14/11/2024
Next up and already on for pre order is my remix of & Adam Helal “Dakota” coming out on on 6/12/2024
Aubrey Fry
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Always keeping one foot in the rave.
Aubrey Fry caught the DJing bug in 1996 after his mum bought him John Digweed’s seminal mix album, Renaissance: The Mix Collection, Part 2 as a Christmas present. That mix, alongside other genre-defining albums such as Carl Cox’s F.A.C.T cemented his love for beats and bleeps. However, now-legendary mix albums weren’t his first window into dance music culture. Aubrey had already been exposed to the scene for some years, with raves put on by Emotion, Obsession and Genesis raves being held half a mile from his family home. He would often wander over in the dead of night and watch with fascination at the carnage being unleashed,
Consigned to DJing in his bedroom for many years, as is often the way, Aubrey eventually started to get to play out at the odd local free party. But it wasn't until he moved to Brighton that he properly cut his DJing teeth, with regular spots in clubs like the Ocean Rooms, Escape and Funky Buddha Lounge. He soon became a resident for hedonistic, multi-genre club night Stompaphunk, playing alongside luminary Brightonians of that era, like Serge Santiago, Radio Slave and David Parr as well as heavy hitter guests including Derrick Carter, Craig Richards and James Holden.
During his time in Brighton, which was true hotbed for dance music at the time, he undertook a music technology course where, as well as learning the skills he needed to start making his own music, he forged lots of industry contacts leading to subsequent work with Phil Harnoll of Orbital, Thomas Gandey, Dino Psaras, Joti Sidhu, Juno Reactor, Evil Nine, Sian Evans (Kosheen), Adam Freeland and many others.
Reflecting his DJing heritage, Aubrey’s productions reflect his eclectic musical tastes, with forays into everything under the electronica umbrella, whilst always keeping one foot in the rave.
