Rare Films

Rare Films Something rare is happening again

29/02/2024

Earth has been abandoned a long time now and the human race has found refuge in outer space. Three archeologists from the future return to Earth to investigate where a mysterious five-tone signal is coming from...

28/02/2024

Washingtonia is an alternative name for Athens, a place where people, like animals, fall into summertime sadness because of the heat. Washingtonia is the only palm tree that its heart is not devoured by the red beetle. Because its heart is small and dry and no one likes small and dry hearts

26/02/2024

After his father's death, Nikos moves from Ptolemaida to Athens. His uncle offers him food and shelter while he starts taking care of his dogs. Alone in an isolated suburb, he’s wearing down into his misery routine.

25/02/2024

The script of the film (Var Var Vari) was nothing close to the scripts (of infinite variety) that we had dealt with/struggled with/enacted at the NSD.

That all the realistic acting associated with Stanislavsky’s Method Acting, was anathema to the FTII film students and to Kumar himself, I discovered when I asked the question;

So (..umm) who is my lover across the river, Kumar?

Kumar smiled, his characteristic smile (a dimple appears on his cheek) and the foot of the leg that was crossed over the other leg, kept gently tapping the air (another characteristic

of his (please remember, as an actress, it is my second nature to observe and remember everything that a person does).

He smiled and tapped the air with his foot for some time and said nothing.

The pause, in anticipation of the answer, was filled by the titter of mirth that ran across the room full of the students (the crew of the film). I had no access to what the amusement was.

All I sensed was that I had inspired it—the amusement, the derision and the eye rolling.

I tried not to feel stupid.

A black swan, Kumar dimpled at me finally, gently. Your lover is a black swan.

And he laughed (not unkindly though) and the others doubled up in mirth…

A black swan?

Okay!

I smiled, hugely, nonchalantly.

I was not going to let them see my heart plummeting into my solar plexus.

Later that night as I lay in my bed, in the FTII girls hostel room I was sharing with Nandini, I was unable to sleep, I had no idea how to handle this role.

The rain was a soft drizzle outside the window, the air moist and cool on my skin, and then, a memory stirred.

M.A. English, the metaphysical poets. The class I so loved to attend because it was taught so inspiringly and passionately by the wonderful Ira Pandey. She made us fall in love with the metaphysical poets: John Donne and Yeats in particular, and now five years later, in prep for my first film, I suddenly recall the poem by W B Yeats. ‘Leda and the Swan’.

A sudden blow: the great wings beating still

Above the staggering girl, her thighs caressed

By the dark webs, her nape caught in his bill,

He holds her helpless breast upon his breast.

Yeats’ magnificent words came to me in snatches;

‘feathered glory’

‘Strange heart beating where it lies?

A shudder in the loins engenders there

That broken wall, the burning roof and tower

And Agamemnon dead…

The black swan, its sinewy, sleek, long muscular neck wrapped around Leda ; passionate, caressing, the power of an embrace, sensual, sexual, the woman fearful yet fascinated, fear and fantasy, the desire to flee and the desire to surrender…..Leda Leda! Me in this film! Me! Me!

I didn’t have to become Leda, how could I (she’s a divine nymph to start with ) but I was suddenly free to became the earth soaking up the rain outside the window, the soft sibilance of the drizzle in the night became my heartbeat, the rain drops making gentle streams into the roots of trees, and insects and worms and tiny birds hidden in the leaves ---I breathed with them.

‘Leda and the Swan’, a poem, became a reference so sensuous and alive it never dulled for a moment; it was a beautiful poem and constantly fed my imagination… I no longer needed a real face, of a man, a real or a fantasy man to yearn for the lover across the river….

Kumar never knew I carried this poem within me during the shoot of the entire film.

But I knew, that when he said ‘a black swan’ he really did mean it. It was his way of hoping I would enter the wonderous realm of cinema, as an actress who can create magic.

(There is really no reason for actors to exist unless they make magic). - Mita Vashisht

VAR VAR VARI
25 Mins
KUMAR SHAHANI

Hong Sang-Soo Wins Silver Grand Jury Award For ' A traveler's needs'.
25/02/2024

Hong Sang-Soo Wins Silver Grand Jury Award For ' A traveler's needs'.

MATI DIOP WINS GOLDEN BEAR IN THE 74TH INTERNATIONAL BERLIN FILM FESTIVAL FOR HIS LATEST FILM ' DAHOMEY'.
25/02/2024

MATI DIOP WINS GOLDEN BEAR IN THE 74TH INTERNATIONAL BERLIN FILM FESTIVAL FOR HIS LATEST FILM ' DAHOMEY'.

25/02/2024

RIP KUMAR SHAHANI.

Kumar Shahani discussing his craft ...

24/02/2024

On a hedonistic Greek island, a middle-aged doctor becomes obsessed with a young tourist when she lets him tag along with her group of hard-partying friends.

22/02/2024

A group of people start a business where they impersonate the recently deceased in order to help their clients through the grieving process.

21/02/2024

Boy eating the bird's food: Yorgos is 22 and lives in Athens. He doesn't have a job, money, a girlfriend, or food. His most important possessions are his canary and his beautiful singing voice.
Loosely inspired by Knut Hamsun's famous novel - Hunger.

20/02/2024

Attenberg: Rebelliously designed and surprisingly structured narrative about a young woman (Labed, best actress in Venice), who prefers to look at human love from a distance.
Trailer...

19/02/2024

Lanthimos played games with his actors. Making them adopt a behavior that is suitable for the film was the intention.
INTERVIEW WITH YORGOS LANTHIMOS ABOUT HIS FILM DOGTOOTH.

19/02/2024

Three teenagers are grounded in an alternate world by their overprotective parents, when a female outsider bursts into their bizarre family bubble, with shocking and strangely amusing results.

The term 'Greek Weird Wave' gained momentum after an article titled "Attenberg, Dogtooth and the Weird Wave of Greek Cin...
18/02/2024

The term 'Greek Weird Wave' gained momentum after an article titled "Attenberg, Dogtooth and the Weird Wave of Greek Cinema" was published on The Guardian by film critic Steve Rose in response to the soaring international success of Greek cinema post financial crisis. The term 'Weird' itself opens up quite an intriguing enquiry regarding the various modes of representation on screen, what is truly 'weird'? What does it comprise of? And most importantly what is so new about it? During the initial days of this eccentric modern film movement, there was a common tendency to relate- by means of intellectual gymnastics- the abundant oddity on display, to the financial crisis. It created a unique cultural space where the creators knew that their works would be judged in context of the messed up Greek economy and indeed one can find fragments of national allegory, cultural frustration and an institutionalised interiorisation within the core expressions of all the flagship films but the real and most palpable contribution of Greek Weird Wave is to introduce and normalize a new and peculiar brand of realism. A realism that doesn't radically oppose previous forms, rather ostensibly adopts the pre-existing models and destabilize those from within. The modernist realism of Angelopoulos where the rural or urban landscape became representative of a socio-political reality has been disfigured beyond recognition in Greek Weird Wave. Here, despite of employing similar visual poetics, the films display landscapes which are empty or ruined, places devoid of social interactions, as if characters are teleported to an alternate reality. In some works, human body is constantly filmed in relation to the environment as a source of anxiety and often classical techniques are employed to deliberately film subjects partly out of frame. Thus, by foregrounding the limits of traditional realism, Greek Weird Wave spearheads a new realism which incorporates oddity, and an eerie weirdness to make the viewer aware of a larger reality beyond the immediate surroundings. This 'Biopolitical Realism' (coined by Dimitris Papanikolaou) foregrounds the invisible power structure which takes the administration of the subjects' life to construct a social order. For the population, this subjection takes place not through forced subjugation rather by means of different mechanisms such as interiorization or controlled insertion of bodies into a machinery of production. The filmmakers from contemporary Greece hinted about this intense biopolitical present in the works which deserves to be judged through a prism of weirdness, then only one can understand how a network of allegory and metaphors perfectly mesh with this new realism.

- Avinaba Chakraborty

WHO WANTS SOME 'WEIRD' STUFF?  💉INBOX US.....🫵
16/02/2024

WHO WANTS SOME 'WEIRD' STUFF? 💉

INBOX US.....🫵

15/02/2024

People standing in line; all in order.
Everyone is starving for something: products,
entertainment, religion, art, money.
But in the last queue, they are all starving for… food.
It’s the queue of personal survival.
If the food ends, then disorder begins.
And if one man falls, we all fall down.
- Yorgos Zois

14/02/2024

The naked body of Wang Xilin, one of the most important modern Chinese composers, becomes a site of historical struggle in Wang Bing's Man in Black and the symphonies composed by the maestro becomes a relic of history.

14/02/2024

Kiarostami's Tribute to Lumiere Brothers.

13/02/2024

' Do we need family? The Family is constructed, it is fake' - Yorgos Lanthimos

11/02/2024

In this horror short, things around Asagi become increasingly absurd after her friend dies.

Director- Yusuke Iwasaki

09/02/2024

Mum, I'm Back - Dimitris Katsimiris
Short
Duration- 4.30 mins
A woman returns, after 40 years, to the village where she was born. The cause is the death of her mother.

08/02/2024

“I’m Not Everything I Want to Be“ (Ještě nejsem, kým chci být) by Klára Tasovská.

After the suppression of the Prague Spring in 1968, photographer Libuše Jarcovjáková strives to break free from the constraints of the repressive Czechoslovakian regime and embark on a long journey towards freedom.

07/02/2024

"Mãos no fogo" (Hands in the Fire) by Margarida Gil.

While exploring old manor houses along the Douro River, the young film student Maria do Mar finds herself trapped in a house of horrors.

07/02/2024

In praise of slowness - Hicham Gardaf
Due to economic and technological forces reshaping the city of Tangier, the profession of the bleach street salesmen, along with their insistent chanting, is disappearing. The film explores modes of resistance against the relentless pace of capitalism.

07/02/2024

The Fable
Raam Reddy
One day, Dev discovers trees have been burnt down in his orchard in the Indian Himalayas. Despite all his efforts, bigger and bigger fires break out, which ultimately leads to Dev having to face the truth about himself and his family.

07/02/2024

'Through the Rocks and Clouds' (Raíz) by Franco García Becerra.

Feliciano, an eight-year-old alpaca herder, is euphoric: Peru has the chance to qualify for the World Cup! But the machinations of a mining company endanger his village and threaten Feliciano’s world and his dreams

25/01/2024

'Greek New Wave is the future' - Jim Jarmusch

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