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Baudrillard Now "Baudrillard Now" is an international interdisciplinary scholarly, peer-reviewed journal.

"Baudrillard Now" is an international, scholarly, peer-reviewed journal. The journal covers a wide range of subjects from philosophy, sociology, radical anthropology, security to photography.

"As for academia, I was always a traitor to it from the outset. I was never really part of it. I was in teaching because...
18/12/2025

"As for academia, I was always a traitor to it from the outset. I was never really part of it. I was in teaching because that was the only practical possibility. I never felt like a pedagogue, even if I didn’t always find that role unpleasant. I’m not a researcher either. I was always split off from the educational institution. I played the renegade to some extent. The university authorities replied in kind and I didn’t rise through the profession. And in fact that’s all over now, I’m out of it. There were some good moments. It was good to be there in 1968. But I’ve simply passed through the university. I’d say the same of the wider intellectual milieu.
There were people I liked – Sartre, then Barthes, but practically no one after that. I’m objectively part of that world and, if I don’t have any references or role-models, I don’t have any disciples, school or networks around me either. I’ve never had any followers inside the academic institution. This isn’t betrayal, but a strategy of ‘hanging loose’ and of freedom that was there from the outset."

(Jean Baudrillard, From hyperreality to disappearance)

"As for academia, I was always a traitor to it from the outset. I was never really part of it. I was in teaching because that was the only practical possibility. I never felt like a pedagogue, even if I didn’t always find that role unpleasant. I’m not a researcher either. I was always split off from the educational institution. I played the renegade to some extent. The university authorities replied in kind and I didn’t rise through the profession. And in fact that’s all over now, I’m out of it. There were some good moments. It was good to be there in 1968. But I’ve simply passed through the university. I’d say the same of the wider intellectual milieu.
There were people I liked – Sartre, then Barthes, but practically no one after that. I’m objectively part of that world and, if I don’t have any references or role-models, I don’t have any disciples, school or networks around me either. I’ve never had any followers inside the academic institution. This isn’t betrayal, but a strategy of ‘hanging loose’ and of freedom that was there from the outset."

(Jean Baudrillard, From hyperreality to disappearance)

13/12/2025
📌 FYI !
01/12/2025

📌 FYI !

📢 The International Interdisciplinary Conference "Cultural Codes," organized by the European Academy of Sciences of Ukraine, will take place on 8–11 December 2025.

❓QUESTIONS:
🔹 Day 1
1) What is a cultural code? What is its definition and how does it take shape?
2) The cultural code as a prism of perception: the pros and cons.

🔸 Day 2
1) Ethnic turbulence: contemporary challenges.
2) Cultural code as a lever for implementing change: what can we actually do?

🔹 Day 3
1) The influence of cultural codes on media and communication systems is explored through the lens of Baudrillard's legacy.
2) The role of media and social networks in the "construction" of cultural codes: what should we prepare for?

🔸 Day 4
1) Culturology and temporal sociology: the challenges of the coming years.
2) The Ukrainian scenario, the breach of the code, and the subsequent events. What lessons should be drawn?

▪️ The event will also offer space to summarize the developments of 2025 as a pivotal moment in the first quarter of the 21st century, identifying major shifts, tensions, and insights of the period. In addition, the conference will highlight themes that deserve further exploration in the coming years, fostering a broad and forward-looking interdisciplinary discussion.

👉 For participation or inquiries, please email us at:
[email protected]

👉 Information: https://euasu.org/events/cultural-code-conference

✍"Just as world drives to a delirious state of things, we must drive (slowly) to a delirious point of view".— Jean Baudr...
23/11/2025

✍"Just as world drives to a delirious state of things, we must drive (slowly) to a delirious point of view".

— Jean Baudrillard

📝 "News Fetishism and the Hegemony of Forms" by Dr. Peter Nielsen❓ Are media truly democratic forums offering equal oppo...
31/10/2025

📝 "News Fetishism and the Hegemony of Forms" by Dr. Peter Nielsen

❓ Are media truly democratic forums offering equal opportunities for everyone?
▪️ Edward Herman and Noam Chomsky (1994) thus criticized this idea, developing a theory of the media as instruments of capitalist and elitist propaganda rather than neutral or democratic forums...

▪️Marshall McLuhan’s said: "the medium is the message"...

▪️Jean Baudrillard emphasizes that ”consumption goods also constitute a mass medium”...

WHAT WE CAN DO???

👉 Read article here: https://baudrillard-scijournal.com/news-fetishism-and-the-hegemony-of-forms/
👉 Download issue here:https://baudrillard-scijournal.com/wp-content/uploads/2025/06/Baudrillard_Now__V_5_I_2.pdf

News Fetishism and the Hegemony of FormsDr. Peter Nielsen Introduction In recent decades, a profound development has taken place when it comes to media, especially regarding internet, social media …

❓ WHAT DO YOU SEE IN THIS ARTWORK?🖼 "Shout It Out Loud" by Noor Zahran, Malaysian artist, who was inspired by works of J...
12/10/2025

❓ WHAT DO YOU SEE IN THIS ARTWORK?
🖼 "Shout It Out Loud" by Noor Zahran, Malaysian artist, who was inspired by works of Jean Baudrillard

🔹 "I blend the shape of a gr***de with the body of a microphone to express the mighty force of people’s voices. The artwork symbolizes the incredible power we all hold within our voices to uplift and strengthen one another. Each voice is like a unique explosion, capable of creating positive change and fostering empowerment. It serves as a reminder that our words, just like the explosive energy in a gr***de, can resonate loudly and leave a lasting impact. By celebrating the potency of communication, “Shout It Out Loud” encourages everyone, regardless of background or language proficiency, to recognize and embrace the ability to make a difference through the strength of their voices."

👉 https://baudrillard-scijournal.com/artworks-from-the-series-overflow-2024/

BAUDRILLARD: WRITING AND PHOTOGRAPHY  ✍️ In one of the interviews with Nicholas Zurbrugg, Baudrillard draws a parallel b...
30/09/2025

BAUDRILLARD: WRITING AND PHOTOGRAPHY

✍️ In one of the interviews with Nicholas Zurbrugg, Baudrillard draws a parallel between writing and photography:

"Finally, I realized that there was a relation between the activity of theoretical writing, and the activity of photography, which at the beginning seemed utterly different to me. But in fact, it’s the same thing – it’s the same process of isolating something in a kind of empty space, and analyzing it within this space, rather than interpreting it."

📷 Photo by Serge Bramly

🖋 WRITING AND PHOTOGRAPHY 📷 BAUDRILLARD
🖋 ПИСАТЕЛЬСКАЯ ДЕЯТЕЛЬНОСТЬ И ФОТОГРАФИЯ 📷 БОДРИЙЯР

[ENG]
In one of the interviews with Nicholas Zurbrugg, Baudrillard draws a parallel between writing and photography:

"Finally, I realized that there was a relation between the activity of theoretical writing, and the activity of photography, which at the beginning seemed utterly different to me. But in fact, it’s the same thing – it’s the same process of isolating something in a kind of empty space, and analyzing it within this space, rather than interpreting it."

Photo by Serge Bramly

[RU]
В одном из интервью с Николасом Зургбруггом, Бодрийяр проводит параллель между писательством и фотографией:

"Я понял, что существует связь между теоретической писательской деятельностью и фотографией, которые поначалу казались мне совершенно непохожими. Но на самом деле - это одно и то же - тот же процесс изоляции чего-либо в пустом пространстве и анализ его в этом же пространстве"

Фото: Серж Брэмли
#жанбодрийяр #постмодерн

📝 "Getting  : Towards a Definition of the (Hyper)Eschatological Condition" by Alexzander Mazey✍️ ‘The funny part is that...
25/09/2025

📝 "Getting : Towards a Definition of the (Hyper)Eschatological Condition" by Alexzander Mazey

✍️ ‘The funny part is that experts have calculated that the state of emergency decreed by an earthquake warning would unleash such a panic that its effects would be greater than the earthquake itself. Here we fall into full derision: lacking a real catastrophe, it will be easy to unleash a simulated one, one which will be as good as the first and can even replace it. […] How true it is that we cannot rely on chance to bring on catastrophe: we have to find its programmed equivalent in the preventive measures.’
– Jean Baudrillard, "Fatal Strategies"

👉 Read article: https://baudrillard-scijournal.com/getting-lainpilled-towards-a-definition-of-the-hypereschatological-condition/

Getting : Towards a Definition of the (Hyper)Eschatological Conditionby Alexzander Mazey Getting : Towards a Definition of the (Hyper)Eschatological Condition Alexzander Mazey…

✍️ "We are in the a logic of simulation, which no longer has anything to do with a logic of facts and an order of reason...
19/09/2025

✍️ "We are in the a logic of simulation, which no longer has anything to do with a logic of facts and an order of reason."

— Jean Baudrillard

📌 "Art is another battleground of the actual clash between different  spheres of deglobalization. For this reason Street...
12/07/2025

📌 "Art is another battleground of the actual clash between different spheres of deglobalization. For this reason Street Art becomes even more strategical because more attached to the reality of urban contexts and cultures, with interventions into public spaces, where it can be seen by all. Street art continues the avant-garde proposal to overwhelm the separation between art and everyday life."

👉 Read in the article "Flipping the order of simulacra: from the Spirit of Terrorism to Street Art in the age of deglobalization" by Dr. Nello Barile

Flipping the order of simulacra: from the Spirit of Terrorism to Street Art in the age of deglobalizationby Dr. Nello Barile Baudrillard in the age of deglobalization The war against Ukraine has r…

📌 BIO ROBOT. The best and the cheapest ROBOT is an average HUMAN from the masses. In line with Jean Baudrillard’s philos...
19/06/2025

📌 BIO ROBOT.
The best and the cheapest ROBOT is an average HUMAN from the masses.

In line with Jean Baudrillard’s philosophy...

📝 "AI’s Perfect Crime" by Dr. Prof. François Debrix✍️ "Crucially, the idea of “aligning” AI’s intelligent systems with h...
05/06/2025

📝 "AI’s Perfect Crime" by Dr. Prof. François Debrix

✍️ "Crucially, the idea of “aligning” AI’s intelligent systems with human needs by inserting in them human moral rules and codes so as to try to produce a future when humans can remain in control of AIs while becoming increasingly dependent on them is symptomatic of a condition that, some 30 years or so ago, Jean Baudrillard had already anticipated and started to diagnose.

❗️ Baudrillard called this condition “the perfect crime.”

Read article here: https://baudrillard-scijournal.com/ais-perfect-crime/

Full issue here: https://baudrillard-scijournal.com/volume-5-issue-2/

AI’s Perfect Crimeby François Debrix “If you’ve created a conscious machine, it’s not the history of man. It’s the history of Gods.”— Ex Machina (2014), written and directed by Alex Gar…

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ENG About the journal "Baudrillard Now" is an international, scholarly, peer-reviewed journal. The journal covers a wide range of subjects from philosophy, sociology, radical anthropology, security to photography with the distinguished editorial board of leading Baudrillard scholars. Journal publishes 3 online issues per year, but the website will be regularly updated with letters, reviews, and articles. The language of the journal is English only. At the moment, the journal's website is being developed, stay tuned for news here.

About page This page is dedicated to everything Baudrillardian. Certainly, not everything we publish here is available on the journal's website. You are always welcome to send us your ideas, suggestions and feedback. Please message us or email us at [email protected]

Disclaimer and copyright The content is copyrighted and provided only for educational and informational purposes. We attempt to ensure that content is accurate and obtained from reliable sources, but does not represent it to be error-free. For permission to use the content please message us or contact [email protected] RU О журнале

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