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05/01/2025
Dissociation as a Way of Knowing in a Haunted World
What if dissociation isn't just a medical condition, but a profound way of experiencing and understanding the world?
I've been exploring how dissociative states might reflect a deep attunement to the pressures and oppressions of living under racial capitalism. In a society constantly haunted by the violence of its past, where the present feels like endless nostalgic loops and the future feels collapsed, altered states of consciousness take on new meaning.
For me, dissociation often arises when my body is asking for autonomy and space. That fuzzy, muted feeling emerges when I'm most attuned to what my mind and body truly need in an environment that is impossible to escape.
And I suspect I'm not alone. For many people, dissociation may be a protective assertion of embodied autonomy - a rapid calculation of energy and safety. Rather than "tuning out," it's a way of tuning IN to the dissonant realities of systemic trauma.
So I'm asking: Does it really make sense to label these states as inherently pathological in a world that is itself fractured by violence?
What if dissociation is a mad attunement to social hauntings - a reflection of the ruptured time we inhabit?
How might honouring these experiences help us resist racist and capitalist "normal" in a trauma-informed way?
I'm diving deep into works by brilliant thinkers like Therí Alyce Pickens, Avery F. Gordon, Elizabeth Freeman & more to grapple with these questions. Because I believe altered states have profound implications for healing, liberation, and the futures we imagine possible.
These ideas are challenging, but they feel vital. I'd love to hear your thoughts! How do you understand the link between dissociation, oppression, and time? What possibilities do you see?
Photo description: A black and white photograph from 1890 titled "The Ghost of Bernadette Soubirous." In a cave-like space, with rough rock walls. In the centre of the frame, a semi-transparent, ghostly white figure hovering and walking towards wall.