RVNG Intl. www.rvng.com RVNG Intl. Of course, we’re not total curmudgeons, our catalogue is (almost) fully available across digital formats.

is a Brooklyn-based music institution that operates on few but heavily fortified principals, dealing with forward-reaching artists sometimes categorized as electronic, avant, free, fried, etc. RVNG seeks to appease collector fandom with extravagant packaging and to remind hopeful audiophile generations of the sonic spectacle that transforms the surrounding airspace when needle presses vinyl. Our F

RKWYS series exemplifies the equilibrium of classic artistic sensibility and modern day sentimentality. Each volume is a unification of progenitor and contemporary musician. Those artists on RVNG working outside the FRKWYS umbrella still find collaboration the driver a. We work closely to activate each new level of artistic accomplishment. RVNG is a creative member of our NYC community and at large. Whether it’s partnering with New York City’s White Columns Gallery or London’s Barbican Center, helping to present MoMa PS1′s Summer Warm Up series or working extensively with Krakow’s Unsound Festival, format transcendence is our second life-force. As for the correct pronunciation of RVNG, please consult the cosmos. GENERAL INQUIRIES

Please contact [email protected]. MAILORDER INQUIRIES

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Please contact [email protected]. RETAIL INQUIRIES

RVNG is distributed by Secretly Distribution. If you have any issues getting in touch with Secretly, please contact us at [email protected]. PLEASE GET TO KNOW THE REST OF OUR FAMILY

Commend
commendnyc.com

Beats In Space
beatsinspace.net

Freedom To Spend
freedomtospend.org

04/11/2025

a tender, transcendent performance of the title track from ’s latest album under a familiar sun ☀️

lovingly captured on film by at , the performance finds sam and his band and weaving a warm, intimate soundscape for your eyes and ears

watch the full three-song performance, now floating through the ether, and catch these sounds and more at a very special show on december 5, at london’s queen elizabeth hall

starting your week with a look back on a year of  and richard horowitz’s the invisible road: original recordings, 1985-1...
03/11/2025

starting your week with a look back on a year of and richard horowitz’s the invisible road: original recordings, 1985-1990 ➰🪄🛣️

deyhim and horowitz’s decades-long partnership blossomed from a chance meeting at noise new york, an intimate west 34th street studio housing the creative energies of arthur russell, christian marclay, and other downtown visionaries. though each hailed from drastically different worlds—deyhim, a tehran-born vocalist who regularly graced iranian television before studying ballet in belgium, and horowitz, a buffalo-born composer immersed in paris’ free jazz underground—the pair found common ground in a revolutionary vision of avant-pop

striving to create a body of music “free of any specific cultural reference, with a personal musical signature”, the pair crafted works that interlace deyhim’s inimitable vocalizations with horowitz’s daring compositions, each piece infused with the pair’s extensive engagement with both experimental music and globe-spanning musical traditions. the result is an extraordinary expression, music with a wholly singular sound

in 2024, deyhim, horowitz, and unveiled the invisible road, a compilation of previously unheard recordings carefully selected from a valley storage space / treasure trove overflowing with decades of material. the collection stands as a tribute to an enduring creative and romantic partnership, and to the remarkable legacy of horowitz’s life 💙

 and j.i.t.u. ahn-sham-bul’s we are not the first turns ten ⿴⿴⿴recorded over a week of extensive studio sessions at  in ...
31/10/2025

and j.i.t.u. ahn-sham-bul’s we are not the first turns ten ⿴⿴⿴

recorded over a week of extensive studio sessions at in brooklyn, we are not the first marked an ecstatic evolution in chicago-based producer and dj jamal moss’s radical explorations of dance music’s outer limits

steeped in deep dialogue with lineages of afro-futurist imagination and electronic experimentation, the record conjures human consciousness from primordial ooze, charting a cosmic odyssey across eleven tracks brimming with hypnotic movement and unbridled mayhem

a genre / generarational crossing ensemble effort, we are not the first features a host of collaborators, including band leader and saxophonist (then, a young 91 years old!), ubiquitous multi-instrumentalist shahzad ismaily, (then) future rvng fam greg fox (), visionary vocalist , downtown legend , synthesist ben vida (), philly connector elliot levin, and poet rafael sanchez ()

we are not the first overflows with free improv freak-outs, thumping drum machine beats, and mind-bending modular madness. ingrained with the sounds of human history, it remains a transcendent experience that utterly collapses the boundaries of past / present / future

🎚️ produced by jamal moss, mixed by paul corley and davey jewell
🎛️ engineered by davey jewell
💿 mastered by
📸 photography by
🎨📐design by

m. sage’s () journey across the u.s. in support of tender / wading continues next week with a select run of shows, bring...
30/10/2025

m. sage’s () journey across the u.s. in support of tender / wading continues next week with a select run of shows, bringing front range soundscapes to chicago and the east coast 🌾🌾🌾

with support from and for , these nights promise to transport listeners into expansive spaces, where sounds gently drift through the open air and tall grass

11/06 - chicago, il @ hideoutchicago *
11/07 - chicago, il @ constellationchicago **
11/08 - philadelphia, pa @ asianartsphilly **
11/09 - new york, ny .world
* w/ zander raymond
** w/ patrick shiroishi

tour dates with danger ⚠️⚡️’s tour ignited this past friday in santa fe and is now winding its way through the east coas...
28/10/2025

tour dates with danger ⚠️⚡️

’s tour ignited this past friday in santa fe and is now winding its way through the east coast, lighting up stages with an electrifying run of performances

lucrecia’s show, performed as a trio with (bass / contrabass) and jonah müller (drums / percussion), is a spellbinding, perception-bending experience that lingers long after the final note. truly not to be missed

above, an array of photographs by the incomparable , shot for ’s feature on lucrecia

10/29 - baltimore, md *
10/30 - philadelphia, pa *
11/01 - new york, ny
* w/

in the cosmos now, i am shee: original recordings, 1979-1997 is available from the  and rvng webstores and  as a limited...
27/10/2025

in the cosmos now, i am shee: original recordings, 1979-1997 is available from the and rvng webstores and as a limited edition image capsule and digital anthology, and across all streaming platforms 🌀🌀🌀

beginning in the late 60s, sheffer’s east village home flourished as a social and creative nucleus parallel to nyc’s legendary loft jazz scene. amid countless impromptu sessions with visiting musicians and friends, she discovered a liberation in music and began composing on a piano that famously entered through her fifth-floor window

it was here that sheffer’s music and visual art first intertwined, with vibrant paintings adorning and surrounding the stage. her exploratory compositions transformed into “art music,” as described by william parker (); hallucinatory inventions entirely her own, where the shapes of sound moved and the colors of her voice became visible. joined by a revolving cast of collaborators and guided by a mind receptive to free-flowing energies, sheffer searched tirelessly for new forms, weaving textures and moods into haunting atmospheres and spells. every object became a portal, every sound an attunement

our path to amy’s work began through a trio of records she released in the 80s, each vibrating with her surreal, psychedelic paintings on the cover. her creative output in both music and visual art has remained prolific over the decades, now largely conducted from her home in long island. this discovery sparked a conversation, which blossomed into a friendship and ultimately led to an invitation by to present her work in a comprehensive, cosmic solo show at

we’re honored to play a small role in amy’s extraordinary, incomparable world. above: amy with the i am shee image capsulre, captured at the closing event for her debut exhibition this past saturday

🎛️ written and produced by amy sheffer
🎨 original artwork by amy sheffer
📐 design by

24/10/2025

i am shee, original recordings: 1979-1987 arrives today via , a musical anthology and image capsule surveying the singular world of new york vocalist, composer, and visual artist amy sheffer. the release gathers selections from sheffer’s discography alongside a lush print companion for those with open ears, eyes, and minds 🌀📚🧠

here is a closer look at the limited-edition print companion, featuring three fold-out catalogues that present a vibrant mix of original album art documentation, photography, drawings, poetry, and miscellaneous ephemera. each is lovingly encased in a hand-stamped envelope signed by amy, and comes complete with a risographed postcard and an i am shee records button

i am shee: original recordings, 1979-1997 is available now through the freedom to spend + rvng webstores and and across all digital platforms. the release coincides with the closing celebration of i am shee, amy sheffer’s psychedelic debut solo art exhibition at tomorrow, saturday, october 25, from 4 - 6 pm 🎉

diving back into the shimmering waters of ’s taba with a new video for “nami” ♒︎♒︎♒︎captured by satomi on a bustling bea...
23/10/2025

diving back into the shimmering waters of ’s taba with a new video for “nami” ♒︎♒︎♒︎

captured by satomi on a bustling beach full of people digging for seashells, the visual accompaniment for nami channels satori’s ongoing fascination with the subtle connections between our inner lives and the environment around us. each ripple traces the delicate lines between the personal and the universal, the internal and the external, the observed and the felt

“’nami’ means waves, and i tried to capture the sudden waves arising within myself from various angles. i put my iphone in a plastic bag and submerged it in the sea to see what would be caused by the uncontrollable natural waves”

available now for your viewing pleasure, the self-directed video offers another window into the lush, textured world satomi has crafted with taba ⋆.˚ ⋆。𖦹˙.°

“impulse array” is the next interval of extended field, the intergenerational frkwys collaboration between veteran minim...
22/10/2025

“impulse array” is the next interval of extended field, the intergenerational frkwys collaboration between veteran minimalist composer and avant-rock heavies △□○

a woozy sonic warp of justly intoned synthesis and saxophone, “impulse array” is a collision of dreyblatt’s aerated, ear-pricking sequences and guest percussionist ’s shaker patterns with max eilbacher’s () bass churn and owen gardner’s (.en.gardner) slashing guitar

collectively tracing a path through the tuning matrix that has long directed dreyblatt’s music, the musicians glide across a changing, challenging array of sound which gardner describes as a “progression strangely evocative of a bach chorale both highly directed and without a goal”

horse lords and arnold dreyblatt’s frkwys vol. 18: extended field arrives november 21, 2025 in vinyl and digital editions. available now for pre-order via the rvng webstore and

🎶 performed by horse lords (andrew bernstein (), max eilbacher, and owen gardner), arnold dreyblatt, and andrea belfi
🎚️ produced by
🎛️ mixed by owen gardner
💿 mastered and cut by
🎨📐artwork and design by
📸 photo by

around the turn of the ‘80s, a vast tape-trading network took shape, emerging as a sprawling community that transcended ...
21/10/2025

around the turn of the ‘80s, a vast tape-trading network took shape, emerging as a sprawling community that transcended any boundaries of continent and nation. this underground teemed with humble artists and unrecognized visionaries, who relied on the postal service to circulate their homespun works across oceans and borders ╰╮╰╮╰╮

among the countless creations that flowed through this stream was ramarimba, the playful project from suffolk-based, self-taught musician robert cox. operating out of a tiny seaside bungalow overflowing with wires and equipment, cox explored the world of minimalism from far outside of its “high-art” confines

squeezing as much sound as possible from a trusty sony walkman and an array of instruments carefully perched on handmade plywood platforms, cox crafted a fully contained sonic world, brimming with playful textures, hypnotic patterns, and boundless diy creativity

in 2018, embarked on their first catalog wide deep dive into an artist’s career, compiling 1983’s below the horizon, 1984’s on dry land, 1985’s in the woods, and 1988’s previously unreleased compilation light metabolism number prague to create the rimarimba collection. the collection stands as a testament to cox’s musical ingenuity, and to the hidden treasures of this underground community ╰╮╰╮╰╮

📸: nick garnham

beginning the week with a celebration of three radiant years with ’s volume ii ༄༄༄following up his juno-award nominated ...
20/10/2025

beginning the week with a celebration of three radiant years with ’s volume ii ༄༄༄

following up his juno-award nominated debut record volume i, canada based composer, multi-instrumentalist, and producer mathieu david gagnon gently drew inspiration from the majestic landscapes and rugged terrain adorning his native quebec. the water of its serene, sparkling rivers quickly became the guiding current of his compositions: “i made a sketch of waves one day and hung it prominently on the wall. that was the force behind my creation, my sandbox”

this dialogue with coursing waters ultimately cultivated the eight works comprising volume ii, a sublime voyage into pastoral environments and tender emotion. wielding an assortment of 1960s / 70s synthesizers, a fifteen-piece string orchestra, and an eight-piece clarinet ensemble, gagnon employs his signature, bach-inspired approach of reframing a single melody across a series of works

the result is a technicolor palette of sound that extracts complexity from simplicity / depth from restraint / beauty from repetition. released in collaboration with , volume ii stands as an undeniable testament to flore laurentienne’s ever-evolving vision

📸:

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