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Sublime Cinema This page is a place for all people who love spiritual dimension of cinematic experience, i.e.

deeper psychological, philosophical and metaphysical aspects that define serious, truly perceptive, insightful and revealing artistic approach.

Kubrick on final scenes of “A Space Odyssey“ and “Shining“In his interviews, Stanley Kubrick  consistently refused to an...
20/05/2024

Kubrick on final scenes of “A Space Odyssey“ and “Shining“

In his interviews, Stanley Kubrick consistently refused to answer the questions about the meaning of the mysterious final scenes in his two masterpieces, “2001 : A Space Odyssey” and “The Shining”, stressing that it was up to the viewers to form their own interpretations and that any subsequent interpretation by the author would spoil their authentic impressions. But, nevertheless, there are some rare exceptions, where Kubrick agreed to explain what he meant with those highly intriguing endings. Here are excerpts from a 1980 phone call interview with a Japanese producer.
Q : Japanese people love your films, especially “2001 : A Space Odyssey“. But people are wondering what is the meaning of the last scene - you know, the old man who is lying on the bed, in that big room. Could you give us an answer ?
A : Well, I try to avoid doing this ever since the picture came out, because when you just say the ideas they sound foolish, whereas if they’re dramatized one feels it. But I’ll try. The idea was supposed to be that astronaut Bowman is taken in by godlike entities, creatures of pure energy and intelligence with no shape or form - and they put him in what I suppose you could describe as a human zoo, to study him. He spends his whole life from that point on in that room, and he has no sense of time. It just seems to happen, as it does in the film. And they choose this room which is a very inaccurate replica of French architecture, deliberately so. Inaccurate because one was suggesting that they had some idea of something that he might think was pretty but weren’t quite sure, just as we aren’t quite sure about what to do in zoos with animals, to give them what we think is their natural environment. And anyway, when they get finished with him, as happens in so many myths of all cultures of the world, he is transformed into some kind of super-being and sent back to Earth, transformed and made into some sort of superman. And we have to only guess what happens when he goes back. It is a pattern of a great deal of mythology. And that is what we were trying to suggest.
Q : I see. And could I ask you the same question about “The Shining“, the last scene ?
A : It’s supposed to suggest a kind of evil reincarnation cycle, where he [Jack] is part of the hotel’s history, just as in the men’s room, he’s talking to the former caretaker [Grady], ghost of the former caretaker, who says to him, “You are the caretaker ; you’ve always been the caretaker, I should know I’ve always been here.“ One is merely suggesting some kind of endless cycle of this evil reincarnation and, um, also … well, that’s it, and it's the sort of thing that I think is better left unexplained, but since you asked me I tried to explain.

• "A film is, or should be, more like music than like fiction. It should be a progression of moods and feelings. The the...
15/11/2023

• "A film is, or should be, more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning - all that comes later. The feel of the experience is the important thing, not the ability to verbalize or analyze it."
• "Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write 'War and Peace' in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling. The screen is a magic medium. It has such power that it can retain interest as it conveys emotions and moods that no other art form can hope to tackle."
― Stanley Kubrick

Liv Ullmann's excellent interview for Yugoslav TV (April 1980) - you can rarely see such deeply insightful and intellige...
25/10/2023

Liv Ullmann's excellent interview for Yugoslav TV (April 1980) - you can rarely see such deeply insightful and intelligent conversation between a famous movie star and perceptive journalist, especially nowadays. Liv is simply stunning here, with her radiant grace, warmth, spirituality, profoundness, brightness, soulfulness, vulnerability, tenderness and loveliness.

Лив Улман из серије То сам ја - Разговор Драгана Бабића са шведском глумицом, норвешког порекла, која је почела каријеру као позоришна глумица, а дебитовала ...

Scorsese on major movie franchises''The danger with major movie franchises is what it’s doing to our culture. Because th...
24/10/2023

Scorsese on major movie franchises

''The danger with major movie franchises is what it’s doing to our culture. Because there are going to be generations now that think movies are only those – that’s what movies are. They already think that. Which means that we have to then fight back stronger. And it’s got to come from the grassroots level. It’s gotta come from the filmmakers themselves. And you’ll have, you know, the Safdie brothers, and you’ll have Chris Nolan, you know what I mean? And hit ’em from all sides. Hit ’em from all sides, and don’t give up. Let’s see what you got. Go out there and do it. Go reinvent. Don’t complain about it. But it’s true, because we’ve got to save cinema.
Cinema could be anything, it didn’t just have to be serious. Some Like It Hot – that was cinema, for instance. But, I do think that the manufactured content isn’t really cinema. No, I don’t want to say it. But what I mean is that, it’s manufactured content. It’s almost like AI making a film. And that doesn’t mean that you don’t have incredible directors and special effects people doing beautiful artwork. But what does it mean? What do these films – what will it give you? Aside from a kind of consummation of something and then eliminating it from your mind, your whole body, you know? So what is it giving you?”

Woody Allen on cancel culture : "Well, you know, the human race has consistently behaved stupidly throughout history. Ca...
08/10/2022

Woody Allen on cancel culture :
"Well, you know, the human race has consistently behaved stupidly throughout history. Cancel culture is the stupidity of our generation. Time will pass, we will look back and it will happen to us as with the McCarthy era. We will be ashamed of it. And we'll say to ourselves, 'My God, did people really do that and accept it? That teachers and university professors be fired, that scientists be discredited, that actors be put on blacklists ?' People will take time to see it. Again, the example of McCarthyism serves, which was horrible in the US. Everyone was called a communist. 'If you listened to folk music - communist.' It turned into something laughable. And then people started seeing it. There are already many people who see cancel culture for what it is : an embarrassment."
("ABC Spain")

Sad news from France ... Jean-Luc Godard was one of the greatest directors in the history of modern cinema - a brave and...
13/09/2022

Sad news from France ... Jean-Luc Godard was one of the greatest directors in the history of modern cinema - a brave and trailblazing artist who created a new paths and new dimension of cinematic expression with his seminal works like "Breathless", "Contempt", "Alphaville", "Pierot le Fou", "Masculin Feminin", "My Life To Live", "A Woman Is A Woman", "Week End", "Band of Outsiders", "Every Man For Himself", and many others. A true artistic giant has departed to Eternity, but his groundbreaking works will always be a huge inspiration for generations to come.
https://www.lemonde.fr/en/obituaries/article/2022/09/13/jean-luc-godard-legendary-french-film-director-dies-aged-91_5996746_15.html

From the 1960s, Jean-Luc Godard was among those who pushed cinema's aesthetic and narrative limits while embodying the New Wave. The French-Swiss filmmaker died on September 13.

"Man is not a noble savage – he's an ignoble savage. He is irrational, brutal, weak, silly, unable to be objective about...
11/08/2022

"Man is not a noble savage – he's an ignoble savage. He is irrational, brutal, weak, silly, unable to be objective about anything where his own interests are involved. That about sums it up. I'm interested in the brutal and violent nature of man because it's a true picture of him. And any attempt to create social institutions on a false view of the nature of man is probably doomed to failure."
— Stanley Kubrick

IN MEMORIAM : Jean-Louis Trintignant (11 Dec 1930 – 17 Jun 2022)  Sad news from France ... Trintignant was one of the gr...
18/06/2022

IN MEMORIAM : Jean-Louis Trintignant
(11 Dec 1930 – 17 Jun 2022)

Sad news from France ... Trintignant was one of the greatest actors of his generation and main protagonist in many famous films. His work with legendary directors like Krzysztof Kieślowski, Bernardo Bertolucci, Claude Lelouch, Francois Truffaut, Costa-Gavras, Claude Chabrol, Roger Vadim, Eric Rohmer or Michael Haneke, left an indelible mark in the history of modern cinema. He had a special gift for darker, complex characters with unique depth and strength of emotions, which certainly contributed to the great artistic success of many movies in which he acted. Trintignant once said : "The best actors in the world are those who feel the most and show the least." And he certainly was an epitome of such mastery.

https://www.thewrap.com/jean-louis-trintignant-dies-91-conformist-z-amour/

The actor, filmmaker and race car driver worked with auteurs such as Costa-Gavras, Éric Rohmer, Francois Truffaut and many more

"This guy goes to psychiatrist and says : 'Doc, uh, my brother is crazy, he thinks he's a chicken.' And the doctor says ...
13/04/2022

"This guy goes to psychiatrist and says : 'Doc, uh, my brother is crazy, he thinks he's a chicken.' And the doctor says : 'Well, why don't you turn him in ?' The guy says 'I would, but I need the eggs !' I guess that's pretty much how I feel about relationships. They are totally irrational, and crazy, and absurd … but, I guess we keep going through it because, uh, most of us … need the eggs."
― from "Annie Hall" (Woody Allen, 1977.)

• "That’s essentially how I feel about life ... Full of loneliness and misery and suffering and unhappiness. And it’s al...
15/03/2022

• "That’s essentially how I feel about life ... Full of loneliness and misery and suffering and unhappiness. And it’s all over much too quickly."
• "I feel that life is divided into the horrible and the miserable. That's the two categories. The horrible are like, I don't know, terminal cases, and blind people, crippled. I don't know how they get through life. It's amazing to me. And the miserable is everyone else. So you should be thankful that you're miserable. Because that's very lucky to be miserable."
― from "Annie Hall" (Woody Allen, 1977.)

"Don't wait for things to get easier, simpler, better. Life will always be complicated. Learn to be happy right now. Oth...
10/02/2022

"Don't wait for things to get easier, simpler, better. Life will always be complicated. Learn to be happy right now. Otherwise, you'll run out of time."
― from "The Intouchables" (Olivier Nakache & Éric Toledano, 2011)

'Don't wait for things to get easier, simpler, better. Life will always be complicated.' Learn to be happy right now. Otherwise, you'll run out of time.'

- The Intouchables, 2011. ✨

Concise and inspiring insight by Francis Ford Coppola.
08/02/2022

Concise and inspiring insight by Francis Ford Coppola.

"Any biography that has to do with human relationships is a melodrama, and it is precisely for this reason that I think ...
31/01/2022

"Any biography that has to do with human relationships is a melodrama, and it is precisely for this reason that I think it is fair to make melodramatic films. The way in which Americans approach this genre of films conveys to the viewer only feelings, nothing more. I want to convey those feelings to the viewer, but giving them the possibility to reflect on them and analyze what they feel."
― Rainer Werner Fassbinder

"I've often noticed that we are not able to look at what we have in front of us, unless it's inside a frame."― Abbas Kia...
30/12/2021

"I've often noticed that we are not able to look at what we have in front of us, unless it's inside a frame."
― Abbas Kiarostami

"I think people talk too much ; that's the truth of the matter. I don't believe in words. People use too many words and ...
29/12/2021

"I think people talk too much ; that's the truth of the matter. I don't believe in words. People use too many words and usually wrongly. I am sure that in the distant future people will talk much less and in a more essential way. If people talked a lot less, they would be happier. Don't ask me why."
― Michelangelo Antonioni

Sadly, true.
12/11/2021

Sadly, true.

• "I despise stories, as they mislead people into believing that something has happened. In fact, nothing really happens...
28/10/2021

• "I despise stories, as they mislead people into believing that something has happened. In fact, nothing really happens as we flee from one condition to another ... All that remains is time. This is probably the only thing that's still genuine - time itself ; the years, days, hours, minutes and seconds."
• "I like the continuity, because you have a special tension. Everybody is much more concentrated than when you have these short takes. And I like very much to build things, to conceive the scenes, how we can turn around somebody, all the movements implied in these shots. It's like a play, and how we can tell something, tell something about life... Because it's very important to make the film a real psychological process."
― Béla Tarr

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