04/05/2023
May the 4th be with you on this Star Wars day. On May 4th, 1977, a little science fiction movie no studio wanted premiered and became a sensation that continues to this day. George Lucas overcame a shoes-string budget and many obstacles to create an iconic motion picture. His vision extended over a larger story arc of which the original film, later rebranded Episode IV: A New Hope, was one part.
The special effects and sound effects were breath taking. Industrial Light and Magic was formed to bring the world to life with inventions such as the motion capture system that allowed stop action movement to be controlled by a computer to reproduce action repeatedly for seamless synchronization with other shorts. Some shots were amazingly simple, such as the Millennium Falcon entering hyperspace for the first time, creating by pulling the camera back quickly, adding some streaking stars in the background and playing a loud swoosh sound. Audiences were wowed.
The technical aspects improved over the franchise, yet it is this first film that’s still the best. For all its gaffs (such as the jump cut when Luke turns the lightsaber off in the Millennium Falcon, later fixed), the original release of Star Wars has the most heart. Using mythological archetypes, and heavily influenced by Akira Kurosawa’s Japanese Samsuri movie Throne of Blood, created the sense of a real place with real people interacting with one another. Star Wars was the right movie for the right time. The oil embargo in the U.S. had just ended. America felt its world esteem slipping. When a farm boy in a galaxy far, far away rose to defeat the evil galactic empire, people felt heartened. At the end of the picture, they stood in in theaters and cheered. Unprecedented.
Later reworked versions added new special effects, such as the Millennium Falcon rising from the docking bay and turning before it shot into the sky. The new special effects didn’t enhance the story because the plot relies on the relationships and interactions of the characters.
The scene where Han Solos shoots Greedo was changed to imply Jabba’s thug shot first. The scene was supposed to give Han a reason to shoot and make him kinder and gentler. It only served up to diminish his character (Any seasoned smuggler who’d dealt with the underworld would know Greedo was about to kill him and he had to get him first).
In a scene originally shot and removed from the first release, Han Solos meets Jabba the Hut (a human in the original footage and not a slug) in front of the Millennium Falcon. It’s the audiences first site of the space ship. This shot was removed from the final cut. That was a good call because it slowed the story. It takes place takes place before Luke and Ben see the Millennium Falcon and it’s inclusion ruined one of the best jokes in the movie. In the original theatrical release, we don’t see the space ship until Luke, Ben and the robots come down a set of stairs and the camera pans to reveal it. Everyone in the audience thinks, “Wow, what a cool space ship.” Then Luke says, “What a piece of junk.” The juxtaposition brought laughter. When the Millennium falcon is revealed before that scene, it has no power and makes Luke sound petty.
Perhaps the worst thing about the franchise occurred in the first prequel, The Phantom Menace, (other than the irritating and borderline racist portrayal of Jar Jar Binks) is explaining the force as some type of microbe that can be measured instead of the mystical force it was introduced as a mystical force.
Stanley Kubrick’s 2001: A Space Odyssey elevated science fiction from Saturday matinee fair to high art and paved the way for movies such as Silent Running and Star Wars. Still, the world of Star Wars brought science fiction into the mainstream, even though it recreated the chapter serials of the 1930s.
George Lucas persevered against doubters and skeptics to deliver an influential film where audiences were entertained, and at the same time, challenged to think about issues such as tyranny and envision overcoming it. Thank you, George.