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Emily and Joe Salazar are two self-taught artists who have been creating unique nature art since 2013. From punk rock fl...
03/05/2023

Emily and Joe Salazar are two self-taught artists who have been creating unique nature art since 2013. From punk rock flea markets to oddity expos, these macabre makers brought their creations into their own brick-and-mortar space. They opened up Rocky Mountain Punk in Lakewood, Colorado, where you can find handmade pieces like no other around. Nature art from bone jewelry, nature domes, lamps, and coffee makers.

Emily is a Colorado native and grew up in a mountain town. When she was about eight years old, a moth accidentally flew into her mouth and the experience traumatized her. It made her terrified of moths but she tried to get over her fear by making artistic creations pinning moths and butterflies. Around the age of 10, she began collecting yucca pods and pine cones to make wreaths to sell at community meetings.

Joe has been living in Colorado since the 1980s and has long made his own furniture by upcycling used and discarded furniture. He also makes distinctive coffee makers and he jokes that it's common for people to try to duplicate other people's creative ideas, but he hasn't seen any others quite like his. He also creates lamps and larger nature art pieces. Occasionally, Emily and Joe will collaborate and combine their talents to make nature art pieces together.

The store also features pieces from other local artists as well as plants and antiques.

Emily and Joe Salazar are two self-taught artists who have been creating unique nature art since 2013. From punk rock flea markets to oddit...

In 1909, the Icelandic sculptor Einar Jónsson offered all of his works as a gift to the people of his home country with ...
03/05/2023

In 1909, the Icelandic sculptor Einar Jónsson offered all of his works as a gift to the people of his home country with one condition: a museum must be built specifically to house them. It took a few years for the Icelandic government to take the artist up on his offer. When they did, Jónsson chose to build the museum on Skolavorduhaed, a "desolate hill on the outskirts of town."

Jónsson worked with the architect Einar Erlendsson to bring his vision for the museum to life. Work began in June 1916, and the Einar Jónsson Museum officially opened in 1923. It was the first art museum in Iceland.

The museum also included an apartment, which Jónsson and his wife Anne Marie, moved into once it was complete. Inside the museum and in a sculpture garden on its grounds, you can experience Jónsson's sculptural works. The artist's apartment is also open to the public and offers an insight into Jónsson's life and his artistic method.

In 1909, the Icelandic sculptor Einar Jónsson offered all of his works as a gift to the people of his home country with one condition: a mu...

There are many ways to celebrate the arrival of spring. In the right climate, you can spend time among cloud-like cherry...
03/05/2023

There are many ways to celebrate the arrival of spring. In the right climate, you can spend time among cloud-like cherry blossoms. You might decorate or eat eggs—in one Bosnian town, there’s an entire spring festival dedicated to scrambled eggs. In Switzerland, they ask a snowman named the Böögg to forecast summer weather. And in some Slavic countries, they burn and drown the goddess of winter.

The pagan goddess Marzanna is associated with death, plague, winter, and rebirth. In the spring, her power wanes, and as she dies at the end of winter, a spring goddess is born.

For centuries, it’s been a tradition in Poland and other countries to help this process along.

The tradition of drowning Marzanna begins with building a straw effigy. In the past, the goddess was wrapped in linen and adorned with beads and ribbons. The village's young people then paraded the goddess in all her finery around town, passing by each house before the procession headed to the river. There, Marzanna would be lit on fire and then thrown into the water. Once she was in the river, no one was allowed to touch her or look back at her body.

"Getting rid of this symbol of winter deadness was considered a dangerous act," wrote Beata Wojciechowska, a history professor at Jan Kochanowski University. "The hostile force which was being destroyed could reveal its destructive powers even at that very last moment of its existence." Having gotten rid of the goddess, people needed to leave the scene as quickly as possible, or risk negative consequences.

Once this tradition was linked to the fasting of Lent; today, it's been moved to the spring equinox. It survives as a cheerful activity for schoolchildren: Young kids make Marzanna effigies, some of them small but others still life-sized, which are sacrificed to the water. There have been no reports of the winter goddess exacting her revenge, but you can never be too careful.

*This story was originally published in March 2018.

There are many ways to celebrate the arrival of spring. In the right climate, you can spend time among cloud-like cherry blossoms. You might...

Tucked in a busy corner of Fresno's downtown district, the Meux Home is a towering, two-story Victorian home that now ac...
02/05/2023

Tucked in a busy corner of Fresno's downtown district, the Meux Home is a towering, two-story Victorian home that now acts as a historic museum, thanks to the daughter of the original owner maintaining the property as it stood in the late 1800s.

Dr. Thomas Richard Meux was born in Wesley, Tennessee, to Anne Meux and John Oliver Meux. He later graduated from the University of Pennsylvania Medical School in 1860, and promptly enlisted with the Confederacy during the American Civil War as an assistant surgeon. He served at the battles of Shiloh, Murfreesboro, and Atlanta, and by 1865 had advanced in rank from private to captain. Meux then withdrew from the service and eventually went on to marry Mary Ester Davis in 1874.

Mary Meux grew sick, and upon the advice of his brother, Meux moved his family to California, registering himself, his wife, and their three children at the Southern Pacific Hotel in December of 1887. The following year, the Meux family purchased the R Street property and by 1888, the family had moved into the blue-grey and white home.

Meux established his medical practice in Fresno in 1889, and from then on, the Meux family was highly involved in local life. Meux was a staunch Democrat and was active in the local Democratic Club. The family were devout Methodist Episcopals and were very active in their church. The family members also owned vineyards and were interested in local agriculture.

The Meux family lived in the home for a total of 81 years. The second-to-last Meux inhabitant, daughter Anne Prenette, was an active and lively woman, as well as very well-educated. Thanks to her, the home was maintained exactly how it had been when she was a young girl and remains exactly as it was to this day.

The museum displays include classic architecture, interior design, wallpaper, furniture, clothing, toys, kitchen, and dining ware. A docent in period-appropriate costume guides groups for one-hour tours through the house. Seasonally, various events are available, such as the Mother's Day Tea in May, and the Christmas Luncheon in December, featuring Victorian Christmas decorations and tree decor. Check the museum's website for dates and times.

Tucked in a busy corner of Fresno's downtown district, the Meux Home is a towering, two-story Victorian home that now acts as a historic mu...

The U.S. Geological Survey considers there to be one active volcano in Colorado. Located in the northwest of the state, ...
02/05/2023

The U.S. Geological Survey considers there to be one active volcano in Colorado. Located in the northwest of the state, it last erupted between 3,800 and 5,500 years ago, creating Dotsero Crater.

The crater formed when an underground water reservoir came in contact with intruding magma, resulting in an explosion that destroyed the country rock and showered tephra across the nearby valley. Such an explosion then resulted in the arrival of magma to the surface, resulting in a volcano which is still geologically active to this day.

The crater itself measures about 2,460 feet across. When first formed, the crater may have been as deep as 1,300 feet, but slow natural erosion and backfill have limited that to a depth of 250 feet, still an impressive sight from the eastern rim.

Though not likely to explode in our lifetime, the USGS puts this volcano at a moderate risk level, meaning if it did erupt, it would disrupt local airplane traffic due to the ash. Stopping by isn’t likely to kill you, however; this crater and its surroundings have some great views and several gorgeous igneous rock formations, hard to find in other areas of the state.

The U.S. Geological Survey considers there to be one active volcano in Colorado . Located in the northwest of the state, it last erupted be...

April 15 was an unseasonably warm day in New Glarus, Wisconsin. A 40-minute drive southwest of Madison, the state’s capi...
02/05/2023

April 15 was an unseasonably warm day in New Glarus, Wisconsin. A 40-minute drive southwest of Madison, the state’s capital, New Glarus doesn’t look like many small towns in America. Its tiny downtown is laden with Swiss names, flags, and chalet-style architecture. Everyone in town hoped the nice weather would stay, but there was only one way to know for sure—burn a giant snowman effigy (naturally). Villagers gathered at a winery on the outskirts of town to hold the centuries-old Swiss ritual: the burning of the Bӧӧgg (pronounced BOOg). Like Groundhog’s Day, the Bӧӧgg’s fiery demise is supposed to predict the amount of cold weather left to endure. And for the first time in this small town, a Bӧӧgg is about to get lit.

Standing in an empty field down a small hill from the vineyard’s winery building, near the still bare grapevines, is the Bӧӧgg. It’s a lumpy white fabric snowman filled with hay and wedged on a metal pole with a handcrafted face cut from felt, a pipe made from a cardboard paper towel tube, and a hat fashioned out of a wicker basket. His feet are surrounded by a pile of firewood. The Bӧӧgg has a toothy grin and looks as holly jolly as can be considering it won’t be long till the effigy meets an explosive end—the five-foot-tall Bӧӧgg’s head is stuffed with fireworks.

Just before 4 p.m., Greg Long, one of the directors of the Swiss Center of North America who constructed the smiling snowman effigy, and a friend clang large cowbells—it’s almost time. Another person cracks a whip, which is meant to scare away winter spirits. Then two men in traditional Swiss garb flank the Bӧӧgg and blast a mournful tune through a pair of 12-foot-long alphorns. A crowd of about 30 people gather in the field, while dozens more watch from the winery’s patio on top of the hill, most enjoying a glass of wine or a beer. Long and his friends kneel and use a utility lighter to ignite the firewood at the Bӧӧgg’s feet. The crowd murmurs in anticipation as smoke begins to billow.

In Zurich, Switzerland’s largest city, the Bӧӧgg burning is part of Sechselӓuten, which translates to the “six o’clock ringing of the bells.” The celebration dates back to at least 1525, though the Bӧӧgg has likely deeper roots in pagan rituals once used to banish winter. Sechselӓuten was a forerunner to daylight savings, marking the end of the workday as 6 p.m. instead of five, and is celebrated on the third Monday in April. Zurich’s guilds have always organized the festival, some of which date back to 1336, such as the Zunft zur Schmiden, a guild of blacksmiths, and Zunft zum Widder, the Guild of the Ram, which represents butchers and livestock dealers.

In 1871, a guild governing body, the Zentralkomitee der Zünfte Zürichs (or ZZZ, the Central Committee of the Zurich Guilds), was formed. Elisabeth Abgottspon, curator and director of Ortsmuseum Küsnacht, a Swiss cultural museum, explains that the ZZZ still organizes Sechselӓuten, but “since the 1840s, the guilds have ceased to be trade-specific associations.” Their main function these days is “the organization of the Sechseläuten and the cultivation of social life and its traditions,” as well as maintaining their historic guild houses.

Initially, the Bӧӧgg burning was an unofficial part of Sechselӓuten, with reports of random acts of people burning straw effigies recorded at the end of the 17th century.

“The burning of straw dolls and the dance around the fire was originally a celebration of male youth that took place in various districts of Zurich,” Abgottspon says. A report from 1820 describes “cheerful and lively youngsters setting fires to woodpiles and scarecrows on the trenches [city fortifications] and neighboring hills of the city as soon as the six o’clock closing time bells rang,” according to a visitor’s guide titled “Sechseläuten in Zurich,” published by the ZZZ. The guide also notes that the name “Bӧӧgg” means a “disguised, hooded figure,” like a bogeyman, but the term also probably refers to a Zurich mandate that forbade “bӧӧggen und butzenwerk,” or “the burning of fires and boisterous celebrations.” In the 1890s, the Bӧӧgg switched from street-burning anarchy to an organized, official part of the Sechseläuten celebration.

The Bӧӧgg’s annual path to doom begins on Sunday of Sechseläuten weekend, with the Kinderumzug, a children’s parade, where about two thousand children march in traditional costumes. The Böögg brings up the tail end of the parade, pulled in a horse-drawn cart, flanked by guild members dressed as medieval executioners. The parade ends at Sechseläutenplatz, a large town square located near the east shore of Lake Zurich. The Bӧӧgg is then hoisted up on a 30-foot-high pyre, staring in the direction of Zurich’s oldest church, St. Peter’s, waiting for the bell to toll six the next day.

On Monday morning, there’s a 21-gun salute. Then members of the bakers guild, Zunft zur Weggen, throw bread rolls to onlookers, and many guilds host a special lunch. At 3 p.m., the Procession of Guilds begins, featuring about seven thousand guild members and guests. Many dress in elaborate historic costumes in styles from the 1300s up through the 1700s. Certain members proudly carry their guild banners. At 6 p.m. sharp, the pyre underneath the massive Bӧӧgg is lit, which is almost double the height of the New Glarus Bӧӧgg. Guild members then ride around the burning effigy on horseback. After anywhere from five to 45 minutes, the Bӧӧgg’s explosive-filled head detonates and fireworks rain down on the crowd.

Abgottspon says the burning is a “weather yardstick” predicting what’s to come. Five to 12 minutes is seen as a quick burn time. The longer the flames last beyond that, the worse the cold will drag on. After the Bӧӧgg’s head has blown off, the attendees take advantage of the glowing embers by having a massive sausage grill-out.

Back in New Glarus, things aren’t looking good. A steady wind is making it hard for the flames to ignite. The fire slowly creeps up the Bӧӧgg’s left leg, then the right. The torso erupts quickly, but things stall at the head. Finally, there’s a crackle and pop as the flames reach the stash of fireworks in the Bӧӧgg’s cranium. The official burn time is 32 minutes and 32 seconds, a prediction that winter will drag on in Wisconsin. The crowd slowly filters back into the vineyard’s winery, where polka records are being spun by DJ Shotski.

The Bӧӧgg burning celebration in New Glarus is on a much smaller scale than Zurich’s. But for a first-year event, it had a decent attendance of out-of-town tourists and raised money for the Swiss Center. Encouraged by the interest, Long says the event will return next year. He hopes it’ll continue to boost the Center’s mission to preserve Swiss culture.

“I love yodeling and alphorns, but there’s so much more to celebrate,” Long says. In addition to organizing events, Long plays stand-up bass for D’Schwiizer Gruppe, a traditional Swiss band (they performed in the winery before the Bӧӧgg burning). He yodels with the New Glarus Jodlerklub, and is part of a Swiss choir and a card-playing club.

“By observing these Swiss traditions, it gives us a shared starting point for building and celebrating our community,” Long says. “Even non-Swiss in New Glarus enjoy being integral parts of our [Swiss] community festivals.” When people feel removed from each other, participating in community events is “healthy, both socially and emotionally.”

New Glarus, as Beth Zurbuchen, president and CEO of the Swiss Center, explains, is “America’s Little Switzerland.” It’s the town’s slogan and is even written on the “Welcome to New Glarus” signs that greet visitors driving into town. 193 Swiss immigrants from the canton (a state-like region) of Glarus in Switzerland founded the village in 1845. Many buildings in New Glarus’ downtown feature Swiss architecture and the country’s flags and bells decorate the town’s city hall and the Glarner Stube, a 122-year-old Swiss restaurant.

The town's long Swiss history is why the Swiss American Historical Society chose the village to house the Swiss Center of North America. Even though metropolises such as Chicago, New York, and Toronto vied for the center, New Glarus won out because of its immersive Swiss culture.

The center features a collection of material goods and archives of photographs, record books, and other documents relating to Swiss-Americans and Swiss-Canadians. Zurbuchen became president of the center in 2008. In 2016, she was honored with Swiss citizenship for her work.

Both Long and Zurbuchen agree that practicing traditions like the Bӧӧgg help preserve Swiss culture. The practice is rare here in the USA—the only other known American Bӧӧgg burns have taken place at a vineyard in Oregon and at a strawberry festival in Missouri, which is still celebrated. In the future, the Swiss Center hopes you might see a Bӧӧgg near you.

After holding the New Glarus Bӧӧgg burn, Zurbuchen says, “We would like to put down on paper what we learned to explain how you do it, and then we can provide that to Swiss clubs around the country so they can celebrate, too.”

Zurich’s Bӧӧgg burning took place two days after New Glarus’s. (In Switzerland, the Monday festival is an official holiday, whereas in New Glarus a Saturday afternoon seemed more appropriate.) There the Bӧӧgg seemed to agree with the one in New Glarus. Both Wisconsin and Switzerland should expect a long winter. In Zurich, the burn took 57 minutes before the snowman’s head finally exploded. It was the longest burn on record, beating 2017’s 43 minutes and 34 seconds, and some 24 minutes longer than the burn in New Glarus.

But don’t put too much stock in it—the Bӧӧgg has often been a terrible prognosticator. After 2017’s burn, Switzerland had a warm, long summer whereas the quick burn of 12 minutes and 57 seconds in 2021 was followed by cool temperatures and heavy floods.

Despite the unreliable forecasts, the Bӧӧgg ritual remains a favorite tradition in Zurich and now in New Glarus, too.

“The response around New Glarus was positive,” Long says. “It takes time to build a festival like this and we learned so much just by doing it.” Long says he’d like to see “more pageantry in the procession of the Bӧӧgg and the fire lighting,” and for the tradition to become a centerpiece to a larger art fair and market.

“Maybe a Swiss ‘Burning Man’ atmosphere?” he ponders. If there is ever a place for that to happen outside of Switzerland, it’s New Glarus, Wisconsin.

April 15 was an unseasonably warm day in New Glarus, Wisconsin . A 40-minute drive southwest of Madison , the state’s capital, New Glarus do...

Sarasbaug is an important historical landmark near Parvati Hill in Pune. In the center, there is an 18th-century temple ...
02/05/2023

Sarasbaug is an important historical landmark near Parvati Hill in Pune. In the center, there is an 18th-century temple of Lord Ganesh, which is called Sarasbaug Ganpati Temple. It is also known as Talyatla Ganpati which means "Ganpati of the Lake."

In the temple complex there is a museum with a fantastic collection of Lord Ganesh idols. It is called Shree Ganesh Darshan Sangrahalaya (sangrahalaya means museum). As per an information plaque near its entrance, it was inaugurated on April 28, 1996.

The museum hosts an impressive display of around 500 idols of Lord Ganesh, which have been made from an assortment of wide-ranging materials such as precious stones, wood, brass, copper, ceramic, porcelain, sea shells, coconuts, ivory, and glass to name a few.

Quite of few of them have been gifted by individuals, organizations, and trusts. There are a few that are from countries like Nepal and Cambodia

Lord Ganesh has been depicted in a variety of poses such as sitting on a swing, standing with an umbrella, writing the Mahabharata, playing a musical instrument, or dancing. Some idols portray him with multiple heads while some have multiple arms. The variety in the representation is fascinating.

The museum also has a collection of paintings depicting Sarasbaug and the Sarasbaug Temple. There is a portrait of Nanasaheb Peshwa, a painting of the court of Sawai Madhavrao Peshwa at Shaniwar Wada, a mural of Sawai Madhavrao Peshwa and Mahadji Shinde at Sarasbaug Lake.

Sarasbaug is an important historical landmark near Parvati Hill in Pune. In the center, there is an 18th-century temple of Lord Ganesh, whi...

Traditional smelting of metal ores requires carbon and high temperature to carry out so-called carbothermal reduction, t...
01/05/2023

Traditional smelting of metal ores requires carbon and high temperature to carry out so-called carbothermal reduction, to produce molten metal. In modern times this is accomplished by the combustion of coke, a nearly pure carbon made from coal. Traditional smelting used charcoal, a carbon product from much more widely available wood. In the early days of the mining rush in the American West, charcoal was used widely for smelting because transportation was rudimentary while scrub vegetation and forests were abundant.

Hence, charcoal manufacture became a widespread activity. Typically, beehive-shaped kilns made of local stone were used. The kilns were charged with raw wood, which could include scrub and slash that otherwise were useless. Once the kiln was full, the charge was kindled and the openings were sealed. The charge was left to smolder for about a month, at which point the kiln was allowed to cool and then carefully opened. The finished charcoal could then be loaded. The kilns were located near the wood source; it was much cheaper to ship the finished charcoal than the raw wood, particularly in an era of primitive freight transportation.

These remote kilns are among the best-preserved representatives of their kind. The workmanship is extraordinary; the arch over the lower portal on the best-preserved kiln (the one nearest the parking area) is just in stone. It's not reinforced with a metal beam, as is common elsewhere. These artisans were professional stonemasons.

The market for the charcoal was the smelters in Pioche and Bullionville, about 20 miles west. When the smelters in Bullionville finally closed in the 1890s, the kilns shut down too.

Traditional smelting of metal ores requires carbon and high temperature to carry out so-called carbothermal reduction, to produce molten me...

This story was originally published on The Conversation and appears here under a Creative Commons license.Ever since the...
01/05/2023

This story was originally published on The Conversation and appears here under a Creative Commons license.

Ever since the ancient Romans decided to honor the agricultural goddess Flora with lewd spectacles in the Circus Maximus, the beginning of May has signaled the coming of spring, a time of revival after a long, dark winter.

In Europe, the holiday—usually celebrated on May 1—became known as May Day. Though traditions varied by country and culture, celebrants often erected maypoles and decorated them with long colorful ribbons. Townspeople, while indulging in food and drink, would frolic for hours. These rituals continue today in parks and on college campuses across the U.S. and Europe.

Throughout history, millions have embraced the holiday—except for the Puritans of early modern England. Though we tend to lump them together, the term “Puritans” included different groups of religious dissenters. Among them were the Pilgrims, who eventually decided to migrate to North America to create new communities according to their religious vision.

It is tempting to attribute the Pilgrims’ hostility toward the holiday to the doom-and-gloom stereotype of the Puritans as humorless and overly pious—the same tendencies that led them to ban Christmas festivities. But their attack on a maypole in Plymouth Colony in 1628 reveals much about their approach toward those who didn’t conform to their vision for the world.

Before they arrived in New England, some Pilgrims must have read the diatribe against May Day penned by a moralist named Philip Stubbs, who lamented the mayhem that erupted in communities across England each year as the holiday approached.

Stubbs described how eager participants would select one of the men among them to be the “Lord of Misrule,” who then led them into pits of debauchery. They would sing and dance in church, much to the consternation of devout ministers. And the participants in these rites always dragged a large tree from a nearby forest to be erected in the town, which became a symbol of their irreligious behavior.

But most in England didn’t see the holiday in such a poor light. For many, these maypoles simply represented raucous, good-natured fun. King James, who reigned from 1603 to 1625, believed that erecting such poles was “harmless” and he castigated Puritans’ efforts to quash the holiday.

In England, Puritans needed to abide by national laws, so there was little they could do to stop the celebrations outside of voicing their disapproval. More effective protests would need to wait.

Once in New England, the Puritans believed they needed to be exemplars of proper Christian behavior. Everyone in their towns had to abide by their rules, and they punished colonists whose actions seemed to undermine devout religious practice.

As the future governor of the Massachusetts Bay Colony, John Winthrop allegedly declared the Puritans would build their “city on a hill.” Citing language from the Book of Matthew, he claimed that all of the Puritans’ actions would be visible to the entire world, including—most importantly—their God. Any departure from strict obedience to Scripture could threaten their entire mission.

The Pilgrims established their community of Plymouth on the site of the Wampanoag town of Patuxet in 1620. In the years that followed, other English migrants arrived in the region, though many eschewed the Pilgrims’ strict teachings. They came to make money from trading, not escape persecution for their beliefs.

In 1628, the colonists set up an 80-foot maypole crowned with deer antlers.

A small group of these colonists moved about 25 miles northwest of Plymouth. A lawyer named Thomas Morton, who had arrived in New England in 1624 or 1625, eventually became the unofficial leader of this camp, which came to be known as Merrymount. In 1628, with Morton’s blessing, the colonists set up an 80-foot maypole crowned with deer antlers in preparation for May Day.

The maypole immediately drew the attention of Plymouth authorities. So did Morton’s antics. According to William Bradford, then the colony’s governor, Morton had become the “Lord of Misrule.” The assembled at Merrymount sang b***y songs and invited Native American women to join them. The colonists in the small community, the governor wrote, had “revived and celebrated the feasts of the Roman goddess Flora,” which he linked to “the beastly practices of the mad Bacchanalians.” Morton was running, in Bradford’s words, “a School of Atheism.”

Bradford claimed that Morton and his followers had fallen “to great licentiousness” and led “dissolute” lives. Rather than allow them their fun, the Pilgrims sent a group of armed men to arrest their leader. Soon they exiled Morton back to England.

The next year, John Endecott, a recent immigrant who shared many of the Pilgrims’ beliefs, chopped down the maypole, much to Bradford’s satisfaction.

Why, one might ask, would it matter that stern Puritans would want to quash a good-natured holiday? After all, given many of their other actions, felling a tall tree topped with deer antlers hardly seems worth mentioning.

But as a historian of early New England, I see Bradford’s condemnation of Morton and the destruction of the maypole as a harbinger of future violence. When they chopped down the maypole, the Puritans believed that they were cleansing the landscape, making it more suitable for pious colonists to occupy. It was their way of demonstrating that they could live up their ideals.

Since they believed in predestination, the conviction that everything that occurs is part of a divine plan, they must have figured that God had sent Morton to test them. By exiling him and destroying the maypole, they confirmed what they saw as the righteousness of their cause.

A decade later, with tensions rising between colonists and Indigenous people, the Pilgrims of Plymouth, along with the Puritans of Massachusetts, saw themselves confronting a new test. This time the threat came not from a maypole, but instead from a Native American community that seemed, as Bradford wrote—using language that echoed his condemnation of Morton—“proud and insulting.”

The consequences in 1637 were far worse than at Merrymount. The colonists set a Pequot town aflame and shot those who tried to escape. Historians estimate that at least 400 Native Americans lost their lives in a single night.

Like other English colonizers, the Pilgrims believed they needed to displace Native Americans to create their own communities. But before they did so, they had to get their own houses in order. They could not tolerate any who crossed them, attacking those deemed a threat.

Colonial leaders like Winthrop and Bradford believed any sign of disobedience had to be punished. Clearing Merrymount of its maypole was a dress rehearsal for what was to come.

Peter C. Mancall is Andrew W. Mellon Professor of the Humanities at USC Dornsife College of Letters, Arts and Sciences.

This story was originally published on The Conversation and appears here under a Creative Commons license. Ever since the ancient Romans...

Here at Atlas Obscura, there’s nothing we love more than sinking our teeth into some blood-chilling tales. Give us swamp...
01/05/2023

Here at Atlas Obscura, there’s nothing we love more than sinking our teeth into some blood-chilling tales. Give us swamp monsters and witch caves any day, truly any day. We don’t want to have to wait around till Halloween for an excuse to delve into spine-tingling stories. So as the days grow longer and the flowers bloom, we cling to the shadows offered by some of our favorite seasonal scares. This is the Rites of Spring.

As the sun beats down, we’ll travel to the jungles of Sri Lanka teeming with illness-causing demons, Kenya’s grasslands where possessed “night runners” tear through the dark, and Australia’s outback where sharp-clawed creatures devour children whole. You’ll learn about Tennessee’s shape-shifting Bell Witch, Patagonia’s long-necked cryptid, Norway’s evil violin-playing water spirit, and much, much more.

As fires roar and flower-crowned May Queens dance in ancient festivals, we at Atlas Obscura celebrate the only way we know how—by sharing some startling tales. We hope you’ll join us as we uncover just what horrors lurk in the dark, even in this season of lengthening days.

Here at Atlas Obscura, there’s nothing we love more than sinking our teeth into some blood-chilling tales. Give us swamp monsters and witch...

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