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Sculpture magazine, the official publication of the International Sculpture Center (ISC), is the premiere source in the field of contemporary sculpture.
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Sculpture magazine, the official publication of the International Sculpture Center (ISC), is the essential source of information and dialogue on all forms of contemporary sculpture internationally. Published 10x a year, Sculpture offers exceptional editorial coverage, striking pictorial layouts and a forum for reaching an exclusive and engaged audience. Sculpture readers are a focused group of ar

tists, collectors, curators, dealers, educators, enthusiasts and other art professionals who are devoted to keeping pace with the rapidly changing art world. www.sculpture.org

03/07/2024

Looking for ways to see art outdoors this summer? We've put together a list of this season's sculpture parks and gardens you won't want to miss, whether in your city or on your next international trip.

Click the link in our bio to see the full list, including details on temporary exhibitions currently on view.

02/07/2024

Petah Coyne, collaboration with Irene Hultman in “Beauty and the Beast: Six Beauties,” 1992.
Photo: Barbara Yoshida, © Petah Coyne, Courtesy Galerie Lelong & Co., New York.

01/07/2024

On the July/August 2024 cover: On the July/August 2024 cover: Dineo Seshee Bopape, exhibition view of “Dineo Seshee Bopape” at PinchukArtCentre, Kyiv, Ukraine, 2018. Photo: Maksym Bilousov, Courtesy the PinchukArtCenter © 2018.

25/06/2024

Installation view of “Tony Cragg,” Marian Goodman Gallery, Los Angeles, 2024.
Photo: Elon Schoenholz, Courtesy the artist and Marian Goodman Gallery

Tony Cragg's current exhibition at Marian Goodman is on view through June 29. To read Kay Whitney's review, click the link in our bio.
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21/06/2024

Dorothy Dehner, Demeter’s Harrow, 1990. Cor-ten steel, 28 x 48 x 32 in. Photo: © Dorothy Dehner Foundation, Courtesy Berry Campbell, New York

"Dorothy Dehner: A Retrospective" is on view at Berry Campbell Gallery through June 22. To read Kay Whitney's review, click the link in our bio.
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19/06/2024

Helen O'Leary, Cost—Writing the unwritable novel #19, 2021–22. Reclaimed pigment on reconstructed wood, 28 x 30 x 9 in. Photo: Paul Takeuchi, Courtesy the DIY Museum and Patricia Sweetow Gallery

17/06/2024

Amanda Williams, Redefining Redlining, 2022–ongoing. View of “Blooming in Bronzeville” celebration of tulips in Washington Park neighborhood, Chicago, April 2023. Photo: © Sandra Steinbrecher, ©Amanda Williams, Courtesy the artist

Click the link in our bio to read an interview between Amanda Williams and Jonathan Rinck on Williams's ongoing public artwork, Redefining Redlining.

14/06/2024

Jonathan Baldock, Kiss from a Rose, 2023. Ceramic and metal, 87 x 38 x 28 cm. overall. Photo: © Mark Blower, Courtesy the artist and Stephen Friedman Gallery

Jonathan Baldock's current exhibition, "Touch Wood,” is on view at Yorkshire Sculpture Park through July 7. Read an interview between Baldock and writer Rajesh Punj, now on our website.

13/06/2024

Hiroshi Sugimoto, Point of Infinity: Surface of Revolution with Constant Negative Curvature, 2023. Fiber glass-reinforced concrete and stainless steel, 21 meters high. Installation view on Yerba Buena Island, Treasure Island Public Art Program, San Francisco. Photo: Courtesy Sugimoto Studio

12/06/2024

Sheilah ReStack, (left to right): Goldenrod and Anna’s reins, 2022, felt photo blanket, Plexi, concrete, copper pins, goldenrod, rein, blue chalk, paint, velvet, polaroid, thread, and ink, 69.85 x 68.58 x 27.31 cm.; and It is a suit of armor (for Dani), 2021, felt photo blanket, fiber walking prints, copper pins, concrete, chalk line, felt, aluminum, acetate, tape, thread, paint, and graphite, 86.36 x 55.88 x 22.86 cm. Photo: Ryan Josey, Courtesy The Blue Building Gallery.

10/06/2024

Installation view of “Suki Seokyeong Kang,” 2024. Photo: Hyunjung Rhee, Courtesy the artist and Tina Kim Gallery.

Suki Seokyeong Kang’s current exhibition is on view at Tina Kim Gallery through June 15. To read Marcus Civin's review, click the link in our bio.

08/06/2024

Nicole Eisenman, installation view of “Untitled (Show),” 2022. Photo: Thomas Barratt, © Nicole Eisenman, Courtesy the artist and Hauser & Wirth.

07/06/2024

Dolores Furtado, East, 2019. Paper pulp, 16 x 20 x 5 in. Photo: Luis Corzo.
furtado

05/06/2024

Tatiana Wolska, installation view of “Leisure as Resistance,” 2024. Photo: Tegen Kimbley.

03/06/2024

Carrie Moyer and Sheila Pepe, New Blue Bontecou, 2016. Oil and acrylic paint, wood, lamp shade, fabric, aluminum, and flashing on pre-painted canvas, 50 x 42.25 x 9 in. Photo: Courtesy Luc Demers, © the artists.

25/05/2024

Isabelle Plat, Installation view of portrait of the generous, The Wright Contemporary, Taos, New Mexico, 2023. Photo: Paul O'Connor.

24/05/2024

Don't Miss Out! George Segal: Themes and Variations at Zimmerli Art Museum, Rutgers University closes July 31.

With art drawn from the museum’s collection, as well as loans from the George and Helen Segal Foundation and private collections, the exhibition offers a unique opportunity to view his less well-known paintings, pastel and charcoal drawings, prints, and photographs alongside his renowned life-sized plaster cast figures.

https://zimmerli.rutgers.edu/art/exhibition/george-segal-themes-and-variations

Image: George Segal "Seated with Bus Riders," 1964-66, gelatin silver print. Courtesy of Rena Segal. © Arnold Newman Properties/Getty Images.

22/05/2024

Hiroshi Sugimoto, Point of Infinity: Surface of Revolution with Constant Negative Curvature, 2023. Fiberglass-reinforced concrete and stainless steel, 21 meters high. View of permanent work on Yerba Buena Island, Treasure Island Public Art Program, San Francisco. Photo: Courtesy Sugimoto Studio.

20/05/2024

Anne Duk Hee Jordan, Installation view of "I will always weather with you," 2023–24. Photo: Zaire Aranguren, Courtesy the Bass, Miami Beach.

18/05/2024

Sinead McKeever, Reverie Series, 2023–ongoing. Plexiglas, waxed wood, Dibond, acrylic paint, spray paint, trimmer cable, nail varnish, ink, and marker, 500 x 620 x 200 cm. Photo: Simon Mills.

17/05/2024

Kelly Akashi, installation view of “Encounters,” 2023–24. Photo: Jueqian Fang.

15/05/2024

Melvin Edwards, Before Words, 1990. Steel, 107 x 94 x 120 in. Installation view of “Melvin Edwards: Brighter Days,” deCordova Sculpture Park and Museum, Lincoln, MA, 2022. Photo: Julia Featheringill, © 2024 Melvin Edwards / Artists Rights Society (ARS), New York, Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London.

13/05/2024

Installation view of “Petah Coyne: Having Gone I Will Return,” Galerie Lelong & Co., New York, 2018, with Untitled #1379 (The Doctor’s Wife), 1997–2018. Photo: © Petah Coyne, Courtesy Galerie Lelong & Co., New York.

09/05/2024

Hu Xiaoyuan, Momentary Place I, 2015–17. Repurposed reinforced concrete, and raw silk and silk thread that have been aged in the outdoors, 620 x 450 x 280 cm. Photo: Courtesy the artist.

Read the full conversation with the artist at https://sculpturemagazine.art/concrete-things-and-momentary-places-a-conversation-with-hu-xiaoyuan/

07/05/2024

Kim Lim, Candy, 1965. Painted wood, 59 x 183 x 17 cm. Photo: Courtesy Arts Council Collection, Southbank Centre, London, © Estate of Kim Lim, All Rights Reserved, DACS 2023, Arts Council Collection, Southbank Centre, London.

04/05/2024

Holly Hendry, Her fingers, legs and feet were liquid first, 2024. Photo: Courtesy SCAD, the artist, and Stephen Friedman Gallery, London.

“Watermarks,” Holly Hendry’s current exhibition for SCAD Museum of Art's façade vitrines, is on view through June 24.

03/05/2024

Jessica Jackson Hutchins, And then we were married, 2020. Glazed ceramic, 35 x 22 x 24 in. Photo: Mario Gallucci.

“Wrecked and Righteous,” Jessica Jackson Hutchins’s survey exhibition at the Frye Art Museum in Seattle, is on view through May 5.

02/05/2024

Rona Pondick, Double Azalea, 2006–07. Painted bronze, 30 x 27 x 36 in. Photo: Nic Sagodic, Courtesy Thaddaeus Ropac, London/Paris/Salzburg/Seoul and Sonnabend Gallery, New York.

01/05/2024

To honor both recipients of the 2024 Lifetime Achievement Award, the May/June 2024 cover features two different versions: Petah Coyne, Untitled #1379 (The Doctor’s Wife) (detail), 1997–2018; Melvin Edwards, Dancing in Nigeria, 1974–78. Painted welded steel, dimensions variable.

30/04/2024

Thomas Hirschhorn, Fake it, Fake it - till you Fake it., 2024. Cardboard, prints, tape, polystyrene, and aluminum foil, dimensions variable. Photo: David Regen, © Thomas Hirschhorn / Artists Rights Society (ARS), NY,
Courtesy the artist and Gladstone Gallery.

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Join us for #NewYorksArtFair this fall. We are excited to be participating in The Armory Show 2023 at the Javits Center from September 8–10 with VIP Preview on Thursday, September 7. #TheArmoryShow

Join us for #NewYorksArtFair this fall. We are thrilled to announce that we will be participating in The Armory Show 2023 at the Javits Center from September 8–10 with VIP Preview on Thursday, September 7. #TheArmoryShow

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