Powerzone

Powerzone Powerzone is an Australian radio program that broadcasts on-line for 3 hours Saturdays and also on FM
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03/11/2024

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TONIGHT on the VAULT we're kicking off Ausmusic Month with a stack of clips from 1985! Catch clips from artists including INXS, Midnight Oil, Warumpi Band, Models and more...

Kicking off late at 12:46am on ABC TV!

📸: INXS on 15/10/1985 in Munich. (Photo by Fryderyk Gabowicz/picture alliance via Getty Images).

PLAYLIST
MENTAL AS ANYTHING Live It Up
JOHN KENNEDY Miracle (In Marrickville)
WARUMPI BAND Breadline
DYNAMIC HEPNOTICS Gotta Be Wrong (Way To Love)
EUROGLIDERS Heaven (Must Be There)
EUROGLIDERS Can't Wait To See You
EUROGLIDERS The City Of Soul
OCEAN BY OCEAN Indigo Eyes
GEISHA Rainy Day
MATT MOFFITT Miss This Tonight
KIDS IN THE KITCHEN My Life
ICEHOUSE No Promises
REDGUM Just Another Moment On Your Own
MEN AT WORK Everything I Need
MEN AT WORK Sail To You
MEN AT WORK Hard Luck Story
INXS This Time
DIVINYLS Sleeping Beauty
DO RE MI Warnings
MODELS Barbados
MODELS Out Of Mind Out Of Sight
MODELS King Of Kings
MACHINATIONS You Got Me Going Again
WA WA NEE Stimulation
RENEE GEYER All My Love
THE ROCKMELONS Sweat It Out
ELECTRIC PANDAS Missing Me
KOO DE TAH Too Young For Promises
I'M TALKING Love Dont Live Here Anymore
GANGGAJANG Giver Of Life
GANGGAJANG Sounds Of Then
GANGGAJANG House Of Cards
HOODOO GURUS Like Wow Wipeout
MIDNIGHT OIL - LIVE Hercules
JIMMY BARNES Daylight

 #1984: Australia finds its voice | National Film and Sound Archive of Australia https://buff.ly/3Yuz3Yn
31/10/2024

#1984: Australia finds its voice | National Film and Sound Archive of Australia https://buff.ly/3Yuz3Yn

In 1984, Prime Minister Bob Hawke officially opened the National Film and Sound Archive’s new headquarters in Canberra. Fast forward 40 years, and the echoes of 1984 still reverberate.

The   live radio stream is on now! Listen:
26/10/2024

The live radio stream is on now! Listen:

Broadcast live to your community of fans and tune in direct to creators from every genre

26/10/2024

is the now on 88.9 in the region of the , on your radio or via www.braidwoodradio.com.au or check out the Powerzone Audio Archvie!

  is on air now on   99.9 in  ,   on your   or   via www.swr999.com.au!
25/10/2024

is on air now on 99.9 in , on your or via www.swr999.com.au!

Western Sydney's No.1 LOCAL Radio Station, where the difference is the music!

25/10/2024

will be this Saturday night from 8 pm (ADST), 7:30 pm (ACDST) and 5 pm (AWST).

As always I will be taking your requests via the chat or you can send them through via the website or Facebook before the show.

via

  are heading to   in  #2025.
24/10/2024

are heading to in #2025.

We are excited to announce our return to Australia in March 2025, heading to Perth, Melbourne, Brisbane, and Sydney.

Tickets on sale 31 October 10am (local).

Sign up for the pre-sale to access tickets early: https://arep.co/m/new-order

  'takes back seat' as   marks 50th  Countdown 50 Years On premieres on November 16 on ABC TV and ABC iview at 7.30pm
20/10/2024

'takes back seat' as marks 50th

Countdown 50 Years On premieres on November 16 on ABC TV and ABC iview at 7.30pm

Ian "Molly" Meldrum takes a back seat as ABC celebrate the 50th anniversary of Countdown, which he made his own in the 1970s and 80s

19/10/2024

KICK was released 37 years ago today with hit songs such as Need You Tonight, New Sensation, and Never Tear Us Apart

  of   has passed away.
17/10/2024

of has passed away.

Alan Mansfield keyboardist with renowned New Zealand band Dragon has died. Mansfield, 72 died in Sydney 16 October, with his partner of 40 years,...

15/10/2024

LOVE AN ADVENTURE - The Sound Effects ! 💥

The 80s were famous for many technological breakthroughs especially in music, most notably the advent of the sampling keyboard, which enabled artists to record a small segment of audio into it’s memory, and then enable the operator to trigger the sampled audio from a keyboard. Basically, any isolated sound was fair game for those in the know.

The first thing we hear on the title track from the “Love An Adventure” album is an epic orchestral fanfare. As well as this, we can hear all sorts of unusual sound effects, and even some lifted from famous films throughout the song.

The intro orchestral effects were in fact the result of Brian Canham playing around on a brand new state of the art “PPG Wavterm” sampling keyboard, with each note triggering a different sample of an orchestra. Apparently there were many hands on deck, with Brian instructing which keys to press and when, culminating with everybody landing on the same note relating to the first chord of the song, which was recorded on a multi-track, and later repositioned to fit musically within the beat.

The jungle animal and Pterodactyl calls were in fact created by Brian, vocally mimicking the sounds. In the extended version, there are several sound effects lifted from the soundtrack of “Indiana Jones and Raiders of the Lost Ark” including the famous fight scene, and the quote “Life goes on Indy ...”, voiced by actor John Rhys-Davies. There is even a “punch” sound effect layered behind each snare drum hit, since Brian thought the punches in screen fights always had plenty of umphh.
Also, in the extended mix, a “Tarzan” call from the original classic b&w film, voiced by actor Johnny Weissmuller, can be heard.

Throughout the song’s verses, a kind of plucked vocal effect was played from another Behemoth of the early 80s, the “Fairlight CMI” sampling computer keyboard. Brian says it was one of the most complicated pieces of equipment to use, often resulting in hours of programming, just to make the slightest change.

There is a sqwauking, stabby brass-esque sound effect heard in the intro, the middle, and finally the closing of the song too. This sample is quite famous, and appears on many songs from that period. The origin is hazy, although it’s rumoured to have come from acclaimed producer Trevor Horne’s collection, which featured on “Owner of a Lonely Heart” by Yes.

Interestingly, some things that have been mistaken for samples on “Love An Adventure” were in fact real “live” musicians, such as the MSO (Melbourne Symphony Orchestra), who performed the epic string arrangement, conducted by Peter Sullivan, with a then 23 year old Brian carefully watching over the notation.
The orchestra took a few takes to nail the disco-esque “string jabs” exactly as Brian wanted them. Fortunately, one of the senior MSO violinists caught onto it first saying “you mean just like on those old disco records ?”... directing the rest of the orchestra to follow her.
Several of the violins used by the orchestra were in fact original “Stradivarius”, and were hundreds of years old, and worth a small fortune. Brian occasionally joked with the orchestra members that some of their instruments could do with a new coat of paint ... lol.

Other musicians that appeared on “Love An Adventure” were acclaimed jazz musician Bob Venier, who performed the trumpet solo mid-way through the song, as well as TV presenter James Valentine (The Models), who played the alto sax solo in the outro.

Brian says recording the “Love An Adventure” album was one of the highlights of his career to this day, and in particular the title track ...

*”Love An Adventure” 2024 M A C H I N E Remix is available on all music streaming.

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15/10/2024

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On this day in 1985, the Waterboys released the single “The Whole of the Moon” (October 14)

What a great song!

In 2020, songwriter and Waterboys founder Mike Scott told The Guardian it all started when his girlfriend asked him if it was easy to write songs:

“In my 20s I hadn't yet grown out of the urge to show off to a new girlfriend, so I said: 'Yes it is!'" he recalled.
“I pulled a pen and a piece of paper out of my pocket. There was a moon in the sky, so I wrote down: 'I saw the crescent, you saw the whole of the moon.'
She was duly impressed…

I fleshed it out in the hotel and back home in London came up with more lyrics and the piano part, a self-taught rhythm with one finger doing one pattern and three fingers doing another."

In the liner notes of the band’s third album “This Is The Sea”, Mike Scott wrote:

“That song, begun with a scribble on the back of an envelope on a wintery New York street, was finally completed in May 1985 in a London studio, when the verse containing 'unicorns and cannonballs, palaces and piers' was added."

In a Songfacts interview Scott revealed:

“I wrote the song when I was 26 years old, and I was discovering that there was so much more than I had ever known. There was so much more to learn than I'd even been hinted at in the culture I'd grown up in. I had a strong sense of wonderment about that, and I realized there were people who had vastly more information in their imaginations and experiences than I had.

And so that's what inspired that song."

So who was it about? Scott continued:

"It's not [about] a specific person. It's more a type. The point of the song was to illustrate how much more there could be to learn than we had ever guessed.
And so, I used that format of songwriting, as if addressing a more knowledgeable or wise being.

Or it could actually have been someone who came into this life and burned out very quickly.
Too far, too soon. Like Syd Barrett or Jimi Hendrix, who comes in and seems to be possessed by this otherworldly knowledge or inspiration, but burns out quickly then leaves us.
That kind of character.

It certainly wasn't written about C.S. Lewis, although he was a big spiritual inspiration to me as a child, and through the rest of my life, indeed.

And it certainly wasn't about Prince, although there were moments when Prince seemed to embody that sort of person.

And it certainly wasn't about my old friend Nikki Sudden, who was a very interesting character, but certainly not the kind of character I was describing in the song."

The single was actually not a big success when initially released in 1985, only making the lower ends of the charts, although it reached #12 in the Australia.

Later though, it became one of the Waterboys' best-known songs and their most commercially successful.

The uplifting song from their “This Is The Sea” LP is arguably the band's signature song and was the 1991 Ivor Novello Award winner for “Best Song Musically and Lyrically".

Upon its re-release on 2 April 1991, it reached #3 in the UK…

Scott said of the song's durability, "I guess it has timelessness in its sound and I know the lyrics mean a lot to people.

If a lyric was true when it was written, it'll be true today. 'The Whole of the Moon' still means a lot to me and it's one of my old songs that I never tire of hearing or performing."

Click on the link below to watch it:

https://youtu.be/sBW8Vnp8BzU

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15/10/2024

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On this day in 1979, the Mi-Sex single “Computer Games” debuted on the Australian charts at #64 (October 15)

The electro-pop anthem was cutting edge power pop stuff of the time in Australia, with the computer generated rhythms, the jarring Kevin Stanton guitar chords, the heavy ethereal Murray Burns synth riff, and Steve Gilpin’s unique vocal stutters and yips.

“Computer Games” went on to peak at #1 in Australia, #2 in Canada, and #5 in New Zealand, and won the award for Best Australian Single at the 1979 TV Week/Countdown Music Awards.

Their debut “Graffiti Crimes” LP was re-released in January 1980 following the success of “Computer Games", which didn’t appear on the initial release in July 1979, but was added to the track listing on Side Two, Track 1.

The album was titled “Computer Games” for the international release…

Click on the link below to watch them do it on Countdown:

https://youtu.be/beeiCc2mNGE

This week on  , my guest programmer, my mate Belinda, has one last go at programming the 1 hour show. A big thanks to Be...
14/10/2024

This week on , my guest programmer, my mate Belinda, has one last go at programming the 1 hour show. A big thanks to Bel for all her work, I've really enjoyed the tunes and you've opened up my ears to some bands I've not heard before.

on 99.9 in from 8 pm (AEDT), via www.swr999.com.au or on 88.9 from Midday (AEDT) in the or region or stream via www.braidwoodradio.com.au.

If you can't listen there, checkout out https://www.powerzone.me/home/how-to-listen/ for your nearest station, or listen via the Audio Archive.

Western Sydney's No.1 LOCAL Radio Station, where the difference is the music!

14/10/2024

On this day in 1974, the Skyhooks LP “Living in the 70’s” debuted on the Australian charts (October 14)

It ended up going all the way to the #1 spot, and staying there for a massive 16 weeks…

This iconic Australian album was produced by former Daddy Cool lead singer Ross Wilson, and went on to become, at the time, the highest-selling album by an Australian act in Australia.

As well as the title track, this album contains Skyhooks fan favourites like "You Just Like Me 'Cos I'm Good in Bed", “Horror Movie”, “Smut”, “Balwyn Calling", and “Toorak Cowboy”.

In October 2010, it was listed at #9 in the book 100 Best Australian Albums.

In 2011 the album featured at #75 on the Triple J Hottest 100 Albums of All Time.
In the same year, the album was added to the National Film and Sound Archive of Australia's Sounds of Australia registry.

The title track written by bass player Greg Macainsh, went on to peak at #28 on the Australian singles chart, and was ranked #72 as part of Triple M's "Ozzest 100", the 'most Australian' songs of all time.

Click on the link below to hear Skyhooks rehearsing "Horror Movie, recorded on a tape recorder at Shirls parents Mt Waverley home. 30-3-74. Shirl had been in Skyhooks for 4 weeks & only performed 11 shows with the band:

https://youtu.be/TMmqjOPEIes

13/10/2024

44 years ago TODAY, INXS dropped their debut album and the rest is history! 🎸 What’s your favorite INXS memory?

Best. Comeback. Ever.
13/10/2024

Best. Comeback. Ever.

On this day in 1986, the John Farnham single “You’re The Voice” debuted on the Australian charts (October 13)

“You're the Voice" is a song co-written by Andy Qunta (keyboard player for Icehouse from 1982 to 1988), Keith Reid (Procol Harem lyricist, responsible for “Whiter Shade of Pale”), Maggie Ryder (Queen and Eurythmics backup singer), and Chris Thompson (lead vocalist on Manfred Mann’s classic hit "Blinded By the Light")

The ex-Masters Apprentice Glenn Wheatley was instrumental in this becoming John Farnham’s huge comeback hit.

Farnham has one of the greatest voices in the history of this country, but in the late 70s, his career was withering on the vine, playing around the country on the oldies club circuit, wearing the dinner suit, playing “Sadie” and “Raindrops Keep Fallin’ on my Head”.

Then he signed with long-time friend Wheatley as his manager on 1 January 1980, and he started the job of turning it all around.

After a stint with Little River Band, Farnham pressured Wheatley for a new solo album.

Wheatley tried to get record companies interested, but with no luck. He couldn’t find a producer willing to take the risk either.

He finally got a rookie producer, but found it difficult to get decent songs from publishers.

Eventually they slowly waded through material Wheatley was able to access, and the last song they found for the album was “You’re the Voice”.

Wheatley booked the studio, using his house as collateral, and extending his mortgage to pay for the recording.

After recording all the tracks, it took three full days to mix “You’re the Voice”, but then at the end when they were celebrating the end of the project at the studio, Wheatley was disappointed when he heard the final result.

Farnham said “You don’t like it,do you?”

Wheatley said, “There’s something about the song that isn’t as good as the demo”.

Farnham then turned around and went straight back into the studio and re-did the vocal - and it was a winner!

After releasing “You’re the Voice”, the next problem was getting radio to play it.
Many stations were reluctant due to the old “Johnny Farnham” image.
Wheatley even sent white label copies out with no name on the record!

It eventually started getting played around the country however, and took off, making it all the way to #1, and staying in the top spot for a massive seven weeks.

It was also a #1 hit in Sweden and Germany, #3 in Switzerland and Ireland, #6 in the UK and Austria, #9 in Denmark, #12 in Canada, #13 in New Zealand, and #15 in the Netherlands.

At the ARIA Music Awards of 1987 it won Single of the Year, and in January 2018, as part of Triple M's "Ozzest 100" of the "most Australian' songs of all time", the song was ranked #6.

Click on the link below to watch the budget video Wheatley put together for the single:

https://youtu.be/tbkOZTSvrHs

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11/10/2024

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On this day in 1987, the Def Leppard single “Animal” debuted on the US Billboard Hot 100 at #84 (October 10)

The single from their #1 best-selling album “Hysteria” was notoriously difficult to record.

It was one of the first songs developed in early 1984, but neither the band nor successive producers Jim Steinman, Nigel Green and Robert John "Mutt" Lange were able to produce the desired sound until two and a half painstaking years later.

It was also the only “Hysteria” track demoed by drummer Rick Allen on an acoustic drum kit prior to his car accident; having recorded a beat for the song on a four-track tape during early sessions.

In the UK, where the band had less success during the Pyromania era, the song hit #6 on the singles chart and broke Def Leppard into the pop mainstream across Europe.

“When people saw us on Top of the Pops doing 'Animal'," remarked singer Joe Elliot, "they heard a really great song that, style-wise, had more in common with INXS or U2, The Police with 'Roxanne'… And that was the band we wanted to be."

In the US, “Animal” was the beginning of Def Leppard's run of ten consecutive US Billboard Top 40 singles, and became one of the most enduringly popular numbers at their concerts.

“Animal” peaked at #3 in Ireland, #6 in the UK, #8 in New Zealand, #17 in Switzerland, #19 in the US, #20 in the Netherlands, and #21 in Canada.

Click on the link below to watch:

https://youtu.be/ecFPU--vvf0

  can now be heard in more parts of  !Now if you're in  's   region, you can tune in every Thursday from midnight (WST) ...
09/10/2024

can now be heard in more parts of !

Now if you're in 's region, you can tune in every Thursday from midnight (WST) or you can stream at: https://player.listenlive.co/77061 or grab their app: https://www.ngaardamedia.com.au/ngaarda-radio-app

Tune in on your :

96.1FM Roebourne | 92.1FM Point Samson | Whim Creek 96.1 FM | 92.1FM Onslow | 106.5 FM Tom Price | 104.9FM Wakathuni | 101.7FM Peedamulla | 106.5FM Karijini | 102.1FM Youngaleena | 96.1FM Wickham | 92.1FM Karratha | 102.9FM Paraburdoo | 92.9FM Newman | 96.1FM Ngurrawaana

Ngaarda Media was created by the Yindjibarndi community for all Aboriginal people of the Pilbara region. We are the only licensed Aboriginal broadcaster in this 500,000 square kilometre region and the collective voice of more than 30 language groups of Traditional Owners.

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09/10/2024

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On this day in 1982, the Icehouse LP “Primitive Man” debuted on the US Billboard 200 Albums Chart at #185 (October 9)

“Primitive Man” reached #1 in New Zealand, #3 in Australia, #5 in Germany, #31 in Sweden, #64 in the UK, and #129 in the US.

Some great songs on this one, like “Great Southern Land”, “Hey Little Girl” and “Street Cafe”.

After the sensational debut LP (when the band were still called “Flowers”), “Primitive Man” was a brilliant follow-up, still on the synth-pop-rock theme, but with a developing musical maturity in Davies’ songwriting.

Click on the link below to watch my favourite from the album, “Street Cafe”:

https://youtu.be/0oFBXxMsQzY

08/10/2024

‘I’ve just finished narrating my audiobook. It was a bit of a roller-coaster ride. There were more than a few laughs and some tears, but it made me realise how lucky I’ve been.’

'The Voice Inside' co-written with Poppy Stockell, is out on 30 October and is available in hardback, ebook, and audiobook formats.
https://geni.us/TheVoiceInside

Just a heads up!   has started at   HQ and might affect when you can listen to shows if you prefer to hear them as they ...
05/10/2024

Just a heads up! has started at HQ and might affect when you can listen to shows if you prefer to hear them as they air.

For example:

If you're in Queensland:

The 1 hour show that airs on 99.9 on a Friday night will be streaming from 7 pm (AEST).
The 1 hour show that airs on on a Saturday will be streaming from 11 am (AEST).
The that runs on selected Saturday nights will stream via from 7 pm (AEST).

In you're in Western Australia:

The 1 hour show that airs on 99.9 on a Friday night will be streaming from 5 pm (AEST).
The 1 hour show that airs on on a Saturday will be from 9 am (AEST).
The that runs on selected Saturday nights will via from 5 pm (AEST).

For more details about listening elsewhere, check out the listening guide: https://buff.ly/3zCrZA9

Photo by Jason Mitrione on Unsplash https://buff.ly/4ewGtS2

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05/10/2024

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On this day in 1980, the Flowers single “We Can Get Together” debuted on the Australian charts at #72 (October 6)

Flowers second single from their outstanding debut album “Icehouse” (after “Can’t Help Myself”) peaked at #16 in Australia, #36 in New Zealand, and #62 in the US.

It was the second of three singles from the album that charted in the Top 20 in Australia.
In fact Flowers/Icehouse had their first six singles chart inside the Oz Top 20 - an outstanding achievement for a band with a big future ahead…

Click on the link below to watch “We Can Get Together”:

https://youtu.be/emymeHhPItw

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