Cambridge Journal of Visual Culture

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Cambridge Journal of Visual Culture The journal aims to reflect the dynamic and exciting spirit of the the discipline through an explora

Issue 3: Systems launch party confirmed! Details below, we hope to see many of you there! Date: Wednesday 23rd OctoberTi...
16/10/2024

Issue 3: Systems launch party confirmed! Details below, we hope to see many of you there!

Date: Wednesday 23rd October
Time: 6:30-8:00pm
Location: Crit Space, Scroope Terrace, Cambridge

Copies of the issue will be available for purchase at the event.

In conversation with Artistic Director Tim Etchells, Alex Velody discusses the Sheffield-based ensemble Forced Entertain...
04/10/2024

In conversation with Artistic Director Tim Etchells, Alex Velody discusses the Sheffield-based ensemble Forced Entertainment’s boundary-breaking ethos. From performing the entire works of Shakespeare using kitchen supplies to this year’s touring piece Signal to Noise, which utilizes AI to assist in performance, their innovative work has established the six-person ensemble as trailblazers of British theatre. This article uncovers their unconventional approaches as they celebrate their 40th year as a company.



Images: Courtesy of Forced Entertainment

In conversation with Sylvia Keck, French-Algerian artist Kader Attia explores his notion of ‘repairing’ the wounds of co...
02/10/2024

In conversation with Sylvia Keck, French-Algerian artist Kader Attia explores his notion of ‘repairing’ the wounds of colonialism and how it can be applied both theoretically and practically to museums. Attia also discusses these institutions as both repressive and liberating systems and how it can be possible to foster emotional connections to artifacts in the museum, a fundamentally sacred space.

.

Images: Courtesy of Thierry Bal.

In an interview with Ella Rowold Cavusoglu, Tekla Alsanishvili and Dr. Evelina Gambino discuss their 2022 video work A S...
30/09/2024

In an interview with Ella Rowold Cavusoglu, Tekla Alsanishvili and Dr. Evelina Gambino discuss their 2022 video work A State in a State. Straddling the boundary between documentary and film, the work explores railroads – particularly the Baku-Tbilisi-Kars railway – and investigates how such infrastructure reflects the legacies of the Soviet Union and its entanglement with the re-emergence and maintenance of political borders.



Image: Courtesy of Tekla Aslanishvili

In the upcoming issue of CJVC Davide Martino explores how early modern cartographers depicted not only the three-dimensi...
28/09/2024

In the upcoming issue of CJVC Davide Martino explores how early modern cartographers depicted not only the three-dimensional world but also the fourth dimension – time – in their maps. By representing both past and future water movements alongside physical land representations, such as floods and land reclamation, these hydrographic systems combined multiple temporalities into a single visual language, highlighting their significance as a diachronic projection.



Images: Courtesy of Ministero della Cultura, Archivio di Stato di Firenze and Stadsarchief Amsterdam.

Marketa Vasickova interviews multimedia artist and human rights activist Soheila Sokhanvari on themes of resistance, cit...
27/09/2024

Marketa Vasickova interviews multimedia artist and human rights activist Soheila Sokhanvari on themes of resistance, citizenship, and the intersection of science and art. They explore her recent exhibition We Could Be Heroes at the Heong Gallery and her powerful artwork Passports, which confronts systems that reinforce hierarchies of nationality and addresses the concept of ‘belonging’.



Images: Courtesy of Sohelia Sokhanvari

In the upcoming issue of Cambridge Journal of Visual Culture, Professor Deborah Howard explores how Venice’s unique arch...
24/09/2024

In the upcoming issue of Cambridge Journal of Visual Culture, Professor Deborah Howard explores how Venice’s unique architecture evolved in harmony with its environment and society. She examines how the city’s infrastructure adapted to both environmental and political systems, shaped by factors ranging from Venice’s soft lagoon mud foundations to its distinctive social and institutional practices.



Images: Courtesy of Giorgio Gianighian and Giorgio del Pedros.

Call for Artworks, Issue Two: Archives📌For issue two, we are gathering artworks that reflect on and react to the current...
12/02/2023

Call for Artworks, Issue Two: Archives

📌For issue two, we are gathering artworks that reflect on and react to the current discourses on archives.
We acknowledge the archive simultaneously as a tangible site, where memories are conserved and consequently historicized and a destructive inhabitation of other means of knowing.

📌Artists and practitioners are welcome to contribute anything they find would suit the theme. All mediums are welcome, you can find further submission guidelines in the link in bio.

📌Please send your artworks to [email protected], with ‘Art Submission’ in the subject of the email.

📌Deadline: 28th February 2023

We look forward to receiving your contributions!

Call for Submissions for [issue two] on ARCHIVES📎Essays, articles and criticisms should be 500-2000 words and ready-writ...
13/10/2022

Call for Submissions for [issue two] on ARCHIVES

📎Essays, articles and criticisms should be 500-2000 words and ready-written. We would encourage undergraduates to contribute to this category

📎Pitches for essays and interviews should be 200-250 words, and we will primarily consider postgraduate submissions

📎For Art submissions, please indicate the title, medium, dimension and any other relevant information alongside your piece, with an optional statement up to 300 words. We welcome artworks in any medium

📎For more information please see:
https://docs.google.com/document/d/1H1-cFKpo39-UnJm8mDZ0KqmkkYqjGTRks92gIiDgpb8/edit?fbclid=IwAR0v-uA6-kEE9gRTlw72fusJoO38ecD_hFvEa5SC2q0-LRjuDVxQc02twn4
looking forward to seeing your fabulous contributions

📎The deadline is 17th November. Feel free to get in touch via dm or email us at [email protected] if you have any questions!

Reminder that the deadline for applications is tomorrow 16th September! Please email all applications to cjvculture@gmai...
15/09/2022

Reminder that the deadline for applications is tomorrow 16th September! Please email all applications to [email protected]. More information about the roles and how to apply can be found here: https://docs.google.com/document/d/1e2SGR0hc05YVacXi3bKghtTBu7ZJT7w1Rn_8Wx380ns/edit?fbclid=IwAR1e-gdq1jQarHUL1Z1nbNEInZDWuI7-QxHMPcM9_Qz4HIB6Yj86ulDrJcc
Any questions or queries dm or email [email protected]. We look forward to hearing from you!

Call for Applications Cambridge Journal of Visual Culture is looking for new team members to join for the upcoming academic year (2022 - 2023). We welcome applications for the editorial team, publishing team and creative team. We are looking for both undergraduate and postgraduate Cambridge st...

Introducing the theme of our second issue: ARCHIVES.  We are looking for new team members with an interest in visual cul...
05/09/2022

Introducing the theme of our second issue: ARCHIVES.

We are looking for new team members with an interest in visual culture to join us for the upcoming academic year. Applications are open for editors, the creative team and the publishing team- both undergraduate and graduate applications are welcome. More information about the roles and how to apply can be found here:
https://docs.google.com/document/d/1e2SGR0hc05YVacXi3bKghtTBu7ZJT7w1Rn_8Wx380ns/edit?usp=sharingApplication
Deadline: 16 September 2022

Interested to contribute? We will be posting article submission guidelines in the coming weeks - so watch the space 👀

Any question drop us a dm or email [email protected]

Our first ever issue 'Spaces' has now been released. The Journal includes pieces from  founder Katy Hessel, the Guardian...
29/04/2022

Our first ever issue 'Spaces' has now been released. The Journal includes pieces from founder Katy Hessel, the Guardian architecture critic Rowan Moore, the Global Humanities Professor in History of Art (at the University of Cambridge) Clémentine Deliss and many others. If you would like more information or to buy a copy please contact us at [email protected]. Copies are £12 each, or £6 with a student discount they.

Featured articles:

'A Space for Alienation in the Everyday': an Interview with Sculptor Sophie Mei Birkin by Jess Raja-Brown.

How do we conserve spaces? Naomi Polonsky on preventative conservation in the New Hall Art Collection by Ursula Griffiths.

Comfort Position by Lottie Bentham.

'The freshness of first encounter': The New Library, Magdalene College by Marcus Waithe.

'The Art of Dividing Spaces: Imperial Interiors of Qing Dynasty (1644-1911) China by Dr Hajni Elias.

'A quest to understand what space is': in Conversation with Krijn de Koning by Lalie Constantin.

Logo Concept by Isaac Simmonds-Douglas. Cover design by Winnie Zhu. Journal design by Winnie Zhu and McKinney.

Photos by Winnie Zh

Thank you so much to everyone who came to our launch event last night and who bought a copy. We had a great time - it wa...
29/04/2022

Thank you so much to everyone who came to our launch event last night and who bought a copy. We had a great time - it was wonderful to finally show the Journal off to the world! Thanks again to all our wonderful contributors and committee who have made this journal possible.

Photos by Winnie Zhu

Three architectural spaces that we explore in this issueImage 1: Krijn de Koning view from above of ‘Des volumes et des ...
13/04/2022

Three architectural spaces that we explore in this issue

Image 1: Krijn de Koning view from above of ‘Des volumes et des vides’ (2018) St Nazaire, France (image artist’s own)
Interviewed by Lalie Constantin

Image 2: The New Library, Magdalene College, Cambridge
In an article by Marcus Waithe, edited by .jenkins

Image 3: New Hall Art Collection, Murray Edwards g interviews .polonsky on how we can conserve spaces

Our first issue is on the theme of SPACES…………..How has the pandemic forced us to recalibrate our relationship to public ...
13/04/2022

Our first issue is on the theme of SPACES
…………..
How has the pandemic forced us to recalibrate our relationship to public and domestic spaces?

How does art disrupt our preconceived notions of certain spaces?

How must be reconsider museum spaces through a decolonial framework?

Design by

The Cambridge Journal of Visual Culture is a new publication run by students of History of Art at the University of Camb...
13/04/2022

The Cambridge Journal of Visual Culture is a new publication run by students of History of Art at the University of Cambridge

Our first issue ‘Spaces’ is out 28 April

Graphics by .simmonds.douglas

We are moving the deadline for proposal submissions to the 15th September and we'd love to hear from you! The Journal ai...
07/09/2021

We are moving the deadline for proposal submissions to the 15th September and we'd love to hear from you!

The Journal aims to reflect the dynamic and exciting spirit of the discipline through an exploration of a broad range of visual culture from architecture and fine art to fashion and performance. The Journal will combine the contributions of academics with undergraduate and postgraduate work. We are also seeking a variety of perspectives and voices from artists and industry professionals.

Our theme for the first issue is ‘Spaces’.

We are looking for:

Long form essays (of 1000-2500 words)
Interviews
Reviews
Original artwork (which could include painting, drawing, printmaking, photography, video (using stills and QR codes))

Topics could include:

Fine Art
Conservation
Fashion
Art and Society
Performance
Architecture
Applied Arts
The Art World

However we are open to any interpretation of these topics and the theme!

The deadline for proposals is the 15th September. If your proposal is selected the first draft will be due at the start of October (exact date tbc). With final drafts by the 24th October (exact date tbc). We hope to publish by the end of Michaelmas term.

Please note submissions are only open to students currently studying at a university in Cambridge.

To submit your proposal or artwork please follow this link:
https://docs.google.com/.../1FAIpQLScwQU6TKnn.../viewform...

If you have any questions feel free to message this page or email us at [email protected].

Submissions are open for the Cambridge Journal of Visual Culture's first issue!The Journal aims to reflect the dynamic a...
26/08/2021

Submissions are open for the Cambridge Journal of Visual Culture's first issue!

The Journal aims to reflect the dynamic and exciting spirit of the discipline through an exploration of a broad range of visual culture from architecture and fine art to fashion and performance. The Journal will combine the contributions of academics with undergraduate and postgraduate work. We are also seeking a variety of perspectives and voices from artists and industry professionals.

Our theme for the first issue is ‘Spaces’.

We are looking for:

Long form essays (of 1000-2500 words)
Interviews
Reviews
Original artwork (which could include painting, drawing, printmaking, photography, video (using stills and QR codes))

Topics could include:

Fine Art
Conservation
Fashion
Art and Society
Performance
Architecture
Applied Arts
The Art World

The deadline for proposals is the 8th September. If your proposal is selected the first draft will be due at the start of October (exact date tbc). With final drafts by the 24th October (exact date tbc). We hope to publish by the end of Michaelmas term.

However we are open to any interpretation of these topics and the theme!

Please note submissions are only open to students currently studying at a university in Cambridge.

To submit your proposal or artwork please follow this link:

https://docs.google.com/forms/d/e/1FAIpQLScwQU6TKnnO3TU8tsDXspb7HsH7yB-vT266ebQL73Zn5JrKig/viewform?usp=sf_link

If you have any questions feel free to message this page or email us at [email protected].

Submissions are open for the Cambridge Journal of Visual Culture's first issue!The Journal aims to reflect the dynamic a...
26/08/2021

Submissions are open for the Cambridge Journal of Visual Culture's first issue!

The Journal aims to reflect the dynamic and exciting spirit of the discipline through an exploration of a broad range of visual culture from architecture and fine art to fashion and performance. The Journal will combine the contributions of academics with undergraduate and postgraduate work. We are also seeking a variety of perspectives and voices from artists and industry professionals.

Our theme for the first issue is ‘Spaces’.

We are looking for:

Long form essays (of 1000-2500 words)
Interviews
Reviews
Original artwork (which could include painting, drawing, printmaking, photography, video (using stills and QR codes))

Topics could include:

Fine Art

How much do you consider spaces in your appreciation of works of art and how far do you think it influences your understanding of them? We would like you to think about how much artists and curators work on space to craft our experience of fine art, but equally, how works of art themselves modify the perception of the space they inhabit? We encourage students to explore or question these issues in whatever direction they fancy.

Conservation

How can new technologies allow us to better conserve pieces of instillation art, historic monuments, historic interiors or wall paintings?
Instillation artworks often involve extensive interaction from members of the public, should we conserve these works of art to return them to their original state or allow them to show marks of these interactions? You could consider a particular exhibition or consider the question more generally.
How are museums and galleries controlling the ways we engage with artworks, do you feel that this is at the expense of the viewers experience of artworks?

Fashion

Space as a tool for the presentation of fashion, 'runway' in the loosest sense of the word, how does the environment that clothes are presented in affect the garments themselves?
How does set affect clothing and the intersection between the space a collection is shown and the work itself? Runway reviews readily welcomed
Space in relation to the body, the spaces of flesh we decide to cover and the spaces we decide to show, this could be taken in both a collection or house based approach to one that is historical or narrative, all aspects of exploring the relationship between the body and fabric in the context of space or relation to the exposing of different parts of our body to our understanding of class, race, gender, sexuality

Art and Society

In the art and society section, we are encouraging submissions about art and experiences of art that do not fit the traditional categories of art history.
Public debate has recently turned to this issue with the debate surrounding the toppling of the statue of Edward Colston, which has highlighted the way in which art can both contribute too, and manipulate, historical memory and societal identity. However, this is only one example of a connection between history, society, politics and underrepresented communities. Submissions could consider:
What are some interesting non-traditional spaces in which you have experienced art?
How can art in non-traditional contexts contribute to society - both generally and in specific events?
How are artistic spaces in society (that is, in public spheres, streets, squares, or in cyberspace) manipulated to serve political purposes?
What impact does art and architecture have on collective identity and memory?

Performance

How have we been compelled to re-conceptualise ‘space’ as a site for live performance post-pandemic? (e.g - can digital spaces act as a supplement for material ones? In what ways can they do so?)
What is the significance of the relationship between body and space in performance art?
How is performance embedded in social life, community and identity? In what ways do spaces (e.g clubs, institutions) promote or prevent this ?
Has the meaning and/or significance of live theatre changed post-covid?

Architecture

What is the significance of architectural ‘Spaces’ in your life?
What do ‘Spaces’ mean to students and young people during the pandemic?
How does architecture create public and private space in cities? What happens when private spaces are made public (such as National Trust and English Heritage)?
How does architecture create comfortable or hostile spaces?
How do architectural spaces and their usages changed over time?

Applied Arts

How do the objects within a space that is important to you make you feel about the space that they are in?
How do the objects within a space that is important to you make you feel about the space that they are in?
Is there a particular art object that you can think of that changes the space that you find it in, no matter what that space may be? If so, why do you think that is?
How important are the objects we use to adorn our own spaces?
To what extent do you think that art objects dictate how a space is experienced?

The Art World

The Art World section is asking for contributors to consider the role that spaces play in the galleries, museums and auction houses that surround them. Viewing these art institutions as both physical and conceptual spaces offers a broad scope for exploration.
Articles could consider galleries' and auction houses’ move to the virtual sphere was clear to see during Covid but has this emphasis on technology remained since their reopening? How, in your opinion, has Covid altered the gallery or auction experience and space, if at all?
The relevance of art galleries today? are physical spaces still necessary to experience visual culture?
Reviews of recent exhibitions. Have any used space in a particularly interesting or ground-breaking way? Thinking about ‘spaces’ in a more abstract sense, have any exhibitions or events provided a space for discussion and dialogue. Institutions have a responsibility to discuss and provide a platform and space for conversations - how have recent exhibitions, and institutions been providing or not providing this?

Creative

The creative section is looking for contributors to explore the theme 'Spaces'. From architectural to political, cultural, spiritual and everything in between, we would love to see how you explore this theme visually. We're looking for interdisciplinary visual art which includes, but is not limited to, photography, fine art, film, sculpture and installation art.
What do you think is *your* space? Why do you feel strongly attached to it?
What does it mean to occupy space?
How is space perceived differently through different cultures?
Have you ever felt like you're taking up too little or too much space? Why?

The deadline for proposals is the 8th September. If your proposal is selected the first draft will be due at the start of October (exact date tbc). With final drafts by the 24th October (exact date tbc). We hope to publish by the end of Michaelmas term.

However we are open to any interpretation of these topics and the theme!

Please note submissions are only open to students currently studying at a university in Cambridge.

To submit your proposal or artwork please follow this link:

https://docs.google.com/forms/d/e/1FAIpQLScwQU6TKnnO3TU8tsDXspb7HsH7yB-vT266ebQL73Zn5JrKig/viewform?usp=sf_link

If you have any questions feel free to message this page or email us at [email protected].

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