RVNG Intl.

www.rvng.com RVNG Intl. Of course, we’re not total curmudgeons, our catalogue is (almost) fully available across digital formats.

is a Brooklyn-based music institution that operates on few but heavily fortified principals, dealing with forward-reaching artists sometimes categorized as electronic, avant, free, fried, etc. RVNG seeks to appease collector fandom with extravagant packaging and to remind hopeful audiophile generations of the sonic spectacle that transforms the surrounding airspace when needle presses vinyl. Our F

RKWYS series exemplifies the equilibrium of classic artistic sensibility and modern day sentimentality. Each volume is a unification of progenitor and contemporary musician. Those artists on RVNG working outside the FRKWYS umbrella still find collaboration the driver a. We work closely to activate each new level of artistic accomplishment. RVNG is a creative member of our NYC community and at large. Whether it’s partnering with New York City’s White Columns Gallery or London’s Barbican Center, helping to present MoMa PS1′s Summer Warm Up series or working extensively with Krakow’s Unsound Festival, format transcendence is our second life-force. As for the correct pronunciation of RVNG, please consult the cosmos. GENERAL INQUIRIES

Please contact [email protected]. MAILORDER INQUIRIES

Please contact [email protected]. PRESS INQUIRIES

Please contact [email protected]. RETAIL INQUIRIES

RVNG is distributed by Secretly Distribution. If you have any issues getting in touch with Secretly, please contact us at [email protected]. PLEASE GET TO KNOW THE REST OF OUR FAMILY

Commend
commendnyc.com

Beats In Space
beatsinspace.net

Freedom To Spend
freedomtospend.org

29/08/2025

the fifth anniversary of a special album slipped us by, but we’re coming with some love surrounding the six year anniversary of ’s only the blues 🌀

after immersing in electronic production and sound design at music school, a relocation to los angeles inspired moon (real name!) to embrace his inner songwriter. the creation of only the blues began with a chance encounter with an ancient drum machine, which past-futurist rhythms became the album’s backbone

self-recorded in cramped bedrooms in la and boston, with soundproofing nailed to the doors and mattresses pressed against walls, only the blues took on a captivating, anxious quality as moon layered his sleepy, sweet voice over pools of tape hiss and reverb-soaked rhythms

the album arrived in rvng’s demo pile with a note that read, “i recorded these songs in my room. i’m not sure what to do with them.” six years on, and several releases later, we were humbled to play a small role in helping dylan figure out what to do, and only the blues remains a label all-timer 🌙

📸: anne rhyner

26/08/2025

the next chapter from ’s forthcoming album tender / waiting arrives today with “wading the plain” 🚶 ⛰️🚶

like the album it hails from, “wading the plain” drifts in with a distinct sound: contemplative electro-acoustic barn jazz for the front range, brimming with pale puddle blues and rusted oil drum reds

dashes of clarinet and piano cut through the high grass, creating what sage describes as a “sort of domestic pastoral anthem for a post-internet dweller”

the single arrives accompanied by a video directed and edited by m. sage. chase the wind, and listen / look now 🌬️👂👁️

🎚️ performed and produced by m. sage
🎛️ mastered by
📸 cover photo by .p.ward
📹 video directed & edited by m. sage
🎨 📐 artwork and design by

25/08/2025

another date with danger in los angeles⚡️🌴

in partnership with / , join us this thursday, august 28 at for an intimate first listen of ’s new album a danger to ourselves

experience the highly-anticipated album in full ahead of its release next friday, september 5, and take part in a special conversation between lucrecia and matt mcdermott (), as she offers insight about her work during a live q&a

☠︎︎ this event is free and open to until capacity is reached. rsvp at the link in our bio to secure your spot ☠︎︎

22/08/2025

ka baird brings their energetic, boundary-defying live performance to japan for the very first time next month. the expedition will include the premiere of ka’s collaboration with for ‘s osaka edition ݁ ˖ ⚡︎ ˖ ݁ .

ka’s sets are charged encounters where voice, wind, and movement manipulations collide into ecstatic sonic catharsis 🌪🎤

09/06/25 [japan] osaka *
09/13/25 [japan] hyogo
09/15/25 [japan] tokyo @ koen-dori classics
09/20/25 [japan] yamanashi

* w/

📸:

19/08/2025

it’s ’s turn with our monthly hour of programming for . for today’s show, jed bindeman () is at the wheel, making a crucial detour to the left of the dial to examine electrosope, the vehicle for gayle brogan and john cavanagh’s prolific adventures in homespun, electronic sound during the mid-to-late 90s

expect other fully realized, under recognized works dissolving the boundaries of past / present / future when you tune in at 8 pm est / 5 pm pst 📡👂

18/08/2025

starting your week with a celebration to ’ skins n slime, the first sounds of which were shared five years ago today via the now / forever eternal “butoh baby”꒷꒦꒷꒦꒷

in 2019, after an extensive international tour in support of , british cellist, composer, and producer oliver coates retreated home to complete his seventh full-length collection of music. influenced by the musical numerology of hanne darboven and the ambient soundscapes of dutch musical enigma enno velthuys, skins n slime unfolds as a series of cavernous walls of sound, at once evoking both drone metal and classical minimalism

the eponymous “slime” refers to a “viscous and melting approach to live sound,” with coates’ signature cello playing fed through digital loopers and manipulated with distortion and chorus to create metallic, luminous textures that are at once ethereal and austere

above, a photograph of oliver coates’ live performance, captured by joeri thiry.
here’s to five years of skins n slime ｡ﾟ∘° ∘˚.

15/08/2025

welcoming the weekend with some appreciation for the ineffable presence of , photographed here by around the release of veronica’s hem / sew beat tape for rvng ⋆˖⁺‧₊☽

new york city based musician and producer operates beyond expectations, intertwining opposing, symmetrical elements of old / new, light / dark, high / low into works that entirely refuse any attempt of categorization.

vhvl released hem/sew with rvng in 2021, offering ten deeply introspective sound collages. this year, vhvl self-released vwch, a mesmerizing work that further pushes her production and creative impulses

big recommendation to check out vwch, and to show some praise for one of the best around ⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺

14/08/2025

a little over five years ago, los angeles-based musician and polymath josiah steinbrick reached out to us about an album he was looking for a little help with, and rather immediately ⋆.ೃ࿔*:･

with the inimitable helming a vinyl edition, we jumped in where we could, making josiah’s spell-binding liquid / devotion & tongue street blue available as 1s and 0s, and perhaps more meaningfully, offering the album as a music of the month pick (ah, the good ol’ days)

when we shared “full bloom,” the first single from the album, a little over five years ago, josiah’s vibrant, hypnotic arrangements began making its way to new and old ears alike, and a lasting creative journey together commenced. stay tuned for more music of this serendipitous meeting on the eventual horizon ꩜⋆.°⭑

12/08/2025

a ritualised fire
a plume of desire 🔥

is heading out on select live dates this fall in support of a danger to ourselves, her new album arriving friday, september 5. complete info below, and linked in our bio

10/24 - santa fe, nm *
10/29 - baltimore, md **
10/30 - philadelphia, pa **
11/01 - new york, ny ()

* w/ public erotic
** w/

📷 front photo
📷 flyer photo .photo

07/08/2025

emily a. sprague’s () cloud time traces an audio-spiritual journey through time and place, recorded across a long-awaited debut tour of japan in the fall of 2024 ☁️🕰️

compiled from environmental improvisations captured in and for the moment, material at once welcoming, responsive, and inimitable, the album distills a voyage guided by psychic wayfaring, unbound presence, and activating performance for a reciprocal exchange with space, listener, and each fully engaged instant

today we share “tokyo 1,” the first transmission from cloud time, accompanied by a video from v haddad (), channelng the spirit of an inaugural tour stop, and in its peaks and valleys, cycles and drifts

“my vision and hope is that this album can be released as a gift back to anyone who either was or wasn’t there. a cloud time of life passing by”

cloud time arrives october 10, and is available for preorder now in limited cloudy blue and black vinyl, japanese import cd via , and digital editions

🎚️ performed and recorded by emily
🎛️ mastered by
📸 photo by v haddad
📷 album diptychs by emily
📹 visuals by v haddad
📐 design by

06/08/2025

no estaba en tu plan
que el cuerpo fuera
un eco de tu gritar
de helarse dentro y fuera
😱😱😱

nick león () and , featuring . “caes” in dub

play it now and loud, wherever your ears turn for such ceremonies 𓉱👂

05/08/2025

picture yourself on a boat in a river (or lake), watching perform on a floating stage as the sun rises 🌅🛶

dreams scenes / sequences from the recent festival in latvia, where jj played a day break set to a crowd of kayakers, a sense of time as fluid as the surrounding water 🕰️💧

📹

Adresse

PO Box 20752 Tompkins Square
Democratic Republic Of The
10009

Site Web

http://rvng.com/

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