09/04/2023
SENESTRA-“STANFORD”(FOURTH DIMENSION/ADVENTURES IN REALITY/OPIUMDENPLUTO, CD/DL,2023)
As a music obsessive I spend pretty much every waking moment listening to music, so it takes something special to stand out and grab me by the short-n-curlies. The latest album by dark electronic act SENESTRA is one example of a new release that has given me a 240 volt shock to the te**es. A concept album revolving around the controversial Stanford Prison Experiment, “STANFORD” is not always an easy listen, but it’s infinitely rewarding, and one that’ll keep you captive for days.
Conducted in the summer of 1971, the Stanford prison experiment (SPE) was a simulation to examine situational variables on the participants. The results have been well documented in print and film, but the short of it was that it turned those involved into either submissive prisoners or sadistic guards, and the two-week trail had to be suspended after just six days due to the brutal results. Anyway, it seems it is the perfect subject for an album (especially of the decidedly darkwave variety) and Senestra bring the project to life, and with frightening results.
If ever there was a remake of the 2015 film, The Stanford Prison Experiment, then this album would make the perfect soundtrack. In fact, this release requires no additional media, because the images it conjures are vivid (and frightening) enough on their own. Employing a range vintage analogue equipment alongside modern production techniques, “Stanford” gets off to a haunting start with ‘Opening Credits’, a track that washes over the listener with waves of synths, then drags you down to delirious depths. It’s a hypnotic affair that sets an ominous tone, and the brief tinkling of a bell hints a Pavlov’s Dog, which is a nice touch and suggests all kinds of conditioning and the horror that entails. If you think things couldn’t get any darker, then strap yourself in tightly for ‘Prologue’ because two choice samples are repeated over and over and, along with some discombobulating sounds, create an unsettling, claustrophobic sensation.
I’m sure an electronic freak would be able to deconstruct the instruments used here and their merits far better than I, but what I can tell you is that they create atmosphere perfectly. Conjuring images of super-cool science fiction neo-noir (think “Alphaville”) ‘Day 1 – The Beginning’ is as eerie as it is endearing and, like passing a high-speed car crash, you can’t help but peer into the tangled wreckage. With one track devoted to each day, exploring the thoughts, feelings and sensations of the participants, “Stanford” places the listener in the centre of the experience and, if you are listening correctly, then the rattling doors on ‘Day 3 – Submission’ should fill you with abject terror; it’s kind of like Arthur Koestler’s “Darkness At Noon” set to music. “Stanford” offers little in the way of redemption, and lets little light shine through...but never has the dark side sounded so good!
Unlike the SPE, the experiment Senestra have conducted is a triumph!