21/08/2024
Sandra Manninger's and my paper "Deep Mining Authorship" has been published in the CDRF Conference proceedings. Springer 2024. Thank you very much to Philip Yuan for hosting such an excellent event.
Here is a short excerpt from the introduction:
".....The idea of the author as a singular, autonomous figure gained further prominence in the 18th and 19th centuries with the emergence of romanticism and the cult of the individual. This period saw the rise of the idea of the artist as a genius whose works were the product of their own unique creativity and imagination. This idea was further reinforced by the rise of literary criticism, which focused on the interpretation and analysis of individual works and their authors. However, as Michel Foucault and other scholars have argued, the notion of authorship is not a universal or timeless concept, but rather a historically contingent and culturally specific one. Different societies and cultures have different understandings of authorship, and these have shifted over time in response to changes in technology, culture, and social values. As it stands now, authorship in its traditional form can hardly be applied in a context where automated collaborations provide more than 50% of the generated material. This is true for multiple art fields. Visual Arts (Mario Klingemann, Sofia Crespo, Memo Atken, Ooouch, etc.), Music (Dadabots, YACHT, HollyHerndon), Literature, etc. Very soon, this will also be true for Architecture......."
You can download the proceedings for free at the link below.
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Considering the emerging field of architecture and artificial intelligence, it might be necessary to contemplate the remodeling of the concept of authorship entirely. The invention of authorship is a complex historical process that can be traced back to the emergence...