03/25/2022
Elinor Carucci
“Revlon”, 1997
17 x 22in
Edition of 15
https://www.artsy.net/artwork/elinor-carucci-revlon-1
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03/24/2022
Leonardo Drew
“16C”, 2015
Wood, paint, and screws
24 4/5 x 24 x 5 1/2 in
https://www.artsy.net/artwork/leonardo-drew-16c
03/22/2022
Adébayo Bolaji
“Trojan”, 2020
Found materials, wood, acrylic, steel
80 7/10 x 93 3/10 x 37
https://www.artsy.net/artwork/adebayo-bolaji-trojan
03/21/2022
Jamilah Sabur
"I will wet you (pl.) with the new water", 2018
Neon
8 x 144 inches
Collection Pérez Art Museum Miami, museum purchase with funds provided by Diane and Werner Grob
Miami-based artist Jamilah Sabur works across multiple mediums and disciplines. Sabur adapts the visual aspect and semiotic strategies associated with classic conceptual art practices to explore issues of transculturation and the postcolonial condition, moving freely between video installation, painting, sculpture, photo collage, and ritualistic performance. She frequently weaves highly personal narrative content into her work. For instance, motifs are drawn from her mother’s recollections of their ancestral home in the Blue Mountains outside of Kingston, Jamaica, come into play in several of her works.
https://cci.pamm.org/i-will-wet-you-pl-with-the-new-water/
03/19/2022
Belkis Ayón
"Untitled (Sikán with White Tips)", 1993
Collagraph
37 x 25 inches
Collection Pérez Art Museum Miami, gift of Louise Sunshine
Belkis Ayón specialized in collagraphy, a printmaking technique that involves collaging materials and objects onto a wooden or metal plate to create a variety of textures that are transferred onto the image. Her work revolves around Abakuá, an all-male Afro-Cuban religious association or fraternity known for its intricate mythology, which is passed on through secret rituals and a complex lexicon of distinctive symbols.
https://cci.pamm.org/untitled-sikan-with-white-tips/
03/18/2022
Zak Ové
"Invisible Man: Stars and Stripes", 2016
Flocked graphite
86 5/8 x 22 1/2 x 17 3/4 inches
Collection Pérez Art Museum Miami, gift of the artist and Vigo Gallery, London
"Invisible Man: Stars and Stripes" is part of a series of life-sized graphite sculptures by British-Trinidadian artist Zak Ové. Began in 2016, the title of the series evokes Ralph Ellison’s 1952 novel, Invisible Man—a pioneering reflection on racism in America told through the eyes of a Black man whose skin color has rendered him invisible in society.
https://cci.pamm.org/invisible-man-stars-and-stripes/
03/17/2022
Myrlande Constant
"Exorcism", 1994-2019
Sequins, glass beads, and silk on cotton
40 x 50 inches
Collection Pérez Art Museum Miami, museum purchase with funds provided by PAMM’s Collectors Council with additional contributions provided by Karen Bechtel, Evelio and Lorena Gomez, Jorge M. Pérez, and Craig Robins
Myrlande Constant is known for her intricate flags, which have every inch adorned with colorful and glittering beads and sequins. Her imagery combines Haitian Vodou myths centering on the life cycle with references to contemporary events including the 2010 earthquake, women’s roles, and social upheaval in general. She acquired her skill with beaded embroidery—a technique known as tambour—while she worked at a wedding dress factory with her mother.
https://cci.pamm.org/exorcism/
03/15/2022
Firelei Báez
"Sans-Souci (This threshold between a dematerialized and a historicized body)", 2015
Acrylic and ink on linen
108 x 74 x 2 1/4 inches
Collection Pérez Art Museum Miami, museum purchase with funds provided by Leslie and Greg Ferrero and Rose Ellen Meyerhoff Greene
https://cci.pamm.org/sans-souci/
03/14/2022
Ebony G. Patterson
"… a wailing black horse … for those who bear/bare witness", 2018
Hand-cut jacquard woven photo tapestry with glitter, appliques, pins, embellishments, fabric, tassels, brooches, acrylic, glass, pearls, beads, hand-cast and hand-embellished heliconias, shelf, and hand-embellished resin owl
144 x 96 inches
Collection Pérez Art Museum Miami, museum purchase with funds provided by Jorge M. Pérez, the John S. and James L. Knight Foundation, and PAMM Ambassadors for African American Art
https://cci.pamm.org/a-wailing-black-horse/
03/12/2022
Daniel Lind-Ramos
Vencedor #2, 1797 (Victors #2, 1797), 2017-20
Steel, aluminum, nails, palm tree branches, dried coconuts, branches, palm tree trunks, burlap, machete, leather, ropes, sequin, awning, plastic ropes, fabric, pins, duct tape, and acrylic
70 x 70 x 33 inches
Collection Pérez Art Museum Miami, the museum purchased with funds provided by Jorge M. Pérez. Photo: Pierre Le Hors.
03/11/2022
Viktor El-Saieh
"Fet Chaloska", 2015-16
Acrylic on canvas
72 x 96 inches
Collection Pérez Art Museum Miami, museum purchase with funds provided by PAMM’s Collectors Council with additional contributions provided by Karen Bechtel, Evelio and Lorena Gomez, Jorge M. Pérez, and Craig Robins
https://cci.pamm.org/fet-chaloska/
03/10/2022
Juan Carlos Alom
"Nacimiento de una tierra (Birth of a Land)", 2010
Gelatin silver prints
10 prints: 15 ¼ x 15 ¼ inches, each.
Collection Pérez Art Museum Miami, promised gift of Jorge M. and Darlene Pérez ©Juan Carlos Alom.
03/08/2022
Kathia St. Hilaire
"Marassa Twins", 2019
Oil-based relief on paper-backed canvas
48 x 60 inches
Collection Pérez Art Museum Miami, gift of Leslie and Michael Weissman
https://cci.pamm.org/marassa-twins/
03/07/2022
Lucia Hierro
"Can I Borrow a Cup of Sugar", 2020
Digital print on brushed suede, foam, and packing peanuts
39 x 38 x 32 inches
Collection Pérez Art Museum Miami
https://cci.pamm.org/can-i-borrow-a-cup-of-sugar-2/
03/05/2022
Monica Hernandez (1995- present)
Dumped
Oil on canvas
48x72
2020
“I would like my art to be honest, transparent, in whatever it is trying to say or do. I want it to be vulnerable and open,” says Monica Hernandez. Monica is an artist based in New York City that continues to expand the power of the Female Gaze through her artworks.
https://affordableartfair.com/inspiration/meet-young-talent-artist-monica-hernandez/
03/04/2022
Kevin Beasley
“Slab VII”, 2019
Polyurethane resin, raw Virginia cotton, altered housedress, altered kaftans, altered t-shirts, stainless steel fasteners
95 1/2 x 76 1/2 x 4 1/2
https://www.artsy.net/artwork/kevin-beasley-slab-vii
03/03/2022
Faith Ringgold
“Groovin’ High”, 1996
Silkscreen
32 1/2 x 44 in
Edition of 425
https://www.artsy.net/artwork/faith-ringgold-groovin-high-10
03/01/2022
Aida Muluneh
“The Wold You Feed (Part Three)”, 2014
Archival Digital Photograph
39 2/5 x 39 2/5 in
Edition of 3
https://www.artsy.net/artwork/aida-muluneh-the-wolf-you-feed-part-three-1
02/28/2022
Galia Linn
“Come With Me V1”, 2019
Mixed Clay, Glazed Stoneware
45 x 36 x 36 in
https://www.artsy.net/artwork/galia-linn-come-with-me-vi
02/26/2022
Kara Walker
“Untitled”, 1996
Cut paper and watercolor on paper
60 x 48 in
https://www.artsy.net/artwork/kara-walker-untitled-60
02/26/2022
02/25/2022
Nabil Nahas
“Red Sea (Large)”, 1993
Acrylic on canvas
49 x 49 in
https://www.artsy.net/artwork/nabil-nahas-red-sea-large
02/24/2022
Mickalene Thomas
“Untitled #2 (Orlando series)”, 2019
43 x 57 in
Edition of 5 + 2 AP
https://www.artsy.net/artwork/mickalene-thomas-untitled-number-2-orlando-series
02/23/2022
52 Walker's second exhibition, "END OF SUBJECT", features the work of Los Angeles–based artist Nikita Gale. Engaged with the history and politics of sound and its surroundings, Gale will present an aurally and visually rich environment in the gallery, complete with light and sound, which calls upon the tacit agreement between the audience and the materials that enable the act of viewing and experiencing.
02/22/2022
Abe Odedina
“Week-end in Boipeba”, 2021
Acrylic on plywood
48 x 65 in
https://www.artsy.net/artwork/abe-odedina-week-end-in-boipeba
02/21/2022
Kerry James Marshall
“Bride of Frankenstein”, 2010
Hardqround aquatint etching
24 1/2 x 19 in
Edition of 50
https://www.artsy.net/artwork/kerry-james-marshall-bride-of-frankenstein
02/19/2022
Awol Erizku
“Tigist”, 2013
Digital Chromatic Print
40 x 50 in
https://www.artsy.net/artwork/awol-erizku-tigist
02/18/2022
David Hammons
“Untitled”, ca. 1969
Enamel on Masonite
36 x 48 in
https://www.artsy.net/artwork/david-hammons-untitled-22
02/17/2022
Jonathan Lyndon Chase
“Hands hands hands hands hands hands 2 hoodies”, 2019
Acrylic paint, glitter, marker on muslin
96 x 72 in
https://www.artsy.net/artwork/jonathan-lyndon-chase-hands-hands-hands-hands-hands-hands-2-hoodies
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COPPER Magazine
is a carefully curated sensory exhibition which uncovers and celebrates the electric, meaningful, and innovative storytelling from artists of color who work within all artistic mediums. The artists we showcase create a counter-narrative through works driven by culture, religion, political views, and identity, building a community of artistic minds capable and willing to challenge homogenized art.
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