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20/10/2022

Upgraded customization from Warcraft 3. Champs TD review

Tower defense inspired by custom crafts from the classic game.

The game is declared for the Windows platform.

plot

Absent.

GAMEPLAY

The gameplay is a classic Tower Defense with modern chips.

At the beginning, we will have a little training. Here they will teach you how to place turrets and develop them inside the mission. Everything is as simple and clear as possible.

Part of the tutorial.
Part of the tutorial.
After training, we get into the local world. It consists of 15 levels divided into three groups with different basic difficulty. First you will have to overcome simpler locations, this will give access to more complex ones.

Noob possibilities.
Noob possibilities.
Each of the 15 levels itself, in turn, has four gradations of difficulty. More rewards are awarded for passing more serious tests. And, as usual here, access to complex content opens after passing a simple one.

Variations of difficulty within the level.
Variations of difficulty within the level.
The levels are fairly simple maps in which enemies come down from one portal, and we need to defend the other by building towers. For killing opponents, they give gold, for it we build and pump (inside the race) our buildings. Classic.

Fight-fight-fight.
Fight-fight-fight.
The hero builds buildings under our control. It is also pumped over time. For a set of experience, the construction of new types of towers is made available (there are eight in total, they open quickly) and provide resources for global development.

The hero only builds - he is useless in battle.

Our unit is sitting in the bushes below.
Our unit is sitting in the bushes below.
Quite an interesting and unusual feature for the genre is that the enemies, at the same level with the same difficulty, attack completely different. That is, there are no two identical battles (at least formally, since the layout of the towers is always about the same).

There are a lot of types of enemies and they can have special properties, for example, regeneration of health, increased protection or be flying. There are powerful boss units that also attack in groups.

Powerful spiders.
Powerful spiders.
For overcoming the level, we get a reward in crystals. They will be useful to us for global development.

The global pumping tree.
The global pumping tree.
There are also alternative pleasant ways to get crystals - performing dynamic tasks that can be tracked in the start menu and completing achievements.

Achievements.
Achievements.
Quests are in the middle on the right.
Quests are in the middle on the right.

WHAT DID I BRING WARCRAFT 3 TO?

The drawing styles are similar, although the enemies and towers are original. The cursor controls the hero when we tell him to move - very similar. When a tower is placed or the hero's level rises, a characteristic golden glow appears above them.

In general, nostalgia is present.

Consider the pros and cons of the game, let's summarize.

pluses:

+ Simple but nice graphics.

+ Good sound (note - not musical) accompaniment

+ Quite a lot of types of locations and a car of complexity options.

+ There are random enemies at each level, many types of enemies.

+ There are quite a few types of towers.

+ A good system of pumping towers both inside the race and globally.

SOMETHING THAT CAN BE BOTH A PLUS AND A MINUS:

+- You will have to grind unrealistically a lot to unlock all the improvements of all the towers and go through difficult difficulties. As for me, in this case, this is a plus. In addition, there is a time accelerator inside the level for the most impatient.

minuses:

- There is no Russian localization of at least the text. The required level of knowledge of English is minimal. If you have experience playing TD, then everything is pretty standard.

- No music. Or I didn't understand how to turn it on. A serious joint.

- When an aura tower is put up, it does not transform the area very beautifully.

Two auras - to reduce this yellow glow.
Two auras - to reduce this yellow glow.
conclusions

The game lacks stars from the sky, but is a decent tower defense with the addition of modern elements (global development, achievements, quests). In addition, it can play on the nostalgia of those who liked to play custom TD based on Warcraft 3.

Something like that. It's nice to win.
Something like that. It's nice to win.
PS: Probably did not disclose all aspects, could have missed something. I will be glad to supplement/ correct the review or answer questions in the course of communication in the comments.

PPS: Steam game page.

Have a good game to everyone!

20/10/2022

Falling into childhood

I think almost all readers have seen a couple of series of pokemens, bakugans, digimons and other animeh, the essence of which is very simple. There are many magical creatures in the world and the main character needs to collect them all. Pokemon games have been around for twenty years, so many people have already tried on the role of hunters of virtual animals.
But what if you've never had a Nintendo console, but you want to get a similar experience?
Then let's talk about Ni no Kuni: Wrath of the White Witch.

The tie-up of the game is as banal as it is tragic, during the testing of his friend's invention, a boy named Oliver turns around and falls into the river, from where his mother pulls him out, after which she dies due to poor health. But after a while, his favorite toy comes to life and says that it's time for them to return to the parallel world to save his lands from the evil wizard Shadaar.

In general, there seem to be two worlds here, a real one in the city of Motorville, and a magical one. And the concept is that in both worlds there are the same people, that is, each person has a reflection in the other world and if something happens to one of them, then the second also becomes bad (or good). But in the real city we will only be in the prologue and a couple of times in the plot, so the topic with these reflections exists for no clear reason and this is only one of the strange quirks of the local plot.
In general, I want to say that the story here is purely nominal, as for me it misses too many interesting topics and develops very linearly. Well, I don't care in principle, you shouldn't expect anything abstruse from such a game, but the characters who communicate deliberately cliched, either immerse you in the atmosphere of a children's fairy tale, where such dialogues are appropriate, or you turn off the game.

In addition to Oliver and his animated toy, Mr. Whimper, there will be two more members in our party: a kind girl, Esther, and a rude teenager (?) Svein.

Well, in fact, this is their whole characterization, Oliver does not have any pronounced character and all he wants is to find a reflection of his mother in another world, simultaneously doing all sorts of good things. The other two characters of the campaign were specially made by opposites so that they had at least some chemistry, but the coolest is, of course, Mr. Whimper, this elf now and then pours all sorts of barbs, irony and clearly does not like to keep his mouth shut, and his voice... you know the very fact that the toy talks in a rough voice of a 40-year-old man is already capable of causing some laughter.

But still they perform their function, and perfectly complement the world. Oh yeah, the world here looks really unique. To begin with, it is worth saying that the anime inserts that periodically appear during the game were made by the studio. So the local style is based on the works of Miyazaki.

Not to say that it looks like one in one, but the continuity is visible. Such a visual is ideal for children's play, which Ni no Kuni is. All that simplicity of the characters and the directness of the plot is specially sharpened for a children's audience, well, or rather for a kind of fleur of a children's fairy tale.

Graphon is a C grade, but the styling is good
Graphon is a C grade, but the styling is good

But this does not mean that the authors have done everything to f**k off for stupid children. For example, the hero has a "diary of adventures", and even one of them can see how much effort and love the developers have invested in this project. Gorgeous stylization, a bunch of descriptions of enemies with fancy names (the translators did their best here), some poems, descriptions of locations, and all this is not presented with dry facts, but colorfully described, as if this diary was really made up by a child.

So okay, we've sorted out the entourage, but what about the gameplay? Firstly, this is a classic JRPG with all the consequences: a variety of pumping, limited consumables, cooking, etc., but adjusted for familiars. Initially, we have only one creature that we can use in battles. As the game progresses, we will have the opportunity to tame other opponents, and as a result, up to three familiars can be used in one battle. And yes, almost all creatures here can be tamed.

During the battle, you and your familiars have one health for all, and Svein and Estelle will also fight with you, who also have three familiars and unique abilities. Oliver can cast magic, Estelle can tame, and Swain can steal items.
Apart from free walking, we have indirect control of the battle, in the form of giving orders. That is, we cannot evade or attack ourselves.

Lelouch of Britain commands
Lelouch of Britain commands
There is some charm in such an action game, but it gets bored quickly enough, but we are not playing here to have fun, but to COLLECT ALL the FAMILIARS AND PUMP THEM the MAXIMUM LEVELS. And if you pursue such goals, then my condolences, because it will take at least 200 hours to pump all the familiars. Although if you just have a desire to collect all the familiars, then you can keep up to a hundred.

But a separate topic is pumping. All characters and creatures have three slots of equipment, but familiars can also be fed a little, pumping them stats with affection.

True, the animation of feeding is straight very bad, it quickly sets
True, the animation of feeding is straight very bad, it quickly sets
But here is the main pumping... this is a tin of course. In short, familiars, like Pokemon, have several phases, and fighting with a familiar "in hand", he gains experience and when he reaches a certain level, he can evolve into the next phase. While losing the entire accumulated level. So you understand the level of grind? In total, the familiar can evolve twice, the first time it just becomes an enhanced version, and the second time you can choose one of two versions. And I wouldn't say that it's very easy to farm levels here, I went through the whole game with the most basic familiar and I don't even have the maximum level! Which is undoubtedly somehow wrong.

Familiars have different abilities
Familiars have different abilities
Since the world is open, we have additional activities that we can find in guilds, as a rule, this is a task to fill up another monster or bring something. And there are also such things as "benefactors" in the game, we can wear one benefactor of each kind, asking them from people who have a lot of this benefactor, that is, very self-confident or insanely kind. But in fact it's just running around ala "give bring" and it seems to me that anyone will be steamed up to constantly rush back and forth just to complete the quest.

Virtues aka stuffy s**t 
Virtues aka stuffy s**t
Later we will have a pot in which you can shamanize various weapons, improved treats and other useful things, which undoubtedly simplifies the local grind a little. Well, and a couple more activities in the form of an arena and a casino. Posmetrny casino.

But I'm not 18... or is it all because I'm DEAD INSIDE?!
But I'm not 18... or is it all because I'm DEAD INSIDE?!
Summing up, I can say that Ni no Kuni is an amateur game, I don't know how much it can be given to children, it's still a jrpg, but if you like the atmosphere of a children's fairy tale, flat characters, and a simplified action game that depends only on the grind, then this is definitely your choice.

19/10/2022

Thoughts about the Dark Universe. Part I. The life and death of monsters.

Only those who have known the horror of the night can understand the sweetness of the morning.
Bram Stoker
Greetings, dear reader. Today, every major studio in cinema wants to have its own pocket cinema universe. MARVEL, DC, Kong with Godzilla, even Fast and Furious already has a spin-off. However, the start of this was laid back in the 30s of the last century. Let's go back in time and go through the main films of the dark universe and find out where it all started…

Dracula, 1931

Yes, I think you already know that technically this is not the first film adaptation of Bram Stoker's novel. There were several more lost tapes, as well as the German "Nosferatu. Symphony of Horror" in 1922. But all of them were filmed without the right to film the book. Unlike the Todd Browning tape. Although it is not a direct adaptation — the film is based on the 1924 play by Hamilton Dean and John L. Balderston, because it is very different from the original book. You, the reader, of course know this movie and have at least seen footage, excerpts and parodies of it. Dracula was played by actor Bela Lugosi. He did not use makeup, including fangs, but the image has become so canonical that even now, at the mention of Dracula, an aristocrat in a cape with a European accent and a gaze appears in the imagination.

Even if you haven't watched the movie and don't know who this Bela Lugosi is, you've definitely seen this costume. There are many plot differences with Stoker's novel, but it was in this film that the classic confrontation between the count and Professor Van Helsing, played by Edward Van Sloan, was first shown on the screen. The success of the film gave rise to the so—called "Universal Monster Universe", which, among other things, included the Mummy, the Wolf Man, Frankenstein and other friends of yours.

Everyone would like such a professor
Everyone would like such a professor
And another funny fact: in 1931, two versions of the film "Dracula" were shot simultaneously. English—speaking, filmed during the day, and the second - Spanish-speaking, which was filmed in the same scenery, but at night, trying to repeat the filmed scenes of the main version. The role of the "Spanish" vampire was played by Carlos Villarias. In those days, many studios produced films in this way. When the Spanish Dracula came out, it was quickly forgotten against the background of its older brother, but many years later — in 1992 — it was released on VHS media. Now these two versions are not rarely compared.

And who do you like best, reader?
And who do you like best, reader?

The film had several sequels, but Bela Lugosi played the famous vampire again only many years later in the comedy Abbott and Costello Meet Frankenstein.;
The film had several sequels, but Bela Lugosi played the famous vampire again only many years later in the comedy "Abbott and Costello meet Frankenstein"
Lugosi has played in many films, including other films about monsters from Universal, but it was the role of Count bloodsucker that became the main one in his career and, in fact, the only one for which the mass audience knows him. And he knew it. He understood it so well that he ordered to bury him in the character's costume. What for? Well, at that time the suit looked stylish. And even Christopher Lee, the next major actor who embodied the role of Dracula, received Lugosi's blessing and a copy of his ring, which he wore in the films.

Now the film doesn't look the same as before, which is quite normal and obvious, yet it is 90 years old. The images are simple, the actors play theatrically, and the plot is predictable. However, many shots have become iconic and in modern works you can see a bunch of homages to Browning's film. The atmosphere and lampiness of black-and-white cinema feels very good here. This movie won't take much time, so you can get acquainted for the sake of interest.

Frankenstein, 1931

After the success of the European vampire in the same 1931, James Whale's "Frankenstein" with Boris Karloff as a monster was released on the screens. Although initially this role was offered to Bela Lugosi, which is a bit strange, but then the rules of Hollywood were different. Like the studio's previous horror film, this one is based on a play, not Mary Shelley's original 1818 novel. This play was written by Peggy Webling. Of course, there are many differences, but this time they have become no less canonical. It was here that the classic design of a heavy and tall Creature appeared, as well as a hunchback helping Dr. Henry Frankenstein (although his name here is Fritz, not Igor). And the scenes in the castle, the mountains and the mill are wildly atmospheric.

This time there was more makeup. As much as 24 kilograms
This time there was more makeup. As much as 24 kilograms

In addition, the idea of a criminal's donated brain also appeared in this film. And now, my well—read friend, tell me - how exactly was the creature revived? Lightning? This element of the story also appeared in this film, whereas in the novel the process of reviving a co**se is omitted. Well, we must not forget about the iconic phrase "IT'S ALIVE! ALIVE!». And the makeup and visual image of the monster, created by Jack Pierce, is patented.

This film is also known for the attacks of the censors of those times. Somewhere it was banned, somewhere it was required to cut so many scenes that the timing was halved. The reason for this was the cruelty and blasphemy that are found in all adaptations of this story. One of the popular episodes that came under censorship was the moment when the monster meets a girl who is not afraid of him and starts playing with her. But during the game, the Creature accidentally drowns the girl in the lake. Because of the monster's reaction to the game and to his act, it can be understood that he is more of a danger than an evil, which is a very important theme of the film. But then this scene caused a heated debate, was cut out and was considered lost for a long time. But times have changed, mores have changed too, and now the film is available in its original form.

Thus, this film had a huge impact on the character and the story, adding elements to it that now seem integral. And, as is customary, the film has released many sequels and spin-offs, one of the most famous was "Bride of Frankenstein".

The Mummy, 1932

A year after Frankenstein, Karl Freund releases a Mummy from the sarcophagus. Her role was played by Boris Karloff, who has already embodied one monster. The script was written based on the novel by Nina Wilcox Putnam and Richard Shyer. It was remade for Egypt, because at that time the audience had an increased interest in this setting against the background of the opening of Tutankhamun's tomb. The plot later became a classic: the ancient Egyptian priest Imhotep comes to life after almost 40,000 years and is looking for the reincarnation of his girlfriend Anksenamun.

Imhotep looked terrifying even before his "hibernation" in the form of a mummy
Imhotep looked terrifying even before his "hibernation" in the form of a mummy
In some scenes, "The Mummy" refers to or even copies "Dracula" from 1931. Perhaps this is due to the fact that for Karl Freund it was his debut work as a director, before that he worked as a cameraman, including on the film about the vampire count. But this did not prevent this Universal horror from becoming a hit and subsequently a classic, and 85 years later a remake of this particular film will try to open the Dark Universe (patience, we will reach it faster than in 85 years).

The makeup was again handled by Jack Pierce

Also, you, an attentive reader, are most likely familiar with the remake of this 1999 film starring Brendan Fraser and managed to notice that the plot repeats itself in many ways. However, Stephen Sommers' film has moved away from horror towards an action adventure. But we'll talk about him later.

The Invisible Man, 1933

For the third year in a row, a film has been released that is becoming a classic. This time, James Whale revealed the Invisible Man to the world. The film is based on the novel of the same name by H. G. Wells. The main role of Jack Griffin was played by Claude Rains, although Boris Karloff was also considered for it. In comparison with the story, the number of murders has increased, a love line has appeared, many new characters have been added, the scope of events has grown, and the main character has received a name. But the main backbone of the story remained the same: a scientist discovers a way to become invisible, tries it on himself, and in an attempt to return everything as it was, he goes crazy and decides to take over the whole world. Classic.

I wish such a guest to every home

Special effects should be a separate topic. At that time it was something on the verge of fiction. The disappearance and removal of bandages now does not look so cool, but in 33 it was certainly brain-blowing.

Interesting fact: this film was the first to be dubbed in the USSR. The work took about a year.

Play
The Wolf Man, 1941

10 years after the beginning of the monster movie series, a new player appears in this field of horror — the Wolf Man by George Waggner. Lon Chaney Jr. embodied shaggy on the screen. The main character, Larry Talbot, comes home to Wales, meets a girl, meets gypsies, one of whom turns out to be Bela Lugosi, gets bitten by a wolf and becomes a werewolf. Although the original idea was more like a psychological thriller, since the werewolf did not appear on the screen, and his very existence was not confirmed.

Jack Pierce was responsible for the makeup again (if anything, he is on the right)
Jack Pierce was responsible for the makeup again (if anything, he is on the right)

For its time, this is a good film, which presents a new spectacular monster, shows the transformation from a man into a werewolf. It was not a small plus that Larry can be empathized with, because he suffers from his curse, unlike the same Dracula or Griffith. And the end of the character is very tragic. If you close your eyes to the continuations.

And this movie boasts special effects

19/10/2022

Утиные сказки: Быть или Ремастеринг?

Когда-то давно у него ничего не было. Родился в обычной рабочей шотландской семье. Денег едва хватало на самую дрянную еду. В десять лет устроился в обувной салон. Зарабатывал немного, но всегда, несмотря на свой юный возраст, стремился к чему-то большему. Тогда-то фортуна услышала его и подарила шанс.

Клиент обувного салона за блестяще вычищенные сапоги, заплатил юнцу десять американских центов. Монета была неплатёжеспособна в Шотландии, но непосредственно она сподвигла выйти из сложившейся зоны комфорта и эмигрировать в США. В Страну Возможностей. Именно в Америке юный эмигрант начал медленное восхождение к первому миллиону. Постоянно действовал, двигался, менял окружение. Ему даже пришлось поработать старателем на Клондайке во времена «золотой лихорадки». Однако, в итоге он сколотил огромное состояние в десятки, тысячи миллиардов долларов, занимал первые строчки в журнале "Форбс", занимал первые строчки в журнале.

Думаешь, не бывает такого? Предполагаешь, что фортуна не улыбнётся тебе? А вот и нет. Я – единственный ученик эмигранта из Шотландии, добившегося успеха, протягиваю тебе счастливые «десять центов» в виде приглашения на мой закрытый невебинар. Поторопись, ведь количество бесплатных мест ограничено. На невебинаре я – Чиззи фиолетовая борода, расскажу и наглядно покажу два действительно рабочих бизнес-плана от самого Скруджа Макдака. от Утиные сказки от Утиные сказки: Ремастеринг, после чего ты сможешь самостоятельно сделать свои первые шаги навстречу миллиону.

Следует сразу оговориться, что, неожиданно-неожиданно, спойлеров планируется огромное множество. Для удобства повествования, да во избежание путаницы мы пройдёмся по двум приключениям Скруджа Макдака одновременно, с их начала до самого конца. При этом коснёмся, исключительно, различий, не углубляясь в детальное описание игр. Обзоров, что оригинальной Утиные сказки, хватает в Интернете и без меня Ремастеринг, хватает в Интернете и без меня. Поэтому не будем перепечатывать сто раз переработанную копирайтерами информацию, а перейдём сразу к мякотке.

"Утиные сказки". Зачем? Ведь увлечённый игрок сам во всём разберётся. "Утиные сказки: Ремастеринг", целью которого является обучение геймера.

По сюжету братья Гавс, косплея агентов Смитов, многочисленной ордой врываются в баблохранилище Скруджа. Игроку, разумеется, в роли пернатого олигарха предстоит в срочном порядке избавиться от назойливых преступных элементов. Пока Гавсы не стали самыми богатыми псами Дакбурга. в отличие от оригинальной, "Утиные сказки".

Теперь Скрудж путешествует по миру не просто так, желая получить новую дозу термоядерного адреналина и попутно по возможности обогатиться, а по карте сокровищ, найденной им после победы над братьями.

В ходе прохождения игры мы не только узнаем незамысловатую историю, сюжетно склеивающую между собой уровни, но и мотивы ненависти боссов к Скруджу, появление второстепенных персонажей, да многие другие необязательные факты, нацеленные на фанатов мультсериала.

Упоминая повествовательную часть ремейка, нельзя умолчать о нюансе, взбудоражившем геймеров во время выхода игры. О, так называемом, чревовещании. Персонажи в кат-сценах общаются между собой, не открывая рта (ну, или клюва, как вам удобней). Подобное настолько показалось некоторым игрокам отвратительным, мерзким, ужасным, из-за чего сил молчать у них просто не было. Интернет, буквально, завалили негативными статьями, обвиняющими разработчиков за отсутствие липсинга. (Это ведь так называется, верно?)

Сейчас же, спустя значительное количество времени, о чревовещании все позабыли. Поутихли. Хотя ор был выше гор, как говорится. Ну, да ладно. Вернёмся к похождениям Скруджа.

С первых секунд игры ценители оригинальной версии заметят незначительные, но всё же изменения. Во-первых, на паузе или в главном меню появилась возможность выбрать удобный способ активации трости. Старый – одна из кнопок вместе с управлением на крестовине, или же новомодный, заключающийся в нажатии только на клавишу.

Вторым изменением является полное отсутствие таймера. Теперь геймер волен сколько угодно бродить по уровням, выискивая секреты. Хотя... здесь вмешивается третье изменение, не позволяющее особо разгуляться, а именно - карта. С её помощью легко обнаруживаются все тайники... Хех, данное упрощение, на мой субъективный взгляд, выглядит весьма сомнительно. Пропадает всякий интерес искателя сокровищ, азарт, коим наполнен оригинал.

После победы над братьями Гавс геймера не выбрасывают за пульт большого компьютера для выбора очередного уровня. Нет. Разработчики ремейка оставляют Скруджа в его главном офисе, радушно позволив насладиться маленькими радостями зажиточного селезня.

Игроку дозволено пройти в галерею, в которой за собранные денюжки можно купить различные арты, рисунки и мелодии, связанные с «Утиными историями». И уж поверьте, чтобы приобрести всё - необходимо пройти ремейк ни один раз. Помимо шопоголизма, геймер сможет исполнить тайное желание детства. Прыгнуть в золото с трамплина, всплыть на гребне драгоценностей, нырнуть вглубь бесценных жемчужин.

По ходу прохождения игры в золотохранилище будут появляться призовые сокровища, которые Скрудж отберёт у побеждённых боссов. Что, в принципе, и логично.

Накупив артов в галерее, поплавав всласть, геймер, наконец, переходит к выбору уровня. Амазонка, Трансильвания, Африканские копи, Гималаи и Луна. Не будем ходить вокруг, да около. Начнём с Амазонки.

Первое, что бросается в глаза, так это поразительное сходство многих мест. Отдельно взятые кусочки местности из ремейка являются, практически, копиями классической версии. Даже враги выходят точно с таких же позиций... Враги, ах, да. Здесь вышла небольшая оказия. Ошибочка, намекающая, видимо, на нетерпимость разработчиков к гориллам.

Вот, что это? Большое несуразное тело и ма-а-а-ленькая голова. Что за мохнатый уродец? Сравните с гориллой в оригинальной игре. Статное мускулистое мощное животное, всем своим видом вызывающие уважение. Трепет. Сразу видно: перед нами царь джунглей, а не его блеклая ремейконутая тень.

Забегая вперёд, скажу, что Утиные сказки: Ремастеринг славен расширением оригинальных уровней. Допустим, в Амазонке, был добавлен небольшой квест по поиску золотых монет. Необходимо их всех собрать, прежде чем Скрудж сможет лететь дальше с Зигзагом Маккряком.

Вторая часть Амазонки также претерпела значимые изменения. Перво-наперво, это коснулось секретного хода оригинальной версии, ведущего прямиком к боссу. При первом столкновении с аборигеном, можно было оттолкнуться от него на трости и подлететь вверх, за экран, ухватившись там за лиану. Затем - спокойно проследовав, Скрудж попадал на босса. В ремейке же: данный секретный ход сохранен, но только он ведёт прямиком к Миссис Клювдии, откармливающей игровыми вкусностями.

Очередным изменением, и я считаю, однозначно верным является «выпил» функции огромного тотема. В оригинальной версии скульптура требовала от Скружа денег за предоставление платформы, что было крайне неудобно. Конечно, обычно все обходили тотем простым триком. Вели до залы аборигена, а затем - оттолкнувшись от него на трости, взлетали вверх, к лиане, без какой-либо платформы. В ремейке же тотем не стали одушевлять. И теперь, геймеры, вспоминая классическую версию «Утиных историй», могут поквитаться с жадной скульптурой, разбив её вдребезги.

Гималаи. Уровень отсылает игрока прямиком к старому мультсериалу «Утиные истории». К серии под названием «Корона Чингисхана». Именно в ней Скрудж отправляется в снежные пещеры и встречается с их обитателем.

Отличий в уровнях хватает, в принципе, как и похожих мест. Но одним из самых ярких изменений в прохождении Гималаев является прикреплённый квест. Скруджу необходимо собрать запчасти для самолёта Зигзага, чтобы продолжить дальнейшее путешествие за сокровищами. Чем геймер и будет заниматься большую часть времени. В классической версии необходимо было лишь добраться до босса, да одолеть его. В ремейке же, собрав все части для самолёта, предстоит воздушное сражение с Гломгольдом, да братьями Гавс.

Помимо этого, утёнок Бабба получил более значимую роль. Если в классической версии он всего лишь ломал стену Скруджу, за которой находились сокровища, то в ремейке же пройти уровень без него невозможно. Кстати, касаемо второстепенных персонажей.

"Утиные сказки: Ремастеринг". Практически, каждого. За исключением самого Зигзага. Он будет постоянно находиться исключительно подле самолёта. Только возле своего крылатого железного друга. А не как в классической версии, сновать по уровням, подкарауливая Скруджа в разных закутках. Авось, Макдак соизволит вернуться домой в Дакбург.

Ещё одним значимым изменением на уровне Гималаи является второй дальний спуск в пещеры. В классической версии, данный проход хорошенько припорошен снегом и не оборудован верёвочной лестницей. Являясь, как бы секретным. В ремейке же - данный ход полностью открыт. Его явственно видно. Никакого снега, да и лестница веревочная есть, спускающаяся с небес.

Луна. Самое первое и главное изменение относится к основной задаче уровня. В классической версии Скрудж находит ключ, а затем - пульт для того, чтобы Уткоробот (Фентон Крякшел) смог разбить стену, препятствующую проникновению в пещеру. В ремейке же, геймер спасает самого супергероя, одновременно, собирая по космическому кораблю пришельцев его разбросанный по частям костюм. Результат, конечно, одинаковый. За одним-единственным отличием.

В классической версии Уткоробот появляется на пару секунд. Разбивает стену и мгновенно покидает экран. В ремейке же разработчики дают геймеру в паре с супергероем немного повоевать. Оттянуться по полной, задавая пришельцам хорошую трёпку.

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20/10/2022

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