01/22/2021
I received a wonderful review of my book by the talented author Norman Fine. It was published on Norman's website: Foxhunting Life with Horse and Hound. Enjoy!
The Country Life of an Artist
Art
By Anita Baarns
“The Country Life of an Artist: How Christmas Cards Tell My Story,” Anita Baarns, Dog Branch Publishing LLC, 2020, 205 pages, 281 works of art, spot gloss varnished, hardcover in Full Sierra cloth, 11-1/4 x 8-3/4, $67.80 ( VA tax included).
Christmas cards help tell the story of an artist’s life.
Review by Norman Fine
Talented animal artist Anita Baarns has produced an intriguing and intimate book about her art and how art relates to her very self. Richly made and oversized in a landscape format to better display the artwork, her book is filled with examples rendered in pencil, charcoal, ink, pastel, watercolor, oil, and...yes...even crayon. In it she shows and tells a story of discovering, appreciating, experimenting, and continually developing her own talents and techniques as an artist.
Structurally, Anita’s narrative hangs on her practice for many years of creating Christmas cards for family and friends. The chronology carries her story forward through the various phases of her life, as she explains all the other captivating animal art appearing in the book. Horses, hounds, foxes, dogs of countless breeds, and treasured cats make their appearances, not simply as objets d’art, but along with their own stories and those of admirers who commissioned her to memorialize their own creatures for posterity.
Anita was born in Fontainebleau, France, while her father was working with NATO. When she was four her family moved back to the Netherlands, their native country. She came to the U.S. where she met and married her future husband, James Martin, who encouraged her to pursue her art education and has been an immense helpmate in her artistic endeavors. She is a summa cm laude graduate of both Northern Virginia Community College and the University of Maryland in Studio Fine Arts.
I had been painting large abstract paintings in art school, so I began painting impressionistic landscapes. One day a neighbor asked me if I could copy a George Stubbs painting of Mares and Foals from a table coaster. Since horses are my second love, I gladly accepted my first commission. A second Stubbs commission followed, and I started to develop an interest in sporting art.
Moving from Washington, DC to a farm near the eastern flank of the Blue Ridge Mountains of Virginia, Anita and James found themselves in fox hunting country. She rode, hunted with the Piedmont Fox Hounds, and fell in love with the hounds’ faces. She began to show her work at the Museum of Hounds and Hunting in Leesburg, and commissions followed for horses and dogs. In 1998 Anita was commissioned to paint the annual artwork for the running of the International Gold Cup Races, from which 10,000 invitations, five hundred posters, and other promotional materials were published and circulated, thus exposing Anita’s work to an even broader population. In other years she was appointed official artist for the Warrenton and Upperville Horse Shows. Her work has appeared on the cover of several issues of the The Chronicle of the Horse.
I love every moment painting commissions. For me the most important aspect of the painting is to capture the character of the animal. The eyes are so important; they show the soul of the animal. I start every painting, pastel or drawing with the eyes, then the painting comes live to me and I can feel the presence of the dog or horse I’m painting. Then I’ll work on the fur, trying to create a sheen that shows the softness of that fur, showing the muscles and bone structure underneath the coat. George Stubbs has taught me a lot!
Another challenge is to incorporate a landscape surrounding the subject. In portrait paintings of the horse and its owner, I paint a landscape including their home or barn. The sky has to fit the season, and clouds become a major part of the painting. In steeplechase paintings or fox hunting scenes I want to paint the atmosphere of the event. I want to feel that the painting is alive. If it’s a portrait of a single animal, or an elaborate painting of an event I try to evoke an emotion out of the viewer.
A recent commission came from the American Kennel Club to paint a portrait of the English Setter Ch. Stagedoor Rock It Man for the Breeder of the Year Award. Anita says that was a pinnacle of her career. It hangs at the headquarters of the AKC in New York among those paintings by sporting artists who have inspired her and whom she has long admired.
I know the purpose of my life is to create portraits of those wonderful animals who enrich our lives with their beauty, grace, devotion and kindness.
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Posted December 20, 20
www.dogbranchpublishing.com
This book is about making the most of your opportunities. When Anita came to America, she realized her childhood dream to study fine art. The book is a rare collection of 281 works of art, together with entertaining stories describing their creation during the lifetime of their artist.