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Sculpture Magazine Sculpture magazine, the official publication of the International Sculpture Center (ISC), is the premiere source in the field of contemporary sculpture.

Sculpture magazine, the official publication of the International Sculpture Center (ISC), is the essential source of information and dialogue on all forms of contemporary sculpture internationally. Published 10x a year, Sculpture offers exceptional editorial coverage, striking pictorial layouts and a forum for reaching an exclusive and engaged audience. Sculpture readers are a focused group of ar

tists, collectors, curators, dealers, educators, enthusiasts and other art professionals who are devoted to keeping pace with the rapidly changing art world. www.sculpture.org

Camille Henrot, 1263 / 3612 (Abacus), 2024. Bronze, resin, and rubber, 251 x 79.6 x 392.2 cm. Photo: Stefan Altenburger,...
17/03/2025

Camille Henrot, 1263 / 3612 (Abacus), 2024. Bronze, resin, and rubber, 251 x 79.6 x 392.2 cm. Photo: Stefan Altenburger, © Camille Henrot, Courtesy the artist and Hauser & Wirth.

"Rather than presenting a purely 'technology-forward' interpretation, the exhibition focuses on creating an immersive na...
15/03/2025

"Rather than presenting a purely 'technology-forward' interpretation, the exhibition focuses on creating an immersive narrative that viewers can walk through and experience.

This transformation from idea to experience is meant to tell a broader story—one that captures an immigrant’s journey, with all its layers and complexities. Although there are autobiographical touches—I was born in Pakistan and came to America at a very young age, grew up in New York, and now live in Detroit—this isn’t strictly my story. The exhibition expands beyond personal narrative, becoming a kind of universal story of migration and adaptation." Osma Khan shares in conversation with Lauren Levato-Coyne in our March/April 2025 edition.

Subscribe to Sculpture to get full access to articles like "Finding Hybridabad: A Conversation with Osman Khan." Use code SOCIAL to get 30% off at sculpture.org

Image: Installation view of "Road to Hybridabad," MASS MoCA, North Adams, MA, 2024–25. Photo: Jon Verney, Courtesy the artist, made with MASS MoCA .

Katie Hubbell, installation view of “Sprudulis,” Cherry Street Pier, Philadelphia, 2025. Photo: Matthew Cronin.
14/03/2025

Katie Hubbell, installation view of “Sprudulis,” Cherry Street Pier, Philadelphia, 2025. Photo: Matthew Cronin.

Join the International Sculpture Center in recognizing lifetimes of achievement, innovation in the arts, outstanding stu...
13/03/2025

Join the International Sculpture Center in recognizing lifetimes of achievement, innovation in the arts, outstanding students and more. Tickets are available for the 2025 Night of Excellence, to be celebrated on April 16 in New York, NY. Ticket sales are tax deductible and support ISC services and programs —learn more and register at sculpture.org/laa

Images, 2025 Lifetime Achievement Award recipients: Jaume Plensa in his studio by © Ines Baucells; Albert Paley.

Bharti Kher, Six Women (detail), 2012–14. Plaster of Paris, wood, and metal, 6 parts, 123 x 61 x 95.5 cm. each. Photo: ©...
12/03/2025

Bharti Kher, Six Women (detail), 2012–14. Plaster of Paris, wood, and metal, 6 parts, 123 x 61 x 95.5 cm. each. Photo: © Jonty Wilde, Courtesy the artist, Yorkshire Sculpture Park, Hauser & Wirth, Nature Morte and Perrotin.

Tom Bull, installation view of "GHOST FOLK ECSTASY," Mucciaccia Gallery, London, with SHAKE SHAKE SHAKE (FASTGAS 2), and...
10/03/2025

Tom Bull, installation view of "GHOST FOLK ECSTASY," Mucciaccia Gallery, London, with SHAKE SHAKE SHAKE (FASTGAS 2), and SHAKE SHAKE SHAKE (FASTGAS 3), bitumen, NOS canisters, wood, metal inserts, inner tubes, sealant, cable ties, and varnish, 98 x 40 x 40 cm. each work.

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Giovanni Anselmo, Verso oltremare, 1984. Stone, steel wire, slipknot, and ultramarine, 300 x 140 x 3 cm. Photo: © Paolo ...
09/03/2025

Giovanni Anselmo, Verso oltremare, 1984. Stone, steel wire, slipknot, and ultramarine, 300 x 140 x 3 cm. Photo: © Paolo Mussat Sartor, © Giovanni Anselmo.

Cynthia Lahti, White Phone, 2023. Ceramic figure, 12 x 12 x 11 in. Photo: Jason Mandella, Courtesy the artist and James ...
08/03/2025

Cynthia Lahti, White Phone, 2023. Ceramic figure, 12 x 12 x 11 in. Photo: Jason Mandella, Courtesy the artist and James Fuentes LLC.

Installation view of “Osman Khan: Road to Hybridabad,” MASS MoCA, North Adams, MA, 2024–25. Photo: Jon Verney, Courtesy ...
07/03/2025

Installation view of “Osman Khan: Road to Hybridabad,” MASS MoCA, North Adams, MA, 2024–25.
Photo: Jon Verney, Courtesy the artist, made with MASS MoCA.

Cathy Della Lucia, Zero Days to Expiration, 2020. Wood, plywood, porcelain, Hydrocal, and milk paint, 31 x 21 x 16 in.; ...
05/03/2025

Cathy Della Lucia, Zero Days to Expiration, 2020. Wood, plywood, porcelain, Hydrocal, and milk paint, 31 x 21 x 16 in.; 31 x 21 x 40 in. with base. Photo: Bruce Wahl.

On the March/April 2025 cover:  Osman Khan, installation view of “Road to Hybridabad,” MASS MoCA, North Adams, MA, 2024-...
01/03/2025

On the March/April 2025 cover: Osman Khan, installation view of “Road to Hybridabad,” MASS MoCA, North Adams, MA, 2024-25. Photo: Jon Verney, Courtesy the artist, made with MASS MoCA.

Repost On this day in 1931, Fletcher Benton was born in Jackson, Ohio.  He began working within the arts as a sign paint...
25/02/2025

Repost

On this day in 1931, Fletcher Benton was born in Jackson, Ohio. He began working within the arts as a sign painter, opening his first shop at the age of 14. In the early stages of his career Benton worked as an artist, educator, and became a pioneer in the bourgeoning field of kinetic sculpture. In 2008, he was acknowledged with the Lifetime Achievement in Contemporary Sculpture Award.
Image: Fletcher Benton, Folded Circle Wedge Arc, 2008. Steel with patina, 14 1/2 × 9 × 11 in., available through the ISC Art Sale at https://sculpture.org/store/viewproduct.aspx?id=16410711

Public art organizations and artists with sculpture in public spaces—showcase your work with Sculpture! May/June will be...
24/02/2025

Public art organizations and artists with sculpture in public spaces—showcase your work with Sculpture! May/June will be our annual Art in Public Places edition, with opportunities available to present your installation and programming in the context of our editorial highlights.

Contact [email protected] for details and rates.

Celebrating excellence, education, and innovation, the International Sculpture Center Night of Excellence will be held A...
19/02/2025

Celebrating excellence, education, and innovation, the International Sculpture Center Night of Excellence will be held April 16 in New York, NY. Join the International Sculpture Center as we present Albert Paley and Jaume Plensa with the Lifetime Achievement in Contemporary Sculpture Award. Learn more at sculpture.org/laa

Melvin Edwards, Song of the Broken Chains, 2020. Stainless steel in 3 parts, approx. 96 x 216 x 144 in. overall. Photo: ...
17/02/2025

Melvin Edwards, Song of the Broken Chains, 2020. Stainless steel in 3 parts, approx. 96 x 216 x 144 in. overall. Photo: © 2024 Melvin Edwards / Artists Rights Society (ARS), New York, Courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London.

Read the full article "Melvin Edwards: 'You don’t play around with that power,'" on our website: https://sculpturemagazine.art/melvin-edwards-you-dont-play-around-with-that-power/

“Carlos Herrera’s work does not permit indifference. His intimate installations, sculptures, performances, and photograp...
15/02/2025

“Carlos Herrera’s work does not permit indifference. His intimate installations, sculptures, performances, and photographs reflect on life and death, madness, sexuality, rites of passage, and spirituality as he tries to make the visible and material into the 'stuff of memory' and emotion.” – Maria Carolina Baulo ()

To get full access to articles like “From Absence: A Conversation with Carlos Herrera,” subscribe to Sculpture. Learn more at sculpture.org

Image: Ave Miseria, 2015. 4-hour performance and mixed-media installation. Invited performer: Mariano Blatt, poet. Photo: Gabriela Schevach.

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