RVNG Intl.

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RVNG Intl.

www.rvng.com RVNG Intl. Of course, we’re not total curmudgeons, our catalogue is (almost) fully available across digital formats.

is a Brooklyn-based music institution that operates on few but heavily fortified principals, dealing with forward-reaching artists sometimes categorized as electronic, avant, free, fried, etc. RVNG seeks to appease collector fandom with extravagant packaging and to remind hopeful audiophile generations of the sonic spectacle that transforms the surrounding airspace when needle presses vinyl. Our F

RKWYS series exemplifies the equilibrium of classic artistic sensibility and modern day sentimentality. Each volume is a unification of progenitor and contemporary musician. Those artists on RVNG working outside the FRKWYS umbrella still find collaboration the driver a. We work closely to activate each new level of artistic accomplishment. RVNG is a creative member of our NYC community and at large. Whether it’s partnering with New York City’s White Columns Gallery or London’s Barbican Center, helping to present MoMa PS1′s Summer Warm Up series or working extensively with Krakow’s Unsound Festival, format transcendence is our second life-force. As for the correct pronunciation of RVNG, please consult the cosmos. GENERAL INQUIRIES

Please contact [email protected]. MAILORDER INQUIRIES

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RVNG is distributed by Secretly Distribution. If you have any issues getting in touch with Secretly, please contact us at [email protected]. PLEASE GET TO KNOW THE REST OF OUR FAMILY

Commend
commendnyc.com

Beats In Space
beatsinspace.net

Freedom To Spend
freedomtospend.org

26/09/2025

m. sage’s () tender / waiting shimmers across landscapes today, a stroll through rediscovered terrain 🌾🩰

tender / waiting sprouted from matt’s return to colorado after nearly a decade in chicago, where he now nurtures a couple acres of neglected, overgrown space with his family thirty miles outside his hometown. operating out of a diy studio fashioned from a pole barn and nestled among deeply familiar foothills and pastures, matt began tracing the footsteps of his former selves through the dirt-smeared lens of his present

as a friend, matt rarely fails to cross the rvng mind each day, yet his presence as an artist continues to surprise us. t / w was not the album we were anticipating from matt, but is the album we needed. listening to t / w feels like a lingering walk across an open field, sometimes familiar and embedded with memories, sometimes entirely new. each listen offers a different perceptual experience, revealing new layers of intimacy and abstraction

so happy you’re home, matt. and honored we can provide a second home, in tangible and intangible ways 🏠

tender / wading is available now in limited edition lp with alternative cover design, black lp, japanese import cd with obi and exclusive bonus tracks (via ), and digital formats, all available via the rvng webstore and across all digital platforms

🎚️ produced, recorded, and mixed by m. sage
🎛️ mastered by
🎨 📐original artwork and design by

25/09/2025

“i enjoy making mixes because they become statements of a moment—something i’m obsessed with and continue to be obsessed with”

shares a rare mix for , assembling an eclectic collage of inspirations residing outside the boundaries of era / mood / geography. from psychedelic jazz and somber downtempo to korean pop and experimental rock, her selections offer a map of lucrecia’s sonic world 🗺️

conceived at lax and realized in lucrecia’s home studio, the mix also features work from a danger to ourselves collaborators david sylvian and juana molina ()

listen to the mix and read lucrecia’s interview at the ra site 🪄💿

📸: polaroids by .photo

24/09/2025

extended field, the long-anticipated eighteenth entry in rvng’s intergenerational collaboration series frkwys, unites avant-rock quartet and veteran minimalist composer and psychoacoustic pioneer ⿴⿴⿴

together, the group creates a vibrant harmonic environment fueled by a shared devotion to rhythm, achieving a marriage of discreet but related aesthetics for the ages. this intersection of adventurous musicians drawn to the sonically radiant world of just intonation—an ancient tuning system in which scale intervals are derived from whole-number ratios–is a perfect manifestation of the frkwys spirit

today we share “advance”, the tone-setting album opener and sonic map of the hypnotic rhythms that contour the album. layers of dreyblatt’s bowed metallic double bass mingle with a cascading pulse of excited strings, echoing the staccato thump of max eilbacher’s () bass. the tom-patterns of guest drummer rumble in the distance, sending battle signs to warn listeners of the off-kilter churn to come

horse lords and arnold dreyblatt’s frkwys vol. 18: extended field arrives in full november 21, 2025 in in vinyl and digital editions. available for pre-order now, direct from the rvng webstore and 📦

🎶 performed by horse lords (andrew bernstein (), max eilbacher, and owen gardner (.en.gardner), arnold dreyblatt, and andrea belfi
🎚️ produced by
🎛️ mixed by owen gardner
💿 mastered and cut by at
🎨📐artwork and design by
📸 photo by

23/09/2025

“witch grass” is the final window into ’s tender / wading before the record emerges this friday, september 26 🧙🏻‍♀️🌱

a contemplation of the album it belongs to, “witch grass” synthesizes the studio experimentation and improvisation of sage’s past work with a sharpened ear for melodic phrasings and chord changes. rhythmic, guitar-driven, and gently playful, the song nods to a native drought-tolerant plant in sage’s home state of colorado, a “powerful symbol in naturalist mythos: protection, healing, resilience”

the single arrives today alongside the final chapter of sage’s trilogy of self-directed and edited videos. listen / look / let it grow 𖡼𖤣𖥧𖡼𖤣𖥧𓍊

🎚️ performed and produced by m. sage
🎛️ mastered by
📸 cover photo by .p.ward
📹 video directed and edited by m. sage
🎨📐artwork and design by

20/09/2025

nothin’ but mutant tunes tonight at in philadelphia. 7 - 8:30 pm in the ♾️ zone. too much heat at this festival, all day and all night. doing the damn thing 🔥

19/09/2025

it’s been a week since the opening of i am shee, amy sheffer’s debut solo visual art exhibition at in new york city.

organized in collaboration with rvng, the exhibition provides a window into sheffer’s wonderful, wonder-filled world, teeming with dreamlike scenes and surreal forms that blur the line between the psychedelic and the mundane. on view until october 25 🫟🌀

above, a series of portraits by bertran mark in february 1984, depicting scheffer playfully posed before her own artwork. these images capture a moment within the years documented by sheffer’s upcoming digital music anthology and image capsule, i am shee: original recordings, 1979-1987, arriving october 24 on 💿📚

17/09/2025

breadwoman & other tales is the collected recordings of los angeles based musician and performance artist anna homler, a body of work capturing the moment when material meets mythos 🥖

driving through topanga canyon in 1982, among desert patches filled with wheat and mustard flowers, anna opened her mouth to sing in a stream of rhythmic, melodic sounds. this spontaneous, flowing act ultimately birthed the character of breadwoman - a being existing outside of time, yet distinctly kneaded from the ingredients of 1980s los angeles performance art, diy punk, and esoteric mysticism

after producing a series of cassettes, homler forged a creative kinship with steve moshier, multi-disciplinary artist and founder of the avant-garde chamber music ensemble cartesian reunion memorial orchestra. recognizing homler’s voice as a raw sonic element, moshier selected the least song-like material from the breadwoman recordings and composed electronic soundscapes around her ritualistic vocal improvisations. the resulting recordings pulse with otherworldly, enchanting energy, embodying homler’s conjuration: “if you don’t try to understand, you will”

in 2016, homler and rvng compiled a selection of breadwoman works alongside two additional collaborative pieces from her collaborations from the 80s with moshier to create breadwoman & other tales. next year we’ll finally share the next chapter of anna’s collaborations, anna homler & friends

listen now, and immerse yourself in breadwoman’s spirit .˳·˖✶𓁺✶˖·˳.

📸: joshy behr, salli sachshi,

16/09/2025

fire of god’s love is the legendary 1973 album by australian nun sister irene o’connor—a sincere, soulful, and unwittingly psychedelic song sequence devoted to self-reflection and awakening the spirit within. arriving november 14 on ❤️‍🔥🕯️

while residing at a quiet sydney convent in the early 1970s, sister irene channeled her devotion into song, weaving guitar, electric organ, drum machine, and her angelic soprano voice into a collection of original folk spirituals. recorded on a 4 track reel-to-reel by fellow nun and recording engineer sister marimil lobregat, fire of god’s love is an astonishingly futuristic archive of early electronic experimentation filled with shimmering reverb and analog synthesizer hum

today, we share a glimpse in the form of “fire (luke 12:49)”, a track that introduces the album’s uncanny otherworldliness, echoing out as if from a cathedral or cave, with irene’s ethereal voice communing with electric organ drum beats to hypnotic, mysterious effect ֍֍֍

after a half-century of underground lore, fire of god’s love is available now for pre-order in limited fire marbled and black vinyl, cd, and digital editions 📀

🎚️ written, performed, and produced by sister irene o’connor
🎛️ recorded and engineered by sister marimil lobregat
🪡 transferred and mastered by
📐🎨 design by
📖 liner notes by

15/09/2025

starting the week with a celebration of ’s moon in gemini, which floated into our orbit around a year ago 🌙♊

after the wonderfully warm reception of his 2022 record in february, singer / songwriter / composer / sound designer isik kural set out to expand upon the methodologies and textures of his work. developing his next body of music between amasya, turkey and his current home in glasgow, scotland, kural drew from a personal recording archive spanning fifteen years of his life. from this collection, he reimagined unreleased songs and unfinished ideas, weaving archival recordings and natural world textures from his birthplace, istanbul, into tender, sample-based pastiches

over these foundations, he layered his intimate vocals alongside airy chamber instrumentations of live woodwinds and strings. the result is a a playful take on environmental music through the folk song form, a record enveloped in dreamy, swaying pastel hues

here’s to one year of moon in gemini, and more from isik and rvng in the not-so-distant future 🕯️

📸:

12/09/2025

tonight at , from 6 - 8 pm, the opening reception for i am shee, the first solo survey of new york musician and visual artist amy sheffer 👂🌀

the show corresponds with the announcement of i am shee: original recordings, 1979–1987, a music anthology and image capsule forthcoming from

amy will be performing throughout the reception, and has promised some hijinks. we’ll also have early copies of the image capsule available for sale, alongside original vinyl stock of amy’s 1987 album we’um🃏

thank you , erin, violet, anne, and michael at white columns for the invitation and support

above, a picture from our first visit to amy’s home in great neck, long island. and a little preview of what’s on the walls

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