RVNG Intl.

www.rvng.com RVNG Intl. Of course, we’re not total curmudgeons, our catalogue is (almost) fully available across digital formats.

is a Brooklyn-based music institution that operates on few but heavily fortified principals, dealing with forward-reaching artists sometimes categorized as electronic, avant, free, fried, etc. RVNG seeks to appease collector fandom with extravagant packaging and to remind hopeful audiophile generations of the sonic spectacle that transforms the surrounding airspace when needle presses vinyl. Our F

RKWYS series exemplifies the equilibrium of classic artistic sensibility and modern day sentimentality. Each volume is a unification of progenitor and contemporary musician. Those artists on RVNG working outside the FRKWYS umbrella still find collaboration the driver a. We work closely to activate each new level of artistic accomplishment. RVNG is a creative member of our NYC community and at large. Whether it’s partnering with New York City’s White Columns Gallery or London’s Barbican Center, helping to present MoMa PS1′s Summer Warm Up series or working extensively with Krakow’s Unsound Festival, format transcendence is our second life-force. As for the correct pronunciation of RVNG, please consult the cosmos. GENERAL INQUIRIES

Please contact [email protected]. MAILORDER INQUIRIES

Please contact [email protected]. PRESS INQUIRIES

Please contact [email protected]. RETAIL INQUIRIES

RVNG is distributed by Secretly Distribution. If you have any issues getting in touch with Secretly, please contact us at [email protected]. PLEASE GET TO KNOW THE REST OF OUR FAMILY

Commend
commendnyc.com

Beats In Space
beatsinspace.net

Freedom To Spend
freedomtospend.org

12/11/2025

emerging from the shade of ’s under a familiar sun comes a pair of radiant reimaginings from and .band ☀️

rosie lowe reshapes “esrever ni rehtaf” into a lush dream-space of 808s, idiosyncratic piano stylings, and tranquil vocals. a passage through soulful, drum-driven corridors speckled with subtle euphoria, lowe’s interpretation is a celebration of the here and now, a serene serenade to the gift of birth

meanwhile, .band adds their singular lyrical magic to “requiem for reem”, transforming the contemplative piano-based work into a shimmering vocal lullaby. gentle horns slowly envelop their voices, cocooning the ambient-jazz composition in waves of peace and culminating in an atmosphere of contentment and calm

both reworks arrive today alongside a pair of entrancing visuals from and . soon, the vernon spring will round out the year with a pair of shows in spain and a special headlining show at london’s queen elizabeth hall

keep an eye, and ear, out for more to come in 2026…🤫

🎚️ produced by rosie lowe and loa
🎤 vocals by eden girma (rosie lowe rework) and genevieve dawson () (loa rework)
🎹🎵 piano, synth, and instrumentation by sam beste (rosie lowe rework) and (loa rework)
🎛️ mixed by salpa () (rosie lowe rework) and sam beste (loa rework)
🪡 mastered by matt colton ()
📹 artwork, design, and visuals by aaron anderson and eric timothy carlson
📸 photos by saoirse fitzpatrick () and

11/11/2025

“keshukoran” is the final chapter of sister irene o’connor’s fire of god’s love before this holy grail sees its first authorized reissue in 50 years from on friday, november 14 ❤️‍🔥🕊️

as the devotional psych-pop closer to sister irene’s 1973 holy grail, “keshukoran” (which translates from malay as “hardship) embodies the uncanny otherworldliness that permeates the record. o’connor’s prayer-like weavings are enshrined by the gentle thrum of a drum-machine beat, generated by the same organ she played simultaneously, all recorded live to a 4-track reel-to-reel

the effect leaves a lasting impression, as evidenced by the cult legacy that these pastoral, spiritual, and singular folk songs have developed since their initial release

fire of god’s love is now available for pre-order from freedom to spend in (dwindling) fire marbled and black vinyl, cd, and digital editions 💿

🎚️ written, performed, and produced by sister irene o’connor
🎛️ recorded and engineered by sister marimil lobregat
🪡 transferred and mastered by
📐🎨 design by
📖 liner notes by

10/11/2025

starting your week with some appreciation for the inimitable, ever-elusive june chikuma 👾🕹️

japanese composer, arranger, and producer june chikuma has long transcended boundaries, deftly traversing disciplines / identities / genres in her prolific, decades-spanning career. widely celebrated for her output in tv, film, and video games, chikuma achieved cult status for her work on nintendo’s bomberman series, an oeuvre of proto-techno, drum and bass-inflected soundtracks teeming with kinetic energy

in 1986, chikuma released divertimento on toru hatano’s picture label, unveiling a dense, vivid world of synthesizers, samplers, drum machines, string quartet, and digital delay (courtesy of her trusty korg sdd-3000). a skillful fusion of punchy programming and inspired musicality, the album is a truly singular work that invites an array of far-flung comparisons, from the restrained beauty of erik satie’s furniture music to the glossy grooves of ‘80s japanese city pop

over thirty years later, compiled divertimento alongside some previously-unreleased recordings to create les archives, a sprawling collection of chikuma’s neon-drenched creations. years later, les archives remains an incredible document of an artist at the outset of an ascendent career that continues to evolve to this day

07/11/2025

in the early 1960s, as sister irene o’connor first embarked on her musical journey, she forged a bond with sister marimil lobregat, a fellow franciscan nun living in the philippines
🕊️🕊️

while their paths eventually diverged, the two nuns reunited over a decade later by chance (or perhaps divine intervention) at a convent in sydney. marimil, a fervent musician working as a sound and visual technician at a radio and television center, immediately connected with irene, and the pair swiftly established a fruitful creative partnership

over a series of sunday afternoons in 1973, the two nuns regularly convened at the center. the pair operated as a seamless duo: irene, the one-woman orchestra performing on guitar / piano / electric organ / drum machine / foot-pedal-percussion, and marimil, the engineer capturing those celestial sounds on tape and deftfully handling the master mixer

the resulting collection of recordings would ultimately comprise sister irene’s legendary album fire of god’s love. the record stands as a luminous testament to the pair’s artistic partnership, spiritual kinship, and lasting friendship ❤️‍🔥

fire of god’s love is out next friday, november 14 and available now for pre-order from , available in special fire marbled and black vinyl, cd, and digital editions 💿

06/11/2025

“puppeteers tell true lies…that craft feels like magic and is well worth the difficulty. it’s primal, raw, direct and makes people want to believe” 🌕🌑

tin iso and the dawn, the first installment of a mythic trilogy from brooklyn-based composer and puppeteer tristan allen (), emerged as both a full-length album and the original soundtrack to a live shadow puppet performance

inspired by wagner’s three act opera tristan und isolde, tin iso conjures an otherworldly cast of characters, chronicling a creation myth through mesmerizing production and ethereal instrumentation. a revelatory odyssey exploring the interplay of light / dark, tin iso stands as a singular piece of experimental storytelling and an evocative moment in rvng’s catalog

later this month, the next chapter of tristan allen’s trilogy unfolds with the premiere of osni the flare, running november 20 - 23 at , the beloved nyc institution. created in conjunction with the , osni the flare tells the story of a dancing puppet who embarks on a quest to safeguard an apple tree from the imminent winter chill. an awe-inspiring journey through a multi-dimensional world, osni the flare is an experience not to be missed

and if this wasn’t enough, we might, just might, have some take home surprises for those in attendance at tristan’s performances. if you subscribe to the rvng newsletter, you already know this. if you don’t, what gives? 😘

04/11/2025

a tender, transcendent performance of the title track from ’s latest album under a familiar sun ☀️

lovingly captured on film by at , the performance finds sam and his band and weaving a warm, intimate soundscape for your eyes and ears

watch the full three-song performance, now floating through the ether, and catch these sounds and more at a very special show on december 5, at london’s queen elizabeth hall

03/11/2025

starting your week with a look back on a year of and richard horowitz’s the invisible road: original recordings, 1985-1990 ➰🪄🛣️

deyhim and horowitz’s decades-long partnership blossomed from a chance meeting at noise new york, an intimate west 34th street studio housing the creative energies of arthur russell, christian marclay, and other downtown visionaries. though each hailed from drastically different worlds—deyhim, a tehran-born vocalist who regularly graced iranian television before studying ballet in belgium, and horowitz, a buffalo-born composer immersed in paris’ free jazz underground—the pair found common ground in a revolutionary vision of avant-pop

striving to create a body of music “free of any specific cultural reference, with a personal musical signature”, the pair crafted works that interlace deyhim’s inimitable vocalizations with horowitz’s daring compositions, each piece infused with the pair’s extensive engagement with both experimental music and globe-spanning musical traditions. the result is an extraordinary expression, music with a wholly singular sound

in 2024, deyhim, horowitz, and unveiled the invisible road, a compilation of previously unheard recordings carefully selected from a valley storage space / treasure trove overflowing with decades of material. the collection stands as a tribute to an enduring creative and romantic partnership, and to the remarkable legacy of horowitz’s life 💙

31/10/2025

and j.i.t.u. ahn-sham-bul’s we are not the first turns ten ⿴⿴⿴

recorded over a week of extensive studio sessions at in brooklyn, we are not the first marked an ecstatic evolution in chicago-based producer and dj jamal moss’s radical explorations of dance music’s outer limits

steeped in deep dialogue with lineages of afro-futurist imagination and electronic experimentation, the record conjures human consciousness from primordial ooze, charting a cosmic odyssey across eleven tracks brimming with hypnotic movement and unbridled mayhem

a genre / generarational crossing ensemble effort, we are not the first features a host of collaborators, including band leader and saxophonist (then, a young 91 years old!), ubiquitous multi-instrumentalist shahzad ismaily, (then) future rvng fam greg fox (), visionary vocalist , downtown legend , synthesist ben vida (), philly connector elliot levin, and poet rafael sanchez ()

we are not the first overflows with free improv freak-outs, thumping drum machine beats, and mind-bending modular madness. ingrained with the sounds of human history, it remains a transcendent experience that utterly collapses the boundaries of past / present / future

🎚️ produced by jamal moss, mixed by paul corley and davey jewell
🎛️ engineered by davey jewell
💿 mastered by
📸 photography by
🎨📐design by

30/10/2025

m. sage’s () journey across the u.s. in support of tender / wading continues next week with a select run of shows, bringing front range soundscapes to chicago and the east coast 🌾🌾🌾

with support from and for , these nights promise to transport listeners into expansive spaces, where sounds gently drift through the open air and tall grass

11/06 - chicago, il @ hideoutchicago *
11/07 - chicago, il @ constellationchicago **
11/08 - philadelphia, pa @ asianartsphilly **
11/09 - new york, ny .world
* w/ zander raymond
** w/ patrick shiroishi

28/10/2025

tour dates with danger ⚠️⚡️

’s tour ignited this past friday in santa fe and is now winding its way through the east coast, lighting up stages with an electrifying run of performances

lucrecia’s show, performed as a trio with (bass / contrabass) and jonah müller (drums / percussion), is a spellbinding, perception-bending experience that lingers long after the final note. truly not to be missed

above, an array of photographs by the incomparable , shot for ’s feature on lucrecia

10/29 - baltimore, md *
10/30 - philadelphia, pa *
11/01 - new york, ny
* w/

27/10/2025

in the cosmos now, i am shee: original recordings, 1979-1997 is available from the and rvng webstores and as a limited edition image capsule and digital anthology, and across all streaming platforms 🌀🌀🌀

beginning in the late 60s, sheffer’s east village home flourished as a social and creative nucleus parallel to nyc’s legendary loft jazz scene. amid countless impromptu sessions with visiting musicians and friends, she discovered a liberation in music and began composing on a piano that famously entered through her fifth-floor window

it was here that sheffer’s music and visual art first intertwined, with vibrant paintings adorning and surrounding the stage. her exploratory compositions transformed into “art music,” as described by william parker (); hallucinatory inventions entirely her own, where the shapes of sound moved and the colors of her voice became visible. joined by a revolving cast of collaborators and guided by a mind receptive to free-flowing energies, sheffer searched tirelessly for new forms, weaving textures and moods into haunting atmospheres and spells. every object became a portal, every sound an attunement

our path to amy’s work began through a trio of records she released in the 80s, each vibrating with her surreal, psychedelic paintings on the cover. her creative output in both music and visual art has remained prolific over the decades, now largely conducted from her home in long island. this discovery sparked a conversation, which blossomed into a friendship and ultimately led to an invitation by to present her work in a comprehensive, cosmic solo show at

we’re honored to play a small role in amy’s extraordinary, incomparable world. above: amy with the i am shee image capsulre, captured at the closing event for her debut exhibition this past saturday

🎛️ written and produced by amy sheffer
🎨 original artwork by amy sheffer
📐 design by

24/10/2025

i am shee, original recordings: 1979-1987 arrives today via , a musical anthology and image capsule surveying the singular world of new york vocalist, composer, and visual artist amy sheffer. the release gathers selections from sheffer’s discography alongside a lush print companion for those with open ears, eyes, and minds 🌀📚🧠

here is a closer look at the limited-edition print companion, featuring three fold-out catalogues that present a vibrant mix of original album art documentation, photography, drawings, poetry, and miscellaneous ephemera. each is lovingly encased in a hand-stamped envelope signed by amy, and comes complete with a risographed postcard and an i am shee records button

i am shee: original recordings, 1979-1997 is available now through the freedom to spend + rvng webstores and and across all digital platforms. the release coincides with the closing celebration of i am shee, amy sheffer’s psychedelic debut solo art exhibition at tomorrow, saturday, october 25, from 4 - 6 pm 🎉

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Democratic Republic Of The
10009

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http://rvng.com/

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