Manifold Criticism

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Manifold Criticism We are doing this work because we need to. We see a gap in the publishing world for texts that engage with criticism through an experimental approach.
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But we can’t do it alone. If you have something in line we would love to hear from you!

01/02/2021

Colin Dayan will be speaking this week on our Subjective Criticism panel! Also her new book is out on Los Angeles Review of Books (LARB)

The recording of our first session, Performative and Objectified Critique, is up. Such an engaging panel!
28/01/2021

The recording of our first session, Performative and Objectified Critique, is up. Such an engaging panel!

Sophie Seita : "Decals of Love, or, the One True Imposter: a lyric lecture on Wendy Lotterman's poems"Jordan Scott : "Lanterns at Guantanamo"Adra Raine : "Le...

editorial retreat Feb 2020
29/04/2020

editorial retreat Feb 2020

03/09/2019

"EXPERIMENTAL CRITICISM" HAS MANIFOLD POSSIBILITIES:

• Hypercriticism, or an exploitation of hypertextual possibilities

• Deconstructed/unconstructed criticism, which might allow the reader to disrupt teleological form by “shuffling” the various components of the critique as she reads

• Multi-lingual criticism of a multi-lingual or translated text.

• Experimenting with genre by using traditional literary forms in the critique instead of limiting them to being objects of criticism

• Performative criticism, in which a critical engagement is performed or has performative utterances.

• Dialogical criticism, whereby texts (literary and historical) are put in dialogue which each other—both conceptually and physically on the page—with minimal mediation by the critic

• Subjective criticism, in which the critic juxtaposes personal narrative with traditional explication in order to acknowledge the difficulty of true objectivity in criticism.

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