02/17/2024
How to write a comic book. World Building.
Now that you have an idea and want to develop a story from your brainstorming, there is an important step that most new writers, and even OLD writers, tend to take for granted or ignore, World Building.
To fully realize the story you want to write, you MUST be immersed in the world that the story exists in. It allows you to not only visualize the spaces and people of that world, but most importantly to FEEL that environment.
It is easy to forget that the stories we love, the movies, television shows, books and games, ALL exist in fictional worlds. That’s right, not one of these worlds is real. Even when a story is set in modern times and real places that you may know well, the fact is the creator of a story has created a world that does not exist. This is a wise decision.
A fictional world allows the creator to manipulate the spaces, people, and events without affecting their reality. The freedom to do ANYTHING allows the creator to build and destroy AT WILL.
Building a world can be done in steps or just allowing your mind to wander through the spaces while taking mental note of interesting things in that world you want to use in the story you are creating.
Where is your story taking place? Is it a real place or a completely made-up place?
When is the story set? Are the events taking place “now” or in another time? (this is my favorite step). If it is set in the past, it is wise to start doing research. For example, The place, New York City. The time, 1947. Learn about NYC in 1947. Is there a specific event that happened that you want to include in your story? If so, you should know all about that event, so your story has authenticity.
Is the story set in the future? In a fictional place? Ok, now you get to define the rules of that world as you wish. But you MUST follow those rules to the letter, so your story feels authentic and does not confuse the audience.
I will use Star Wars as an example.
Lucas created a world that feels authentic by defining the Empire and the Rebel Alliance simply by visual reference. The Empire is shiny, new, and high tech, while the Rebel Alliance is dirty, old and cobbled together haphazardly. This tells the audience a LOT about the state of the world at the time the story is being told. It also grounds the story in a reality that feels authentic from beginning to end.
NEXT TIME; World Building Part 2. Case study: Concrete Martians