RVNG Intl.

www.rvng.com RVNG Intl. Of course, we’re not total curmudgeons, our catalogue is (almost) fully available across digital formats.

is a Brooklyn-based music institution that operates on few but heavily fortified principals, dealing with forward-reaching artists sometimes categorized as electronic, avant, free, fried, etc. RVNG seeks to appease collector fandom with extravagant packaging and to remind hopeful audiophile generations of the sonic spectacle that transforms the surrounding airspace when needle presses vinyl. Our F

RKWYS series exemplifies the equilibrium of classic artistic sensibility and modern day sentimentality. Each volume is a unification of progenitor and contemporary musician. Those artists on RVNG working outside the FRKWYS umbrella still find collaboration the driver a. We work closely to activate each new level of artistic accomplishment. RVNG is a creative member of our NYC community and at large. Whether it’s partnering with New York City’s White Columns Gallery or London’s Barbican Center, helping to present MoMa PS1′s Summer Warm Up series or working extensively with Krakow’s Unsound Festival, format transcendence is our second life-force. As for the correct pronunciation of RVNG, please consult the cosmos. GENERAL INQUIRIES

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RVNG is distributed by Secretly Distribution. If you have any issues getting in touch with Secretly, please contact us at [email protected]. PLEASE GET TO KNOW THE REST OF OUR FAMILY

Commend
commendnyc.com

Beats In Space
beatsinspace.net

Freedom To Spend
freedomtospend.org

19/11/2025

with extended field, the intergenerational frkwys collaboration between and , arriving into the world this friday (!!!), we take a moment to highlight the life and work of singular psychoacoustic pioneer / phenomenon arnold dreyblatt 🎻⚡

in 1974, while studying video art at suny buffalo, dreyblatt encountered a performance of alvin lucier’s “still and moving lines of silence in families of hyperbolas,” in which pure sine waves caused a player-less snare drum to repeatedly resonate. astounded by the piece, he promptly relocated to new york to study under iconic minimalist composer la monte young, whose work in avant-garde music explored the sonic possibilities of sustained drones and serialism

it was there, among friends and contemporaries arthur russell and rhys chatham, that dreyblatt began his decades-long pursuit of exploring the physical properties of sound using hand-crafted instruments. his first creation was the excited strings bass: a double bass strung with piano wires, producing shimmering clouds of metallic overtones when struck. this exploratory approach extended to his compositional practices, which employed a self-devised tuning system residing beyond western conceptions of melody / harmony

dreyblatt would later incorporate his excited strings bass into his groundbreaking 1982 album nodal excitation, an ecstatic work overflowing with kinetic energy. its driving, percussive patterns and resonant harmonies stand as harbingers of the innovative practices that would remain at the heart of his art

decades later, dreyblatt now resides in berlin, continuing to explore the ringing qualities and physicality of sound in his compositions. extended field marks the latest chapter in his creative journey, a truly transcendental experience not to be missed

horse lords and arnold dreyblatt’s frkwys vol. 18: extended field arrives this friday, november 21, 2015 in vinyl and digital editions. available now for pre-order via the rvng store and bandcamp

18/11/2025

’s graze the bell marks the first widely shared solo piano album from the bing & ruth leader. a collection of soul-stirring, mesmerizing pieces that meditatively inquire into the human condition, graze the bell is a sanctuary of sound and the most distilled offering of david’s artistry to date 🔔🪁

moore’s solo piano offering is not simply a return to any place or time, but to a luminous center that transcends both. graze the bell contains a hidden map of personal experiences, its entrancing melodic repetition navigating the way, stirring hidden feelings, and recalling us to our shared center

today we share “rush creek,” the benevolently haunting first chapter of graze the bell, and a taste of the album’s vivid spectrum of fluctuating emotions. the track’s title refers to a creak near black mountain, nc, where moore lived during the deep uncertainty of the early pandemic. like the creek, moore’s plains rollicks and iridesces, evoking the impermanence of life with tender vim

the single emerges today alongside a captivating video directed by the incomparable , capturing the entrancing repetition of moore’s melodies in live performance

to celebrate the release, moore will perform at brooklyn’s on february 12, 2026. an event, and experience, not to be missed

a spiritual homecoming of sorts, graze the bell is available for pre-order now, direct from the rvng webstore in lp, cd, and digital editions. the album emerges in its entirety on january 30, 2026 💿

🖊️ written and performed by david moore
🎛️ produced by david moore and stephanie bowman
🎙️ recorded by ben kane () and .mulholland.music
🎚️ mastered by
🎨 original artwork embroidered by david moore
📐 design by
📸 photo by

17/11/2025

m. sage’s () expedition in support of tender / wading concluded last week, having drifted its way across the length of the united states 🌾🍂

a joint tour with , the run unfolded over eight performances, bringing wandering clarinet melodies, rippling synth textures, and immersive front range soundscapes to seven cities (including an extra special performance at .world in new york city)

for your eyes + ears: a tour diary chronicling m. sage’s escapades across the country, offering just a few glimpses of matt’s months on the road 📸

14/11/2025

after fifty years, fire of god’s love descends from the heavens into our orbit today, now available via the and rvng web stores, and across all streaming platforms ❤️‍🔥🕊️

among the records that have achieved legendary status over the years, some demand attention through sheer musicality, while others pique curiosity with a captivating story. fire of god’s love is one of those rare instances where both of these elements meet, intertwining to create an enduring experience that is both endlessly fascinating and musically rewarding

as a bona fide holy grail (not just for collectors), fire of god’s love is also a documentation of the creative partnership between two women and mystics: sister irene o’connor and sister marimil lobregat, who channel their divine energy and devotion to god through electronic, echo-drenched experimentation. a precursor to many charming, spacey acts in the years and decades that followed, fire of god’s love remains an incomparable record that casts an irresistible spell

for decades, fire of god’s love was discussed more often than heard, its presence restricted to the circulation of dubious bootlegs and the hands of crate-digging collectors. this release is the first time that this truly beguiling album has been officially licensed from the artist herself, who is alive and well, living in her native australia at the young age of 93 (!)

we feel truly honored to finally return fire of god’s love to this world with its first proper reissue, and to play a role in the ongoing story of this truly special and unique album

praise once more to craig calhoun () and matt mcdermott () for their help and guidance making this dream a reality ☁️

fire of god’s love is available now in limited fire marbled and black vinyl, cd, and digital editions 💿

🎚️ written, performed, and produced by sister irene o’connor
🎛️ recorded and engineered by sister marimil lobregat
🪡 transferred and mastered by
📐🎨 design by
📖 liner notes by coultate

13/11/2025

looking ahead to next week’s release of extended field, the intergenerational frkwys collaboration between and , with a look back on how the artists’ musical journeys first intertwined □◇□◇□

long before their paths would cross, the two parties had already cultivated a mutual interest in one another’s work. for dreyblatt, this moment occurred in february 2017, when a friend’s suggestion introduced him to horse lords. captivated by the striking similarities to his own music, he quickly resonated with the band’s sound and reached out through . meanwhile, horse lords were devout admirers of dreyblatt: “hearing arnold’s music for the first time was a highly resonant and uncanny experience, so strange in its familiarity”

after years of correspondence, the artists finally met after a 2021 horse lords show in berlin. a creative partnership instantly sparked from the encounter, and a collaboration was swiftly proposed

in the composition sessions and rehearsals that followed, the groups delved into the intersection of their sounds, carefully bridging their different harmonic conceptions and reconciling their distinct musical languages. sonic discoveries would ultimately emerge from this exploratory process, yielding a series of unexpected possibilities and surprising developments. the result, as dreyblatt describes, is a “true collaboration across generations—a whole greater than the sum of its parts”

horse lords lead off their recent mix for rvng’s friends & fiends monthly show on with the title piece from dreyblatt’s seminal debut album released in 1982 by india navigation records. now streaming from the station’s archives 📻 🗃️

horse lords and arnold dreyblatt’s frkwys vol. 18: extended field arrives next friday, november 21, 2025 in vinyl and digital editions. available now for pre-order via the rvng store and bandcamp

📸:

12/11/2025

emerging from the shade of ’s under a familiar sun comes a pair of radiant reimaginings from and .band ☀️

rosie lowe reshapes “esrever ni rehtaf” into a lush dream-space of 808s, idiosyncratic piano stylings, and tranquil vocals. a passage through soulful, drum-driven corridors speckled with subtle euphoria, lowe’s interpretation is a celebration of the here and now, a serene serenade to the gift of birth

meanwhile, .band adds their singular lyrical magic to “requiem for reem”, transforming the contemplative piano-based work into a shimmering vocal lullaby. gentle horns slowly envelop their voices, cocooning the ambient-jazz composition in waves of peace and culminating in an atmosphere of contentment and calm

both reworks arrive today alongside a pair of entrancing visuals from and . soon, the vernon spring will round out the year with a pair of shows in spain and a special headlining show at london’s queen elizabeth hall

keep an eye, and ear, out for more to come in 2026…🤫

🎚️ produced by rosie lowe and loa
🎤 vocals by eden girma (rosie lowe rework) and genevieve dawson () (loa rework)
🎹🎵 piano, synth, and instrumentation by sam beste (rosie lowe rework) and (loa rework)
🎛️ mixed by salpa () (rosie lowe rework) and sam beste (loa rework)
🪡 mastered by matt colton ()
📹 artwork, design, and visuals by aaron anderson and eric timothy carlson
📸 photos by saoirse fitzpatrick () and

11/11/2025

“keshukoran” is the final chapter of sister irene o’connor’s fire of god’s love before this holy grail sees its first authorized reissue in 50 years from on friday, november 14 ❤️‍🔥🕊️

as the devotional psych-pop closer to sister irene’s 1973 holy grail, “keshukoran” (which translates from malay as “hardship) embodies the uncanny otherworldliness that permeates the record. o’connor’s prayer-like weavings are enshrined by the gentle thrum of a drum-machine beat, generated by the same organ she played simultaneously, all recorded live to a 4-track reel-to-reel

the effect leaves a lasting impression, as evidenced by the cult legacy that these pastoral, spiritual, and singular folk songs have developed since their initial release

fire of god’s love is now available for pre-order from freedom to spend in (dwindling) fire marbled and black vinyl, cd, and digital editions 💿

🎚️ written, performed, and produced by sister irene o’connor
🎛️ recorded and engineered by sister marimil lobregat
🪡 transferred and mastered by
📐🎨 design by
📖 liner notes by

10/11/2025

starting your week with some appreciation for the inimitable, ever-elusive june chikuma 👾🕹️

japanese composer, arranger, and producer june chikuma has long transcended boundaries, deftly traversing disciplines / identities / genres in her prolific, decades-spanning career. widely celebrated for her output in tv, film, and video games, chikuma achieved cult status for her work on nintendo’s bomberman series, an oeuvre of proto-techno, drum and bass-inflected soundtracks teeming with kinetic energy

in 1986, chikuma released divertimento on toru hatano’s picture label, unveiling a dense, vivid world of synthesizers, samplers, drum machines, string quartet, and digital delay (courtesy of her trusty korg sdd-3000). a skillful fusion of punchy programming and inspired musicality, the album is a truly singular work that invites an array of far-flung comparisons, from the restrained beauty of erik satie’s furniture music to the glossy grooves of ‘80s japanese city pop

over thirty years later, compiled divertimento alongside some previously-unreleased recordings to create les archives, a sprawling collection of chikuma’s neon-drenched creations. years later, les archives remains an incredible document of an artist at the outset of an ascendent career that continues to evolve to this day

07/11/2025

in the early 1960s, as sister irene o’connor first embarked on her musical journey, she forged a bond with sister marimil lobregat, a fellow franciscan nun living in the philippines
🕊️🕊️

while their paths eventually diverged, the two nuns reunited over a decade later by chance (or perhaps divine intervention) at a convent in sydney. marimil, a fervent musician working as a sound and visual technician at a radio and television center, immediately connected with irene, and the pair swiftly established a fruitful creative partnership

over a series of sunday afternoons in 1973, the two nuns regularly convened at the center. the pair operated as a seamless duo: irene, the one-woman orchestra performing on guitar / piano / electric organ / drum machine / foot-pedal-percussion, and marimil, the engineer capturing those celestial sounds on tape and deftfully handling the master mixer

the resulting collection of recordings would ultimately comprise sister irene’s legendary album fire of god’s love. the record stands as a luminous testament to the pair’s artistic partnership, spiritual kinship, and lasting friendship ❤️‍🔥

fire of god’s love is out next friday, november 14 and available now for pre-order from , available in special fire marbled and black vinyl, cd, and digital editions 💿

06/11/2025

“puppeteers tell true lies…that craft feels like magic and is well worth the difficulty. it’s primal, raw, direct and makes people want to believe” 🌕🌑

tin iso and the dawn, the first installment of a mythic trilogy from brooklyn-based composer and puppeteer tristan allen (), emerged as both a full-length album and the original soundtrack to a live shadow puppet performance

inspired by wagner’s three act opera tristan und isolde, tin iso conjures an otherworldly cast of characters, chronicling a creation myth through mesmerizing production and ethereal instrumentation. a revelatory odyssey exploring the interplay of light / dark, tin iso stands as a singular piece of experimental storytelling and an evocative moment in rvng’s catalog

later this month, the next chapter of tristan allen’s trilogy unfolds with the premiere of osni the flare, running november 20 - 23 at , the beloved nyc institution. created in conjunction with the , osni the flare tells the story of a dancing puppet who embarks on a quest to safeguard an apple tree from the imminent winter chill. an awe-inspiring journey through a multi-dimensional world, osni the flare is an experience not to be missed

and if this wasn’t enough, we might, just might, have some take home surprises for those in attendance at tristan’s performances. if you subscribe to the rvng newsletter, you already know this. if you don’t, what gives? 😘

04/11/2025

a tender, transcendent performance of the title track from ’s latest album under a familiar sun ☀️

lovingly captured on film by at , the performance finds sam and his band and weaving a warm, intimate soundscape for your eyes and ears

watch the full three-song performance, now floating through the ether, and catch these sounds and more at a very special show on december 5, at london’s queen elizabeth hall

03/11/2025

starting your week with a look back on a year of and richard horowitz’s the invisible road: original recordings, 1985-1990 ➰🪄🛣️

deyhim and horowitz’s decades-long partnership blossomed from a chance meeting at noise new york, an intimate west 34th street studio housing the creative energies of arthur russell, christian marclay, and other downtown visionaries. though each hailed from drastically different worlds—deyhim, a tehran-born vocalist who regularly graced iranian television before studying ballet in belgium, and horowitz, a buffalo-born composer immersed in paris’ free jazz underground—the pair found common ground in a revolutionary vision of avant-pop

striving to create a body of music “free of any specific cultural reference, with a personal musical signature”, the pair crafted works that interlace deyhim’s inimitable vocalizations with horowitz’s daring compositions, each piece infused with the pair’s extensive engagement with both experimental music and globe-spanning musical traditions. the result is an extraordinary expression, music with a wholly singular sound

in 2024, deyhim, horowitz, and unveiled the invisible road, a compilation of previously unheard recordings carefully selected from a valley storage space / treasure trove overflowing with decades of material. the collection stands as a tribute to an enduring creative and romantic partnership, and to the remarkable legacy of horowitz’s life 💙

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