14/02/2024
THE MECHANICS OF SPELLS (CONT’D)
The sensual, rhythmic movements of Salome’s (Herodias’ daughter’s) hips and fundament; and the serpentine ambling of her feet, hands, torso and neck were the launching pads of demons. Her performance was demonically designed to have one ultimate crescendo: cast a spell on the monarch!
Herodias’ daughter was definitely grilled by her mother in the ancient dark arts. Her mother must have made her rehearse with vile mind-numbing potions dripping from her lecherous frame. She must have sustained and endured very painful blisters on her feet in the course of preparation through sweaty days and grimy nights.
You see, such a dance was no fluke; it was rehearsed to diabolic perfection. Herodias moved in the spirit and power of Jezebel just like John the Baptist was ordained to move in the power and spirit of Elijah. It was mission accomplished for her when Herod was inebriated by her daughter’s reptilian dance. When an ordinary man gets pounded by a spell, his little circle of influence suffers. But when a king is floored by a spell, the whole kingdom suffers!
Guess what, when it was time for Salome to get paid, she did not ask for half of the kingdom as promised by Herod, she asked for the head of the one whom Jesus Himself said was more than a prophet (Matthew 11:19). In other words, her sensual dance steps bore the guillotine of hell. The episode ended with John the Baptist’s head on a platter. Think about this!
Culled from my book, DECIMATING DEMONIC DEVICES.
With love from your brother,
Arome Osayi.