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The Darkroom Rumour Behind the scenes of photography! ๐Ÿ“ธ
๐ŸŽฌ A documentary collection for art lovers and the curious.

Discover the world of photography through a selection of reference documentaries, original creations, unpublished articles and exclusive interviews.

27/02/2025

๐ŸŽญ An insight into the erotic world of Frรฉdรฉric Fontenoy through a photo shoot. His research with his models, his large format photography, his 1930s aesthetic and his collaboration with master printer Diamantino Quintas.
In the tranquil setting of a Paris apartment, a time capsule straight out of the 1930s, three young models get ready. In the adjoining room, the photographer puts the finishing touches to a very elaborate mise en scene.

Frรฉdรฉric Fontenoy is considered one of the masters of contemporary fe**sh photography. Working with a large format view camera and assisted by his printer, he creates singular images, spending hours perfecting every detail.

๐ŸŽฌ ๐—™๐—ฅ๐—˜ฬ๐——๐—˜ฬ๐—ฅ๐—œ๐—– ๐—™๐—ข๐—ก๐—ง๐—˜๐—ก๐—ข๐—ฌ ๐—œ ๐—œ๐—ก๐—ฆ๐—œ๐——๐—˜ (2017)
Directed by Thomas Goupille | France | 25'

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24/02/2025

In June 1949, Louis Aragon asks W***y Ronis to photograph the โ€œcaravans of Peaceโ€ in Oradour. Two years after the start of the Cold War, peaceful mobilization is back on the agenda and the tragic village of Oradour-sur-Glane is chosen to symbolically host the first Peace Congress. W***y Ronis unveils his unpublished archives and immerses himself in the highlights of the event, the interventions of Louis Aragon, Elsa Triolet, Picasso... The testimonies of Pierre Daix, journalist, who covered the Congress, and Pascal Plas, historian, bring this forgotten period back to life.

๐ŸŽฌ ๐—ช๐—œ๐—Ÿ๐—Ÿ๐—ฌ ๐—ฅ๐—ข๐—ก๐—œ๐—ฆ ๐—œ ๐—” ๐——๐—”๐—ฌ ๐—œ๐—ก ๐—ข๐—ฅ๐—”๐——๐—ข๐—จ๐—ฅ (2011)
Directed by Patrick Sรฉraudie | France | 23โ€™

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21/02/2025

Valรฉrie Winckler has shared the life (and the pain) of the subjects of โ€œPeinesโ€. Gรฉrard, strength sapped by the anxiety of his prison cell, Michรจle, alone and distraught with her children, and especially Benjamin, a โ€œgood kidโ€ who comes in for all of life's hardships, between approved school, a father in prison, and thwarted childhood dreams. This film is a tour de force, yet it is with gentleness and respect that the photographer paints this picture of incredible humanity.

๐ŸŽฌ ๐—ฉ๐—”๐—Ÿ๐—˜ฬ๐—ฅ๐—œ๐—˜ ๐—ช๐—œ๐—ก๐—–๐—ž๐—Ÿ๐—˜๐—ฅ ๐—œ ๐—ฃ๐—˜๐—œ๐—ก๐—˜๐—ฆ (1991)
Directed by Valรฉrie Winckler | France | 21'

19/02/2025

๐Ÿšถโ€โ™‚๏ธ It's a beautiful story: Lucien Clergue, lover of Arles, photography and light. We see him here simply talking about his life, happily photographing his city or his models (naked in the waves). This friend to Cocteau and Picasso was also the founder of the Rencontres dโ€™Arles, and left us in 2014. Here, we see him entering the Acadรฉmie des Beaux-Arts, a consecration for both himself and photography, for which he was the first representative. This fine portrait brings this "immortal" back to life.

๐ŸŽฌ ๐—Ÿ๐—จ๐—–๐—œ๐—˜๐—ก ๐—–๐—Ÿ๐—˜๐—ฅ๐—š๐—จ๐—˜ ๐—œ ๐—จ๐—ก๐—ง๐—ข ๐——๐—˜๐—”๐—ง๐—›, ๐—จ๐—ก๐—ง๐—ข ๐—Ÿ๐—œ๐—™๐—˜ (2008)
Directed by Elisabeth Aubert Schlumberger I France I 53โ€™

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13/02/2025

๐Ÿ‘ฌ Gilbert & George cultivate paradoxes. Set back from the upscale milieu of contemporary art that reveres them, this pair of loners advocates "art for all". Serial, obsessive, sensitive, cerebral, with a British elegance that borders on parody, their provocative commandeering of the codes compels reflection. The camera follows them in their home-studio, in their neighbourhood, giving free rein to the lucid, often crude words of these working-class gentlemen about themselves and about the changes in the world that feed their creative process.

๐—š๐—œ๐—Ÿ๐—•๐—˜๐—ฅ๐—ง & ๐—š๐—˜๐—ข๐—ฅ๐—š๐—˜ ๐—œ ๐—ง๐—›๐—˜ ๐—™๐—จ๐—ก๐——๐—”๐— ๐—˜๐—ก๐—ง๐—”๐—Ÿ (1997)
Directed by Gerald Fox | United Kingdom I 100'

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11/02/2025

๐ŸŽจ As colourful as its protagonist, this documentary, a blend of first-hand accounts and stage direction, paints an intimate portrait of Gabor Szilasi, a Hungarian-born photographer who will soon be a hundred years old.

Settled in Quebec since 1957, he has devoted his life to capturing everyday moments with an eye full of curiosity and humanity. Szilasi began his career in Hungary, where he documented the 1956 revolution before fleeing to Canada. A photographer with the Quebec Film Board, he moved away from artistic photography under the influence of Cartier-Bresson and Walker Evans to devote himself to social documentary. From the 1970s onwards, he explored rural Quebec and the cultural transformations of regions such as Charlevoix and Abitibi, while capturing the commercial faรงades and neon signs of Montreal.

His work, like his lively, resilient personality, celebrates people in all their forms. From his portraits of artists and friends to his photos of everyday life in Quebec, he continually works on the relationship between subject and lens. A dedicated teacher at Concordia University and the Cรฉgep du Vieux Montrรฉal, he leaves behind a prolific body of work that bears witness to Quebec's social and urban evolution, always approached with humour and kindness.

๐ŸŽฌ ๐—š๐—”๐—•๐—ข๐—ฅ ๐—ฆ๐—ญ๐—œ๐—Ÿ๐—”๐—ฆ๐—œ ๐—œ ๐—š๐—”๐—•๐—ข๐—ฅ (2021)
Directed by Joannie Lafreniรจre I Canada I 101โ€™
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09/02/2025

๐Ÿ“ท In his laboratory in Perpignan, Carlos Barrantes has perfectly mastered the art of historical photographic processes, all those monochrome techniques that require incredible precision, specific tools, and a knack.

The printer's know-how does not stop there. Carlos also reveals his photographic work, closely linked to the processes he uses. And by observing these variations, we can see how each method tells its story.

๐ŸŽฌ ๐—–๐—”๐—ฅ๐—Ÿ๐—ข๐—ฆ ๐—•๐—”๐—ฅ๐—ฅ๐—”๐—ก๐—ง๐—˜๐—ฆ ๐—œ ๐—”๐—ฅ๐—ง๐—œ๐—ฆ๐—ง ๐—”๐—ก๐—— ๐—”๐—ฅ๐—ง๐—œ๐—ฆ๐—”๐—ก (2014)
Directed by Thomas Goupille I France I 26'

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07/02/2025

๐Ÿ”Ž The real is linked to photography. But itโ€™s a deceptive link. Photomontages, staging, anglesโ€ฆ the truth is but an illusion. Joan Fontcuberta knows this, and he pokes fun at it with a very Catalan irony and with great erudition. F for Fontcuberta is a ยซ documenter ยป, stepping up the photographerโ€™s game by real-fake interviews. In discovering here the forgotten Professor Ameisenhaufen, or the poor cosmonaut Istochnikov, we are seized by doubt: not about whether this is true or false, but why do we want to believe it? We are seized once more, by a liberating laugh at this Fontcuberta who addresses us with a mischievous wink.

๐ŸŽฌ ๐—™ ๐—™๐—ข๐—ฅ ๐—™๐—ข๐—ก๐—ง๐—–๐—จ๐—•๐—˜๐—ฅ๐—ง๐—” (2005)
Directed by Daniele Vila Gerardo Panichi I Spain I 57โ€™

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06/02/2025

๐Ÿ” Discovering the profession of food photographer at Studio B Photographes, Paris, going to and fro between two sets, two photographers, in a beehive atmosphere.

To arouse desire, the team (photographer, food stylist and decorator, retoucher, graphics artist) have vast know-how at their disposal, as well as a box of tricks that allows them to recreate the "natural" look.

๐Ÿ‘จโ€๐Ÿณ The kitchen is but yards from the set; a fraction of a second separates shooting and post-production. A highly technical exercise, like a bee dance, that demands constant adaptation to product, format and client against a tight timetable.

๐ŸŽฌ ๐——๐—”๐—ฉ๐—œ๐—— ๐—•๐—ข๐—ก๐—ก๐—œ๐—˜๐—ฅ & ๐— ๐—”๐—ฅ๐—– ๐—›๐—”๐—Ÿ๐—Ÿ๐—˜๐—ง ๐—ฃ๐—ฅ๐—ข๐—™๐—˜๐—ฆ๐—ฆ๐—œ๐—ข๐—ก: ๐—™๐—ข๐—ข๐—— ๐—ฃ๐—›๐—ข๐—ง๐—ข๐—š๐—ฅ๐—”๐—ฃ๐—›๐—˜๐—ฅ (2014)
Directed by Thomas Goupille I France I 15'

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03/02/2025

๐Ÿ–Œ๏ธ In the world of analogue photography, there is no software to remove small imperfections. Everything is done by hand. We observed Marie-Pierre Bride, a traditional retoucher, exercising her art.
Because unlike spotting, which only corrects flaws, retouching is a genuine creative act.
Be they black and white or colour, she has her secrets for enhancing each single edition print. She slowly brings out or conceals details revealing the image.

๐ŸŽฌ ๐— ๐—”๐—ฅ๐—œ๐—˜-๐—ฃ๐—œ๐—˜๐—ฅ๐—ฅ๐—˜ ๐—•๐—ฅ๐—œ๐——๐—˜ | ๐—ง๐—›๐—˜ ๐—ฅ๐—˜๐—ง๐—ข๐—จ๐—–๐—›๐—˜๐—ฅ
(2013)
Directed by Thomas Goupille I France I 11โ€™

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29/01/2025

More than just America, Robert Frank is a life of experimentation, of travel, of sensitivity. American by adoption, he returns to his roots in Europe, his apprenticeship and his first photos.

Guided by intuition, he gravitates towards the cinema in the early 1960s, won over by the Beat Generation and its poetry. He revisits his career highlights while strolling through New York, Coney Island, places that shaped his work.

He also invites us to his studio where he works "on lifeโ€ with June Leaf, his wife. His photos and his films show how much his life and his work draw upon the same material.

๐ŸŽฌ ๐—ฅ๐—ข๐—•๐—˜๐—ฅ๐—ง ๐—™๐—ฅ๐—”๐—ก๐—ž | ๐—Ÿ๐—˜๐—”๐—ฉ๐—œ๐—ก๐—š ๐—›๐—ข๐— ๐—˜, ๐—–๐—ข๐— ๐—œ๐—ก๐—š ๐—›๐—ข๐— ๐—˜ (2004)
Directed by Gerald Fox I United Kingdom I 85'

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28/01/2025

It was a carefree time for some, the age of Le Palace and Les Bains-Douches, in this 1980s Paris where celebs would mix with unknown Parisian fauna.

This is the milieu where Foc Kan started as a night photographer. After studying literature, he joined this world of futility and personality portraits done cowboy-style (meaning with a flash, in hyperfocal).

But behind the ready humour the job requires, there's a real kindness. And beyond the images that often have the same fate as their models, and disappear into oblivion, appear the timeless images of bored girls, or of the homeless sleeping rough in the city. As in Charles Laughton's film, appearances are sometimes deceptive, and Foc Kan's flash leaves no room for shadows.

๐ŸŽฌ ๐—™๐—ข๐—– ๐—ž๐—”๐—ก | ๐—ก๐—œ๐—š๐—›๐—ง ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—›๐—จ๐—ก๐—ง๐—˜๐—ฅ (2011)
Directed by Thomas Goupille I France I 13'

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25/01/2025

๐Ÿ† In the spectacular landscapes of Tibet, 'twixt heaven and earth, naturalist/photographers the Larrey brothers take us along on a full-scale expedition on the trail of the snow leopard.

The discomfort of the hide, patience, hypoxia, extreme climatic conditions... such is the price to pay for these magical moments. Withstanding both the elements and doubt is no mean feat. A philosophical exercise perfectly mastered by breeders on the high plateaux. At the end of the quest, the Grail: the "ghost of the mountains" materializes in the two photographers' lenses.

๐—™๐—ฅ๐—˜ฬ๐——๐—˜ฬ๐—ฅ๐—œ๐—– & ๐—ข๐—Ÿ๐—œ๐—ฉ๐—œ๐—˜๐—ฅ ๐—Ÿ๐—”๐—ฅ๐—ฅ๐—˜๐—ฌ ๐—œ ๐—ข๐—ก ๐—ง๐—›๐—˜ ๐—ง๐—ฅ๐—”๐—œ๐—Ÿ ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—ฆ๐—ก๐—ข๐—ช ๐—Ÿ๐—˜๐—ข๐—ฃ๐—”๐—ฅ๐—— (2019)
Directed by Stephane Jacques | France | 52'

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19/01/2025

A short film in three acts; three moments in a day spent with Bernard Plossu.
There are these shots of Paris, timeless black-and-whites taken with Agfamatic, which present the opportunity for a photography lesson; there is the arrival of a train in La Ciotat station, a nod towards a photography that approaches cinema; and there's Italy, adorned with the sublime colours of these Fresson prints of which the photographer is so fond.
A film of snapshots, mementos of a rich but furtive encounter, instants stolen from the modesty of an artist who loves to share but who dislikes showing off; who really doesn't want-to be filmed...

๐ŸŽฌ ๐—•๐—˜๐—ฅ๐—ก๐—”๐—ฅ๐—— ๐—ฃ๐—Ÿ๐—ข๐—ฆ๐—ฆ๐—จ ๐—œ ๐—ฆ๐—ก๐—”๐—ฃ๐—ฆ๐—›๐—ข๐—ง๐—ฆ (2012)
Directed by Thomas Goupille I France I 15'

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What you will learn in this filmโ€ฆ
Bernard Plossu's photographic prints in Paris from the 1970s to the '90s โ€ข In praise of Agfamatic and Lo-Fi โ€ข Quality photographic prints from inexpensive cameras โ€ข Photographs taken while walking โ€ข Bernard Plossu's sources of inspiration โ€ข A thought on photography โ€ข Great films that have marked Bernard Plossu โ€ข A series of Fresson prints from the 2010s โ€ข The importance of disorderโ€ข The importance of walking โ€ข The importance of doing without thinking โ€ข Cannelle the dog

19/01/2025

๐Ÿš— A portraitist of stars, both Hollywood and political, an advertising photographer as well as a fashion photographer, a great documentary photographer and a former president of Magnum, Elliott Erwitt is a monument to photography who has produced some of the most iconic images of his time.

His work is a reflection of his character: humorous, often comical, with a healthy dose of self-mockery. Adriana Lopez Sanfeliu met him when he was in his eighties. She became his assistant and friend. Together, they travelled over the world and decided to make this film, an intimate portrait of a man who tirelessly observed life and humanity, a photographer who has left an immense legacy to history.

๐ŸŽฌ ๐—˜๐—Ÿ๐—Ÿ๐—œ๐—ข๐—ง๐—ง ๐—˜๐—ฅ๐—ช๐—œ๐—ง๐—ง ๐—œ ๐—ฆ๐—œ๐—Ÿ๐—˜๐—ก๐—–๐—˜ ๐—ฆ๐—ข๐—จ๐—ก๐——๐—ฆ ๐—š๐—ข๐—ข๐—— (2019)
Directed by Adriana Lopez Sanfeliu I France I 61'
Written by Adriana Lopez Sanfeliu et Mark Monroe

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ยฉ2019 Camera Lucida Productions / Adriana Lopez Sanfeliu
International Distribution : CLPB Rights

14/01/2025

How does a news photograph come to life? Through an immersion in the photo department of France's leading national daily newspaper during the 2022 presidential elections, French photographer and director Vassili Feodoroff tells us about the essential yet little-known role of picture editors. From assigning topics to photographers, defining visual needs, to the final selection of the shot: they are at the origin of images that will mark our minds and sometimes history. Without any voice-over, this short film, as contemplative as it is dynamic, plunges us into the heart of image-making.

๐ŸŽฌ ๐Ÿฎ๐Ÿด,๐Ÿฑ๐Ÿฐ ๐—š๐—ข ๐—œ ๐—–๐—ฅ๐—˜๐—”๐—ง๐—œ๐—ก๐—š ๐—ก๐—˜๐—ช๐—ฆ ๐—ฃ๐—›๐—ข๐—ง๐—ข๐—š๐—ฅ๐—”๐—ฃ๐—›๐—ฌ (2023)
Directed by Vassili Feodoroff | 2023 I France I 38'

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12/01/2025

From his workshop in Perpignan, France, Carlos Barrantes is not just preserving ancient photographic techniques; he is reinventing them with the precision of a master jeweler. This third installment in our series dedicated to his craft immerses us in the world of Platinochromie, an innovative method that combines color digital printing with platinum-palladium printing, resulting in creations of remarkable depth and longevity. This film pays tribute to Barrantes' pursuit of excellence, skillfully blending modern technology with 19th-century printing processes, celebrating a craftsmanship that stands the test of time.

๐ŸŽฌ ๐—–๐—”๐—ฅ๐—Ÿ๐—ข๐—ฆ ๐—•๐—”๐—ฅ๐—ฅ๐—”๐—ก๐—ง๐—˜๐—ฆ ๐—œ ๐—ง๐—›๐—˜ ๐—ฃ๐—Ÿ๐—”๐—ง๐—œ๐—ก๐—ข-๐—–๐—›๐—ฅ๐—ข๐— ๐—˜ (2022)
Directed by Thomas Goupille I France I 28'

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09/01/2025

๐Ÿ› Canadian artist Michael Flomen works with a very special darkroom, made up of just two elements: nature and night. In this documentary film shot with an infrared camera, we follow him on his nocturnal expeditions where, equipped with light-sensitive paper, he sets off in search of the natural elements that will serve as both material and equipment: a few blades of grass, fireflies, river water or snow... `
They give birth on paper to an abstract work full of poetry which, for Michael Flomen, is as much a reflection on the photographic medium as on the place of Man within the natural world.

๐ŸŽฌ ๐— ๐—œ๐—–๐—›๐—”๐—˜๐—Ÿ ๐—™๐—Ÿ๐—ข๐— ๐—˜๐—ก ๐—œ ๐—จ๐—ก๐——๐—˜๐—ฅ ๐—ง๐—›๐—˜ ๐—–๐—ข๐—ฉ๐—˜๐—ฅ ๐—ข๐—™ ๐——๐—”๐—ฅ๐—ž๐—ก๐—˜๐—ฆ๐—ฆ (2008)
Directed by Andrรฉ Cornellier I Canada I 27'

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