RVNG Intl. www.rvng.com RVNG Intl. Of course, we’re not total curmudgeons, our catalogue is (almost) fully available across digital formats.

is a Brooklyn-based music institution that operates on few but heavily fortified principals, dealing with forward-reaching artists sometimes categorized as electronic, avant, free, fried, etc. RVNG seeks to appease collector fandom with extravagant packaging and to remind hopeful audiophile generations of the sonic spectacle that transforms the surrounding airspace when needle presses vinyl. Our F

RKWYS series exemplifies the equilibrium of classic artistic sensibility and modern day sentimentality. Each volume is a unification of progenitor and contemporary musician. Those artists on RVNG working outside the FRKWYS umbrella still find collaboration the driver a. We work closely to activate each new level of artistic accomplishment. RVNG is a creative member of our NYC community and at large. Whether it’s partnering with New York City’s White Columns Gallery or London’s Barbican Center, helping to present MoMa PS1′s Summer Warm Up series or working extensively with Krakow’s Unsound Festival, format transcendence is our second life-force. As for the correct pronunciation of RVNG, please consult the cosmos. GENERAL INQUIRIES

Please contact [email protected]. MAILORDER INQUIRIES

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RVNG is distributed by Secretly Distribution. If you have any issues getting in touch with Secretly, please contact us at [email protected]. PLEASE GET TO KNOW THE REST OF OUR FAMILY

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☠ death, danger, dates with dalt ☠ brings a danger to ourselves out west in march, and europe following in may and june,...
09/12/2025

☠ death, danger, dates with dalt ☠

brings a danger to ourselves out west in march, and europe following in may and june, lighting up stages with a series of enthralling, entrancing performances

performed as a trio with on bass / contrabass and on drums / percussion, lucrecia’s show is an electrifying experience. featuring support from some extra special guests, you best not miss ⚡️🔌

us
3/13 - albuquerque, nm
3/14 - cottonwood, az
3/20 - los angeles, ca
3/21 - san francisco, ca
3/27 - knoxville, tn

uk / eu
5/4 - bristol, uk
5/6 - salford, uk
5/7 - glasgow, uk
5/10 - brighton, uk
5/11 - lille, fr
5/12 - gent, be
5/13 - cologne, de
5/14 - bruxelles, be
5/15 - amsterdam, nl
5/17 - copenhagen, dk
5/19 - berlin, de .green
5/20 - leipzig, de
5/21 - prague, cz
5/23 - bern, ch
6/8 - lisboa, pt .leza

📸:

welcoming the weekend with some holiday cheer as we extend the rvng winter sale into a festive  friday (!!!)today, decem...
05/12/2025

welcoming the weekend with some holiday cheer as we extend the rvng winter sale into a festive friday (!!!)

today, december 5, take 25% off all releases in the rvng, , and beats in space bandcamp stores using the extra-special code WINTER25

the 25% still applies at at rvng.com through the end of today, if bandcamp isn’t your thing ;)

all orders will arrive in time for the holidays, so spread the spirit, deck your decks, and ring in the season the frk way ♨️

bending our brains today on permutate lex, the short film / collaboration between  and visual artist brenna murphy ()cre...
04/12/2025

bending our brains today on permutate lex, the short film / collaboration between and visual artist brenna murphy ()

created as a crucial counterpart to visible cloaks’ 2017 record lex, which appeared in the ethers of the duo’s second album, reassemblage, earlier in the year, permutate lex is a kaleidoscopic visualization of the duo’s sculptural soundscapes. a rendered sequence of scenes set against the album’s first five pieces, the film expands lex’s aesthetic world through an exploration of digital morphing and dematerialization

for those residing in the pacific northwest, experience visible cloaks’ prismatic world in
quadraphonic sound at two ultra-special, illusionary live shows presented with , with support from the inimitable and

2/20, portland, or @ first congregational ucc church *
2/21, seattle, wa @ seattle first baptist church **
*w/ omari jazz
**w/ saloli

in 1979, during his third summer in berlin after having relocated from his hometown of hildesheim, harald grosskopf reac...
02/12/2025

in 1979, during his third summer in berlin after having relocated from his hometown of hildesheim, harald grosskopf reached a crossroads. as the percussive backbone for the german krautrock scene, he had always considered himself a collaborator; a metronomic accomplice in the psychedelic experiments of ash ra tempel, cosmic jokers, and klaus schulze. however, after ash ra went on hiatus, he suddenly found himself musically adrift, unmoored by a lack of collaborative prospects. he began tinkering with tape loops, and after some encouragement from his fellow musicians / friends, he embarked on his first solo creative endeavor

grosskopf sequestered himself in an apartment studio nestled deep in the west german countryside, armed with a minimoog, a reel-to-reel, and copious amounts of coffee and “other substances.” despite no prior experience with analog synthesis or music production, he became enraptured by the freedom of solo creation, often working until dawn, or drifting to sleep beside his 12-channel mixer. two months later, he emerged with synthesist, an otherworldly album teeming with interstellar synth explorations, pulsing ambient soundscapes, and grosskopf’s masterful drum work

in 2011, rvng pursued a similar endeavor, releasing synthesist as the label’s very first reissue. alongside it, rvng released re-synthesist, a companion compilation featuring reinterpretations from oneohtrix point never (), blondes, arp (), , , and more. the dual release stands as an ode to grosskopf’s story, and a document of its influence on a new gen of synthesists 🔌🎹

from the fringe, to your front door 🚪📦starting today, friday, november 28, take a 25% discount on our entire catalog at ...
28/11/2025

from the fringe, to your front door 🚪📦

starting today, friday, november 28, take a 25% discount on our entire catalog at the rvng web store, excluding fall 2025 releases and pre-orders, through monday, december 1 (!!!)

the discount is automatically applied to your cart at check out, so load up on rvng, , beats in space, and commend goodies, and spoil yourself, or your loved ones, with some sonic treats 💎🍬

ushering in the season with some holiday fear - a plunge back into the body’s () brutalizing world 🌎🪦formed in 1999 in l...
26/11/2025

ushering in the season with some holiday fear - a plunge back into the body’s () brutalizing world 🌎🪦

formed in 1999 in little rock, arkansas (where chip, lee, and a certain proprietor of rvng grew up), the body has since haunted the shadowy underbellies of providence and portland with their savage / seismic / suffocating sounds. mixing the impossibly colossal beats of drummer lee buford with the visceral shred and piercing howl of guitarist / vocalist chip king, the body is a jarring collision that obliterates all notions of formal classification

in 2014, the body and rvng released i shall die here, their fourth full-length studio album. a crushing, crucial collaboration with composer and producer bobby krlic (aka ), the record fuses krlic’s downtempo soundscapes with the body’s relentless dirge, summoning a pitch-dark fusion of experimental electronic music and doom metal

the body returned to this deep, dark well in 2023 to release i shall die here / earth triumphant, an expanded double album featuring the raw, pre-haxan full-length album that would ultimately become i shall die here. a lethal burst of raw ferocity, earth triumphant is a window into the origins of an enduring rvng classic

since its release, i shall die here’s influence has expanded in direct and indirect ways. in 2021, musician and visual artist discovered a poster of ’s iconic artwork for the album insert poster stubbornly hanging in a subletted cambridge apartment. unaware of its origin, its image ultimately enraptured her, guiding her visual language and inspiring the cover of her spectacular 2025 record unobsession. i shall die here, and die here again

this year, the body reissued all the waters of the earth turn to blood, another double album classic, and collaborated with noise duo to release was i good enough?, further pushing their ferocious impulses to the outer limits

big recommendation to check out these releases, and show some appreciation for some true visionaries🩸

in 1971, peter ivers relocated to los angeles in a bright orange volkswagen, settling into a cozy laurel canyon rental t...
25/11/2025

in 1971, peter ivers relocated to los angeles in a bright orange volkswagen, settling into a cozy laurel canyon rental that would become the nexus of his home demo’ing practice

ivers was no stranger to music: a self-taught, virtuosic songwriter, composer, and harmonica player, he released knight of the blue communion, his psychedelic debut album in 1969, and performed regularly around cambridge (where he attended harvard) with the popular blues-rock group street choir. his westward move, however, guided him towards the world of cinema, and he adopted a musician-in-residence position at the american film institute

It’s there that ivers met the legendary filmmaker david lynch, then an afi also freshly settled in la from missoula, montana. the pair immediately formed a bond, united by a shared fascination with “arcane spirituality and a mutual love for the shadowy corners of traditional jazz and blues,” as jesse locke described for qsljmp

this kinship quickly evolved into a creative partnership as lynch began work on his acclaimed midnight movie sensation eraserhead, a film featuring music from a fats waller record straight from ivers’ personal collection. with lynch penning the lyrics, ivers composed the eerie, entrancing classic “in heaven,” crooned by the lady in the radiator in an iconic lip sync to ivers’ haunting falsetto

in 2019, rvng assembled an array of studio outtakes and intimate demos from ivers’ archives at harvard to create becoming peter ivers. “in heaven” manifested once again in this collection as a spectral / spectacular arrangement of drum machine, harmonica, and piano. the compilation stands as a love letter and tribute to the late great artist, and to the incredible art he left behind, and all too soon

rest in peace, peter ivers ♡

📸: steve martin

’s tour across the uk with .poirier begins this week, bringing a colorful mixture of new music and newly reimagined work...
24/11/2025

’s tour across the uk with .poirier begins this week, bringing a colorful mixture of new music and newly reimagined works from his 2024 record atlas of green to a handful of cities 🗺️🌿

dialect’s live show immerses listeners in the imagined / imaginative utopic worlds of his music, and brings to a living space the collages of his catalog. with support from .juritz and ancient grains, these revitalizing, radiant evenings are not a miss, but a must

11/25 - london, uk hosted by *
11/26 - liverpool, uk @ consulate **
11/27 - manchester, uk hosted by
11/30 - glasgow, uk
* w/ .juritz
** w/ and as ancient grains

📸: photo by heather swift hunt
🎨: poster by

extended field, the frkwys collaboration between avant-rock evangelists  and minimalist composer / phenomenon , material...
21/11/2025

extended field, the frkwys collaboration between avant-rock evangelists and minimalist composer / phenomenon , materializes in this world today ⿴

the seeds of this project were planted nearly a decade ago, with online conversations of mutual admiration initiating a long, winding journey towards an irl collaboration. a road not without challenges, as is inevitable in any artistic partnership between musicians of different generations, both parties remained patient and open, learning the finer points of one another’s harmonic preferences and fusing them into a single, unified sound

the result of this convergence of dreyblatt’s hyper-focused practice and horse lords’ contagious energy is a brilliant spectrum of psychoacoustic sound. both parties stretch their sonic boundaries without sacrificing the primacy of their own musical instincts, creating a soundscape full of shimmering harmonies and ecstatic, erratic rhythms

extended field marks the first frkwys release since 2021’s collaboration of ka baird () and pekka airaksinen (rest in power, pekka). like its predecessors, it represents the culmination of a true exchange of knowledge from one generation to the next, and of the interpretation and application of this knowledge in unison. for rvng, this exemplifies the ideal outcome of a frkwys collaboration: an intergenerational dialogue transformed into a work unburdened by time

horse lords and arnold dreyblatt’s frkwys vol. 18: extended field is available now in vinyl and digital editions via the rvng store, , and all digital platforms ⚡️

🎶 performed by horse lords (andrew bernstein (), max eilbacher (), and owen gardner (.en.gardner), arnold dreyblatt, and
🎚️ produced by
🎛️ mixed by owen gardner
💿 mastered and cut by
🎨📐artwork and design by

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