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Lotus L. Kang at Commonwealth and Council  By Tara Anne Dalbow To experience lack is to be reminded of the boundaries of...
02/11/2024

Lotus L. Kang at Commonwealth and Council
By Tara Anne Dalbow 

To experience lack is to be reminded of the boundaries of the self, of others. Lacking realizes the unassailable distance between you and everything you don’t and won’t ever have. Therein to lack enlivens desire, or does desire require a lack of something? Kang’s latest installation stages spatial, material, and sensual transformations that enforce and dissolve boundaries, collapsing and expanding distances. The whirling, six-by-eight-foot mechanical drum casts kaleidoscopic patterns of light and shade across the space, visualizing the dynamic process occurring imperceptibly across the bolts of large-format film hung like ribbons from the ceiling. It’s true, I don’t fully understand what I’m seeing or hearing—ethereal chimes and a woman’s voice reciting English and Korean poetry accompany the rhythmic rotations—but I want to all the more for that. Perhaps it’s this yearning that the artist aims to bear out for herself, for others.

Lotus L. Kang, “Azaleas,” exhibition view, 2024. Photo: Paul Salveson. Courtesy Commonwealth and Council.

Eugenia P. Butler at The Box  Reviewed for Artillery by Tara Anne DalbowButler’s threadbare saffron works-on-silk line t...
01/11/2024

Eugenia P. Butler at The Box
Reviewed for Artillery by Tara Anne Dalbow

Butler’s threadbare saffron works-on-silk line the perimeter of the back gallery, floating forward and back, filling and falling as if breathing. Suspended by invisible supports and backlit, the delicate veils with their enigmatic marks and hand-drawn symbols precipitate a feeling of reverence, a sense of encounter with that which is unknown, other. Here, the difference between presence and absence, material and mystical, is difficult to delineate, recalling Ralph Waldo Emerson’s observation that spirit is merely matter “reduced to an extreme thinness. O so thin.” Sitting on the bench against the only unadorned wall during the opening reception, I watched lively clusters of people stream in from the main room and fall suddenly silent, arrested by what was and was not there.

Opening this weekend! Our weekly guide to LA’s openings. What’s your must see?Image credits: 1. Sahar Khoury at Night Ga...
31/10/2024

Opening this weekend! Our weekly guide to LA’s openings. What’s your must see?
Image credits:
1. Sahar Khoury at Night Gallery
2. Abel Macias at La BEAST
3. Umar Rashid at Blum
4. Christopher Suarez at Guerrero
5. J. Parker Valentine at Bel Ami
6. Ryoko Kaneta at Corey Helford

Shirazeh Houshiary at  Reviewed for Artillery by  Houshiary’s mesmeric abstract canvases depose our human perception of ...
30/10/2024

Shirazeh Houshiary at
Reviewed for Artillery by

Houshiary’s mesmeric abstract canvases depose our human perception of scope and scale, engaging the macro and microscopic; they connect a single breath to the breadth of the sea, carbon’s molecular structure to the structural integrity of a star. The intricate pencil markings imagine waves, auroras, and fields that undulate, spiral, expand, and contract across pigment-washed aluminum surfaces. Far from static, the nebulous aquamarine and azure forms appear amid metamorphosis; ongoing, they’re uncircumscribable, infinite, like the energetic systems they intend to invoke. This illusory effect is intensified by the inert low-lying sculpture: cerulean and teal bricks arranged in spirals that recall churning waters一if also oversized legos.

(For image details, swipe to 2nd image)

Kevin Brisco Jr.’s It’s My House and I Lived Here at albertz benda By  Most figurative painting is terrible but these ar...
29/10/2024

Kevin Brisco Jr.’s It’s My House and I Lived Here at albertz benda
By

Most figurative painting is terrible but these are surprisingly good. Brisco’s restrained brushwork produces a flat clarity that recalls Alex Katz but with harsh moody
colors and lonesome figures which echo Edward Hopper’s sadsacks. Suburban homes appear as  semi-permeable isolation tanks – as if the light outside, though visible, will never pe*****te the inside. Noirish Venetian blinds, as always, are an apt metaphor for our collective alienation and paranoia. The American Dream ain’t what it used to be. Although, with respect to Hopper and film noir, it probably never was.

Reviewed on Artillerymag.com Plugged In: Art and Electric Light at Norton Simon Museum 🖋️  Grouping art by medium is alw...
25/10/2024

Reviewed on Artillerymag.com
Plugged In: Art and Electric Light at Norton Simon Museum
🖋️

Grouping art by medium is always too obvious, even when the medium in question has the pizzazz of electric light. This exhibition focuses on the years 1964-1970 but does not, otherwise, establish a clear throughline. Experiments with electric light were, indeed, popular in this period but included disparate tendencies within Pop Art, Minimalism, Neo-Dada, and early installation art. These artists all thought of electric light as one material among many. By essentializing the medium, it fails to explore the underlying threads of influence or even explain why so many artists, during this period, chose to “plug in.”

Image: Green Shirt by Robert Rauschenberg (1965-67) at Norton Simon Museum

Studio Channel Islands invites you to the final exhibition of our 25th Anniversary year, SCIART25, open in the gallery n...
25/10/2024

Studio Channel Islands invites you to the final exhibition of our 25th Anniversary year, SCIART25, open in the gallery now through December 14.

SCIART25 explores the rich creative community which has enabled Studio Channel Islands to flourish over the last quarter century. Each of the artists within the exhibition has played an important role in the development of the organization.

The exhibition is a celebration of a selection of the internationally renowned artists whose work has been presented at Studio Channel Islands and a reflection upon the role that artists have played in shaping the organization over the past twenty-five years.

Exhibiting artists:
Gary Lang, Tom McMillin, John Nava, Carol Shaw-Sutton, Susan Stinsmuehlen-Amend, Cheryl Ann Thomas, Hiroko Yoshimoto

Learn more: studiochannelislands.org/sciart25

Sponsored by Studio Channel Islands

Opening this week! What are your must sees?Image credits: 1. Boo Boo Stewart at Block Gallery2. Dennis Scholl at M+B Gal...
24/10/2024

Opening this week! What are your must sees?
Image credits:
1. Boo Boo Stewart at Block Gallery
2. Dennis Scholl at M+B Gallery
3. Anna Freeman Bentley at Anat Ebgi
4. Patrick Quinn at Cheremoya
5. William Leavitt at Sebastian Gladstone

Meg Lipke at SHRINE .nyc Reviewed for Artillery by  These paintings have a slight hamfistedness, which suggests distance...
23/10/2024

Meg Lipke at SHRINE .nyc
Reviewed for Artillery by

These paintings have a slight hamfistedness, which suggests distance from their alternately whimsical, mystical, Modernist, and Premodern sources. The allusions and references here—like Lipke’s interpolation of Neolithic-era petroglyphs into Kandinsky-esque painting – feel shoehorned in. The spirals, squiggles, and curlicues are more re-created than improvised, which is odd for a style that invokes the freedom of transcendental non-objective art. The single rounded corner of each shaped canvas suggests an uneasiness with painting itself, which could be the problem. Overall, these look good, but the hodgepodge of allusions feels like unnecessary baggage.

Larry Madrigal at Nicodim Gallery  Reviewed for Artillery by  With scraped knees, tangled sheets, and yesterday’s discar...
20/10/2024

Larry Madrigal at Nicodim Gallery
Reviewed for Artillery by

With scraped knees, tangled sheets, and yesterday’s discarded clothes strewn across the floor, Larry Madrigal’s new evocative paintings at Nicodim showcase the artist at his strongest. In moments where his fluid and textured style strives to move beyond the sexual indifference and disarray that plague contemporary life, he asks his audience: Would you stay? Could we remain in the eternally cluttered, humid rooms he depicts when love grows lackluster? If the audience can look past his sometimes clumsy attempts at humor, they will discover the insight of inverting the fable “clean sheets tell no tales” — for in this work, dirty sheets reveal the truth.

Jane Dickson at Karma  Reviewed for Artillery by  I never feel hotter or more detached (indeed, more American) than in a...
19/10/2024

Jane Dickson at Karma
Reviewed for Artillery by

I never feel hotter or more detached (indeed, more American) than in a car, windows down in the August heat. It’s an exercise in movement, longing on an unremarkable plane of asphalt. Each lane is a pulse, where everyone seeks a false salvation. Jane Dickson’s new paintings on astroturf capture these moments, underscoring the futility of escape from monotony, from yet another flaxen sunset. Her works of desolate roads, brake lights, and palm trees at night illustrate a search for significance in the ordinary. It conjures the sweetness of smoke from California wildfires. I brace myself to be engulfed, and I am, quietly, by the work’s nothingness.

Opening in LA this week!Where will we see you?Image credits: Image 1 Shingo Yamazaki at Steve TurnerImage 2 Shiva Ahmadi...
17/10/2024

Opening in LA this week!
Where will we see you?
Image credits:
Image 1 Shingo Yamazaki at Steve Turner
Image 2 Shiva Ahmadi at Shoshana Wayne
Image 3 Ana Barrigan at Richard Heller
Image 4 Joel Melrose at Trophy Room LA
Image 5 Shaina McCoy at Simchowitz Hill House

Darya Diamond at Sebastian Gladstone Reviewed for Artillery by  Looking at Darya Diamond’s limp latex sculpture, “In Eve...
16/10/2024

Darya Diamond at Sebastian Gladstone 
Reviewed for Artillery by

Looking at Darya Diamond’s limp latex sculpture, “In Every Dream Home a Heartache” (2024), I think of bruised skin, frail shoulders: a tired body collapsed on the floor — ph***ic, deflated, stamped with marks like a trampled body bag. Throughout “Sugartown,” intimacy battles urgency, particularly in the fevered silkscreen prints on bedsheets. These prints evoke the violence of desire; imprints from bodies and the filth left on the bed like scars. A surge of savage images — teeth, thighs, Virgin Marys — serve as feral, disobedient relics pressed onto a lover’s skin, only to fade in morning light or to be discarded. Diamond’s work lingers like the shadow of a worn body.

Ready for a weekend of art and inspiration? The Beverly Hills Art Show is coming up on October 19th & 20th at Beverly Ga...
16/10/2024

Ready for a weekend of art and inspiration?
The Beverly Hills Art Show is coming up on October 19th & 20th at Beverly Gardens Park, Santa Monica Boulevard, between Rodeo and Rexford Drive from 10-5pm.

Meet over 235 artists and see their incredible artworks! Since 1973, this vibrant event has been a highlight for art enthusiasts and collectors.

Also, enjoy gourmet food trucks, children’s activities, and a beer and wine garden where adults can unwind in the shade while listening to live music.



Sponsored by City of Beverly Hills

beverlyhills.org/artshow

“Scupper” Group Show at Francois GhebalyBy Talia MarkowitzCurated to pose as a mirror to society’s collapse, “Scupper”’s...
14/10/2024

“Scupper” Group Show at Francois Ghebaly
By Talia Markowitz

Curated to pose as a mirror to society’s collapse, “Scupper”’s artists address a spectrum of social ills from preservatives in food to inadequate healthcare. The six-page press release does a better job than some of the works themselves at justifying their presence in the gallery; however, there are some standouts. The sculptures by Cielo Saucedo and Analia Saban, as well as Maren Karlson’s hazy painting of failed state infrastructure are provoking and memorable. The most striking piece is Ed Ruscha’s video on the history of Elysian Park and Chavez Ravine, which shows that in-depth research is not incompatible with care and legibility.

Opening this week! Where will we run into you? Images: 1.  at .la 2. Pete Perez at .fine.art 3.  at  4.  at .gallery
12/10/2024

Opening this week! Where will we run into you?
Images:
1. at .la
2. Pete Perez at .fine.art
3. at
4. at .gallery

Divya Mehra’s “The End of You” at Night GalleryReviewed for Artillery By Elwyn Palmerton A mechanical broom wielded by a...
11/10/2024

Divya Mehra’s “The End of You” at Night Gallery
Reviewed for Artillery By Elwyn Palmerton

A mechanical broom wielded by a robotic arm sweeps across the floor under the corner of a custom-made oriental carpet shaped like India. In an adjoining room, an enormous inflatable Pillsbury Doughboy lies face-down adjacent to a neon sign which reads
“DIASPORA.” A small display of Sunday funnies-style cartoons with nuclear explosions in their backgrounds ring the walls. If you read the previous sentences, you now correctly understand the sum total of content in this exhibition. The actual ex*****on adds virtually nothing to the concept. Perhaps Mehra’s intent is to render the evils of capitalism in a banal way, but this type of irony is nothing new.

(Photos by Ed Mumford, courtesy of Night Gallery)

Raymie Iadevaia’s Hereafter at The Pit LA  Reviewed for Artillery by Elwyn Palmerton  Don’t let the cute animals fool yo...
10/10/2024

Raymie Iadevaia’s Hereafter at The Pit LA
Reviewed for Artillery by Elwyn Palmerton

Don’t let the cute animals fool you; these paintings are not so innocent. A vague sense
of foreboding permeates these otherwise joyful works. In Iadevaia’s last show, climate
apocalypse hovered in his portentous smokey-pink skies. Here, the colors tend toward a
primary-centric palette which suggest heat maps, those innocuous harbingers of our likely
doom. As paintings, these are impeccably executed in searing pigments with a pitch-perfect,
almost fractal attention to detail. His painterly touch is loving but trepidatious, as it should be.
Given the storybook atmospherics, I’ll leave you with this: A storm is coming…

Image: Dreamland (2024) by Raymie Iadevaia at The Pit.

Wonders of Creation: Art, Science, and Innovation in the Islamic World on view at The San Diego Museum of Art now throug...
10/10/2024

Wonders of Creation: Art, Science, and Innovation in the Islamic World on view at The San Diego Museum of Art now through January 5, 2025.
Special exhibition Wonders of Creation: Art, Science, and Innovation in the Islamic World showcases more than 200 works of art and craft spanning 13 centuries from more than 30 lenders.

See ancient tools and treasures, ornate jewelry, lavishly illustrated manuscripts, and large-scale works of contemporary art.
Explore the intersections of art and science, the marvels of the heavens and earth, and the crafts and customs of humanity in this trailblazing PST ART exhibition.
https://www.sdmart.org/exhibition/wonders-of-creation-art-science-and-innovation-in-the-islamic-world/
Post sponsored by San Diego Museum of Art

Opening This Week! Where will we run into you?   Image Credits:1. Alex Stern at Pio Pico2. Pete Perez at Taylor Fine Art...
10/10/2024

Opening This Week!
Where will we run into you?

Image Credits:
1. Alex Stern at Pio Pico
2. Pete Perez at Taylor Fine Art
3. Christine Weir at Keystone Gallery
4. Lisa Golightly at Billis Williams Gallery

If there is a truth in viewing art, it’s that everyone has their own response to the work. We want to discuss art with e...
09/10/2024

If there is a truth in viewing art, it’s that everyone has their own response to the work. We want to discuss art with everyone and engage in conversation! On that note, went to see Gabriel Madan’s show at Gattopardo and had a different take.

“My Soul Is Full of Barking Dogs” - Gabriel Madan at Gattopardo
Reviewed for Artillery by Brittany Menjivar

Not all pop art is created equal. Gabriel Madan’s literally pops off the wall: As in, a colorful
macaw plushie is affixed to one of his paintings, heart-shaped tag reading “I’m a puppet.” I want
to stick my hand up its rear and make it talk. Vulgar, yes, but tasteful vulgarity is the name of the game here: A wooden cross stands adjacent to an image best described as Big Bird trapped in a coloring book, only vaguely aware of his plight; a clown-alien-demon pops up in the corner of
a scene like a jumpscare. The show avoids the pitfall of being overly representational; block letters reading “Amanda Bynes” are paired with anthropomorphized celestial bodies hovering
above a cluttered room rather than the likeness of the actress. Cute? Creepy? Either way, I couldn’t stop staring.

Thrilled to be sponsoring this event!!
09/10/2024

Thrilled to be sponsoring this event!!

A Field Once More: Group Exhibition at Melrose Botanical Garden .botanical.garden Reviewed for Artillery by Brittany Men...
08/10/2024

A Field Once More: Group Exhibition at Melrose Botanical Garden .botanical.garden
Reviewed for Artillery by Brittany Menjivar

Melrose Botanical Garden is not actually a garden, but it might as well be. Tucked between thrift
shops and piercing parlors on the avenue, the narrow gallery feels like an oasis. “a field once
more,” a group show drawing upon Jun’ichirō Tanizaki’s essay In Praise of Shadows, lets the
whisper of nature join the city’s chorus.
Some works, like Sean McFarland’s Desert Sage
(2024)—which flaunts the dainty outlines of petals, made with sagebrush trichomes and Great Basin Desert dust—show how darkness can illuminate rather than obscure. Others, like Jenna Garrett’s Fires (2024), hung high in a corner and folded over (such that studying it requires the
viewer to crane their neck and squint as if observing a real-world spectacle), subvert archaic paradigms, presenting dark as stillness and light as chaos.
Not only does the exhibition provide respite from the Hollywood sun—it leads visitors on a stirring journey through shades of shade.

Artillery fam pre-gaming with    fam  before heading out for Luminex 3.0.
07/10/2024

Artillery fam pre-gaming with fam before heading out for Luminex 3.0.

Michael E. Smith at Chris Sharp GalleryReviewed for Artillery by Elwyn Palmerton Michael E. Smith’s unassuming, poetic s...
07/10/2024

Michael E. Smith at Chris Sharp Gallery
Reviewed for Artillery by Elwyn Palmerton

Michael E. Smith’s unassuming, poetic sculptures are late capitalist Zen koans: riddles
with no answer but which nevertheless spark a moment of satori. For instance, a milk carton
covered in mirrors seems to suggest that we are all the lost children. But is this a joke or what?
And to what end? The show-stopper is a large foam dice covered with actual bison scrotums.
This might sound gimmicky but somehow isn’t. Despite their simplicity, none of these sculptures
are easily reduced to a single obvious reading and offer something far more delicate: a collective invocation of absence, negation, and emptiness.

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