, powerful films and shows.

👀 For more information on our panel go to: https://bit.ly/3AUKOQ0

🎟️ To register for IBC go to: https://bit.ly/3Xuk3L0

20/08/2024

Adobe x TEMPO are excited to invite you to our upcoming workshop"Best Practices for Long Form and Episodic Post-Production Webinar", taking place on Saturday, September 28th from 5:00 PM to 8:00 PM CET.
This insightful session will explore how film editors can leverage Adobe solutions to enhance their Long Form and Episodic Post-Productions. Attendees will gain valuable insights into optimizing turnover workflows and avoiding common pitfalls, all from the perspective of an Assistant Editor. This year’s distinguished speakers include Ben Insler, Quality Engineer on the Adobe Premiere Pro Team and Assistant Editor on David Fincher’s films; Alex Trudeau Viriato, Producer and Editor on the docuseries "Thank You, Goodnight: The Bon Jovi Story"; and Samantha Bacon from Adobe. The workshop will be hosted by Alejo Santos (SAE, Sociedad Argentina de Editores Audiovisuales - TEMPO).
This workshop is provided exclusively for TEMPO Members and Members of TEMPO associated organizations. For more details and to register, click here:
https://shorturl.at/8jWFn

18/07/2024

Athens, Greece - June 26, 2024 - Film editor, Nikos Vavouris, announced the official launch of Blink GFE (Greek Film Editors) during the Hellenic Film Academy Awards ceremony.

In a speech delivered while accepting his award for Best Editing for the film "Animal", Nikos highlighted the essential role of film editors in the cinematic arts and unveiled Blink GFE, a dedicated union for film editors and colorists in Greece. This initiative aims to unite and empower Greek film editors, providing a platform for advocacy, professional development, and industry collaboration.
Blink GFE is already a member of Tempo, the federation that connects associations of film editors from all over the world.

Ελληνική Ακαδημία Κινηματογράφου / Hellenic Film Academy

25/06/2024

24/06/2024

I bet I know a few people who could take this survey from a film student in Berlin.
Job

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From: Ilya Gavrilenkov

Subject: Place of a film editor in a filmmaking process.

While studying and working in different countries and on different projects i couldn’t help but notice that while film editing is without a doubt seen as a crucial part of a filmmaking process, film editors themselves and their responsibilities are perceived very differently. And it became very interesting to me to dig a little bit deeper into the topic and make a small research.

I would highly appreciate if you can help me with that by sharing this link for the survey inside our professional community.The survey is rather short so it shouldn’t take long to take it and is absolutely anonymous.

Here is the link:

https://1212812896.formaloo.co/n0ka1d

Thank you in advance!

Warm regards,
Ilya

10/06/2024

TEMPO stands in strong support of the film industry and workers in Argentina🇦🇷
EDA - Asociación Argentina de Editorxs Audiovisuales
SAE / Sociedad Argentina de Editores Audiovisuales

08/11/2023

TEMPO proudly presents our newest member organization: the HFM Croatian Film Editors. HFM Croatian Film Editors is a professional association that gathers film and TV editors. TEMPO and all TEMPO organizations welcome them and wish for a great partnership.
https://hfm.hr

30/10/2023

Australian Screen Editors is hosting a workshop on AVID SCRIPTSYNC and it will be FREE to anyone who want to join. If you’re unable to attend due to your time zone or availability, your registration will give an access to a link of the event's recording.

Avid Script Sync and Phase Find have been available for a number of years,
but now AI has arrived to Supercharge them! Join Tim Hadwen from the
Australian Screen Editors Guild for an in-depth look at the new Avid Script
Sync, Phrase Find and Transcription Tools. Script-based editing will make
every editor's working life just that little bit easier. This will be presented as a
tutorial but also as a group discussion, so please bring your questions and
also your tricks and tips to share with others.

Date: Sunday 12th November 2023
Time: 4PM (Australian Eastern Daylight Saving Time), (UTC+11)
Book now and a Zoom invitation will be sent to you the day prior to the event.
https://www.trybooking.com/CMPTD

25/10/2023

This is going to be an exciting weekend!

Filmklipper Michelle Tesoro er bekræftet som fjerde taler til ‘Klippersymposium 2023’ 11. og 12. november 2023 på Den Danske Filmskole i København.

Michelle er bedst kendt for hendes stærke arbejde på Netflix mini-serien ‘The Queens Gambit’, som hun har klippet alle afsnit af. Hun har også klippet ‘Maestro’, instrueret af Bradley Cooper, som var runner-up til den tredjefineste pris i filmverdenen, Guldløven i Venedig i år.

Michelle joiner os den 11.–12. november hvor vi afholder ’Klippersymposium 2023’, På denne weekend-masterclass for filmklippere præsenterer Dansk Filmklipperselskab nogle af øjeblikkets største internationale filmklippere. Gennem dybdegående interviews vil Michelle Tesoro, Elìsabet Ronaldsdottir, Mikkel E.G. Nielsen og Yorgos Mavropsaridis dele deres metoder og fortælle, hvordan de begyndte deres klipperkarriere ved at arbejde på lokale produktioner og derefter store internationale værker.

Vi vil sammen med vores gæstetalere gå bag kulisserne og analysere fortællingen og de beslutninger, der er truffet for at give de film de har klippet netop det rette kunstneriske udtryk.

Dette er en eksklusiv masterclass for klippere, arrangeret af Dansk Filmklipperselskab i samarbejde med Den Danske Filmskole og TEMPO - Federation of Film Editors Associations. Så tøv ikke med at melde dig til og mød dine klipper kollegaer fra hele verden, så vi sammen kan videreudvikle vores håndværk og filmsprog. Som en del af masterclassen vil vi også have paneldebatter om vigtige emner, der rører sig blandt filmklippere.

Læs mere og tilmeld dig i kommentarfeltet!

29/06/2023

Publication with a focus on independent film, offering articles, links, and resources.