08/16/2022
This is an original 1941 photo of jockey Billy Pearson before his serious accident at Hollywood Park.
He was born in Chicago in 1920, but was raised in Los Angeles by his single mother, Ann, a nurse who worked the night shift. But it was his grandfather who helped Pearson after he was kicked out of high school and did a stint at a reform school by giving him a contact at a local stable.
Pearson began his riding career exercising horses for movie mogul Harry Warner. By 1941, he was riding alongside the top jockeys in the game and was ranked 27th in the country. But Pearson’s career took a dramatic turn one day at Hollywood Park when he was knocked out of his saddle and trapped beneath five horses. He lay in the hospital for nearly six months with a shattered collarbone, shoulder and a broken leg.
During his long convalescence, he began reading some books on antiques that he had purchased years earlier and began his transition from jockey to art connoisseur and dealer. After he left the hospital, Pearson was asked to evaluate a horse owned by Millard Sheets, a painter who had once shared a studio with Henri Matisse. Sheets, in turn, introduced Pearson to Earl Stendhal, an important dealer in Pre-Columbian Art.
Stendhal introduced Pearson to many influential art collectors, among them John Huston whose large art collection had allegedly been enhanced by objects he had smuggled out of Mexico during the filming of The Treasure of Sierra Madre.
While Pearson continued to ride, he began to use his winnings to pay front men to comb areas of Mexico for art objects. Pearson won more than 300 races up and down the West Coast between 1949 and 1954, earning him almost $1.3 million. He piloted Blue Reading to victory in the 1951 Bing Crosby Handicap, the 1951 Del Mar Handicap and the 1954 Santa Catalina Stakes. Inspite of these successes, his passion for art was taking him away from the world of racing.
He became so knowledgeable on art that he went on to win over $170,000 on two television quiz shows: The $64,000 Question and The $64,000 Challenge which aired in 1956 and 1957 respectively. These shows would have a number of contestants who had what were considered to be unusual interests and a jockey who was also an art expert greatly intrigued the public. Billy Pearson with his extensive art knowledge, charisma and sharp wit was an overnight sensation.
His quiz show appearances would lead to Pearson appearing as a jockey in a Perry Mason episode entitled The Case of the Jilted Jockey and being cast in several small film roles throughout the next twenty years. In 1958, he was cast as private eye Donald Lam in a television pilot called Cool and Lam, which was based on the books by Earle Stanley Gardner writing under his pseudonym of A. A. Fair.
He wrote an autobiography entitled Never Look Back in 1958 which detailed his life up until his first quiz show win. Pearson dedicated the book to the Internal Revenue Service who he wrote, "had watched over me closer than my mother (and) knew me better than my wife."
Billy Pearson: professional jockey - daredeveil, high school dropout, reform school graduate - who soaked up everything he could learn about art in his spare time between horse races until he became one of the foremost art historians and collectors in the world died on Thanksgiving Day 2002 of pneumonia.